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Title: Book of Levelling Author: John Moore Date: 1995 Language: en Topics: insurrectionist, primitivist Source: Retrieved on May 24, 2011 from http://radicalarchives.org/2011/01/02/moore-book-of-levelling/
And the Prime levelling, is laying low the Mountaines, and
levelling the Hills in man. But this is not all.
Abiezer Coppe, A Fiery Flying Roll
Let history be your hymn of penance,
Farm your parents and the races in the ground,
Not for pelf but for remembrance,
And make ready for the festival of ruin.
Edward Dahlberg, Cipangoâs Hinder Door
It is those who are left behind, not those who go beyond, that are sad.
The shape shifters have their own concerns. But this is a text as much
concerned with life as with death. The metaphors are there for all to
see. In the tradition of the I Ching and Ovidâs Metamorphosis, this is a
book of change, a book of transformation, transmogrification, a book of
insurrection and resurrection... a book of levelling.
JM
St. Ives, Cornwall
1 January 1995
So this is what happened.
Iâm going to chop it off, she said.
Why?, I said. What for?
I want to, she said. And anyway you donât need it anymore.
Thatâs true, I said. But what will you do with it?
There are all kinds of things I can do with it, she said. Youâll see.
Bring it here.
With this she motioned me toward an old, unvarnished kitchen table. The
surface was grainy. As I was naked already, I placed my cock flat on the
surface, pressing my groin tightly to the edge. It was just the right
height. My cock laid there, flaccid and shrivelled. The tabletop was
cold.
It wonât be much use to you like this, I said. Itâs too small. You need
it bigger, at its full size.
Youâre right, she said. And immediately began rolling it back and forth
with her hand, as if it were a roll of dough.
The tabletop was rough, grooved and hard. Her hand was soft, dry and
piercingly cold. The contrast between the two was curiously arousing and
soon my prick engorged with blood. Achingly stiff, continually straining
to rise to an acute angle but constantly flattened onto the tabletop by
her insistently rubbing hand, my cock grew to the size she required.
At any moment I expected her to chop it off. She obviously knew that a
cock is hardest and largest just before orgasm. But here her compassion
became evident. Building to a climax, hot gouts of cum spurted
explosively across the tabletop and I let out a yelp of joy. But
instantaneously, from somewhere deep in the shrouds of her jet-black
shift, seemingly from nowhere, she whipped out a cleaver and severed my
dick cleanly at the root.
My immediate response was amazement. Not at the pain. There was none.
Then or later. Ever. But at the severed cock and at the sight of the
white spurts of my cum so swiftly counterpointed with the red splats of
my blood.
She reached forward and grasped my cock. No, not my cock anymore. The
cock. And lifted it high in her outstreched hand, waving it above her
head like a trophy, and let out a whoop.
But seeing me aghast, her mood softened. Now, she said, now youâll see
what I can do with a cock. Such as, she said, thinking, pausing, such as
... using it to write with.
Wiggling the prick between figures and thumb, she made as if to write
with it on the tabletop. Obligingly, some cum oozed out the tip in
imitation of ink. I laughed.
Or, she said, twisting the cock in her fingers, I can use it as a cigar.
Holding it out between forefinger and thumb she tapped it with her
middle finger as if to knock off excess ash. A drop of spunk dripped on
the floor. Responding to her playful mood, I snorted in amusement.
But of course, she said, a good cigar needs to be smoked. And with this
she inserted the bloody end of the stump between her hemlock lips.
Toking on the cock, a small drop of blood collected at the comer of her
mouth. The effect was striking. Her long straight black hair framed the
palest of pale faces. Her sharp black eyebrows arced over her liquid
black eyes. And the stiff cock, bloody at one end, cum-stained at the
other, oozed crimson on her blood-red lips .
I guffawed loudly. I couldnât control myself. It was just too, too
funny.
Or then again, she said, I could make myself into a unicorn. Popping the
cock out of her mouth with a sucking sound, she held it to her forehead,
making neighing sounds and pawing the ground with her foot.
By now I was laughing uproariously, her actions were so outrageous. And
her appearance became even more scandalous, even funnier, when she
lowered her horn, leaving a bright red smear in the middle of her brow.
Oh, marvellous third eye!
And finally, at least for now, she said, there is my piĂšce, my piece
(she lingered over it) de résistanae. And with that, in a most coarse
and suggestive manner, but with an unmistakable elegance and grace, she
hoisted up her shift and planted a foot right up on the edge of the
tabletop, revealing a shaggy mass of black pubic hair.
