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Title: Childhood, Imagination, the Forest
Author: Sever
Date: Spring 2015
Language: en
Topics: nature, anti-civ, imagination, spirituality, Black Seed, Black Seed #3, underHILL distro
Source: Black Seed no.3
Notes: The Underhill Distro zine version of this text contains numerous errors: this is the original text as published in Black Seed 3.

Sever

Childhood, Imagination, the Forest

One summer when I was about thirteen, I decided to live for a week in

the forest near my house. I had read up on edible plants, but pretty

early on I took to raiding my father's garden. In retrospect, I suppose

my experiment in rewilding was a perfect success, since raiding the

garden is exactly what the deer and gophers did.

I spent a large part of my childhood in that forest. I watched it

assailed by progress. My family was among the first wave of profaners.

Every year a new parcel of farm, orchard, or woodland would be converted

into ugly, poorly made houses. The very ground was scooped up by

bulldozers, contoured to fit the look the subdivision's developers were

projecting.

I noticed the effect on the creek I always played in, wading miles

upstream in the summer, walking dangerously on a cracking sheet of ice

in the winter, crossing falling logs, catching crayfish, giving chase to

the deer since they didn't have any wolves to run after them anymore.

The more woods were replaced with subdivisions, the worse the floods

became, swelling the creek, brown and gorged, washing away its banks

year after year. An island I once could leap to, gone, ancient tulip

poplars that towered overhead, undermined and knocked down, the rocky

bank where I let my pet garter snake go when I realized it wasn't happy,

silted over. An old railroad bridge where years later I learned they had

executed an abolitionist preacher and a black militia man had been

wounded and escaped, swept away.

My forest, though, the greater part of it, remained, protected by some

law or another. In most places it was a long strip, just wide enough

that I could ignore the houses on either side, walking from cliff to

marsh to pine hill without ever coming in sight of what I recognized for

civilization. And the length of it... I never got to the end. On some

summer expeditions I would go for hours, albeit at a snail's pace

perhaps, until I reached some glade that I imagined humans had never set

foot in before. Only later would I learn to distinguish first or second

generation forests from old growth. In the meantime, how perplexed I

would become on discovering a rusted length of barbed wire or an old

junker in the midst of what I was sure was pristine forest.

The wild is often characterized as pristine. One element of the myth of

the pristine is changelessness. In books, the intellectually rigorous

will mention how nature is always changing, how even when it finds

stability it cycles. They write the same thing about acephalous

societies that are not properly ā€œhistoricalā€ in the Marxist sense. I had

read these texts and understood them, but the idea was meaningless, or

at least unactualized, until I took in all the intimate changes in one

particular forest over a span of decades.

The concept of pristinity conveys a certain fragility. Wilderness is not

wild unless it is untouched. I see it reflected in the tendency of

postmodernists not to talk about freedom, to read any kind of influence

as a form of corruption and thus a circumvention of liberty. So close,

yet so far, they have deconstructed the self, and found liberty

meaningless because they still use the rationalist, Enlightenment

concept, based on sovereignty, a naturally endowed lord over his domain.

Another kind of freedom dwells in the world where the self only exists

through its relations, and the freedom of one does not end but begins

with the freedom of another.

I find another echo of pristinity in the thinking of the primitivists,

who believe that freedom and wildness ended with one invention or

another. It also stalks the thinking of the back-to-the-landers, who

thinks that nature does not exist in the cities, nor capitalism in the

countryside.

My bedraggled, polluted, eroded, young, bounded little forest saved my

life. While my yearmates were learning about how to be popular, dress

well, and play football, I was learning about life. This whole horrible

farce never would have been worth it for me without that. And the

wilderness that taught me had probably grown up in the space of a mere

seventy years, since the Depression I reckon, on what had previously

been farmland, clearcut by the English at least two hundred years

before.

The wild is everywhere, ceaselessly pushing back. The only thing it

needs from us are cracks. In the city, in the countryside, all of it

impoverished by centuries or millennia of progress, wildness and freedom

are active forces. Those who say there is no outside to capitalism never

talk about crab grass or sparrows. They are almost right, but there is

one tiny, infinite thing they forget, and it is the most important thing

of all.

