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Title: The Service
Author: Henry David Thoreau
Date: July 1840
Language: en
Topics: pacifism, non-violence, resistance
Source: Retrieved on 1st November 2020 from https://www.gutenberg.org/ebooks/60951

Henry David Thoreau

The Service

I. Qualities of the Recruit

Spes sibi quisque. Virgil

Each one his own hope.

The brave man is the elder son of creation, who has stept buoyantly into

his inheritance, while the coward, who is the younger, waiteth patiently

till he decease. He rides as wide of this earth’s gravity as a star, and

by yielding incessantly to all the impulses of the soul, is constantly

drawn upward and becomes a fixed star. His bravery deals not so much in

resolute action, as healthy and assured rest; its palmy state is a

staying at home and compelling alliance in all directions. So stands his

life to heaven, as some fair sunlit tree against the western horizon,

and by sunrise is planted on some eastern hill, to glisten in the first

rays of the dawn. The brave man braves nothing, nor knows he of his

bravery. He is that sixth champion against Thebes, whom, when the proud

devices of the rest have been recorded, the poet describes as “bearing a

full-orbed shield of solid brass,”

“But there was no device upon its circle,

For not to seem just but to be is his wish.”

He does not present a gleaming edge to ward off harm, for that will

oftenest attract the lightning, but rather is the all-pervading ether,

which the lightning does not strike but purify. So is the profanity of

his companion as a flash across the face of his sky, which lights up and

reveals its serene depths. Earth cannot shock the heavens, but its dull

vapor and foul smoke make a bright cloud spot in the ether, and anon the

sun, like a cunning artificer, will cut and paint it, and set it for a

jewel in the breast of the sky.

His greatness is not measurable; not such a greatness as when we would

erect a stupendous piece of art, and send far and near for materials,

intending to lay the foundations deeper, and rear the structure higher

than ever; for hence results only a remarkable bulkiness without

grandeur, lacking those true and simple proportions which are

independent of size. He was not builded by that unwise generation that

would fain have reached the heavens by piling one brick upon another;

but by a far wiser, that builded inward and not outward, having found

out a shorter way, through the observance of a higher art. The Pyramids

some artisan may measure with his line; but if he gives you the

dimensions of the Parthenon in feet and inches, the figures will not

embrace it like a cord, but dangle from its entablature like an elastic

drapery.

His eye is the focus in which all the rays, from whatever side, are

collected; for, itself being within and central, the entire

circumference is revealed to it. Just as we scan the whole concave of

the heavens at a glance, but can compass only one side of the pebble at

our feet. So does his discretion give prevalence to his valor.

“Discretion is the wise man’s soul” says the poet. His prudence may

safely go many strides beyond the utmost rashness of the coward; for,

while he observes strictly the golden mean, he seems to run through all

extremes with impunity. Like the sun, which, to the poor worldling, now

appears in the zenith, now in the horizon, and again is faintly

reflected from the moon’s disk, and has the credit of describing an

entire great circle, crossing the equinoctial and solstitial

colures,—without detriment to his steadfastness or mediocrity. The

golden mean, in ethics, as in physics, is the centre of the system, and

that about which all revolve; and, though to a distant and plodding

planet it be the uttermost extreme, yet one day, when that planet’s year

is complete, it will be found to be central. They who are alarmed lest

Virtue should so far demean herself as to be extremely good, have not

yet wholly embraced her, but described only a slight arc of a few

seconds about her; and from so small and ill-defined a curvature, you

can calculate no centre whatever; but their mean is no better than

meanness, nor their medium than mediocrity.

The coward wants resolution, which the brave man can do without. He

recognizes no faith but a creed, thinking this straw, by which he is

moored, does him good service, because his sheet-anchor does not drag.

“The house-roof fights with the rain; he who is under shelter does not

know it.” In his religion the ligature, which should be muscle and

sinew, is rather like that thread which the accomplices of Cylon held in

their hands, when they went abroad from the temple of Minerva,—the other

end being attached to the statue of the goddess. But frequently, as in

their case, the thread breaks, being stretched; and he is left without

an asylum.

