💾 Archived View for library.inu.red › file › crimethinc-harbinger-4-intro.gmi captured on 2023-01-29 at 08:33:52. Gemini links have been rewritten to link to archived content

View Raw

More Information

➡️ Next capture (2024-06-20)

-=-=-=-=-=-=-

Title: Harbinger.4 Intro
Author: CrimethInc.
Date: November 1, 2001
Language: en
Topics: Harbinger, introduction
Source: Retrieved on 7th November 2020 from https://crimethinc.com/2001/11/01/harbinger4-intro

CrimethInc.

Harbinger.4 Intro

Until our most fantastic demands are met, fantasy will always be at war

with reality.

It hijacks history classes and funerals, waylays secretaries on the way

to the coffee machine, turns rails into slides and shopping malls to

playgrounds — it sends lives spinning out of control. Movie directors

endeavor to harness it, travel agents to peddle it, political parties to

enlist it; but fantasy, like the one who pursues it in earnest, can

serve no employer.

Now that every continent has been conquered and every countryside

explored, nothing is more precious than passages to new worlds.

Mass-manufactured faiths are haunted by a thousand dreams of escape —

and fancy weaves better wings for flighty youth than pragmatism ever

fashioned our forebears.

As revolutionaries, of course we are fighting for our daydreams! When we

cannot stomach another hour of this, we side with those moments we

surprise ourselves, flashes in which anything feels possible, peak

experiences that may last only instants — and therefore with every

inhibited impulse, forbidden pleasure, unexploded dream, all the stifled

songs which, unleashed, could create an upheaval like no one has ever

seen. And when the dust settles afterwards, we will side with them

again.

Call this escapist — perhaps it is; but what class of people is most

disturbed by the idea of escape? Jailers. Right or wrong, selfless or

selfish, possible or impossible, we’re getting out of here. They were

shooting off fireworks through the tear gas down on the waterfront, the

sky exploding in grenades of color. Whatever it is that pulls the pin,

that hurls you past the boundaries of your own life into a brief and

total beauty, it is enough.

“You can see the whole wide world from up here.”

“Yes, and others, as well.

The invitation to a new world may take a lifetime or more to extend;

self-imposed outcast status may be established in order to receive the

transmissions, to give the seeds soil in which to grow. The one who does

this is not jettisoning herself from “life” after all, but providing its

first port of entry — metabolizing, invisibly, the garbage of the old

world into the new one, just as other “parasites” do.