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According to the myth that my mind conceived when the supreme moment of my cosmical experience had passed, the Star Maker at length entered into a state of rapt meditation in which his own nature suffered a revolutionary change. So at least I judged from the great change that now came over his creative activity.
After he had reviewed with new eyes all his earlier works, dismissing each, as it seemed to me, with mingled respect and impatience, he discovered in himself a new and pregnant conception.
The cosmos which he now created was that which contains the readers and the writer of this book. In its making he used, but with more cunning art, many of the principles which had already served him in earlier creations; and he wove them together to form a more subtle and more capacious unity than ever before.
It seemed to me, in my fantasy, that he approached this new enterprise in a new mood. Each earlier cosmos appeared to have been fashioned with conscious will to embody certain principles, physical, biological, psychological. As has already been reported, there often appeared a conflct between his intellectual purpose and the raw nature which he had evoked for his creature out of the depth of his own obscure being. This time, however, he dealt more sensitively with the medium of his creation. The crude spiritual "material" which he objectified from his own hidden depth for the formation of his new creature was molded to his still tentative purpose with more sympathetic intelligence, with more respect for its nature and its potentiality, though with detachment from its more extravagant demands.
To speak thus of the universal creative spirit is almost childishly anthropomorphic. For the life of such a spirit, if it exists at all, must be utterly different from human mentality, and utterly inconceivable to man. Nevertheless, since this childish symbolism did force itself upon me, I record it. In spite of its crudity, perhaps it does contain some genuine reflection of the truth, however distorted.
In the new creation there occurred a strange kind of discrepancy between the Star Maker's own time and the time proper to the cosmos itself. Hitherto, though he could detach himself from the cosmical time when the cosmical history had completed itself, and observe all the cosmical ages as present, he could not actually create the later phases of a cosmos before he had created the earlier. In his new creation he was not thus limited.
Thus although this new cosmos was my own cosmos, I regarded it from a surprising angle of vision. No longer did it appear as a familiar sequence of historical events beginning with the initial physical explosion and advancing to the final death. I saw it now not from within the flux of the cosmical time but quite otherwise. I watched the fashioning of the cosmos in the time proper to the Star Maker; and the sequence of the Star Maker's creative acts was very different from the sequence of historical events.
First he conceived from the depth of his own being a something, neither mind nor matter, but rich in potentiality, and in suggestive traits, gleams, hints for his creative imagination. Over this fine substance for a long while he pondered. It was a medium in which the one and the many demanded to be most subtly dependent upon one another; in which all parts and all characters must pervade and be pervaded by all other parts and all other characters; in which each thing must seemingly be but an influence in all other things; and yet the whole must be no other than the sum of all its parts, and each part an all-pervading determination of the whole. It was a cosmical substance in which any individual spirit must be, mysteriously, at once an absolute self and a mere figment of the whole.
This most subtle medium the Star Maker now rough-hewed into the general form of a cosmos. Thus he fashioned a still indeterminate space-time, as yet quite ungeometrized; an amorphous physicality with no clear quality or direction, no intricacy of physical laws; a more distinctly conceived vital trend and epic adventure of mentality; and a surprisingly definite climax and crown of spiritual lucidity. This last, though its situation in the cosmical time was for the most part late, was given a certain precision of outline earlier in the sequence of creative work than any other factor in the cosmos. And it seemed to me that this was so because the initial substance itself so clearly exposed its own potentiality for some such spiritual form. Thus it was that the Star Maker at first almost neglected the physical minutiae of his work, neglected also the earlier ages of cosmical history, and devoted his skill at first almost entirely to shaping the spiritual climax of the whole creature. Not till he had blocked in unmistakably the most awakened phase of the cosmical spirit did he trace any of the variegated psychological trends which, in the cosmical time, should lead up to it. Not till he had given outline to the incredibly diverse themes of mental growth did he give attention fully to constructing the biological evolutions and the physical and geometrical intricacy which could best evoke the more subtle potentialities of his still rough-hewn cosmical spirit. But, as he geometrized, he also intermittently turned again to modify and elucidate the spiritual climax itself. Not till the physical and geometrical form of the cosmos was almost completely fashioned could he endow the spiritual climax with fully concrete individuality.
While he was still working upon the detail of the countless, poignant individual lives, upon the fortunes of men, of ichthyoids, of nautiloids, and the rest, I became convinced that his attitude to his creatures was very different from what it had been for any other cosmos. For he was neither cold to them nor yet simply in love with them. In love with them, indeed, he still was; but he had seemingly outgrown all desire to save them from the consequences of their finitude and from the cruel impact of the environment. He loved them without pity. For he saw that their distinctive virtue lay in their finitude, their minute particularity, their tortured balance between dullness and lucidity; and that to save them from these would be to annihilate them.
When he had given the last touches to all the cosmical ages from the supreme moment back to the initial explosion and on to the final death, the Star Maker contemplated his work. And he saw that it was good.
