The Elements of an Effective Cause Marketing Campaign

Joe Panepinto

February 19, 2016

What makes a great cause campaign? How do you get people to stop bad habits,

adopt good ones, or do something about a societal or health issue that may not

even be on their radar?

In developing the strategy for a recent cause campaign, we took a three-step

approach to considering our options for tone, appeal/approach, and the most

effective elements. The results told us that while there is no magic formula

for guaranteeing an impactful cause campaign, there are five ingredients.

The first step was to analyze what has worked. Every year the Cannes Lions

International Festival of Creativity recognizes the best in advertising and

marketing as practiced around the world. One category is cause campaigns that

the organization calls The Grand Prix for Good. Last year, it included

everything from the lighthearted but effective rail-crossing safety campaign

Dumb Ways to Die to campaigns that called attention to domestic violence (Look

at Me), lack of potable water in Africa (The Marathon Walker), rising fascist

movements (Nazis Against Nazis), and iodine deficiency in Indian women (Life

Saving Dot).

In order to get a sense of the tone and appeal or argument each campaign used,

we plotted the 49 finalists across a number of relevant dimensions on a simple

two-dimensional grid. The x-axis represented tone and ran from whimsical to

threatening ; the y-axis represented appeal or argument and ran from rational

to emotional. We were hoping to see if the campaigns clustered in any of the

four areas of the grid.

Our initial analysis showed that while the campaigns tended to cluster toward

the emotional end, there were a healthy number of campaigns spread across every

area of the grid. Our conclusion? Maybe it s not the appeal/argument of a cause

campaign alone that makes it successful. If they didn t share tone or appeal/

argument, what did they share?

So we looked beyond what the campaigns said to what they did, and we landed on

five elements:

1. Simple and inspiring messaging. What you call your campaign matters. Each of

the campaigns had a compelling, simple handle: Not a Bug Splat for combatting

drone strikes on civilians; The Unforgotten for gun safety; #

ITouchMyselfProject for breast cancer awareness.

2. Strong visual storytelling. Studies show people read only about 20% of today

s web pages and are driven more by an image or short video than they are by a

text-based, fully rational appeal.

UNICEF Chile s One Shot on Cyber Bullying campaign took a dramatic approach to

traditional images of fear and subjugation and added a modern twist. A set of

dramatic black-and-white photos titled Fatty, Nerd, and Weak that

appeared on billboards and in magazines showed groups of teenage students

aiming their smartphones at their peers as if in a firing squad. In one, the

victim is on her knees with her hands behind her head, her back to a firing

squad of her peers.

3. A physical element or exhibit. Despite the importance of digital media,

there s a definite place for including an element that people can experience in

the real world. While those elements of the campaign may be experienced by few,

they can be witnessed by many through earned and social media.

The idea behind The Unforgotten was simple but visually disturbing: Place

faceless mannequins, dressed in the clothes of victims of gun violence, around

the city of Chicago in the exact places where the victims were shot. Curious

people could walk up to each and, once close enough, read the story of the

victim s tragic death.

4. Strong emphasis on social sharing and earned media. The award-winning

campaigns didn t rely on one type of storytelling; they provided multiple media

types designed specifically for what s effective in each social channel.

Dumb Ways to Die was a watershed for cause campaigns in the impact it was able

to make using an infectiously lighthearted animated song. But more than that,

it also invaded every area of social media with digital games, social campaigns

featuring short outtakes from the music video, and even physical items, such

as dolls and stickers of the main characters. Perhaps most powerfully, it drove

people to own the campaign, and express their own creativity, by creating

parody safety videos of the original.

5. Focus on a big issue coupled with a request for a small personal action.

While most campaigns are calling people s attention to a big issue, they need

to ask them to do something small as a next step and a sign of commitment. This

idea is totally consistent with behavior change work being done by BJ Fogg at

Stanford s Persuasive Tech Lab around the importance of tiny habits.

Among the best examples here is the ALS Ice Bucket Challenge, which raised more

than $115 million for ALS research and dominated Facebook newsfeeds for months.

The now-widely-known goal was to get people to dump a bucket of ice water over

their heads, record it, and challenge up to three of their friends to do the

same to raise awareness. Raising funds was the next tiny step, made much more

likely once people were engaged in the cause. Most other campaigns called for a

digital pledge or commitment.

The second step was to get input from the audience. At the same time that we

were analyzing the tone and appeal/argument of the most successful cause

campaigns, we conducted a quick survey of 1,000 consumers to ask them about the

type of cause campaigns they tend to remember. Is it the ones that make them

laugh or that scare them? The ones that present the facts in a surprising way

or a straightforward way?

We found something we didn t entirely expect: sixty-nine percent of the

consumers surveyed told us they are most likely to remember a public service

announcement that presents the facts in either a surprising or a

straightforward way, while only 11% said they tend to remember those that make

them laugh, and 20% said those that scare them.

The lesson for us was that we needn t shy away from the facts just to be funny

or scary; fascinating facts should be the core of the campaign.

Our third step was to validate our findings from the first two steps with

research on the neuroscience of behavior change. Research published in the

Journal of Neuroscience found that anti-smoking ads with strong arguments, not

flashy editing, trigger part of the brain that changes behavior.

With the results of our three-step strategic process in, we felt confident in

recommending a creative approach to our client.

So what s the lesson here for teams dreaming up ways to create a cause campaign

that will have the impact they want? For us, it was simple: our strategy was to

set our sights on creating a public service engagement, not a public service

announcement. That means whether we choose to be whimsical or frightening,

rational or factual, we are going to make sure our campaigns include the five

elements described above, built around the core idea that facts can be

fascinating.

Joe Panepinto is a senior vice president and director of strategy at Genuine

Interactive, a full-service digital agency based in Boston.