_               _                               _  __
 ___| |__   __ _  __| | _____      __ __      _____ | |/ _|     o
/ __|  _ \ / _` |/ _` |/ _ \ \ /\ / / \ \ /\ / / _ \| | |_
\__ \ | | | (_| | (_| | (_) \ V  V /   \ V  V / (_) | |  _|         o
|___/_| |_|\__,_|\__,_|\___/ \_/\_/     \_/\_/ \___/|_|_|
                                     o                         o 
            _                   _           
  ___ _   _| |__   ___ _ __ ___(_)_ __   ___            o            o
 / __| | | | '_ \ / _ \ '__|_  / | '_ \ / _ \
| (__| |_| | |_) |  __/ |   / /| | | | |  __/    o                o       o
 \___|\__, |_.__/ \___|_|  /___|_|_| |_|\___|
      |___/                                  
                                                   created at the
 _                       __                   Shadow Wolf Cyberzine
(_)___ ___ _   _  ___   / /_           workshop seminar WORM Rotterdam
| / __/ __| | | |/ _ \ | '_ \     10 February 2018
| \__ \__ \ |_| |  __/ | (_) |
|_|___/___/\__,_|\___|  \___/   CybEr MiNdcRiMe FoR YoU!
                                                                   

     /\/\/\/\                .      .                 o           
     \______/                      .   ___                  o          
     |______\__                       |   |                    o         
    /  \ \__\__/                   \__|___|__/              _____       
   /  _/     |    ________         __/_____\__             /____ \_____
   /\/\   - /    /       /       _|           |_       ____\___ \_\    \  _____
  /    \___/|   /       /       / |           | \     \        \/_____ | /--_  \_ 
 /         |___/       /_______/__|           |__\_____\        \______/ |- -  \//
/_________/---________/            -----------          \__________----  \ -   /\\
 __________/                                                           \__|___| |/
 /     /                     _________________________      |\    ___--- /     \  \
 \    /                     |                         |     - \ --_____--\  |   |  \  o
  _____                     |       /\      /\        |     \\ | ::_________/   /   \   o
-- _ --\                    |      /  \____/  \       |      \\| --____________/|  /\\ o
/ _-----\      _            |     /   __   __  \      |       \\ ::|        _   \ |\ \\
   / _ _|     /||           |     /            \      |        ----        / \ _/ | \/ \
  /   / |    / ||           |     /            \      |                   / |_\___/ |   \
 |   __/ __ /  ||           |    /              \     |                   \/        | 
 /___/  |:: |  ||           |_________________________|               --__/ O  O     \
/     \_|:: |  //          / _ _ _ _ _ _ _ _ _ _ _ _ _ \              \               \
|   \  \|:: | //          / _ _ _ _ _ _ _ _ _ _ _ _ _ _ \              \__________     \
|    \___ __ //          / _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ \                 /    U       \
 \_______|_-            /    _ _ ______________ _ _ _ _   \               /             
                       /___________________________________\       _|____/__________/    
                                                                  /    /    ___________
                   /////                                  \\\\\   \_|__\___\            
                  /////___                               __\\\\\    |      \            
                 /    ---'                              '---    \           \          
                /    /                                      \    


SHADOW WOLF ISSUE 6 February 12th 2018
This is a special issue of the Shadow Wolf cyberzine -

Most of the content was created in one Saturday afternoon- on the 10th February
of 2018 - during a special cyberzine workshop seminar held at the WORM institute
for avant garde media in Rotterdam.

During the course of the afternoon the participants were introduced into a
brief history of cyberzine BBS culture - were shown how to make ASCII art and
endeavoured themselves into writing and designing the content for this issue.

I want to thank all the participants, it was a great afternoon and your
contributions are much appriciated :)

Here is the example drawing that was made on the beamer during the introduction
briefing, I think the WORM bar did pretty good during the workshop.


                   __________  ___  __________ ___________
                  | #        |     |          |           \
                  |          |     |          |
                   \________/       \_________/
                             /
                            /_______

                            ______________
                       
                     o o     o
                          o
                    _____________
                   /             \
                   |  ______      |
                   | /      \/\__ |
                   |/            \|
                    |            |____
                    |             ___ \
                    |   |   |  | |   ||
                     |           |   ||
                     |           |___//
                     |            ___/
                      }_________+/


The l33t CYBERPUNKS that created this ISSUE:
Z Van Zerval - Dawn Flyerson - Tony Dubshot - 23 - Boris Grishenko - David Vunk
-  Chef Tentaql - Mr.Toasted - The Harminator - Thorn - Freddy Fladder -
Linh Luu & Marvin from Animistic Beliefs - SpaceARP Pete - Sip303 -
Fakshund & PMT from Wellington - SL & DM from Freiburg -

IN THIS ISSUE:

1...... WONDROUS WORMS an indepth look at fascinating worms of the world

2...... DIABOLO IN MUSICA have you ever heard the DEVILS TONE!?!?!

3...... MS20 TINITUS SOUND THERAPY masking your tinitus with synthesis

4...... PACIFIC ARTHICHOKE TACOS Pure Californian pacific freshness

5...... JUST ANOTHER PERL HACKER - Art style coding with Obfuscaded code
 
6...... MAYONAISE WITH DAVID VUNK - David Vunks big mayonaise test

7...... COOKING WITH CREEPS - Some rather obscure recepies

8...... GOPHER TUNNELS - a look at the parralel internet that time forgot

9...... MIGRAINES - Shrooms and the forest

10..... THE AMAZING OPERATIONAL AMPLIFIER - All u need 2 know about OPAMPS

11..... TEA HOUSE - An ASCII ZEN Garden

12..... SAD & LONELY - Some uplifting cyber therapy

13..... LINH LUU COOKING SPECIAL - An ancient secret vietnamese family recepy

14..... FAKSHUND & PMT's beatnik style CYBER POETRY

15..... SIP303'S pensive meanderings

16..... SPACE ARP PETE's ASCII PHONE art

SW


=================================================================================
              

                         _                   
__      _____  _ __   __| |_ __ ___  _   _ ___
\ \ /\ / / _ \| '_ \ / _` | '__/ _ \| | | / __|
 \ V  V / (_) | | | | (_| | | | (_) | |_| \__ \
  \_/\_/ \___/|_| |_|\__,_|_|  \___/ \__,_|___/
                                             
                                             
__      _____  _ __ _ __ ___  ___            
\ \ /\ / / _ \| '__| '_ ` _ \/ __|           
 \ V  V / (_) | |  | | | | | \__ \           
  \_/\_/ \___/|_|  |_| |_| |_|___/  


          _______
         /       \
        /  o   o  \
        \         /       _______________           ________
         \  \_/  /       /               \         /        \
          \      \      /     ______      \       /     _____\
           \      \    /     /      \      \     /     /
            \      \  /     /        \      \   /     /
             \      \/     /          \      \_/     /
              \           /            \            /
               \_________/              \__________/


Because we are doing this workshop in the WORM institute - what better subject to
focus on then WORMS....Worms are exciting and wonderfull creatures.

What do you know about WORMS? Here is some interesting WORM trivia:

LARGEST WORMS

The largest earthworm in the world is the African Giant Earthworm (Microchaetus Rappi)
It can grow as long as 6.7 meters!

But things get even more EXTREME in WORM TRIVIA...

The longest worm and also longest known animal in the world is the Lineus Longissimus -
also known as the bootlace worm. A type of ribbon worm (Nemertea - inverteberate animal)

it can grow to 55 meters !!! (That is around 180 ft. Found in tide pools, muddy beaches,
 shallow seaside pools, rocky intertidal shores, mostly around Great Britian.  Its mucus
is highly toxic and slimey so don't pick it up or eat it if you see it.


