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2009-03-06 15:02:59
Being from Burbank, with Dad having access to the Skunk Works, I always
considered the legendary Lockheed SR-71 to be a kind of hometown product, much
in the same way that residents of Vidalia, Georgia look upon their onion. Now,
the SR-71 is a classified and very expensive hometown product, but it s a
hometown product nevertheless. I got a kick out of this little tale of aviation
one-upmanship. - Wes
Written by Brian Schul - former sled driver
There were a lot of things we couldn t do in an SR-71, but we were the fastest
guys on the block and loved reminding our fellow aviators of this fact.
People often asked us if, because of this fact, it was fun to fly the jet. Fun
would not be the first word I would use to describe flying this plane. Intense,
maybe. Even cerebral. But there was one day in our Sled experience when we
would have to say that it was pure fun to be the fastest guys out there, at
least for a moment.
It occurred when Walt and I were flying our final training sortie. We needed
100 hours in the jet to complete our training and attain Mission Ready status.
Somewhere over Colorado we had passed the century mark. We had made the turn in
Arizona and the jet was performing flawlessly. My gauges were wired in the
front seat and we were starting to feel pretty good about ourselves, not only
because we would soon be flying real missions but because we had gained a great
deal of confidence in the plan in the past ten months. Ripping across the
barren deserts 80,000 feet below us, I could already see the coast of
California from the Arizona border. I was, finally, after many humbling months
of simulators and study, ahead of the jet.
I was beginning to feel a bit sorry for Walter in the back seat. There he was,
with no really good view of the incredible sights before us, tasked with
monitoring four different radios. This was good practice for him for when we
began flying real missions, when a priority transmission from headquarters
could be vital. It had been difficult, too, for me to relinquish control of the
radios, as during my entire flying career I had controlled my own
transmissions. But it was part of the division of duties in this plane and I
had adjusted to it. I still insisted on talking on the radio while we were on
the ground, however. Walt was so good at many things, but he couldn t match my
expertise at sounding smooth on the radios, a skill that had been honed sharply
with years in fighter squadrons where the slightest radio miscue was grounds
for beheading. He understood that and allowed me that luxury. Just to get a
sense of what Walt had to contend with, I pulled the radio toggle switches and
monitored the frequencies along with him. The predominant radio chatter was
from Los Angeles Center, far below us, controlling daily traffic in their
sector. While they had us on their scope (albeit briefly), we were in
uncontrolled airspace and normally would not talk to them unless we needed to
descend into their airspace.
We listened as the shaky voice of a lone Cessna pilot asked Center for a
readout of his ground speed. Center replied:
> November Charlie 175, I m showing you at ninety knots on the ground.
Now the thing to understand about Center controllers, was that whether they
were talking to a rookie pilot in a Cessna, or to Air Force One, they always
spoke in the exact same, calm, deep, professional, tone that made one feel
important. I referred to it as the HoustonCentervoice. I have always felt
that after years of seeing documentaries on this country s space program and
listening to the calm and distinct voice of the Houstoncontrollers, that all
other controllers since then wanted to sound like that and that they basically
did. And it didn t matter what sector of the country we would be flying in, it
always seemed like the same guy was talking. Over the years that tone of voice
had become somewhat of a comforting sound to pilots everywhere. Conversely,
over the years, pilots always wanted to ensure that, when transmitting, they
sounded like Chuck Yeager, or at least like John Wayne. Better to die than
sound bad on the radios.
Just moments after the Cessna s inquiry, a Twin Beech piped up on frequency, in
a rather superior tone, asking for his groundspeed.
in Beach.
I have you at one hundred and twenty-five knots of ground speed.
> Boy, I thought, the Beechcraft really must think he is dazzling his Cessna
brethren.
Then out of the blue, a navy F-18 pilot out of NAS Lemoore came up on
frequency. You knew right away it was a Navy jock because he sounded very cool
on the radios.
> Center, Dusty 52 ground speed check
Before Center could reply, I m thinking to myself, hey, Dusty 52 has a ground
speed indicator in that million-dollar cockpit, so why is he asking Center for
a readout? Then I got it, ol Dusty here is making sure that every bug smasher
from Mount Whitney to the Mojave knows what true speed is. He s the fastest
dude in the valley today, and he just wants everyone to know how much fun he is
having in his new Hornet.
And the reply, always with that same, calm, voice, with more distinct
alliteration than emotion:
> Dusty 52, Center, we have you at 620 on the ground.
And I thought to myself, is this a ripe situation, or what? As my hand
instinctively reached for the mic button, I had to remind myself that Walt was
in control of the radios. Still, I thought, it must be done in mere seconds
we ll be out of the sector and the opportunity will be lost. That Hornet must
die, and die now.
I thought about all of our Sim training and how important it was that we
developed well as a crew and knew that to jump in on the radios now would
destroy the integrity of all that we had worked toward becoming. I was torn.
Somewhere, 13 miles above Arizona, there was a pilot screaming inside his space
helmet.
Then, I heard it. The click of the mic button from the back seat. That was the
very moment that I knew Walter and I had become a crew. Very professionally,
and with no emotion, Walter spoke:
> Los Angeles Center, Aspen 20, can you give us a ground speed check?
There was no hesitation, and the replay came as if was an everyday request.
> Aspen 20, I show you at one thousand eight hundred and forty-two knots,
across the ground.
I think it was the forty-two knots that I liked the best, so accurate and proud
was Center to deliver that information without hesitation, and you just knew he
was smiling. But the precise point at which I knew that Walt and I were going
to be really good friends for a long time was when he keyed the mic once again
to say, in his most fighter-pilot-like voice:
> Ah, Center, much thanks,
> We re showing closer to nineteen hundred on the money.
For a moment Walter was a god. And we finally heard a little crack in the armor
of the HoustonCentervoice, when L.A.came back with,
> Roger that Aspen,
> Your equipment is probably more accurate than ours.
> You boys have a good one.
It all had lasted for just moments, but in that short, memorable sprint across
the southwest, the Navy had been flamed, all mortal airplanes on freq were
forced to bow before the King of Speed, and more importantly, Walter and I had
crossed the threshold of being a crew. A fine day s work.
We never heard another transmission on that frequency all the way to the coast.
For just one day, it truly was fun being the fastest guys out there.