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Title: Little Girls
Author: Zo d’Axa
Date: 1895
Language: en
Topics: voyage
Source: Retrieved on June 26, 2011 from http://www.marxists.org/reference/archive/zo-daxa/1895/little-girls.htm
Notes: Translated for marxists.org by Mitch Abidor; CopyLeft: Creative Commons (Attribute & ShareAlike) marxists.org 2005.

Zo d’Axa

Little Girls

Little girls were judged this afternoon in Milan.

And it wasn’t the sad trial — in absentia, of course — of a child caught

on a bench with a stiff magistrate.

I watched the questioning as it unfolded.

It concerned an anarchist demonstration where, among resolute men and

hardy women, two young girls of fourteen and fifteen were arrested.

The dark Maria had a strange charm, with her decisive air of a rascally

young man, with her short curly hair, and her dark, fiery eyes. She had

a way of looking at these messieurs of the court that was a form of

silent, indefinable insolence — it worked better than throwing a shoe.

And when she spoke it wasn’t at all in a way that would make one smile.

Her short phrases had meaning and were accentuated by sure gestures.

“How can you talk about anarchy?” the judge muttered, “You don’t even

know what it is.”

“And you have studied anarchy more closely? So it exists. Will you teach

me about it?”

No, little one, they won’t teach you anything! Revolt is instinctual.

And theory is too often puerile. You know everything if you feel how

filthy it is too live this bestial life.

Ernesta Quartirola, a year younger, has an equally characteristic

beauty. Her nascent beauty is serious, enigmatic. And she could be a

proud statue of the future signifying...who knows what.

Her silence is haughty. She makes it seem as if it has nothing to do

with her. A yes, a no, a shrug of the shoulders and that’s all.

But the dark Maria, Maria Roda, with her defiant attitude, doesn’t allow

the parade of prosecution witnesses to continue their uninterrupted

march. Her replies indicate the halts. She set loose a chain of insults

about the shameful informers and professional squealers.

She has a riposte for each of them. A riposte that reaches its mark.

An agent of the Pubblica Sicurezza recites his learned lesson against

her. Miss Roda encouraged the demonstrators to rush the police, she

carried on like she was possessed, she shouted at everyone, she even

insulted the brigadier!

“What is your answer?” the president admonished her.

“I pity this guard. I pity him because he barely earns his bread,

because he’s a poor devil. But it impresses me to see him go after other

poor devils, his brothers...let him think about this.”

And with a gesture of grace towards the miserable one who had just

accused her, she perhaps had just thrown a first revealing ray upon this

dark spirit.

This is how the sisters of our companions showed themselves, they who

are of an age when others have barely stopped playing with dolls, or

when the daughters of bourgeois begin to amuse themselves in games of

love with little cousins or some elderly friend of the family.

Prison was imposed. The men of the court were generous. Ernesta and

Maria will know three months of jail — and the little ones must also pay

a fine to these messieurs.

Three hundred francs demanded from poor little girls!

It’s cynical, but that’s the way it is ...

A moment before the Tribunal retired to consider the condemnation, the

man in red said to Maria:

“Do you have anything to add?”

“Nothing, since it would be pointless.”

And that was the final word. Not gay, but flagellant.

It is said over and over that Milan is a little Paris. The magistrates

of Milan prove this, at least on one point; they are every bit as

repugnant as their Parisian confreres.

And anyway, isn’t the magistracy the same everywhere? And could it be

otherwise?

And this is probably even the reason that wherever you go the memory of

the fatherland follows you. It comes upon you like nausea when you see

the vileness of a judge.