The divinity in man is the true vestal fire of the temple, which is

never permitted to go out, but burns as steadily, and with as pure a

flame, on the obscure provincial altars as in Numa’s temple at Rome. In

the meanest are all the materials of manhood, only they are not rightly

disposed. We say, justly, that the weak person is “flat,”—for, like all

flat substances, he does not stand in the direction of his strength,

that is, on his edge, but affords a convenient surface to put upon. He

slides all the way through life. Most things are strong in one

direction; a straw longitudinally; a board in the direction of its edge;

a knee transversely to its grain; but the brave man is a perfect sphere,

which cannot fall on its flat side, and is equally strong every way. The

coward is wretchedly spheroidal at best, too much educated or drawn out

on one side, and depressed on the other; or may be likened to a hollow

sphere, whose disposition of matter is best when the greatest bulk is

intended.

We shall not attain to be spherical by lying on one or the other side

for an eternity, but only by resigning ourselves implicitly to the law

of gravity in us, shall we find our axis coincident with the celestial

axis, and by revolving incessantly through all circles, acquire a

perfect sphericity. Mankind, like the earth, revolve mainly from west to

east, and so are flattened at the pole. But does not philosophy give

hint of a movement commencing to be rotary at the poles too, which in a

millennium will have acquired increased rapidity, and help restore an

equilibrium? And when at length every star in the nebulæ and Milky Way

has looked down with mild radiance for a season, exerting its whole

influence as the polar star, the demands of science will in some degree

be satisfied.

The grand and majestic have always somewhat of the undulatoriness of the

sphere. It is the secret of majesty in the rolling gait of the elephant,

and of all grace in action and in art. Always the line of beauty is a

curve. When with pomp a huge sphere is drawn along the streets, by the

efforts of a hundred men, I seem to discover each striving to imitate

its gait, and keep step with it,—if possible to swell to its own

diameter. But onward it moves, and conquers the multitude with its

majesty. What shame, then, that our lives, which might so well be the

source of planetary motion, and sanction the order of the spheres,

should be full of abruptness and angularity, so as not to roll nor move

majestically!

The Romans “made Fortune sirname to Fortitude,” for fortitude is that

alchemy that turns all things to good fortune. The man of fortitude,

whom the Latins called fortis is no other than that lucky person whom

fors favors, or vir summae fortis. If we will, every bark may “carry

Cæsar and Cæsar’s fortune.” For an impenetrable shield, stand inside

yourself; he was no artist, but an artisan, who first made shields of

brass. For armor of proof, mea virtute me involvo,—I wrap myself in my

virtue;

“Tumble me down, and I will sit

Upon my ruins, smiling yet.”

If you let a single ray of light through the shutter, it will go on

diffusing itself without limit till it enlighten the world; but the

shadow that was never so wide at first, as rapidly contracts till it

comes to naught. The shadow of the moon, when it passes nearest the sun,

is lost in space ere it can reach our earth to eclipse it. Always the

System shines with uninterrupted light; for as the sun is so much larger

than any planet, no shadow can travel far into space. We may bask always

in the light of the System, always may step back out of the shade. No

man’s shadow is as large as his body, if the rays make a right angle

with the reflecting surface. Let our lives be passed under the equator,

with the sun in the meridian.

There is no ill which may not be dissipated like the dark, if you let in

a stronger light upon it. Overcome evil with good. Practice no such

narrow economy as they, whose bravery amounts to no more light than a

farthing candle, before which most objects cast a shadow wider than

themselves.

Nature refuses to sympathize with our sorrow; she has not provided for,

but by a thousand contrivances against it: she has bevelled the margin

of the eyelids, that the tears may not overflow on the cheeks. It was a

conceit of Plutarch, accounting for the preference given to signs

observed on the left hand, that men may have thought “things terrestrial

and mortal directly over against heavenly and divine things, and do

conjecture that the things which to us are on the left hand, the gods

send down from their right hand.” If we are not blind, we shall see how

a right hand is stretched over all,—as well the unlucky as the

lucky,—and that the ordering Soul is only right-handed, distributing

with one palm all our fates.

What first suggested that necessity was grim, and made fate to be so

fatal? The strongest is always the least violent. Necessity is my

eastern cushion on which I recline. My eye revels in its prospect as in

the summer haze. I ask no more but to be left alone with it. It is the

bosom of time and the lap of eternity. To be necessary is to be needful,

and necessity is only another name for inflexibility of good. How I

welcome my grim fellow, and walk arm in arm with him! Let me too be such

a Necessity as he! I love him, he is so flexile, and yields to me as the

air to my body. I leap and dance in his midst, and play with his beard

till he smiles. I greet thee, my elder brother! who with thy touch

ennoblest all things. Then is holiday when naught intervenes betwixt me

and thee. Must it be so,—then is it good. The stars are thy interpreters

to me.

