The cult of the French pastry chef

By Olivia Sorrel-Dejerine BBC News Magazine

No French high street would be complete without a patisserie, and words such as

"gateau", "eclair" and "flan" indicate that French pastry chefs are esteemed as

much abroad as at home. But in the last couple of years, patissiers have shot

to stardom, joining the top ranks of France's celebrity chefs.

French patisserie used to be delicious but predictable - the chocolate eclair,

the classic vanilla or raspberry flavoured macaron (a light meringue biscuit),

the tarte aux pommes (apple tart) or the mille-feuille (a sophisticated vanilla

slice).

Something has changed. Ever heard of the caramel popcorn, pistachio-orange or

pecan eclair by Christophe Adam? Or the olive-oil macaron with mandarin orange

and cucumber water by Pierre Herme?

These are a couple of the audacious creations a new generation of French pastry

chefs have launched on a startled but delighted French public.

Christophe Adam eclairs A selection of Christophe Adam's fun creative eclairs

France has always loved patisserie, but for some reason it now loves its

patissiers more than ever.

Their books are filling the shelves of book shops, and their stores are

multiplying - five new "patisseries de luxe" opened in the month of September,

in Paris alone.

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Eating sweets brings us back to a time in our lives when we had no worries

Sebastien Gaudard

And while The Great British Bake Off has gone from strength to strength, France

has developed its own competitive baking shows, such as this year's Who Will be

the Next Great Patissier? For the last episode contestants had to make a piece

of fashion out of chocolate.

Another show, The Gateau of My Dreams, where a chef goes to someone's house to

help them bake a challenging cake or dessert, began in February 2012 - starting

with mille-feuille with caramelised maple syrup, and Black Forest gateau with

acidulated morello cherry - and published a spin-off book in its first year.

One explanation for the sudden rise of the pastry chef is as a consequence of

the recession.

Sebastien Gaudard shows how to make his father's famous Mussipontain

He has noticed a change in his customers' habits. Instead of buying a big cake

for a Sunday lunch or a dinner party, couples are now more likely to visit

during the week to buy one or two patisseries for themselves alone.

Patisserie, he says, is a form of comfort food.

Sweet teeth

73% of French people think any time is a good time to enjoy a pastry

71% bake their own cakes at home one to four times a month

84% of them saying they would like to get better at cooking pastries

Sources: CEDUS and Marmiton

Try patisserie recipes at home

"What drives the world of sweets, I think, is that eating sweets brings us back

to a time in our lives when we had no worries, the carefree time of childhood."

But the growing enthusiasm for patisserie is also due to the fact that a new

generation of pastry chefs have re-invented their craft, according to Zakari

Benkhadra, managing director of the Ecole Nationale Superieure de la Patisserie

(ENSP), in the countryside south of Lyon.

Chefs have started to make elaborate and visually interesting creations using

techniques such as mixing sweetness and saltiness (salty macarons), creating

original shapes (an audio cassette shaped pistachio-chocolate bar) or making

surprising high-quality desserts using mainstream products such as Haribo

sweets and Nutella.

A parallel piece of culinary invention, which made headlines earlier this year,

was the cronut - a cross between a croissant and a donut - created by French

chef Dominique Ansel in New York.

The patisserie craze has had a direct impact on the ENSP's enrolment numbers.

Struggling to fill some classes in 2008, it now turns away some applicants for

lack of space.

In these times of crisis, patisserie has become a relatively affordable luxury

- compared say with going to the restaurant - says Sebastien Gaudard, one of

today's up-and-coming pastry chefs.