As he lovingly, though critically, reviewed our cosmos in all its infinite diversity and in its brief moment of lucidity, I felt that he was suddenly filled with reverence for the creature that he had made, or that he had ushered out of his own secret depth by a kind of divine self-midwifery. He knew that this creature, though imperfect, though a mere cerature, a mere figment of his own creative power, was yet in a manner more real than himself. For beside this concrete splendor what was he but a mere abstract potency of creation? Moreover in another respect the thing that he had made was his superior, and his teacher. For as he contemplated this the loveliest and subtlest of all his works with exultation, even with awe, its impact upon him changed him, clarifying and deepening his will. As he discriminated its virtue and its weakness, his own perception and his own skill matured. So at least it seemed to my bewildered, awe-stricken mind.
Thus, little by little, it came about, as so often before, that the Star Maker outgrew his creature. Increasingly he frowned upon the loveliness that he still cherished. Then, seemingly with a conflict of reverence and impatience, he set our cosmos in its place among his other works.
Once more he sank into deep meditation. Once more the creative urge possessed him.
Of the many creations which followed I must perforce say almost nothing, for in most respects they lay beyond my mental reach. I could not have any cognizance of them save in so far as they contained, along with much that was inconceivable, some features that were but fantastic embodiments of principles which I had already encoutered. Thus all their most vital novelty escaped me.
I can, indeed, say of all these creations that, like our own cosmos, they were immensely capacious, immensely subtle; and that, in some alien manner or other, every one of them had both a physical and a mental aspect; though in many the physical, however crucial to the spirit's growth, was more transparent, more patently phantasmal than in our own cosmos. In some cases this was true equally of the mental, for the beings were often far less deceived by the opacity of their individual mental processes, and more sensitive to then-underlying unity.
I can say too that in all these creations the goal which, as it seemed to me, the Star Maker sought to realize was richness, delicacy, depth and harmoniousness of being. But what these words in detail mean I should find it hard to say. It seemed to me that in some cases, as in our own cosmos, he pursued this end by means of an evolutionary process crowned by an awakened cosmical mind, which strove to gather into its own awareness the whole wealth of the cosmical existence, and by creative action to increase it. But in many cases this goal was achieved with incomparably greater economy of effort and suffering on the part of the creatures, and without the huge dead loss of utterly wasted, ineffective lives which is to us so heart-rending. Yet in other creations suffering seemed at least as grave and widespread as in our own cosmos.
In his maturity the Star Maker conceived many strange forms of time. For instance, some of the later creations were designed with two or more temporal dimensions, and the lives of the creatures were temporal sequences in one or other dimension of the temporal "area" or "volume." These beings experienced their cosmos in a very odd manner. Living for a brief period along one dimension, each perceived at every moment of its life a simultaneous vista which, though of course fragmentary and obscure, was actually a view of a whole unique "transverse" cosmical evolution in the other dimension. In some cases a creature had an active life in every temporal dimension of the cosmos. The divine skill which arranged the whole temporal "volume" in such a manner that all the infinite spontaneous acts of all the creatures should fit together to produce a coherent system of transverse evolutions far surpassed even the ingenuity of the earlier experiment in "pre-established harmony."
In other creations a creature was given only one life, but this was a "zig-zag line," alternating from one temporal dimension to another according to the quality of the choices that the creature made. Strong or moral choices led in one temporal direction, weak or immoral choices in another.
In one inconceivably complex cosmos, whenever a creature was faced with several possible courses of action, it took them all, thereby creating many distinct temporal dimensions and distinct histories of the cosmos. Since in every evolutionary sequence of the cosmos there were very many creatures, and each was constantly faced with many possible courses, and the combinations of all their courses were innumerable, an infinity of distinct universes exfoliated from every moment of every temporal sequence in this cosmos.
In some creations each being had sensory perception of the whole physical cosmos from many spatial points of view, or even from every possible point of view. In the latter case, of course, the perception of every mind was identical in spatial range, but it varied from mind to mind in respect of penetration or insight. This depended on the mental caliber and disposition of particular minds. Sometimes these beings had not only omnipresent perception but omnipresent volition. They could take action in every region of space, though with varying precision and vigor according to their mental caliber. In a manner they were disembodied spirits, striving over the physical cosmos like chess-players, or like Greek gods over the Trojan Plain.
In other creations, though there was indeed a physical aspect, there was nothing corresponding to the familiar systematic physical universe. The physical experience of the beings was wholly determined by their mutual impact on one another. Each flooded its fellows with sensory "images," the quality and sequence of which were determined according to psychological laws of the impact of mind on mind.
In other creations the processes of perception, memory, intellection, and even desire and feeling were so different from ours as to constitute in fact a mentality of an entirely different order. Of these minds, though I seemed to catch remote echoes of them, I cannot say anything.
Or rather, though I cannot speak of the alien psychical modes of these beings, one very striking fact about them I can record. However incomprehensible their basic mental fibers and the patterns into which these were woven, in one respect all these beings came fleetingly within my comprehension. However foreign to me their lives, in one respect they were my kin. For all these cosmical creatures, senior to me, and more richly endowed, constantly faced existence in the manner that I myself still haltingly strove to learn. Even in pain and grief, even in the very act of moral striving and of white-hot pity, they met fate's issue with joy. Perhaps the most surprising and heartening fact that emerged from all my cosmical and hypercosmical experience was this kinship and mutual intelligibility of the most alien beings in respect of the pure spiritual experience. But I was soon to discover that in this connection I had still much to learn.