Over Greece hangs the divine necessity, ever a mellower heaven of

itself; whose light gilds the Acropolis and a thousand fanes and groves.

II. What Music Shall We Have?

Each more melodious note I hear

Brings this reproach to me,

That I alone afford the ear,

Who would the music be.

The brave man is the sole patron of music; he recognizes it for his

mother tongue; a more mellifluous and articulate language than words, in

comparison with which, speech is recent and temporary. It is his voice.

His language must have the same majestic movement and cadence that

philosophy assigns to the heavenly bodies. The steady flux of his

thought constitutes time in music. The universe falls in and keeps pace

with it, which before proceeded singly and discordant. Hence are poetry

and song. When Bravery first grew afraid and went to war, it took Music

along with it. The soul is delighted still to hear the echo of her own

voice. Especially the soldier insists on agreement and harmony always.

To secure these he falls out. Indeed, it is that friendship there is in

war that makes it chivalrous and heroic. It was the dim sentiment of a

noble friendship for the purest soul the world has seen, that gave to

Europe a crusading era. War is but the compelling of peace. If the

soldier marches to the sack of a town, he must be preceded by drum and

trumpet, which shall identify his cause with the accordant universe. All

things thus echo back his own spirit, and thus the hostile territory is

preoccupied for him. He is no longer insulated, but infinitely related

and familiar. The roll-call musters for him all the forces of Nature.

There is as much music in the world as virtue. In a world of peace and

love music would be the universal language, and men greet each other in

the fields in such accents as a Beethoven now utters at rare intervals

from a distance. All things obey music as they obey virtue. It is the

herald of virtue. It is God’s voice. In it are the centripetal and

centrifugal forces. The universe needed only to hear a divine melody,

that every star might fall into its proper place, and assume its true

sphericity. It entails a surpassing affluence on the meanest thing;

riding over the heads of sages, and soothing the din of philosophy. When

we listen to it we are so wise that we need not to know. All sounds, and

more than all, silence, do fife and drum for us. The least creaking doth

whet all our senses, and emit a tremulous light, like the aurora

borealis, over things. As polishing expresses the vein in marble, and

the grain in wood, so music brings out what of heroic lurks anywhere. It

is either a sedative or a tonic to the soul.

I read that “Plato thinks the gods never gave men music, the science of

melody and harmony, for mere delectation or to tickle the ear; but that

the discordant parts of the circulations and beauteous fabric of the

soul, and that of it that roves about the body, and many times for want

of tune and air, breaks forth into many extravagances and excesses,

might be sweetly recalled and artfully wound up to their former consent

and agreement.”

A sudden burst from a horn startles us, as if one had rashly provoked a

wild beast. We admire his boldness; he dares wake the echoes which he

cannot put to rest. The sound of a bugle in the stillness of the night

sends forth its voice to the farthest stars, and marshals them in new

order and harmony. Instantly it finds a fit sounding-board in the

heavens. The notes flash out on the horizon like heat lightning,

quickening the pulse of creation. The heavens say, Now is this my own

earth.

To the sensitive soul the Universe has her own fixed measure, which is

its measure also, and as this, expressed in the regularity of its pulse,

is inseparable from a healthy body, so is its healthiness dependent on

the regularity of its rhythm. In all sounds the soul recognizes its own

rhythm, and seeks to express its sympathy by a correspondent movement of

the limbs. When the body marches to the measure of the soul, then is

true courage and invincible strength. The coward would reduce this

thrilling sphere-music to a universal wail,—this melodious chant to a

nasal cant. He thinks to conciliate all hostile influences by compelling

his neighborhood into a partial concord with himself; but his music is

no better than a jingle, which is akin to a jar,—jars regularly

recurring. He blows a feeble blast of slender melody, because Nature can

have no more sympathy with such a soul than it has of cheerful melody in

itself. Hence hears he no accordant note in the universe, and is a

coward, or consciously outcast and deserted man. But the brave man,

without drum or trumpet, compels concord everywhere, by the universality

and tunefulness of his soul.

Let not the faithful sorrow that he has no ear for the more fickle and

subtle harmonies of creation, if he be awake to the slower measure of

virtue and truth. If his pulse does not beat in unison with the

musician’s quips and turns, it accords with the pulse-beat of the ages.