Only one thing, I thought, could happen. It did. But it wasnât the only
thing. Of course she opened her cunt lips and inserted the stump, so
that a cock now nestled inside that dark bush. A drop of blood from the
dick dripped onto her thigh and gave her that menstruating look.
I expected it, but that didnât lessen the intensity of my response. I
could barely breathe I was laughing so hard. But with a coy smile on her
face she knew that the last laugh would be on me. So, pulling it out,
she quickly reversed the cock and pushed it head first between her cunt
lips. Now watch, she said. And I could do nothing else, for god help me
if that prick didnât start wriggling from side to side and from end to
end like a little worm until it burrowed itself out of sight, on its way
back to the womb, I suppose. I wanted to laugh, but I found the whole
thing so astonishing and, whatâs more, such a turn-on, that by god if
that little remaining stump of mine didnât start wagging like the docked
tail of a little terrier dog. In sympathy, I guess. Well, they say the
man with the amputated leg still feels that his missing limb is itching
sometimes.
Now it was her tum to laugh. And laugh she did. And why not? My
discomfiture was worth laughing at.
But my attention was now turned to my bloody anatomy. I looked at
myself. Did I think myself lacking, incomplete somehow? No, I felt that
the job wasnât finished. So I said, Now the balls. They look ridiculous.
She agreed.
I approached the table again and placed my bollocks thereon. She
approached and once again the cleaver flashed from nowhere and they were
gone too.
This time the mood seemed more sombre. Concentrating hard, tip of tongue
emerging briefly between tightly closed lips, she plucked the balls from
the scrotum and threw the empty bag away. Then she became more relaxed,
a smirk lurking in the comer ofher mouth. Holding a ball in each hand,
she reached up and popped one into her mouth and after playing it around
with her tongue, lodged it in her cheek. Then she repeated the action,
lodging the other ball in her other cheek. Now she looked like a gerbil
with nuts stored in its mouth pouches. The thought of that set me
giggling again. It wasnât to last.
Spitting the balls out into the palm of her hand like pits from
cherries, she smiled and motioned me to lay down on the table. I
complied with her wishes instantly, breathless with excitement in
anticipation of what further wonders would occur.
Supine on the tabletop, I could only watch with awe as she gently opened
my legs and inserted the balls into the gaping wound of my groin. I
grunted involuntarily as she pushed her hand right in up to her knuckles
and adiusted the balls to her satisfaction.
There, she said, pullingher hand out, there you are. All done. From
testicles to ovaries in no time at all. And the rest of the equipment is
forming as we speak. But theyâre no good if they donât work, are they?
Youâre kidding!, I said.
Oh, no Iâm not, she said, clambering onto the table in the space
between my open legs. Up the shift was pulled again and there was that
cock â my cock, that was â poking its head out of that black forest like
a catâs penis emerging from its sheath.
And with that s/he fucked me senseless and a very enjoyable experience
it was too.
But afterwards, as we lay tangled in embrace, I had to ask. Now when my
severed cock squirmed up you, did it impregnate you? Are you pregnant
with my child? And when you fucked me, with my, OK your, cock, did you
impregnate me? Did my prick inseminate my balls, I mean ovaries?
That, s/he said, weâll have to see.
And whoâs the male here and whoâs the female?, I asked.
Who knows?, s/he said. Who cares?
But surely the difference was supposed to be more than anatomy. Werenât
people conditioned to have different gender roles?
Well, yes, s/he said, but that was back then. Itâs different here.
Howâs that?, I asked
Now it doesnât matter, s/he replied.
Yes, I said, thatâs true. In fact Iâm not sure whoâs who anymore.
Youâre catching on.
Which is me and which is you?
Who knows? Is it important?
And all that stuff about the femme fatale, the sexy castrating woman (or
was it goddess?) that wasnât real, was it?
No. That was just animage, a mirage, a leftover from the bad old days,
something from there that got us here.
And whereâs that?
Where we want it to be.
And what we want to be.
For a change.
Weâre just people. Now. Letâs leave all that behind.
Time to abandon ship.
The cage doorâs opening.
Out thereâs the forest.
And the ocean.
Weâll meet the others there.
There arenât any others. Theyâre all us and weâre them.
Yes.
Here we go.