Here are some interesting cryptozoological psuedoscientific worms - CRYPTIDS WORMS (that
only exist in folklore and have never been proven to exist or are not yet discovered):

MONGOLIAN DEATHWORM
                                                           ____
             -- _-_ _-_ _-_ _-_ _-_ _-_ _-_ _-_ _-_ _     /__
           :/  |   |   |   |   |   |   |   |   |   | |-._//
           :\  |_ _|_ _|_ _|_ _|_ _|_ _|_ _|_ _|_ _|_|_-
             --  -   -   -   -   -   -   -   -   -

Modest in size this Cryptozooligcal creature (approx. 1.5 meters length) is the Mongolian
death worm which you might be already acquinted with. Supposedly living in the deepest parts
of the Gobi desert where it hides under the sand. Extremely dangerous - touching it causes
instant pain and suffering - it can spray a corroding venom from a distance and some even
say it can spit an electrical discharge. Many expeditions have been undertaken to prove
its existence - all have failed.


MINHOCÃO     _____
            //
         ___\\____-------___                      ________
        /_________  o       -------_________------        ----___          /\
                 /                                               ------___/ /
     \_o_/      /    _____                          _____    ___           /
       \\    __/    /    /    /------________-------     \  /_  ------____/
       / \_  \_____/     \   /___ _                       \___\
       \                  \_______-

More exotic within cryptozooligcal circles is the Brazilian Minhocão. A Worm Lizard
creature of Immense size and fantastic proportions - 20 to 50 meters. It is believed
to live in the deepest not yet explored forests of Central and South America where it
lives in giant trenches and snacks on big animals and humans that dare to enter its
habitational zone.



BEST WORM MOVIE:

DUNE (USA 1984) - based on Frank Herberts 1965 novel directed by David Lynch
Starring Kyle MacLachlan (agent COOP) - Patrick Stewart (Captain Picard of Star Trek
TNG) - the great Bergman actor MAX VON SYDOW -  Sting (don't know if thats a good
thing - though I have a soft spot for the Ben Liebrand mix of Englishman in New York)
and lots of other legendary people.

The movie tells the story about the planet ARAKIS a sand planet with mostly
dunes, in which giant worms roam about - these worms produce the SPICE -
the most precious substance in the universe. The SPICE extends life, expands
conscioussness and makes space travel possible. The SPICE through evolutionairy
mutation - created a guild of space navigators who can fold space - they can
travel throughout any part of the universe without moving.

When it came out in 1984 it was slaughtered by the movie critics - as far as
being nominated for worst movie of the year! "a real mess, an incomprehensible,
ugly, unstructured, pointless excursion into the murkier realms of one of the most
confusing screenplays of all time" What travestry! What LIES!
People that don't understand this movie should go watch Transformers 2 or
Atomic Blonde or something else that is on their primeordeal larval mind level.
I watch DUNE every year, sometimes twice a year and find it completely
understandable.

if you haven't seen it do it now - its 1000000 times better then Star Wars
which is a movie for drooling baby men who secretly jerk off to Disney stuff.

This movie tinkles the mind makes new connections in your brain

THE SPICE MUST FLOW!!!

SW


==================================================================================
 
     _ _       _           _         _                             _           
  __| (_) __ _| |__   ___ | | ___   (_)_ __    _ __ ___  _   _ ___(_) ___ __ _ 
 / _` | |/ _` | '_ \ / _ \| |/ _ \  | | '_ \  | '_ ` _ \| | | / __| |/ __/ _` |
| (_| | | (_| | |_) | (_) | | (_) | | | | | | | | | | | | |_| \__ \ | (_| (_| |
 \__,_|_|\__,_|_.__/ \___/|_|\___/  |_|_| |_| |_| |_| |_|\__,_|___/_|\___\__,_|
                                                                                 
     
    

     


         _           O           _  
        \_\         _|_         /_/             ~~  ~  ~  ~   ~~   ~~~    
          \\      _/   \_      //
           \\___ /   *   \ ___//              ~  ~  ~ ~ ~   ~ ~   ~ ~~ ~
            \___    \ /    ___/
^ ^ ^           \ <*> <*> /                 /  \   \  /   \   \   /  / \/
| | |            \   ~   /                  \   /    /   \   //   \  /   /
| | |          _/ \ ___ / \_               /  /   /  \  /   \   \  //   \
\ | /       __/    \^^^/    \__           /  \ /  /\ \   /    /  \  / / /\
 \|/       /        \^/        \         \  \  /  \ \ \/  / / /\// / /   /
  |       /          ^          \        /\ // \ / //  | \/ \/\ / \/  \\ / \
  |      /  /\               /\  \      /\/ / / | //\/\/  // || \  \ \ //\\/\
  |     /  /  \     666     /  \  \
  |    /  /    \           /    \  \
  |   /  /      \         /      \  \   
  (|B/  /        |       |        \  \
  (|B _/        /         \        \  \                       
  (|B/         |           |        \  \       
   |          /             \        \_ \_
   |         |               |         \  \
   |                __________________//\\\\__________________
   |               |\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\   
   |                \\ o o o o o o o o   ****  \ \ \ \   %%%%%% \
   |                 \\__________________________________________\
   |                  \|__________________________________________|                                                      

Diabolo in Musica is not the title of an Italo tune or a B-movie. It's a combination of two notes that you can play on any keyboard. For example if you hit a C-note and a F#-note at the same time, you get the TRITONE a.k.a. the DEVIL's tone a.k.a. the DIABOLO IN MUSICA. Altho the sound of the tritone is perhaps a little bit ruff on the ears ~ at least when compared to other tonal combinations ~ it will definitely not do the same thing for you as spinning Led Zeppelin records backwards during a messy seance. The tritone is quite harmless from an eschatological point of view, and very useful for funky harmonies and jazzy chords with a bite. Even J.S. Bach used it all the time. So why did the tritone get a really bad rep? 

Blame the ancient Greek cult-leader Pythagoras, and the Christian Church. The ancient Greeks were really obsessed with harmony and they also wanted to create THE PERFECT STATE. The influential whole number ratio fetishist Pythagoras thought it would be a good idea to control people's minds with music played in certain scales. By playing only the 'legal' harmonies, and making other harmonies illegal, or even SINFUL, he started a war against the tritone. The Church picked up on this and started it's own crusade against the tritone. For ages, the harmonic theory of the Western culture was based on the principle of tritone avoidance. How strange.

If you want to know more about the history of musical mind control using musical scales and harmonies check out this free book by Richard Merrick called INTERFERENCE. It's pretty deep, revealing all kinds of secrets of the universe and throwing in conspiracy theories, entheogens and what have you.

by tony dubshot // dubbhism.org




=================================================================================




By Dr. Z. van Zerval - ASCII art by SL & DM

               ____   ___    _   _       _ _                       
 _ __ ___  ___|___ \ / _ \  | |_(_)_ __ (_) |_ _   _ ___           
| '_ ` _ \/ __| __) | | | | | __| | '_ \| | __| | | / __|          
| | | | | \__ \/ __/| |_| | | |_| | | | | | |_| |_| \__ \          
|_| |_| |_|___/_____|\___/   \__|_|_| |_|_|\__|\__,_|___/          
                                                                   
                           _   _   _                               
 ___  ___  _   _ _ __   __| | | |_| |__   ___ _ __ __ _ _ __  _   _
/ __|/ _ \| | | | '_ \ / _` | | __| '_ \ / _ \ '__/ _` | '_ \| | | |
\__ \ (_) | |_| | | | | (_| | | |_| | | |  __/ | | (_| | |_) | |_| |
|___/\___/ \__,_|_| |_|\__,_|  \__|_| |_|\___|_|  \__,_| .__/ \__, |
                                                       |_|    |___/