The purpose of anarchists is to destroy. We don't even need to destroy

all of it. Confounded by words, we will have a hard time figuring out

what exactly is meant by all of it. We only need to destroy enough of

it, make enough cracks that sunlight and rain filter down to whatever

poor dust is left beneath, enough so that the machine can't reassemble

itself, and nature will do the rest.

If we still wish to live after all this horror, we can also worry about

cultivating what grows back, the way beavers or even deer shape their

habitat. We can do that as gardeners, as humans, as beings who choose to

live. The anarchist tradition also suggests a passel of marvelous future

worlds, each of which are worth talking about it. But anarchism is the

bastard child of civilization, the umbilical cord hanging ragged,

another purpose in mind for the dagger clenched between its teeth.

Anarchism's destiny is to murder a certain future. To be tasked with

destroying and replacing would convey an awful lot of power, even to a

vocation that forswears power.

Games of imagination came naturally, unbidden, while I wandered in the

forest. The other kids played video games, and while I never kept myself

entirely pure from that pursuit, I quickly noticed an inverse relation

between imagination and the consumption of imaginary worlds. I always

preferred computer games to video games, the more open-ended the better,

and especially those that allowed character development and the

exploration of other universes. Nonetheless, they had a numbing effect.

I found that with just a stick, and perhaps a friend or two, in the

woods I could accomplish so much more, and afterwards I felt

exhilarated, alive, kept up at night thinking about what adventures the

next day would bring.

One of the greatest blocks of cement that we anarchists must crack is

that which has been poured over the faculty of the imagination, with

more being poured every day. People who cannot imagine other worlds are

dead. They are zombies, they will never be revolutionaries. Anarchists

who cannot imagine other worlds might as well roll over and rot. All of

their words are moribund, fetid things. The nihilists who willfully

confuse the drafting of blueprints with the exploration of imagined

futures have to resort to pyrotechnics to cover up their fundamental

frailty.

And while everyone has their own method for surviving repression, I find

that imagining other worlds can disrupt the hegemony of this one. When I

face a line of riot cops, sometimes I have to laugh, because what I see

are corpses. I love the politicians in their pretty suits, because those

are the same suits they are wearing as they are forced at gunpoint to

clean up Superfund sites. And when I'm sad about friends in prison, I

look out my window and see gardens where roads had been, and I know our

fight is worth it.

The anarchist imagination has a lot to offer. But imagination rooted to

place is even more potent, more alive. All the games I ever played in my

forest are there waiting for me. And all the people who live in a place,

though they do not dare to be anarchists, can imagine changes in their

surroundings that could never be born from an ideology, and that the

cleverest of all the anarchists would never think up, unless she were

also from that place. One of the contributions of an anti-colonial,

anti-rational anarchism is the importance it gives to the particular,

against abstract schemes and universalities. There can be some benefit

in anarchists debating levels of technology, one vision of the world

versus another, but only if they realize that all they are doing is

playing a game. For the winner of that debate to impose its vision on

the world would be the cruelest violence. It is a million specific

places that human communities must relate to, each of them different.

Freedom will triumph when everyone actively imagines their own

surroundings, and remakes themselves within the specific place that

holds them up.

The forest also calls on our spirits to exult and express themselves,

against the confines of a world that is rational and materialist, both

in its dominant expressions and in the theories of its dissidents.

Clumsily, like a baby first learning to swing its chubby fist, I began

to pray in my forest. I would light candles, meditate, and feel the

other living beings around me. Completely lacking guidance, I turned to

books on Daoism, Wicca, and Native American spirituality. I didn't know

anything about cultural appropriation (I think I still don't), but still

the books on European paganism seemed the most appropriate to me. (And

being on stolen land, ā€œappropriateā€ is not the word I would use today).

I am reminded of the recent controversy in the Pacific Northwest, with a

couple Green Scare prisoners and their immediate circles dabbling in

Norse neo-paganism and its attendant, crossover white supremacist

iconography.

It's curious how some white people look to the Scandinavian pagans for a

link to authentic, ecocentric European traditions. I could claim a line

to that myself, if I wanted. Some of my ancestors were Vikings who

became farmers. When I was a teenager I carved my own set of runestones

and laid them in my little forest shrine. Since then it has occurred to

me that what's most interesting about the Norse is not their funny

alphabet or their Prometheus-Christ god hanging from a yew tree, but all

the ways that they became what I hate most about this world. Why lie and

see them as pure earth children when their brand of paganism made them

so susceptible to statism and ecocide?