Well, rasped the hooded figure in the darkest recess of the shadowy
room, thereâs always a game of chess. Itâs customary that people like
you are allowed to challenge me to a game. And itâs true that you have
everything to win and nothing to lose. Whereas I have everything to lose
and only a chance of winning. But because the odds are so uneven I get
to choose the kind of chess pieces we play with.
That sounds fair, I replied. I donât care about the design of the
pieces.
You might, the figure responded. But you agree to the game, then? You
make your challenge?
I do.
Very well. And I accept. We shall press our lidless eyes and play a game
of chess! Here (sweeping aside an ann of the pitchy robe) is the board.
And now to the pieces. I choose black as my colour, you shall have red.
You must agree this is apt. I am the carrion, you are the corpse. I am
dark deeds and you its bloody victim.
I donât like the implication of that, I protested. Youâre suggesting Iâm
fated to lose. Thatâs not the case. And I donât care for your high-flown
phrases. But I canât deny that youâve selected the right colours for
each of us.
Then to more important matters, the mysterious figure replied. My side
will be male and your side female.
What do you mean?, I asked. Thatâs ridiculous. Each side has a king and
a queen, as well as sexless pawns.
Ah, yes, murmured the hood, but those are just the names of the pieces.
They merely indicate the parts that each piece plays in the game. Iâm
referring to the actual pieces themselves. Mine will be male. Let me
show you what I mean. Itâs all to do with body parts. For my rooks, I
choose my ears.
With this the figure lifted sallow hands into the dark hood, tugged two
ears free and placed them on the appropriate squares of the board.
For my knights, I choose my eyes.
My opponent plucked them out from somewhere in the depths of the cowl
and situated them next to the rooks.
The bishops will be my nostrils.
I heard a snap as the nose was broken off and saw those waxen hands
crack the nostrils apart before placing them on the board.
My mouth will act as queen.
The figureâs hands lifted the mouth, including teeth, tongue and palate,
away from the shrouded face and located it in the board. Amazingly, the
mouth continued to talk even though it was severed from its vocal cords.
It said: And to crown it all, my cock will be king!
The hoodâs intentions were all too clear to me: this was a strategy of
ravishment at best, of rape at worst. I tried to conceal my
consternation. My response, when it came, would have to be cunning and
effective.
And last but not least, the mouth announced, my pawns will be my
fingers.
At this, the figureâs hands shook over the board, showering loose
fingers like icicles which somehow dropped onto the right squares.
Now your turn.
Alright, I said. First, Iâll choose my braids for pawns.
With some trepidation, I reached up to my head. I had no idea whether I
had braids or if I had ever had them. But I assumed that theyâd be there
if I said they were. And I was right. I gently twitched at eight of them
(there only seemed to be eight) and placed them on the correct defile.
They oddly stood on end, a flimsy army but hopefully effective
camouflage.
And for my rooks, Iâll use my legs.
As with my nomination of braids, this choice had the desired effect on
the figure, who made small grunts of approval from the detached mouth.
With even more trepidation I reached down, closing my eyes as I couldnât
bear to see what was to happen. But my fears were unfounded. With a
sharp crack first one, then the other, of my legs painlessly snapped off
like britde wood. I lifted them onto my comers of the board. There was
no blood and I managed to balance them so that they both stood upright.
They looked colossal, dwarfing the other pieces, and incongruous. But no
doubt sexy enough to my lustful opponent. If there was any question, my
next choice amply removed it.
For my knights I choose my breasts.
Did I have any? Was I a woman? I couldnât remember. But on the principle
that had worked before, I felt certain theyâd be there. They were. Not
exceptional in size, but full enough to whet the appetite of the lecher
opposite. As with everything else, they came free easily and painlessly.
Now I had to take a chance. I had to gamble on desire overcoming reason.
My last choice had done enough to distract attention, I hoped.
And for my bishops, Iâll use my cunt and my arsehole.
I knew these werenât a proper pair and so might not be allowed. But my
previous selections were meant to suggest that I understood and
consented to the sexual nature of the forthcoming contest. I held my
breath, but I neednât have bothered. The figure didnât flinch .
Obviously the anticipation of a spot of buggery as well as some
good-to-god fucking was something my antagonist relished.
Rooting between my legs, I found both cunt and arsehole, and by dint of
poking a finger in one, then the other, I managed to pop them loose.
For my queen, Iâll choose my brain.
