💾 Archived View for library.inu.red › topic › Art captured on 2024-02-05 at 10:42:34. Gemini links have been rewritten to link to archived content
⬅️ Previous capture (2023-09-08)
-=-=-=-=-=-=-
1919–1950: The politics of Surrealism — Nick Heath
25 Images of a Man's Passion — Frans Masereel
A for Alan — Alan Moore, The Beat
Adrian Blackwell’s Anarchitecture: The Anarchist Tension — Allan Antliff
Anarchism and Art — Mark Mattern
Anarchism and Other Essays — Emma Goldman, Hippolyte Havel
Anarchism and Surrealism — Anarchist Communist Federation, Anarchist Federation
Anarchism, Representation, and Culture — Jesse Cohn
The Anarchist Aesthetic — Michael Scrivener
Anarchist Aesthetics: A Few Notes Towards a Libertarian View of the Arts — Kingsley Widmer
Anarcho-Hucksters: There is Nothing Anarchistic about Capitalism — Daibhidh
Anarchy and Literature — Bernard Lazare
Anarchy in Milton Keynes — Colin Ward
Anarchy in Toronto — Allan Antliff
Anarchy, Neo-Impressionism and Utopia — Allan Antliff
Another Art World — David Graeber, Nika Dubrovsky, Nika Dubrovsky and David Graeber
Anti-Anarchist Propaganda Reported as Historical Fact — Don La Coss
Art and Religion — Max Stirner
Art and Social Responsibility — Alex Comfort
Art and the People — Elisée Reclus
Art as a Weapon — Anarchist Federation
Art Schools Burning & Other Songs of Love and War — Gene Ray
Art: Play and its Perversions — Holley Cantine
Avatar: An Anarcho-Primitivist Picture of the History of the World — Layla Abdel Rahim
The Avatars of Culture as Commodity — Miguel Amorós
Beaubourg: Future Cancer? — Jacques Camatte
Ben Morea: An Interview — Lain Mc Intyre, Ben Morea
Beyond Good and Evil — Friedrich Nietzsche
Black Mask & Up Against the Wall Motherfucker — Anonymous
Black Roses for Mike Brown — Wyld Fire Collective, A Isha Fatima Sharifa
Blood Money for Art — Anarchist Affinity, Collective Action
My Book of Hours — Frans Masereel
The Case Against Art — John Zerzan
A Cavalier History of Surrealism — Raoul Vaneigem, Jules François Dupuis
Dedans Nous, le Déluge: The Flood Within — Crimeth Inc, Tatiana Mikhaila
Designing Pacifist Films — Paul Goodman
Divert Or Die — Claire Bella Einsamhund
Droomschaar — Rik Lina, Dick Geevers
Egyptian Surrealism and ʻDegenerate Artʼ in 1939 — Don La Coss
The End of Communication? — Jesse Cohn
Escapism has its price, The artist has his income — Non Fides
Evoking Spirit — Quincy B Thorn
Free Culture Benefits Everyone But the Middle Man — Kevin Carson
Freedom, Individualism, Revolution — Allan Antliff
From Ghosts up to your Eyes — Wahyu Heriyadi
Gord Hill, Indigenous Artist and Anarchist — Crimeth Inc, Gord Hill
H. Leivick, Anarchism & Yiddish Theatre — Jim Feast
Human Strike Has Already Begun And Other Writings — Claire Fontaine
I've Got a Bad Feeling About This — Peter Gelderloos
Ideals and Realities in Russian Literature — Pëtr Kropotkin
The Impossible, Patience — Alejandro De Acosta
In girum imus nocte et consumimur igni — Guy Debord
Is Utopianism Dead? — Simon Critchley
The Last Of The Hippies — An Hysterical Romance — Penny Rimbaud
Light and Shadows in the Life of an Avant-Guard — Emma Goldman
The Line Between Harassment and Public Pressure — Elliott Dunstan
Make Art, Not War — Fifth Estate Collective
Manifesto of Proletarian Art — Theo Van Doesburg
Mirrors and Mirages in Slumil K’Ajxemk’op — Taller Ahuehuete, Lluvia Benjamin
Music & Domestication — Ben Olson
Notes on “The Situationist International: The Art of Historical Intervention” — Miguel Amorós
The Occupation of art and gentrification — Anonymous
On the Phenomenology of Giant Puppets — David Graeber
On the Significance of Science and Art — Leo Tolstoy
Posters from the Revolution : Paris, May 1968 — Atelier Populaire, Usine Universite Union
Reappropriate the Imagination! — Cindy Milstein
The Refusal of Art — Bob Black
Report on the Construction of Situations — Guy Debord, Ken Knabb
Rocks In My Pillow — Ron Sakolsky
The Sad Truth: Femme aux Bananes (Woman with Bananas) — Michael William
The Sadness of Post-Workerism — David Graeber
Science Fiction as Protest Art — Javier Sethness Castro
Signs of Change — William Morris
The Social Significance of the Modern Drama — Emma Goldman
A Solarpunk Manifesto — The Solarpunk Community, Solarpunk Community
The Soul of Man under Socialism — Oscar Wilde
The Soul of Man Under... Anarchism? — Kristian Williams
The Spiral of Police Violence — Crimeth Inc
Surrealism is (Still) Elsewhere — Ron Sakolsky
The Artist as Equal, Not Master — Jean Grave
The Garden of Peculiarities — Jesús Sepúlveda
The Picture of Dorian Gray — Oscar Wilde
Thirty Theses — Jason Godesky
Tombeau for L — Peter Lamborn Wilson, Hakim Bey
Towards a Futurology of the Present — Loma Cuevas Hewitt
Up against the Wall, Motherfucker—The Game? — Crimeth Inc
Ursula K Le Guin’s speech at National Book Awards — Ursula K Le Guin
Voltairine De Cleyre — Emma Goldman
'Wearing the Scars Inside' — Anonymous