Nowadays, I cherish my ancestors for all their ugliness, their mistakes,

their horrors. I cherish my ancestors for their puritanism, their

involvement in genocide, in the KKK, in clearcutting one continent and

then another. I cherish these things that I hate, because this is all

they gave me, and if it does not serve as a positive compass, it serves

as the map of a minefield, warning me of a hundred possible missteps.

Why would so many white children, who in general despise their parents

and ignore their grandparents, want to emulate their ancestors? Trauma

is always the first hand-me-down, and I'm pretty damn sure our shit did

not start with the Industrial Revolution.

The European pagans, at least those who populated or neighbored the

Roman Empire, cut down their forests and created many more states than

they overthrew. Turning to them might be better than mining the remains

of colonized societies to manufacture spiritual models, if those were

the only two options, but the truth is, there already is an unbroken

spiritual connection between the ancestors of the West and its forlorn

modern children, and it isn't to be found in any book, for it's writ

large across the world. Our heritage is ecocide, patriarchy, monotheism,

the State, alienation, along with a hundred half-forgotten stories of

rebellion against these forces.

I understand the need for authenticity, but everyone who feels it should

understand it as a red flag, warning us away from the inherent

artificiality of a search for the authentic.

The recent anarchist children's story, The Witch's Child, provides a

sort of negative history of the West. Instead of proletariat and

bourgeoisie, the classes it posits are the uprooted and the rootless

ones, which I read as colonized peoples fighting to reassert their way

of life, and people who have been colonized so completely and so long

ago that even the memory of it has been obliterated. This last category

certainly includes me and most people I know. We have no remaining

spirituality, only the need for it.

It occurs to me that most comrades who attempt to fulfill this need fall

into some rationalist assumptions about self and victory. Namely that a

person is simply one body and one lifetime. In fact each of us is the

nexus of a million beings and the inheritor of a thousand generations,

whose lives will play out in many lifetimes to come. What kind of idiot

would think that life ends with brain death? It would take years of

education to make a person so ignorant.

Facing the problem of spirituality, all of us rootless ones assume that

we must and we can come up with a solution in a single generation, in a

single body. But how could that be? If an old growth forest, by

definition, cannot spring up in a single generation, how could a single

generation in a human community create a healthy, earth-centered

spirituality?

I don't trust peopleā€”at least not white people or westernized peopleā€”who

talk about spirituality. I think that's a healthy impulse. Perhaps those

of us who are starting, not from scratch but from the misery that our

ancestors left us, shouldn't ever talk in public about spirituality, nor

shamelessly make collective rites. Maybe we should feel ashamed of our

spirituality, and only talk about it in whispers. Maybe it's not strong

enough to come out into the open yet. Perhaps we should only attempt the

most timid of steps forward, trusting that if we suggest a vague

outline, the next generation will be able to fill in some darker shades,

to talk about their nascent spirituality a little louder, and on and on

until eventually we have something robust that can be passed on with

confidence.

I might talk about the times the deer woke me up in the middle of the

night, snorting and stamping at me as I lay in my sleeping bag, or the

night I felt the the contours of all the land for a half mile in every

direction as an extension of my own body, as I listened to gust upon

gust of a powerful wind rush over the pond, past the cliff, through the

marsh, up my hill, and then suddenly crash all around me, rocking the

trees back and forth then leaving us in silence until the next gust. But

I am not good at talking about those things. They were very private

moments.

I know that many of my friends have moments like that too, that they

have never shared with me. I also know that when I'm holding a friend's

baby or taking care of a toddler, there is no limit to the stories I can

tell or the songs I can sing. It's funny the way adults will talk about

magic with children but with no one else. They're not simply taking

advantage of the youngsters' gullibility to tell a tale no one else

would listen to. What's actually happening is they are confiding in

these children a part of themselves that they need to exist, but don't

have the confidence to nurture on their own. The cycle becomes endless

when we are taught never to learn from what children do best.

This time around, we can do it differently. We can tell our secrets to

our children, tell them about magic and spirits, share in the private

knowledge of the other worlds that so many people are ignorant of, and

as they grow, have their backs rather than beating them down, honor

their wisdom and lend them our confidence, so as they grow, they might

trust their experiences, and speak a little louder, dare to go places

where we could not tread.