By now I knew this would flatter. Physical conquest wouldnât be enough
for this opponent. But it was with a touch of horror that I pushed at my
temples, opened up the lid of my skull, grasped my clammy brain and
wrenched it out. I couldnât believe I was holding it and so quickly
deposited on the board, trying not to see it out the corner of my eye,
and hastily clicked the lid of my head back in place.
And last of all, my heart will be my king.
To win over the heart of a fair maiden (if thatâs what I was), after
ravishing her body and seducing her mind would be seen, I hoped, as the
ultimate triumph. So there was nothing for it but to pull my rib cage
apart until the skin ripped open, reach in and draw out the hot, beating
heart. I quickly placed it on the board and, overcome by the enormity of
what Iâd done, cried: Let the game begin!
And so the moves and countermoves, the thrusts and counterthrusts, the
stratagems and counter-stratagems ranged across the board. Various
encounters yielded minorvictories, minor defeats, minor gains, minor
losses. But rapidly the pattern of the game came to centre on my
attempts at defence. My opponentâs pawns constantly tried to finger me,
running through my pawns, trying to pinch my knights and capture my
bishops. The figureâs rooks listened for signs of submission, sighs of
pleasure. The knights greedily ogled each of my pieces. And the bishops
continually sniffed around their clerical counterparts. The queen sought
to gobble up whatever she couldnât tongue. And the king sought to
capture my bishops, seeing them as a sure way to my queen, whose snatch
would surely convince my king to mate.
But my king and queen worked as one, encouraging the seductive ruses of
the pawns, and marshalling the knights and bishops to entice my opponent
to destruction, The ploy worked. With the enemy king bearing down hard
on my bishops, I unveiled my secret weapon. While the king exulted high
in anticipation of the imminent capture of my bishops, my hooligan rooks
rushed in to plant well-aimed kicks. Immediately the king was toppled. A
surrender! The game was conceded and I had won!
Looking up, I saw the hooded figure in a rage. Flinging back the cowl of
the black robe, a fearfully distorted visage was revealed, whether
deathâs head or hockey-mask I couldnât tell.
Youâve won!, the mouth on the board screamed. Youâve ransomed your life!
The figure lashed an arm across the chess board, scattering the pieces
across the floor.
Youâve beaten death and now none of us are kings or pawns! Now chaos is
let loose! Youâre just like all the others. All those masterless
bastards. Filthy rovers. Riotous scum. Drunken roisterers. Do you know
what youâve done?
Yes!, I cried. Oh, yes!
Then pick up your pieces and let the dance begin!
I tried to retrieve my body parts, but it was dark and the ghastly
figure was urging me to hurry.
But I canât find all my parts, I complained.
No matter, was the reply. Just take what you can find.
So I grabbed what I could and set them where theyâd fit. But I was a
hybrid now, neither man nor woman. My heart, brain and legs I found and
set in place. Other parts were less easy to find or recognize in the
darkness, and in haste I slotted in place whatever would fit, regardless
of what it did or where it came from.
But there was no more time.
Timeâs up, my cloaked companion cried. The dance begins!
From all around an endless multitude of people appeared. Rich and poor.
Old and young. Dead and alive. The walls just vanished and an infinity
of space vertiginously unfolded.
Take your partners!
The call resounded everywhere.
The rhythm began. And like everyone else I swayed to it. The figure took
me as partner, feet beating jerkily, while I melded effortlessly with
the insistent pulse.
And Iâve been dancing with death ever since. Itâs the only way I know to
take to myself the part of leveller. The great leveller, leveller of the
great. Becoming death for death. Overcoming the living death.
So Iâve danced before massed ranks of riot police and earth-killer
machines and animal murderers. Iâve danced when the cops were defeated,
when the machines were broken, when the animals were freed. I was there
at the Battle of the Beanfield, I was there at Trafalgar Square, I was
there at Twyford Downs. And there youâll fmd me, wherever power and
dominion might be pulled down. You may not recognize me, for I have a
thousand faces. And one of them may be yours.
Manyâs the time when death has clinched me too close and Iâve smelled
the reaperâs foul breath. But manyâs the time when I grasped the scythe
from his clutch and harvested liberty for all.
Come dance beneath the harvest moon!
And so, my friends, I could go no further. In that gully I laid down my
weary bones. My tawny skin shaded into the powdery dust.
The contractions began again. Pain pulsed through my body. Whiplashes.
Shrieks, groans, calls.
And then the birth.