                                                 _________
                                              _/        \__ \
                                           </////          \ \
    _____________________                 </_  _  _____     \ \\   
   /                     \               </  \/ \/      \    | |\  
   |   I feel so much    |               /      |        \       |
   |   better now !!!    |              |                  //   \
   |                     \              ______ ___________||     \
   \______________________\            |*    /-\     |    \\     |
                                        \___/   \____/     \\   ,/
                                             /              \\_,/
                                         |  /                   /
                            ______       |  \_                 /
                           /      \       \   _____       /__ /
                ________  / _      \       |  \LLL/      /    \
               /       /\/ / \  ____\       \           /      \
              /       / / /  / /      \      \____              \
              /       / : .\     \      \          \              |\_____
            /       / o . .\     \      \    _____/_____________/       \
           /       / o o  . \_____\      \  /    /                       \
          /       / o o  .  /_____/\      \/    /                        /
         /       / o o  .  /---__/  \          /               /        /
        /       / o o o   /---__/    \        /               /        /
       /       /o o      /---__/      \      /               /        /
      /       / o       /---__/        \___ /               /        /
     /       /     o   /---__/             /               /        /
    /_______/ o o     /---__/             /               /        /
   |        \        /---__/     ____---------------------        /
   |         \      /---__/   ------- \                          /
   |          \    /---__/   -----     \                        /
   |           \  /---__/       --------\______________________/
   |            \/_____/
   |                  /
   |_________________/               

Tzzzssshxhchxhcpiiiiiii, the sound of tinnitus, a debilitating but all-too- common
condition whereby the tinnitus-sufferer – also known as the Tinutee – hears a
permanent non-auditory internal buzzing, hissing or ringing, with the capability of
bringing them to the brink of madness. This condition is far too common nowadays,
affecting 1 in 10 people, including yours truly. Tinutees inevitably have to face
the gulf of quietude, the abyss of hush, the evil of Silence, at one point or another.

Thankfully there are some DIY noise therapy tricks to ease the racket in your
eardrums. Mindful that each person may experience tinnitus differently, I will
share my own personal anti-tinnitus remedy, created with the mighty MS-20. It combines pink and white noise, white letting through a very subtle high-frequency tone.
It also emulates the North Sea wind to soothe not only the ears but also the soul.
You can of course adapt these settings to soothe your own condition: A different
frequency for the 2nd oscillator (that does the beep), the filter cut off to
find the right "tinitus masking" sweetspot.


VCO1 --------------------> NOISE
PW ----------------------> 0
Scale -------------------> ANY
Portamento --------------> 0
Master Tune -------------> 0

VCO2 --------------------> SAW TOOTH
Pitch -------------------> +2
Scale -------------------> 2'

VCO MIXER
VCO1---------------------> 8
VC02 --------------------> 3

FREQUENCY MODULATION ----> All on 0
EXCEPT LPF ------>5

HPF ---------------------> 7
HPF PEAK ----------------> 6

LPF ---------------------> 6
LPF PEAK ----------------> 6

MOD GEN -----------------> Middle (square/triangle)
FREQ --------------------> 0 (for the slow wind)

ENV GEN 1 ---------------> All on 0
ENV GEN 2 ---------------> All on 5

PATCHES
Pink noise ------ connect -------> EXT SIGNAL IN

Don't forget to hold/latch any key !

dr. Z van Zerfal

====================================================================================



                  _  __ _                                           
 _ __   __ _  ___(_)/ _(_) ___                                      
| '_ \ / _` |/ __| | |_| |/ __|                                     
| |_) | (_| | (__| |  _| | (__                                      
| .__/ \__,_|\___|_|_| |_|\___|                                     
|_|                                                                 
            _   _      _           _          _                     
  __ _ _ __| |_(_) ___| |__   ___ | | _____  | |_ __ _  ___ ___  ___
 / _` | '__| __| |/ __| '_ \ / _ \| |/ / _ \ | __/ _` |/ __/ _ \/ __|
| (_| | |  | |_| | (__| | | | (_) |   <  __/ | || (_| | (_| (_) \__ \
 \__,_|_|   \__|_|\___|_| |_|\___/|_|\_\___|  \__\__,_|\___\___/|___/
                                                                    
                                                   ___
  A recepy from Dawn Flyerson                     |   |
                                                   | |
       /'''\                                       | |
      /     \              ________ __            /   \
    /\/\/\/\/\  /\   _____/  ______/_ \          |     |
   /\/\/\/\  __/  \/\ ______/        \/___/`\    |     | \_
    /\\//\\/\ _\ _/__/                     \_/   |     | / \
     \   /\ /__\/           .  .    .   .    \_  |     | \  \
       \___ //     .      .      .    .   .    \ |     |  \  \__
           \\\    .     .     . .     .  .  .  / |     |   \____-
            \_\_______________________________/   -----
 

2 Jars/Cans of Grilled Artichokes
Garlic
Onion Powder
1 Tablespoon of Celery Flakes

Hard or soft Taco Shells

Olive Oil

Iceberg Lettuce

Tabasco or other hot sauce

5 Tomatoes
3 Limes
3 Onions
1 or 2 Jalapeno Peppers
Fresh Celantro
Salt

Squeeze/Juice the 3 Limes

Cut the Tomatoes and onions in small cubical pieces. Slice the
Jalapenos in thin slices. Tear the Celantro in small pieces.
Mix all in a bowl, add salt and the lime juice. Stir.

Drain the Artichokes so all the can/jar oil goo is gone and cut
up/sqeeuze the garlic. Fry the Artichokes and Garlic in a bit of oil for
a few minutes. Add salt, Onion Powder and Celery Flakes - Stir.
Warm Taco shells in oven or microwave

Fill taco shells with fried artichokes, iceberg lettuce and the
Tomato Onion Celantro Lime mixture. Add aome tabasco.

For a truly pacific taste experience serve before or after Vietnamese soup



 ====================================================================================



   __            _                       _   _            
   \ \ _   _ ___| |_    __ _ _ __   ___ | |_| |__   ___ _ __
    \ \ | | / __| __|  / _` | '_ \ / _ \| __| '_ \ / _ \ '__|
 /\_/ / |_| \__ \ |_  | (_| | | | | (_) | |_| | | |  __/ |
 \___/ \__,_|___/\__|  \__,_|_| |_|\___/ \__|_| |_|\___|_|
                                                          
   ___          _   _                _                    
  / _ \___ _ __| | | |__   __ _  ___| | _____ _ __        
 / /_)/ _ \ '__| | | '_ \ / _` |/ __| |/ / _ \ '__|       
/ ___/  __/ |  | | | | | | (_| | (__|   <  __/ |          
\/    \___|_|  |_| |_| |_|\__,_|\___|_|\_\___|_|


by Boris Grishenko


Among the ancient mongers of the Cult of Perl there is a long-standing tradition
of writing computer software so unreadable by the human eye that it has turned in
to an art-form.

Called 'Obfuscaded Code', these programs are a form of net-art that can have many
aesthetic qualities that separate them from other paradigms such as esotheric
programming languages like the Brainfuck interpreter - where the entire program
is written using only 8 different characters: ><+-.,[] - or Malbolge (the 8th
circle of hell) - which was specifically designed to be almost impossible to use.

A simple example of such a program is the following:

$_ = "wftedskaebjgdpjgidbsmnjgc";
tr/a-z/oh, turtleneck Phrase Jar!/; print;

Which actually writes: Just another Perl hacker,

This can go even a step further, where the entire code initially looks like
a character-based ASCII-drawing. Secretly these drawings can run as a program and
sometimes output something completely different than what they on the surface
seem to represent.

You can try to run the following pieces of 'ASCII-artcode' using the standard
Perl interpreter. - just copy the entire drawing to a textfile and run in a
terminal using ~$ perl textfile

Or you can always appreciate their intricate visual representation.