A man’s life should be a stately march to an unheard music; and when to

his fellows it may seem irregular and inharmonious, he will be stepping

to a livelier measure, which only his nicer ear can detect. There will

be no halt, ever, but at most a marching on his post, or such a pause as

is richer than any sound, when the deeper melody is no longer heard, but

implicitly consented to with the whole life and being. He will take a

false step never, even in the most arduous circumstances; for then the

music will not fail to swell into greater volume, and rule the movement

it inspired.

III. Not How Many, But Where the Enemy Are

—What’s brave, what’s noble,

Let’s do it after the high Roman fashion.

Shakespeare

When my eye falls on the stupendous masses of the clouds, tossed into

such irregular greatness across the cope of my sky, I feel that their

grandeur is thrown away on the meanness of my employments. In vain the

sun, thro’ morning and noon rolls defiance to man, and, as he sinks

behind his cloudy fortress in the west, challenges him to equal

greatness in his career; but, from his humbleness he looks up to the

domes and minarets and gilded battlements of the Eternal City, and is

content to be a suburban dweller outside the walls. We look in vain over

earth for a Roman greatness, to take up the gantlet which the heavens

throw down. Idomeneus would not have demurred at the freshness of the

last morning that rose to us, as unfit occasion to display his valor in;

and of some such evening as this, methinks, that Grecian fleet came to

anchor in the bay of Aulis. Would that it were to us the eve of a more

than ten years’ war,—a tithe of whose exploits, and Achillean

withdrawals, and godly interferences, would stock a library of Iliads.

Better that we have some of that testy spirit of knight errantry, and if

we are so blind as to think the world is not rich enough nowadays to

afford a real foe to combat, with our trusty swords and double-handed

maces, hew and mangle some unreal phantom of the brain. In the pale and

shivering fogs of the morning, gathering them up betimes, and

withdrawing sluggishly to their daylight haunts, I see Falsehood

sneaking from the full blaze of truth, and with good relish could do

execution on their rearward ranks, with the first brand that came to

hand. We too are such puny creatures as to be put to flight by the sun,

and suffer our ardor to grow cool in proportion as his increases; our

own short-lived chivalry sounds a retreat with the fumes and vapors of

the night; and we turn to meet mankind, with its meek face preaching

peace, and such non-resistance as the chaff that rides before the

whirlwind.

Let not our Peace be proclaimed by the rust on our swords, or our

inability to draw them from their scabbards; but let her at least have

so much work on her hands as to keep those swords bright and sharp. The

very dogs that bay the moon from farmyards o’ these nights, do evince

more heroism than is tamely barked forth in all the civil exhortations

and war sermons of the age. And that day and night, which should be set

down indelibly in men’s hearts, must be learned from the pages of our

almanack. One cannot wonder at the owlish habits of the race, which does

not distinguish when its day ends and night begins; for, as night is the

season of rest, it would be hard to say when its toil ended and its rest

began. Not to it

—returns

Day, or the sweet approach of even or morn,

Or sight of vernal bloom, or summer’s rose,

Or flocks or herds, or human face divine;

But cloud instead, and ever-during dark

Surrounds.

And so the time lapses without epoch or era, and we know some half-score

of mornings and evenings by tradition only. Almost the night is grieved

and leaves her tears on the forelock of day, that men will not rush to

her embrace, and fulfill at length the pledge so forwardly given in the

youth of time. Men are a circumstance to themselves, instead of causing

the universe to stand around, the mute witness of their manhood, and the

stars to forget their sphere music and chant an elegiac strain, that

heroism should have departed out of their ranks and gone over to

humanity.

It is not enough that our life is an easy one; we must live on the

stretch, retiring to our rest like soldiers on the eve of a battle,

looking forward with ardor to the strenuous sortie of the morrow. “Sit

not down in the popular seats and common level of virtues, but endeavor

to make them heroical. Offer not only peace-offerings but holocausts

unto God.” To the brave soldier the rust and leisure of peace are harder

than the fatigues of war. As our bodies court physical encounters, and

languish in the mild and even climate of the tropics, so our souls

thrive best on unrest and discontent. The soul is a sterner master than

any King Frederick; for a true bravery would subject our bodies to

rougher usage than even a grenadier could withstand. We too are dwellers

within the purlieus of the camp. When the sun breaks through the morning

mist, I seem to hear the din of war louder than when his chariot

thundered on the plains of Troy. The thin fields of vapor, spread like

gauze over the woods, form extended lawns whereon high tournament is

held;

Before each van

Prick forth the aery knights, and couch their spears,

Till thickest legions close.