Had I birthed a giant? I felt wrenched open. Raising onto elbows, then
hands, I peered over my swollen belly to see. What? On my thighs, a mess
of slather as if from a big dogâs mouth. And, slipping from the slit and
rolling away, a small, bright, shiny ball like a pearl. Rolling down an
incline into a hole in the ground.
And then the feelings of despair, of anguish. Of: What was it all for?
Why all that pain and effort? For a cake decoration?! A bauble? And one
already lost?
But then the jolt. Like a bolt of electricity, like the puncture of a
hypodermic needle. The afterbirth flooded out. Gushes of blood streamed
the earth, fertilizing the land. My blood was drained and my life-blood
too. All energy gone, I fell back, empty.
Then there was a settling, a relaxation. An ebbing. A sense of distance.
And then nothing. More nothing. Again nothing. And yet again. And yet.
Then a very faint stirring. Far away. Over there. Distant. A twinge.
Stillness. Silence without echo. But then, again. A twitch.
Stirrings. Mute shiftings. Tentative, muffied.
Perhaps a plash.
A flutter, maybe.
And then a distinct sensation. Unfolding. Stretching. Within. A tingling
feeling.
There. Pushing through. At the tips.
Roots sprouting from the finger tips. Feeling down through tunnels and
into crevices. Shooting out feelers, quizzing, probing, curious. Growing
further, exploring, testing. Seeking. Searching round stones and through
cracks. Penetrating further, touching the different strata, drawn nearer
and nearer to the moisture. Sensing the gradations, the various
textures, the minute shifts from powdery dust to rich loam. Absorbing
the energy, tapping into it, growing with it.
And then the pulses of energy flowing back to the surface, revivifying,
revitalizing.
So the fingers grew roots and the renewal began. The toes bleached and
their tips became bulbous. They became mushrooms. The armpits burst and
cauliflowers grew there. The legs were fallen trees. Fungi clustered
from beneath the knee caps. The brain grew a tap root and a copse of
young trees cracked open the skull. Birds sang and squirrels darted
among the branches. Brambles grew from the pubic fibres, sheltering a
dark and dank cave, and sending out plump berries and the precious briar
rose. All over, the down became downs, lush meadowlands. The breasts
became burrows where rabbits lived and moles sometimes surfaced. The
jaw, turned to stone, jutted out of the earth in granite splendour. The
eyes became pools where fish played in the cool depths. The heart
blossomed with flowers beyond number. And on and on.
Integrated diversity. Intricate interweavings. Revitalized, organs,
muscles and bones are transformed and refashioned. New growth. And all
at once. Something words cannot describe. The sense of tumultuous growth
in every way at every moment. And that which was I, just the soughing of
trees in the wind.
But something remained. The pearl, the bauble, the sphere. Fruit of the
womb, fructifying in the luxuriant ecology. Nurtured and sustained in
this oasis, far from the eyes of greedy men, yet just under their noses,
it became a beacon, an incandescence, a luminous presence. Inhabiting
this place, pervading this place, yet emanating from it. Reaching out
and touching, its influence grew. Its influence grows. But only for
those who recognize it. For others, itâs invisible. Intangible. Or
worthless. Yet more and more begin to see it and feel its merit.
To those who will hear, to those caught in the wheels of industry, to
the slaves of the machine, and to those trapped in the megamachine, the
sphere says: Dare to dream! Dare to resist! Things donât have to be this
way!
And to those who thrill to this message, the sphere says: Pull down your
masters! Dismantle the systems! Do away with institutions! Throw away
your machines and donât bother to toil. Refuse power, in yourself, for
yourself, and over yourself. Stop harming one another, the animals, the
earth.
And those who hear, say: But how can we do this? And how shall we live?
And the sphere replies: You must gather together and go out into the
world to spread the word. You must create your own ways. Think as you
want to think, feel as you want to feel, behave as you want to behave,
look as you want to look, love as you want to love, be as you want to
be. Some of you will struggle from within the city and some will leave
it to renew the land. But wherever you are, you must take up arms,
whether of the spirit, the mind or the body, and throw yourselves with
all your might against Leviathan, this monster of iniquity.
And there are those who say: How do we know you arenât just another
false prophet crying in the wilderness? And why should we do what you
say?
And to this the sphere replies: I am not I. I am you. And you. And you.
And all the multitude. You shall find me within. For I am your inner
light which you project out here. Donât follow me. Follow your inner
light and live by its promptings. Polish the windows of your soul so
that you may see your inner light more clearly. And when you do, youâll
see that these things Iâve said are true.