                                                for  
                                               ($k  =
                                              1.2  ;$k
                                                >-   
                                   1.2 ;$k-=(2.4     )/40){
                                    for                   ($j=-2.1
                              ;$j <.7                        ;$j  
                               +=2.8                         /100)
                              {($x,                           $y,  
             $i )=($j,       $k,                                0);  
             while  (sqrt(   $x**                              2+$y 
           **2)          <2 &&                               $i<200)
      {($x ,$y            )=(                                $x**2
 -$y**                    2+                                 $j,2 
       *$x*$y           +$k )                                ;$i++
             ;}      print  ($i                               <12?(
             $i <4?($i       <2?                               '#': 
                              '%'):                            ($i
                               <8?'&'                        :'*'
                              )): ($i<50                    ?($i
                                    <20?                  '+':'-')
                                   :(  $i<80?','      :($i<
                                                 190
                                              ?'.':' ')
                                             )))      ;}   
                                                print"\n"
                                                  ;}



      $LOVE=               AMOUR.
    true.cards.        ecstacy.crush
  .hon.promise.de    .votion.partners.
 tender.truelovers. treasure.affection.
devotion.care.woo.baby.ardor.romancing.
enthusiasm.fealty.fondness.turtledoves.
lovers.sentiment.worship.sweetling.pure
.attachment.flowers.roses.promise.poem;
 $LOVE=~ s/AMOUR/adore/g; @a=split(//,
  $LOVE); $o.= chr (ord($a[1])+6). chr
   (ord($a[3])+3). $a[16]. $a[5]. chr
    (32). $a[0]. $a[(26+2)]. $a[27].
      $a[5].$a[25]. $a[8].$a[3].chr
        (32).$a[29]. $a[8].$a[3].
          $a[62].chr(32).$a[62].
           $a[2].$a[38].$a[4].
               $a[3].'.';
                 print
                  $o;


                    '% * % % * % %<>
               * % ~ * % % * % * * % *      *
       * % % * *   % * % *<> * % ~   % % % * %
     *  * * % * % % % % * % % % % % % * % % * %
     % * % % ^ * % % % % *[] % % * * % * * % %  %
      % * %   % % % % % * * % * * @ *   @ % * % %
    % ^ % * % * % * * % % * %  <> % % % % * % %() %
  % % * * * % % * % % * * % * * * * % * * % % * * *
   %   * * * % % * % % *[]<> % % % % * % * * * % % *<>
 % * *  % % % * * % * * * \ * %\ * * *   %/ \ # % * *
  % % % *\ * /\ * *// %  %\ <>\ // % %/ % \// % * %
    * * *\ \|| \ \/ / % %// \ \ *\ /<> %//  %// % %<>
   * % * %\  \  |   | ||// % || //  \// % // * * * %
   %{} %  * ----\   \ | /   %||//   /  ---/ / * % % *
     % *  *\ ____\   \| |    /  /  /   /----/ * %
            \ ----\     |   /   //    /
                   \     \ /        /'
                    =~m/(.*)/s;$_=$1;
                     s![-\\|_/\s]!!g
                       ;%e=('%',0,
                       '^',132918,
                       '~'=>18054,
                       '@'=>19630,
                       '*' =>0b01,
                       '#'=>13099,
                       '[]'=>4278,
                       '<>'=>2307,
                       '{}'=>9814,
                       '()',2076);
                       for $a(keys
                       %e){$e{$a}=
                       sprintf"%b"
                       , $e{$a};}
                     $y= qq{(}.join(
                     '|',map "\Q$_\E"
                   ,keys %e).qq{)};s/$y
              /$e{$1}/gex;print pack"B*",$_;



Boris Grishenko



====================================================================================


                        
 _       _                        _   _                   _
(_)_ __ | |_ ___ _ __ _ __   __ _| |_(_) ___  _ __   __ _| |
| | '_ \| __/ _ \ '__| '_ \ / _` | __| |/ _ \| '_ \ / _` | |
| | | | | ||  __/ |  | | | | (_| | |_| | (_) | | | | (_| | |
|_|_| |_|\__\___|_|  |_| |_|\__,_|\__|_|\___/|_| |_|\__,_|_|
|                          |                          .    '
.                          .             _                 |
 _ __ ___   __ _ _   _  ___  _ __   __ _(_)___  ___   .    
| '_ ` _ \ / _` | | | |/ _ \| '_ \ / _` | / __|/ _ \       .
| | | | | | (_| | |_| | (_) | | | | (_| | \__ \  __/       
|_| |_| |_|\__,_|\__, |\___/|_| |_|\__,_|_|___/\___|       .
                 |___/                                     
                _                          _ _   _         
 _ __ _____   _(_) _____      __ __      _(_) |_| |__      
| '__/ _ \ \ / / |/ _ \ \ /\ / / \ \ /\ / / | __| '_ \     
| | |  __/\ V /| |  __/\ V  V /   \ V  V /| | |_| | | |    
|_|  \___| \_/ |_|\___| \_/\_/     \_/\_/ |_|\__|_| |_|    
                                                           
     _             _     _                     _      .     
  __| | __ ___   _(_) __| | __   ___   _ _ __ | | __       
 / _` |/ _` \ \ / / |/ _` | \ \ / / | | | '_ \| |/ /      
| (_| | (_| |\ V /| | (_| |  \ V /| |_| | | | |   <       
 \__,_|\__,_| \_/ |_|\__,_|   \_/  \__,_|_| |_|_|\_\ 
 
                                                                            
                                      ______________                          
               _------_              |______________|
             _-        -_             |            ||
            /            \            |  B E L G O |
           / #            \           |            |.
           |______________|           |  N A I S E |
         -|                |-         |  _ _ _ _   |.
        | |                | |        \ / | | | |__/_
         \| _____/   \____ |/           \_________--'
           |      | |     |               |    |    
           |      ---     |               |    |   .
           |    ______-   |               |    |
            |     --     |                |    |   .
            /\          / \               |     |  
           /   \______/    \              |     | 
 _________/                 \__________  /       |
/                                      \/        |
              
An in depth look at Belgium style mayonaises written by legendary Rotterdam
artist DAVID VUNK! Let's go David:

Calve Belgian Mayonaise.
A nice 0,5 liter glass jar with written on the label: the real belgium taste.
It has indeed the real belgium sour taste what is typical for belgium mayonaise
This is one of my top favorites
I give it 5 stars. *****

Devos Lemmens with extra eggs.
Handy glass jar 0,35 liter. This is a dutch taste sweet mayonaise.
And because the extra eggs is it super creamy. D&L also has other mayonaise. That
is really worth a try. Vunk total Brand tip!
I give it 4 stars. ****

Remia frites saus 5 % fat.
Stand alone tube for easy use. Healthier then most mayonaise ofcourse because the
low fat. It still has some mayo taste.  So if you struggle with your weight ;) This
was my mothers tip to me.
I give it 2 stars. **

Mad Sauce the original.
This is a French fries sauce, I a nice stand alone 0,5 liter tube, with cool
coloured label artwork. This is a 1 on 1 copy of the well known Mac Donalds fries
sauce and also the favorite of my nephew Shane he is 9 years old.
I give it 3 stars ***

Van Wijngaarden’s Zaanse mayonaise.
This super fast tube 0,17 liter Zaanse mayo is a class on it’s own. The secret
recipe by uncle Teun van Wijgaarden since 1950.  It has the taste sunflower oil
or something and has a smooth glitchy texture. Only available in The Netherlands.
So if you are in the Netherlands. Go for it at the nearst Supermarket.
I give it 5 and a half stars ***** 1/2

Boni Recett Belge with lemon and free-range eggs
A very obscure brand from Belgium, that I brouhgt at a nightshop in Leuven for
only €1,69. Half a liter stand alone tube. Artwork on the label is not so nice
and even more boring with a big lemon on it☺. But when we talk about the taste
of the mayonaise. It was not what I expected. IT was super sweet. I think they
put some sugar in it. I like it a lot because it’s different with the sweet.
A secret tip from the vunkinator!
I give it 4 stars. ****

So now we end up with the final question? : why is belgium mayonaise beter
then other Mayonaise?
The typical Belgium taste is about the sour taste because they put more lemon
in the mixture. If you compare it with other mayonaise countries like germany, 
Spain, Italy and belgium. But belgium mayonaise is not beter its different.

Most Dutchies like mayonaise without the sour taste of lemon. Also I have here
Boni belgium mayonaise (not in the review) that doesn't have the soure taste.
 So you never know before you tasted it!

My final tip! go into dark strange nightstores and supermarkets all over the
world and go for the unknown brands. Try them and find out what works for you
best! I wish you good travels on the big journey of mayonaise!

---
Thanks David! If you are not familiar with his DJing check out this cool
mix from him here.

