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ā Primary hexagram: 40āRelease from indecision.
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Release from indecision.
6. - - yin (top) 5. - - yin 4. --- yang 3. - - yin 2. --- yang 1. - - yin (bottom)
Here is an absence of direct knowledge of the life force and an absence of interest in the outer world, lines 2 and 4 are yang while all the other lines are yin. Identity is aware of the quiet state of feeling (line 5) so we are not stressed either from inner feeling or outer activities.
The manifesting flow oscillates between Kāan and Li and so does not have a direction; however the trigram about the inner being is ChĆŖn which has a decisive energy and great flow, this releases us from the indecision we have been in. The common name of the hexagram is ādeliveranceā or āreleaseā; release comes from separating our being from the seeking and doing that was fuelling the see-saw.
Release.
The south and west are favourable.
If there is no activity to be accomplished
there is good fortune in returning.
If there is activity unfinished
a speedy end is favoured.
The south and west is where the sun traverses the sky as it goes from full activity to rest, so completing activity is favoured here if there is still something uncompleted.
A new way leads out of
insecurity and vacillation.
Release from indecision.
Taking both.
Allowing tension through him,
not dodging it,
he comes to decision
and is released.
Torrential raināmud.
Baking sunārock.
Torrents againāmud.
Stress
between earth and heaven
flashes lightning and is no more.
Delicate tendrils, messengers,
can feel their way again.
Uncertainty of direction
is oscillation faster than complete action.
Taking both damps vibrations.
When beset with polarity we are in stress, choosing yet unable to make a choice and changing our choice even before putting it into effect. Here in this line the life force becomes quiet and this gives choice a rest.
No error.
It is the life flow emerging more quietly and lessening the stress, it is not our doing and cannot possibly be an error, but when beset by choice we are always overconscious of error.
ā§
Greater activity of our intuitive feeling enables us to find direction in the life force.
He kills three foxes.
One yellow arrow.
Continuance in the way
brings good fortune.
Yellow is an active colour (almost in the middle of our visible spectrum), applied to an arrow which indicates a chosen directionāwe have chosen an active direction; this direction is between extremes, being given as āoneā which is the whole or middle way of unchoosing. This direction ends the vacillation of choice which deprived us of identifying, in the same way a fox deprives man of his nourishment (three foxes because continual change of choice was the problem).
ā§
To obtain freedom of flow identity needs to act out without identifying itself in the movement. Here in the line we seem to be confused about this and expect the life force to carry us out of stress without our taking part at all.
Riding in a carriage and carrying property he invites robbers.
Continuance brings misfortune.
We want to be carried yet we do not want to let go; not allowing activity is still controlling it.
ā§
To become involved in outer activity is to make it our own; this gives entanglement, not deliverance. Only when we take ourselves out of the equation do we see that it balances.
Free yourself from your toes,
then the friend will come with trust.
The toes lead our steps and our steps are our personal way. The friend with trust is the life flow itself; willful activity causes the flow of circumstances to appear untrustworthy.
ā§
We are no longer trying to discern the life force and so in a tao of release we allow it to be what it will.
The superior man alone
can free himself.
Good fortune.
Smaller men can only follow.
We cannot be released by following something, for we are attached to what we follow. It is necessary to be alone and open to be free; separating from attachment enables us to be free.
ā§
Here identity chooses not to choose, which is release as the stress was in the choice.
The prince shoots an arrow,
kills a hawk on a high wall.
All is favourable.
The hawk sits on a high wall choosing what he will catch. High up is symbolically the head and a wall is a boundary and barrier, so we have been choosing from our position of defining which confines the choice; here the prince (identity) takes a direction (shoots an arrow) which kills the chooser.