And those who have ears to hear ponder on these words. And they clean
their windows. And they gather together in the marketplace (for the
whole world has become like unto a marketplace and now there is no
other) and they say unto one another: This sphere is a great sign and
wonder and brings us good news.
And they see that it is good. And they see that it is true. And the word
spreads and more gird their loins and grind their loins and grind their
teeth in readiness for the battles to come.
But there are those who say: This sphere is our saviour. This sphere is
our Lord. We must worshiphim and praise him eternally.
And fall down on their knees.
And to these, the sphere in all wrath says: Fools! You know not what you
say or what you do! Only you people, by joining unto one another, can
save yourselves and save the world. You make me unto a graven idol, when
I tell you to pull down all idols. You set me up as master, when I tell
you to do away with all lords. Grovel no more. Take up your bed and
walk. And cease trying to make me into a man, into a god, or into a
human being!
And the scales fall from their eyes, and they exclaim: Truly, this
sphere is not the son of god. Weâre fucked if we think so. We must think
on. We mustnât make a cult of the sphere. Letâs not take its word as
scripture. Letâs have a love feast and then spin and weave and multiply
the word.
And the sphere is well pleased with such works.
And so, my friends, the long journey, the hot pursuit through scalding
deserts, the vales of tears and the wells of sorrows, begins to bear
fruit. Come, rest awhile in this oasis. For I have many tales to tell
and you have news of the struggles. I carried the sphere through the
howling wastes made by the lords of hell and planted it here in the dust
of my body. The seedtime is over and now strange blossoms are blooming
all over the world. I gave birth to the sphere and I am the sphere and
you are the sphere and you birth the sphere over and over each day. The
circle that was broken is now being mended. Stay here awhile and let us
share the plenty. Let us rest and give pleasure before we return to the
fray.
Thereâs that theory about the faery folk. Do you know that one? Well,
when the magic went out of Old England, when the Roman rulers and the
Christian rulers and all those other bastard rulers had stamped it out,
the faery folk are said to have gone to live âunder the hillâ. Not any
particular hill, you understand, and not in a valley. No, actually under
the hill.
Now, you can take that in all kinds of ways. And they donât really
contradict one another. So there may not be just one meaning to it.
Anyway, you could say that the faery folk just withdrew from the dull,
mundane world of daily life in civilization. The world of toil and
boredom. They just abandoned it and all those who slaved in it and went
off into the wilderness. Disappeared into it and so couldnât be seen
anymore. They went under the hill.
Or you could say that they went underground. Under the hill. They didnât
go away; they just dropped out of sight, out of sight of those in power.
Those who wanted to jail them, enslave them, kill them. So they might
still be around, secretly active, resisting but hidden. Outta sight, as
the hippies used to say. But not out of mind. Maybe. Out of their minds
according to some people. But not by people I want to mow. If thatâs out
of your mind, thatâs how I want to be.
Then again âthe hillâ might mean the faery hills. You know, all those
burial mounds and barrow graves that you see dotted around in Ireland
and Cornwall and places like that. Where the tourists havenât trampled
all over them or the builders havenât run a motorway through them.
âCause the old ones, they saw faery mounds as entrances to some kind of
pagan paradise. The entrances were always at places where you might meet
death. Underground, underwater or where the sun sets. Places where you
might end up dying or end up when youâre dead. But pagan paradise wasnât
thought of like the Christian heaven. Death wasnât the end. Faery mounds
were wombs as much as tombs. They were places of rebirth, not just
death. And some people talk of the faeriesâ revenge. Ofthe faeries
regrouping, waiting for the right moment, and then returning from the
hills to wreak revenge on all the bastards who chased them away and
stoned them and burned them.
Anyway, the point is that weâre like the faery folk. I say like. âCause
weâre not faeries. But perhaps theyâll come to our aid and get their
revenge when the time comes.
But weâre like the faeries because we too are under the hill. Some of us
have tried to withdraw, as much as we can, from all the shit thatâs
called civilization. Andhave tried to bugger off into the wilderness. Or
what passes for it these days. And some of us have been pushed from
pillar to post and set on by angry locals and stupid farmers. Or moved
on by cops. Or beaten by cops. Or shat on by politicians.
And some of us have gone underground. Not literally, of course. But have
tried to drop out of sight or (as they say) assumed protective
colouration. Worn masks, in more ways than one. Worn them while putting
our bodies on the line. Or worn them while trying to blend in so that we
can get inside and fuck the bastards over that way. Or just to avoid
being watched so that we can do some things weâd like to do. So we can
work out how to fight back. Without being caught and banged up. Rendered
inoperative is the term.