Some places you can see David Vunk play the coming months:

18-02 Nantes Macadam
23-02 Groningen Oost
24-02 The Hague The Crave warehouse
03-03 Amsterdam Shelter b2b all nite w/Skatebard
09-03 Bombay India
11-03 Bangalore India
16-03 Utrecht Tivoli PabloDiscoBar
24-03 Amsterdam Het Sieraad
30-03 Rotterdam Bar The Taste of David Vunk
31-03 Nijmegen Café de Plak
06-04 Amsterdam Claire
07-04 The Hague Whoosah Beachclub

VUNK Fact sheet:
favorite ITALO record: Brian DI.X.O
Favorite movie Cruising and Fortress of War
Favortite Synth: SH101
Favorite airline: KLM - Card status: Plutonium
Favorite Obsolete Computer - VIC 20 but MSX Sony Hitbit
Favorite FX processor - Microverb II
Favorite Sequencer: Ableton and SH101 sequencer
Favorite ACID record: SP23 SGURD EKAT



=================================================================================


   ____   U  ___ u   U  ___ u   _  __                _   _     ____  
U /"___|   \/"_ \/    \/"_ \/  |"|/ /       ___     | \ |"| U /"___|u
\| | u     | | | |    | | | |  | ' /       |_"_|   <|  \| |>\| |  _ /
 | |/__.-,_| |_| |.-,_| |_| |U/| . \\u      | |    U| |\  |u | |_| | 
  \____|\_)-\___/  \_)-\___/   |_|\_\     U/| |\u   |_| \_|   \____| 
 _// \\      \\         \\   ,-,>> \\,-.-,_|___|_,-.||   \\,-._)(|_  
(__)(__)    (__)       (__)   \.)   (_/ \_)-' '-(_/ (_")  (_/(__)__) 


                           _____    _   _                            
 __        __     ___     |_ " _|  |'| |'|                           
 \"\      /"/    |_"_|      | |   /| |_| |\                          
 /\ \ /\ / /\     | |      /| |\  U|  _  |u                          
U  \ V  V /  U  U/| |\u   u |_|U   |_| |_|                           
.-,_\ /\ /_,-.-,_|___|_,-._// \\_  //   \\                           
 \_)-'  '-(_/ \_)-' '-(_/(__) (__)(_") ("_)   

                      
   ____    ____    U _____ uU _____ u  ____     ____                 
U /"___|U |  _"\ u \| ___"|/\| ___"|/U|  _"\ u / __"| u              
\| | u   \| |_) |/  |  _|"   |  _|"  \| |_) |/<\___ \/               
 | |/__   |  _ <    | |___   | |___   |  __/   u___) |               
  \____|  |_| \_\   |_____|  |_____|  |_|      |____/>>              
 _// \\   //   \\_  <<   >>  <<   >>  ||>>_     )(  (__)             
(__)(__) (__)  (__)(__) (__)(__) (__)(__)__)   (__)       



By Chef Tentaql

Looking for food inspiration? Stop scrolling through instagram and check out
our recommendations of delicacies from all over the world. We have some food
experience for you that are truly one of a kind. 



               _____  
              /     \
             ( O   O )
             (  >O<  )
              \     /_____
              /     \      \
  ____________(            )____________<O _________<O_______<O_______    
              \ / \ \____\ /            ( )<        ( )<     ( )<     
             /_/   \_\    \_\            A           A        A
 


KIVIAK

This is a traditional Inuit wintertime food from Greenland. Capture a few little
auks, about 500 will do (make sure you get this type of bird, others might not
ferment well and bring fatal consequences!!!). Capture a seal, empty the seal, and
stuff the birdies in the remaining skin. Bury your creation for three months. Make
sure to mark your buried meal with many rocks so you can find it again!!


          
           ___
         _/   )          
       _/      )         
     _/         )
   _/            )         ~
 /________________)            ~
|       o ~     o  )    ~
|~  O  ~      o    )       ~         ~
|    ~      ~   ~  )    
|     ~   O   O    )       ~    ~
|_~__o______~____~_)         ~



CASU MARZU

Hailing from Sardinia, this is a special Pecorino cheese made soft and creamy by the
hard work of thousands of maggots living inside the cheese. The cheese is best eaten
with the maggots still living inside, but be careful! They like to jump (up to 15 cm
distance). Make sure you cover your sandwich with your hands so the buggers don't
escape!





=================================================================================



   ___            _                 _____                        _    
  / _ \___  _ __ | |__   ___ _ __  /__   \_   _ _ __  _ __   ___| |___
 / /_\/ _ \| '_ \| '_ \ / _ \ '__|   / /\/ | | | '_ \| '_ \ / _ \ / __|
/ /_\\ (_) | |_) | | | |  __/ |     / /  | |_| | | | | | | |  __/ \__ \
\____/\___/| .__/|_| |_|\___|_|     \/    \__,_|_| |_|_| |_|\___|_|___/
           |_|                                                        

by Mr Toasted


        /@\_,_/@\
       {         }
       ( o ) ( o )
      /          \
    \/     {-}    \/
    -   } _____ {  -
    /\_   |_|_|   /\
      \_____,____/
      /          \


In the early days of the internet, when the World Wide Web and its HTTP protocol
where not the global standard for going online yet, there was a little war for
competing standards going on between computer scientist.

One such alternative to 'the Web' was the Gopher protocol, which was released in
1991. Instead of using the well known 'hyperlinks' of the webpages it uses a
menu-like interface where each page lists an index to other pages or documents.
A page is just a location on a server, so it can also link to pages/indexes on
different networks.

The protocol was particularly suited for text-based computer terminals that
where still used a lot at that time and its use was much more similar to the old-
style BBS like information-systems. This used much less bandwidth than the heavy
http-style webpages. Like http, the amount of sub-links within gopher is
virtually limitless and in its form it represented a kind of underground network
of tunnels between servers.

                                 \ o /
      o o      oo o              {   }                     o
______|_|______||_|_____\/______/~~~~~\_______\/_____\/____|___
~  ~ ` o  ~ `   ~  ~ `  ~   __  \     | ~  ~  ~  ~  ~  ~  ~  ~
  __--__    `  o  `   .----/  \ ~\     \  `  ~  ~ `   ~ {]   ~
 /      \---. ~ `  ~ /    {    | ~|    |   ~  `   ~  `  `  ~
|        }   \______/   .--\__/~ ` \    \  ~   ~  o  ~   ~ ~
|        /--.          / `  ~   ~  /    /  `   `   ~   ~  ~  ~
 \__  __/  ~ \______   \  ~   ~  `/    /  ~  ~   ~  ~    ~  o
    ''    `  ~ ~  ~ \   \________/    / ~ ` ~ __----__ `  ~  ~
~ ~    ~ `  _--__  ` |               /       /        \ ~  `  ~
 `   ~   ~ /     \--./  _________    \__.---/  ,,      | ~  ~ `
~  ~  ~ ` |       }    / _______ \         {==[..]     |` ~  ~
  `   [}   \_  __/---./.'_/_|_\_'.\______.--\ \''/    /~   ` ~
 ~  ~ ` ~    '' ~  `   \`\  |  /`/ ~  ` ~ ~  \__   __/  ~   ~
~   ~   `  ` ~ ~  ~~ `  `\\ | //' ~  ~   ~~ ` ~ ''' ~  ~ ` ~  `
  o  `   ~ ~  `  ~   ~  ~ `\|/`   ~   ~ o  ` ~ `  {]   ~  ~  `
`  ~ ~  ~  ` ~~  o  ~  ~   ~    ~ ~~  ~  `  ~  ~   ~  `     ~
 ~    `  ~  ~   ~   `   ~   ~   `  ~  ~  ~   `  ~   ~  ~  `   
 

For your convenience I have prepared a conversion of the Shadow Wolf Cyberzine
that you can view by pointing your favorite gopher-client to gopher://mrtoasted.com

On MacOS, Linux and associated operating systems there is the terminal-
based 'Lynx' browser. There is even a port of this program for the Amiga!