It behoves us to make life a steady progression, and not be defeated by

its opportunities. The stream which first fell a drop from heaven,

should be filtered by events till it burst out into springs of greater

purity, and extract a diviner flavor from the accidents through which it

passes. Shall man wear out sooner than the sun? and not rather dawn as

freshly, and with such native dignity stalk down the hills of the East

into the bustling vale of life, with as lofty and serene a countenance

to roll onward through midday, to a yet fairer and more promising

setting? In the crimson colors of the west I discover the budding hues

of dawn. To my western brother it is rising pure and bright as it did to

me; but only the evening exhibits in the still rear of day, the beauty

which through morning and noon escaped me. Is not that which we call the

gross atmosphere of evening the accumulated deed of the day, which

absorbs the rays of beauty, and shows more richly than the naked promise

of the dawn? Let us look to it that by earnest toil in the heat of the

noon, we get ready a rich western blaze against the evening.

Nor need we fear that the time will hang heavy when our toil is done;

for our task is not such a piece of day-labor, that a man must be

thinking what he shall do next for a livelihood,—but such, that as it

began in endeavor, so will it end only when no more in heaven or on

earth remains to be endeavored. Effort is the prerogative of virtue. Let

not death be the sole task of life,—the moment when we are rescued from

death to life, and set to work,—if indeed that can be called a task

which all things do but alleviate. Nor will we suffer our hands to lose

one jot of their handiness by looking behind to a mean recompense;

knowing that our endeavor cannot be thwarted, nor we be cheated of our

earnings unless by not earning them. It concerns us, rather, to be

somewhat here present, than to leave something behind us; for, if that

were to be considered, it is never the deed men praise, but some marble

or canvas, which are only a staging to the real work. The hugest and

most effective deed may have no sensible result at all on earth, but may

paint itself in the heavens with new stars and constellations. When in

rare moments our whole being strives with one consent, which we name a

yearning, we may not hope that our work will stand in any artist’s

gallery on earth. The bravest deed, which for the most part is left

quite out of history,—which alone wants the staleness of a deed done,

and the uncertainty of a deed doing,—is the life of a great man. To

perform exploits is to be temporarily bold, as becomes a courage that

ebbs and flows,—the soul, quite vanquished by its own deed, subsiding

into indifference and cowardice; but the exploit of a brave life

consists in its momentary completeness.

Every stroke of the chisel must enter our own flesh and bone; he is a

mere idolater and apprentice to art who suffers it to grate dully on

marble. For the true art is not merely a sublime consolation and holiday

labor, which the gods have given to sickly mortals; but such a

masterpiece as you may imagine a dweller on the tablelands of central

Asia might produce, with threescore and ten years for canvas, and the

faculties of a man for tools,—a human life; wherein you might hope to

discover more than the freshness of Guido’s Aurora, or the mild light of

Titian’s landscapes,—no bald imitation nor even rival of Nature, but

rather the restored original of which she is the reflection. For such a

masterpiece as this, whole galleries of Greece and Italy are a mere

mixing of colors and preparatory quarrying of marble.

Of such sort, then, be our crusade,—which, while it inclines chiefly to

the hearty good will and activity of war, rather than the insincerity

and sloth of peace, will set an example to both of calmness and

energy;—as unconcerned for victory as careless of defeat,—not seeking to

lengthen our term of service, nor to cut it short by a reprieve,—but

earnestly applying ourselves to the campaign before us. Nor let our

warfare be a boorish and uncourteous one, but a higher courtesy attend

its higher chivalry,—though not to the slackening of its tougher duties

and severer discipline. That so our camp may be a palæstra, wherein the

dormant energies and affections of men may tug and wrestle, not to their

discomfiture, but to their mutual exercise and development.

What were Godfrey and Gonsalvo unless we breathed a life into them and

enacted their exploits as a prelude to our own? The Past is the canvas

on which our idea is painted,—the dim prospectus of our future field. We

are dreaming of what we are to do. Methinks I hear the clarion sound,

and clang of corselet and buckler, from many a silent hamlet of the

soul. The signal gun has long since sounded, and we are not yet on our

posts. Let us make such haste as the morning, and such delay as the

evening.