And then some of us have tried to link-up with the land and its lore.
Just soâs we know where weâre really coming from. Who we really are. Not
just a bunch of fucking kings and queens. Not land of no hope andfucking
glory . Not those bloody Romans and their stupid roads. Not any of that
shit. Our real ancestors. Those who lived free and those who fought
every frigging empire that ever came along. Roman. British. American.
Those who really never never never shall be slaves. Those who wanted to
live in community with nature and people. Who wanted a life without
lords, without labour, without law.
So in that way weâre like the faeries too. Weâve found an entrance to
the other world, to an earthly paradise. We find ourselves in places
where we might meet our death. Weâre going through a rebirth. Weâre
regrouping and we want to get revenge as well. We want to open the
floodgates and let paradise back in. As it was. And will be again. Only
better. Bring the magic back to life. Re-enchant the world. Level the
land.
In the deep midwinter, rapt in contemplation of these mysteries, gazing
into the dazzle of the dark sun, I heard a chorus of voices speak these
words. Whether they came from within or from others holding debate in
the shadows of the long-house or from long lost souls pausing to
converse outside the walls of our communal lodge, I know not. The voices
said:
Hell isnât the underworld, Hell is here. And the lords of hell
constantly torment our minds, our bodies and our souls. For all
eternity. Or at least all our lives. Unless we rise up and make a heaven
of this hell.
Now is the seed-time. New growth is stirring around us and within us.
Even as the land is covered with blow upon blow. As the roar of the
drills and the growl of the diggers fill the air and the infernal
machines take over the land, as the land shudders under the weight of
the horrors daily inflicted upon it. Even thus the buds are awakening
within us.
We grow in understanding, we grow in sympathy, we grow slowly in numbers
and we grow gradually in influence. They poison us and they mow us down.
But we continue to unfold in the margins, in the cracks between the
pavements. Soon, oh soon, perhaps we shall crack the pavements. For
underground we grow, reaching out hands like tendrils to touch, to take
hold, to hold communion. Letâs stretch, letâs flex our muscles and see
what we can do. Maybe we can find the fault line and crack open this
concrete prison.
We are the root, the cell, the radicle. A spark has been planted in us.
And we must plant it in others. We must plant the seed communities. So
that the new, which is also the very, very old, can grow. It cannot be
forced, but still the seed-time cannot be long. For the day of reckoning
cannot be far off. Oh, earth! thou art sick! Thy teeming fliers and
walkers and swimmers are stymied and dying. The invisible hand is at thy
throat. The blight is spreading across the land. Soon all will be
concrete and steel.
And the worst concrete and steel will be in the minds and hearts of men
and in the hearts and minds of women. Fearful rigidity! where nothing
flows, where the cycles cease, and where balance is lost. The only sound
is the shifting sand of the arid desert until the terror machine
sickeningly heaves into sight. The straight and narrow, the straight and
narrow. The path to hell is paved with concrete and steel.
And the lords of hell with their terrible whips lash us on to the brink.
Tear them down! Tear them down!
And the worm will turn, And the serpent will sting.
And the graves will ope. And the dead will up.
And the jaws of hell will gape and spew us out.
And all souls will don their masks and grimly march on the final empire.
And gambol and cavort.
And at this vision my heart did leap with joy. On my feet at once, I
danced and jigged and ran out into the street proclaiming the news. And
found a ready audience who thought my words prophetic.
Halloween marks Samhain, the celtic feast of the dead, named after
Samana, âthe Levellerâ. The Celts believed that the joints between the
seasons opened cracks in the fabric of space-time, allowing passage
between this world and the other world. On Samhain, the Great Leveller
received offerings on behalf of all the dead. These offerings were
designed to effect a general levelling of distinction, influence and
wealth. Like the potlatch, the ritual acted as a way of dissipating
incipient accretions of power and goods. If the spirits were satisfied
that the levelling was effective, they would refrain from intervening.
But if they felt that inequalities remained, they would pass through the
passage between the worlds, summoned by shamans (witches and demons,
according to Christians), appearing as vengeful ghosts bent on
personally securing a thorough social levelling.
My friends, the witching hour is nigh!