==================================================================================



           _                 _                
 _ __ ___ (_) __ _ _ __ __ _(_)_ __   ___  ___
| '_ ` _ \| |/ _` | '__/ _` | | '_ \ / _ \/ __|
| | | | | | | (_| | | | (_| | | | | |  __/\__ \
|_| |_| |_|_|\__, |_|  \__,_|_|_| |_|\___||___/
             |___/                            
                              (
     .                  .           .               .           .                       

          .         .        .          .     .        .    _       .     .
                                                           / \
              .        .          .        .        .     @   \
         .                                                    / ____
by 23             @      /\                      /\           \/ \\\\   /\
           /\      \___    \  /\     /\ /\   /\        __    __\       /  \   /\
   /\     /  \     / \\\     /  \ /\/  \    /  \      (  )  /// \______      /  \
   /\    /_  _\   /____          /  \               _(    )______\ \\\\\     /  \
  /  \    /  \___/  \\\\                          _( .  . /////  /  .  .    /    \
  /  \   /   ////\  . )_                        _( .   .  .     /_____  . . /    \
 /    \ /      \ / . )  )    ||  ||  |||  ||  _( .   .   .     /  \\\\\    /      \
       _____   _/ ___ . .)   ||  ||  |||  || (     .   .   .   \ .  . . .  /      \
\\/   /o  o \///\/ \\\ .   )                (  /\    .    . ____\ .  .     /      \
 |__/ \_o___/    \___    .  )_     ____      (/  \  .   .  //////      .   /      \
_\      //   ____| \\\ .    . )   (._._)     /    \   .   .    /___       /        \
 /  \/ //   ///  \       . . . )    ||      /      \   .   .   \ \\\      /        \

Some mornings I wake up with horrendous pain in the left lobule of my head
and when it happen i just could not process any information, when the migraine finish seems like  I just came back from war my brain feels distorted and molten.
Sometimes to pale the pain I do microdosing of certain kind of shrooms that I colect in the forest near by, one of the last oasis in this gray area.
I collect them when the third moon arise in the opposite side of the black moon.
But today something else happend, some kind of information was awakened,my neurons started to deal with it in different way , I felt like if a little mollusk was crawling in the low part of the brain crawling to the upper part.

I disconected.

Some hours latter I just could move my eyes.
I was reset and everything that I tougth that I was, I had never been.

23




=================================================================================



--.--.--.--.--.--.--.--.--.--.--.--.--.--.--.--.--.--.--.--.--.--.--.--.--.--.--.
 
___       ___                    __         __              __
 |  |__| |__      /\   |\/|  /\   / | |\ | / _`            |  \__      
 |  |  | |___    /~~\  |  | /~~\ /_ | | \| \__>       _____| __  \__                      
                                                           |        \__             
 __   __   ___  __       ___    __                         |           \__            
/  \ |__) |__  |__)  /\   |  | /  \ |\ |  /\  |            |              \______           
\__/ |    |___ |  \ /~~\  |  | \__/ | \| /~~\ |___         |            __/              
                                                           |         __/
            __          ___    ___  __                _____| -|-  __/
 /\   |\/| |__) |    | |__  | |__  |__)                    |   __/
/~~\  |  | |    |___ | |    | |___ |  \                    |__/


_._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._


T H E   B U I L D I N G   B L O C K    O F   A N A L O G   S Y N T H E S I Z E R S

By The Harminator.

If you want to understand how an analog synth works, you need to know about 
operational amplifiers, or op amps for short.

Operational amplifiers were developed for analog computers to perform mathematical 
operations. That's right, before digital computers there were computers based on 
analog mechanisms based on mechanics and hydraulics. The oldest know analog computer
is the Antikythera mechanism, a computer that could predict astrological positions 
and eclipses decades before they occured. The mechanism is dated around 100 BC.

Nobody knows how it really works.

___________________________________________________________________________________

___________________________________________________________________________________

___________________________________________________________________________________

__________________ ________ _______________________________________________________
_______________ __/        \__
____________ __/              \__
___________ /      __            \
__________ /         \            \
_________ |       \__/             |
_________ |		  ___      |
_________ |	             \     |
_________ |		      \    |
___________\		\     /   /
____________\            \___/   /
_______________\               /
__________________\_________/______________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________


In more recent times analog computers were used to calculate trajectories of guns 
and rockets in both the world wars. For instance the V2 rocket flight path was 
calculated using an analog computer.

The early analog computers also used electrical 'mechanisms': operational ampli-
fiers made with vacuum tubes. When digital computers took over in the 1950s, 
analog computers where hardly used, but the op amp turned out to be the most 
versatile electronic component. 

The op amp is built from different electronic components itself, but has a parti-
cular behaviour that can be used to create many different electronic functionalies:
it can amplify electronic signals, compare signals, invert them etc.

In the late sixties op amps came onto the market in an integrated circuit package,
a chip basically, and the modern synths were being created by the Bob Moogs of this 
world.

The most prolific op amp, the μA741 by Fairchild Semiconductors, was created in 1968 
and is still in production today.

___________________________________________________________________________________
                                                                                   
_______________________________________________________ ____ ______________________
                                                    ___/    \                      
                                               ____/         \  ___________________
                                          ____/               \                    
                                     ____/             _       \ __________________
                                ____/                   |       \                  
                           ____/            ___  |  |   |        \  _______________
                      ____/                |   | |__|_  |         \  ______________
                     /                __       /    |  _|_         \  _____________
                    /                |  |     /     |               \  ____________
                   |\                |__|    |                      /| ____________
                   | \         |  | _|  |_                     ____/ | ____________
                   |  \        |__|                        ___/      | ____________
                   \   \       |                      ____/    ___   / ____________
                    \   \                        ____/        /   \_/ _____________
                     \   \                  ____/    ___   ___\    \ ______________
                      \   \            ____/        /   \_/____\   | ______________
                       \   \      ____/    ___   ___\    \ ____|   | ______________
                        \   \____/        /   \_/____\   | ____|___/_______________
                         \  |    ___   ___\    \ ____|   | ________________________
                          \ |   /   \_/____\   | ____|___/_________________________
                           \|___\    \ ____|   | __________________________________
                                 \   | ____|___/___________________________________
                                 |   | ____________________________________________
_________________________________|___/_____________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________



=================================================================================



A virtual Japanese Zen Garden by Thorn:

 _____                                       
/__   \___  __ _    /\  /\___  _   _ ___  ___
  / /\/ _ \/ _` |  / /_/ / _ \| | | / __|/ _ \
 / / |  __/ (_| | / __  / (_) | |_| \__ \  __/
 \/   \___|\__,_| \/ /_/ \___/ \__,_|___/\___|
                                             

                 _
             __/   \__
            /         \           @_______O_______@
            \   /  \   /         @_____O_____O_____@
           /           \        @___O___________O___@
           \           /       @__O_______________O__@
            /  \   /   \      @_O___________________O_@
            \___    ___/         [__]_[__]_[__]_[__]
                \__/             [_]_[__]_[__]_[__]]                  /\/\
             \_ | |-             [__]_[__]_[__]_[__]         ________/- -/  
               \| | \            [_]_[__]_[__]_[__]]        /           /                                | | /            [__]_[__]_[__]_[__]       / ||       ||                                 / \                                          ||       ||
                             
                        


                                                                   by thorN




===============================================================================




               _    ___     _                  _           
 ___  __ _  __| |  ( _ )   | | ___  _ __   ___| | ___ _   _
/ __|/ _` |/ _` |  / _ \/\ | |/ _ \| '_ \ / _ \ |/ _ \ | | |
\__ \ (_| | (_| | | (_>  < | | (_) | | | |  __/ |  __/ |_| |
|___/\__,_|\__,_|  \___/\/ |_|\___/|_| |_|\___|_|\___|\__, |
                                                      |___/


      Everyone gets lonely sometimes, but it's hard to cope when feelings of
 worthlessness and loneliness persist. You may begin to lose hope for the future
and find it hard to enjoy any aspect of life. Perhaps you've tried and failed to
  find solutions, and you worry that you'll continue to feel this sad forever.

       Am I always going to be sad and lonely with a fake smile on my face?                          
                                     _            
                                    (_)           
                      ___ _ __ _   _ _ _ __   __ _
                     / __| '__| | | | | '_ \ / _` |
                    | (__| |  | |_| | | | | | (_| |
                     \___|_|   \__, |_|_| |_|\__, |
                                __/ |         __/ |
                               |___/         |___/  



            ________________________€€€€€€€€€€€€€€€€€€€________
            ____________________€€€___________________€€€______
            ________________€€€_________________________€€€€___
            ______________€€______________________________€€€__
            ___________€€€_________________________________€€€_
            _________€€_____________________________________€€€
            ________€€_________€€€€€___________€€€€€_________€€
            ______€€__________€€€€€€__________€€€€€€_________€€
            _____€€___________€€€€____________€€€€___________€€
            ____€€___________________________________________€€
            ___€€___________________________________________€€_
            __€€____________________€€€€____________________€€_
            _€€_______________€€€€€€€€€€€€€€€______________€€__
            _€€____________€€€€___________€€€€€___________€€___
            €€€_________€€€__________________€€__________€€____
            €€_________€______________________€€________€€_____
            €€€______€________________________€€_______€€______
            €€€_____€_________________________€€_____€€________
            _€€€___________________________________€€__________
            __€€€________________________________€€____________
            ___€€€____________________________€€_______________
            ____€€€€______________________€€€__________________
            _______€€€€€_____________€€€€€_____________________

                               
            People often ask:
                                                - Is it okay to be lonely?
                                           - How do I stop being so sad?
                                       - Do introverts get lonely?
                                   - How do I feel so alone in my relationship?
                               - What are the main causes of Loneliness?
                            - Why do you feel lonely?
                           
 _       ____          __          __                __    __   ____       __    ___
| |     / / /_  ____ _/ /_   _____/ /_  ____  __  __/ /___/ /  /  _/  ____/ /___/__ \
| | /| / / __ \/ __ `/ __/  / ___/ __ \/ __ \/ / / / / __  /   / /   / __  / __ \/ _/
| |/ |/ / / / / /_/ / /_   (__  ) / / / /_/ / /_/ / / /_/ /  _/ /   / /_/ / /_/ /_/ 
|__/|__/_/ /_/\__,_/\__/  /____/_/ /_/\____/\__,_/_/\__,_/  /___/   \__,_/\____(_)  
                                                                                    
 
                                       
                            ________________________€€€€€€€€€€€€€€€€€€€________
                            ____________________€€€___________________€€€______
                            ________________€€€_________________________€€€€___
                            ______________€€______________________________€€€__
                            ___________€€€_________________________________€€€_
                            _________€€_____________________________________€€€
                            ________€€_________€€€€€___________€€€€€_________€€
                            ______€€__________€€€€€€__________€€€€€€_________€€
                            _____€€___________€€€€____________€€€€___________€€
                            ____€€___________________________________________€€
                            ___€€___________________________________________€€_
                            __€€€_____€____________________________€€______€€€_
                            _€€€______€___________________________€€_______€€__
                            _€€_________€________________________€€_______€€€__
                            _€€€_________€€€____________________€€_______€€€___
                            _€€____________€€€€____________€€€€€_________€€____
                            _€€_______________€€€€€€€€€€€€€€€___________€€_____
                            _€€_______________€€€€€€€€€€€€€€€__________€€______
                            __€€____________________€€€€______________€€_______
                            _€€€_____________________________________€€________
                            __€€€__________________________________€€__________
                            ___€€€_______________________________€€____________
                            ____€€€€__________________________€€€______________
                            _______€€€€€__________________€€€€€________________

                                     ____  ____   __    ___  _  _
                                    (  _ \(  __) / _\  / __)/ )( \
                                     )   / ) _) /    \( (__ ) __ (
                                    (__\_)(____)\_/\_/ \___)\_)(_/

                                          __   _  _  ____
                                         /  \ / )( \(_  _)
                                        (  O )) \/ (  )( 
                                         \__/ \____/ (__)

                                              ____  __  
                                            (_  _)/  \
                                              )( (  O )
                                             (__) \__/

                              __     __     __   __ _  ____  __    _  _
                             / _\   (  )   /  \ (  ( \(  __)(  )  ( \/ )
                            /    \  / (_/\(  O )/    / ) _) / (_/\ )  /
                            \_/\_/  \____/ \__/ \_)__)(____)\____/(__/

                                 ____  ____  ____  ____   __   __ _
                                (  _ \(  __)(  _ \/ ___) /  \ (  ( \
                                 ) __/ ) _)  )   /\___ \(  O )/    /
                                (__)  (____)(__\_)(____/ \__/ \_)__)
 
 
                                                                                         
- Freddy Fladder, 2018




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 __        ________  ___   __    ___   ___       __       __  __   __  __     
/_/\      /_______/\/__/\ /__/\ /__/\ /__/\     /_/\     /_/\/_/\ /_/\/_/\    
\:\ \     \__.::._\/\::\_\\  \ \\::\ \\  \ \    \:\ \    \:\ \:\ \\:\ \:\ \   
 \:\ \       \::\ \  \:. `-\  \ \\::\/_\ .\ \    \:\ \    \:\ \:\ \\:\ \:\ \  
  \:\ \____  _\::\ \__\:. _    \ \\:: ___::\ \    \:\ \____\:\ \:\ \\:\ \:\ \ 
   \:\/___/\/__\::\__/\\. \`-\  \ \\: \ \\::\ \    \:\/___/\\:\_\:\ \\:\_\:\ \
    \_____\/\________\/ \__\/ \__\/ \__\/ \::\/     \_____\/ \_____\/ \_____\/


                          *** COOKING SPECIAL ***

                                         )     / /
                                      (       / /
                                    )    )   / /
                                _.(--"("""--/./
                               /, ~..~~~~~~).~_,\
                              |  `'''-----'''`  |
                               \    <º))))><   /
                                '.           .'
                                  '--.....--'

Animistic Beliefs' frontlady Linh Luu shares her secret family recipe a spicy
Vietnamese noodlesoup, called 'Bún bò Huế'. WOW~!

Bún bò Huế is a popular Vietnamese soup containing rice vermicelli (bún) and
beef (bò). Huế is a city in central Vietnam associated with the cooking style
of the former royal court.

Ingredients:

 Meats
2 pounds beef shank
2 pounds cut oxtail
2 pounds pork hocks
1 pound Huế style pork sausage

Broth Base
2 12-ounce cans chicken broth
10-12 stalks lemongrass
2 large onions, halved.
3 tablespoons salt
2 tablespoons sugar
3-4 tablespoons fishsauce
2 teaspoons MSG ;)

Extra seasoning
3 tablespoons anatto seeds
3 tablespoons oil
2 tablespoons shallot (takes longer to brown), optional
2 tablespoons garlic
2 tablespoons shrimp paste (Lee Kum Kee brand)

Herbz & Vegz
mint
basil
bean sprouts
spring onions 
red hot chili peppers
lime

Noodles
1 package dried rice noodle, medium/large thickness


Instructions:

Clean the meat: Add all meat to a big stock pot and enough water to submerge
it, then bring to a boil. Drain and rinse thoroughly under running water.
  
Add the meat, chicken broth, lemongrass and onions to the pot and fill with
water almost to the rim. Bring to a boil then drop the heat to medium-high to
maintain a low boil. Add the salt, sugar, MSG, shrimp paste and fishsauce to
the pot.
 
Let it simmer and periodically check the meats for doneness and remove them as
they finish cooking. The pork should be done after about an hour, the beef can
vary between 2-3 hours.
  
Let the meat cool in the fridge. This way the meat will be easier to cut in
slices later.
 
Taste the soup and adjust seasoning and add water to the broth if necessary.

Grab a saute pan and put on high heat with a bit of oil. When the oil is hot
drop all the ingredients for the extra seasoning in, except the shrimp paste.
Saute untill brown and add the shrimp paste. Stir well and add this extra
seasoning to the broth.

Boil noodles according to package instructions.

While the noodles are boiling, grab your meat from the fridge and slice them in
thin slices.