The bell has tolled. It is time for the dead and the living dead to
rise. Rise! Rise up and claim your birthright! Rise up in an uprising
almighty! Roll away the stone and let the graves gape wide. Rise up from
your deathbeds. From your graves and your garrets. From your factories
and your firesides. For now is the festival of ruin.
The mighty shall be pulled down into the dust and the poor and oppressed
exalted. The living and dead shall walk side by side, marching marching
marching through the streets of pain toward the citadel of power.
Breaking burning tearing, for yes the urge to destroy is also a creative
urge. And the storehouses shall be broke ope and their goods scattered
to the wind. And the machines will be broken beyond repair. And the
houses of the money-changers will be tom down. And the factories will be
gutted. And the roads will be ripped up. And the jails will be stormed,
And the cages will be ripped open. And the laboratories will be trashed.
And the office blocks and the tower blocks will shudder and fall. And
the seats of power will be overturned. And the cities will burn and burn
and burn.
So come out, come out, wherever you are. Rise up from your stupor and
rise up from your torpor. Come level with me!
From out your scattered graves come out all ye resisters of all ages in
this land. Come! Boudicca and Caractacus. And all your merry bands. Who
rose against imperial Roman dominion. Come! Robin Hood, Robin Goodfellow
of the Greenwood! Never has the forest needed you more. Great leveller
who steals from the rich and gives to the poor. Come! Wat Tyler and the
jovial bands of the Peasantsâ Revolt. Rise again âgainst those masters
so haughty and proud. Come! John Ball. When Adam delved and Eve span,
Who was then the gentleman? Come! All ye radicals of the civil
rebellion. All ye ranters, diggers, levellers and fifth monarchist men.
Come! divine Abiezer. You have killed Levellers (so called) you also
(with wicked hands) have slain me the Lord of life, who am now risen,
and risen indeed, (and you shall know, and feele it with a witnesse) to
Levell you in good earnest. Rave on, rave on! Come! Laurence Clarkson,
we all agree to be part of my one flesh. Come! Jacob Bauthumley. They
bored your tongue and burned your book. Now tear them down. Come! All ye
mad crew! And Come! King Ludd and Captain Swing and all ye Luddites
bold! Time to break the machines once and for all. Come! all ye anarchs
exiled on these shores. Romantic Bakunin and sweet prince Kropotkin. And
Come! all ye nameless rebels, roisterers, resisters, rioters, renegades
and radicals. Witches burned at the stake. The martyrs of Peterloo.
Brave battlers at Trafalgar Square, at Trafalgar Square and Trafalgar
Square again. Mutineers andmad women. Angry mobs and angry brigades.
Incendiaries and insurrectionaries. Come! Rise! Rise! Rise!
And Come! All ye visionaries of these isles! Come! Shelley and Godwin.
Ye who sometimes saw so plain. Weâll stage the masque of anarchy. Come!
William Blake. Rekindle the flames of holy fire, the rebelâs
imagination. Lost is the green and pleasant land. And Jerusalem is
wanted no more. But your vision is needed again. Rise, bright angel.
Come! Richard Dadd. They locked you up for killing dad. Now big dad
needs to die. You prophesied the fairy fellerâs master-stroke. So strike
and strike again at the master, my fiery faery fellow. Come! Anthony
Roberts. Geomancer! Ecolorist! Did you find the grail as your body
faltered on Glastonbury Tor? You envisioned the fairies revenge. Now
rage with the furies across this land.
Come! Lorenzo. On this savage pilgrimage for earthly delight. Come!
George Orwell. You paid homage to Catalonia in the homeland of
catatonia. Come up for air once again.
And Come! all ye among the living. Come! all ye of the gathering
disarray. Come! Richard Alexander. Unplug yourself and come run with the
beasts. Come! Mazy Matthew and John the Sab. Open your eyes! Time to
wake up! Enough is enough is enough is enough! Come! John Nicholson,
archivist of uprising, and Celia, faithful labourer in the vineyards.
Come! Tom Cahill. Head in the clouds but balanced in the tao. Come!
Green anarchs of Oxford, neither town nor gown. Come! All ye Earth
Firstlers and fighters in defence of the earth. Come! All ye travellers
and gatherers. Come! All ye anarchs whoâll tear power down. Come! Andy
Hopton, discoverer of tyranipocrit and its enemies. Come! Ed Baxter.
Without whom none of this would be possible. Come! Bright nova Leigh, my
starcross lover. And Come! John Moore, seeker after anarchy and ecstasy.
Come one and come all! Come level the land!