Slice or chop the spring onions, lime and chili peppers

(´･ω･`) Now it's time to assemble the bowl!!! WOOHOO!!! (´･ω･`)

Devide your noodles over the bowls.
Put the meat on top of the noodles.
Taste your broth for the last time and add seasoning if needed.
Use a big ladle to add the broth to the bowls.
Serve with the herbs and vegz on top.
Enjoy the hell out of this noodle ^^


By Linh Luu & Marvin.



=========================================================================

                           _                      _        _        
  _____  ___ __   ___ _ __(_)_ __ ___   ___ _ __ | |_ __ _| |       
 / _ \ \/ / '_ \ / _ \ '__| | '_ ` _ \ / _ \ '_ \| __/ _` | |       
|  __/>  <| |_) |  __/ |  | | | | | | |  __/ | | | || (_| | |       
 \___/_/\_\ .__/ \___|_|  |_|_| |_| |_|\___|_| |_|\__\__,_|_|       
          |_|                                                       
 _                _         _ _                       _             
| |__   ___  __ _| |_ _ __ (_) | __  _ __   ___   ___| |_ _ __ _   _
| '_ \ / _ \/ _` | __| '_ \| | |/ / | '_ \ / _ \ / _ \ __| '__| | | |
| |_) |  __/ (_| | |_| | | | |   <  | |_) | (_) |  __/ |_| |  | |_| |
|_.__/ \___|\__,_|\__|_| |_|_|_|\_\ | .__/ \___/ \___|\__|_|   \__, |
                                    |_|                        |___/



FAKSHUND & PMT's (All the way from New Zealand!) entry was a littlebit
jittered (I guess the ASCII ART was too big sorry ;) ), in the end it
turned out into some CYBER BEATNIK slam style poetry slam-style:

          o
      o       o
 _______________
/               \                ____________________
!  ________  _  !               /                    \
! /        \/ \ !               \                    /
!/             \!                \ ________________ /
 |             |____              \             || /
 |              ___  \             \              /
 |     | |         | |              \            /
 |              ___| |               \__________/
  |             ____/                    |  |
  |            |                         |  |
  |            |                       __|  |__
  |____________|                      /________\





iT LOOKS LIKE AN ANGEL IM PROJECTING THROWN OFF FAR FROM
CENTRE FREE FALLING THROUGH ANIXTEY DEEP BREATHES COMFORT
YOURSELF LIKE YOU COMFORT YOUR FRIENDS
ITS ALWAYS BREAK TIME


GRIEF IS A STATE OF MIND

DO YOU EVER WONDER IF THE TRAUMA OF PAST CLIMATE CATASTROPHES HAS BEEN
 PASSED DOWN IN OUR DNA? IMPRINTED ON BONE - ITS A NEW COMPLICATED
RELATIONSHIP

Everything you know in life is probably true, even your worst doubts.
Paranoia is natural and rational.
If you ever worry that you left your oven element on after you have left
the house.
This is probably a truth.
If you think you may die in a car accident or a airline collision,
stand strong in knowing that this now most likely going to happen.
Even though your brain is not a muscle, it is the strongest muscle in
your body.
Enable your fears.
Have you ever bitten into seashell and felt the grit passing through?
This is most likely going to manifest itself in side the gut and, given time,
will bring forward many pearls.
Now your challenge is to separate the shit from the gems.
 

 $$$$$$$$\       $$\                 $$\                                 $$\
$$  _____|      $$ |                $$ |                                $$ |
$$ |   $$$$$$\  $$ |  $$\  $$$$$$$\ $$$$$$$\  $$\   $$\ $$$$$$$\   $$$$$$$ |
$$$$$\ \____$$\ $$ | $$  |$$  _____|$$  __$$\ $$ |  $$ |$$  __$$\ $$  __$$ |
$$  __|$$$$$$$ |$$$$$$  / \$$$$$$\  $$ |  $$ |$$ |  $$ |$$ |  $$ |$$ /  $$ |
$$ |  $$  __$$ |$$  _$$<   \____$$\ $$ |  $$ |$$ |  $$ |$$ |  $$ |$$ |  $$ |
$$ |  \$$$$$$$ |$$ | \$$\ $$$$$$$  |$$ |  $$ |\$$$$$$  |$$ |  $$ |\$$$$$$$ |
\__|   \_______|\__|  \__|\_______/ \__|  \__| \______/ \__|  \__| \_______|


A COMPLICAT
ISSUE OF
UNDEFINABLE
FLOWER
CONSTANTLY
EVOLVING

it might not be rocket science but it its just seperating the shit from
the gems . - a complicated idea is only complicated if you think its
complicated and further over complicate it by overthinking how complaicated
it actually is.


EKARE.BNDCMP.CM


******
***********
********
mostly interested in the act of doing it rather than exploring why
**************
**********************************************************



=================================================================================

                      _                 _                    
 _ __   ___ _ __  ___(_)_   _____   ___(_)_ __   ___         
| '_ \ / _ \ '_ \/ __| \ \ / / _ \ |_  / | '_ \ / _ \        
| |_) |  __/ | | \__ \ |\ V /  __/  / /| | | | |  __/        
| .__/ \___|_| |_|___/_| \_/ \___| /___|_|_| |_|\___|        
|_|                                                          
                                _           _                
 _ __ ___   ___  __ _ _ __   __| | ___ _ __(_)_ __   __ _ ___
| '_ ` _ \ / _ \/ _` | '_ \ / _` |/ _ \ '__| | '_ \ / _` / __|
| | | | | |  __/ (_| | | | | (_| |  __/ |  | | | | | (_| \__ \
|_| |_| |_|\___|\__,_|_| |_|\__,_|\___|_|  |_|_| |_|\__, |___/
                                                    |___/    


Sip303's entry included some old school haXor style ASCII art and typical
90's - almost poetical - pensive zine meanderings:

--------------------------------------------------------------------------
---------------------------------------------------------------------
--------------------------------------------------------------
-------------------------------------------------------
---------------------------------------------


                   #############################################
                   #                    ,                     ##
                   #                   *>                     ##
                   #            `*    **                      ##
                   #           `* *  ***    **`               ##
                   #             * *  * * **`                 ##
                   #                *, *,                     ##
                   #             ` ,   , ` '                  ##
                   #              \/|' \//`                   ##
                   #              /|\' |'/\`                  ##
                   #             `\\//\///\\'                 ##
                   #                                          ##
                   # Often missing but never gone really..... ##
                   #############################################
                 /                                         **  /#
                / [] [] [] [] [] [] [] [] [] [] [] [] [] [] | ##
               / [] [] [] [] [] [] [] [] [] [] [] [] []  |   ##
              / [  ] [] [] [] [] [] [] [] [] [] [] [] [ ]   ##
             /[   ] [] [] [] [] [] [] [] [] [] [] [] [__ ] ##
            / [ ][][][] [===================][][][][][  ] ##                 
           /###############################################
          ###############################_______________##


After visiting the E-Zine workshop at WORM, presented by Danny Wolfers
my memory kept going back to my old website.
I wrote initially from scratch and hosted it on a free webserver that
was  donated by my employer.

The theme was all black and green, much like an E-Zine on a monochrome
monitor.

I registered iekommers.com in the DotCom era, sounds fancy if you
pronounce it. It was an appeal against commercialism that fucked up
the internet. I still like ASCII art and sharing internet gems and need
little things to keep my mind busy.

No need to reinvent the wheel if you have something hidden up your sleeve
like a free domain.

Again i work in the trenches of the internet, the spirit is back, my domain
will find a new host, the phoenix rises.


=======================================================================

And last but not least SPACE ARP PETE who made his entry on his phone

                         ____________
                       _/     ___     \_
  
                      /   __/     \__    \
  
                     (  /             \    ) 
   
                   /  _____________ ___(    \
   
                   | |         |       |    \ 
  
                  /   \__ _ /   \ ___ / |    \  
 
                (    |    /_           (    |

                 /     \   _______     /     \
   
                 |_     \  \_____/     |     | 
            
                   \ _   \            / __ /
                  
 

=======================================================================

Thank you all for participating

The Shadow Wolf will be back!!!