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Title: UNTIMELY Author: Wolfi Landstreicher Date: 2016 Language: en Topics: insurrectionary, Killing King Abacus Source: Retrieved on August 15, 2018 from https://writerror.com/texts/UNTIMELY Notes: Wolfi Landstreicher. "UNTIMELY: for Worlds Without Measure (being my thoughts on the project Killing King Abacus)." Killing King Abacus Anthology. Changing Suns Press. 2016.
What was Killing King Abacus? There are some who would answer this
question with one or another banality. One such banality would be that
it was a “product of its time.” But for rebels against a world without
measure, this is a meaningless phrase. It says nothing more than that in
a measured world—the world that three friends (among others) wanted to
destroy—the physical expression of a creative process these three
friends shared in took place coincidentally with certain other events.
This is a fact of no significance except to those who, due to a
religious belief, give history a purpose—christians, muslims, marxists,
“post-marxists”, etc.—and so have to assume that every activity or event
must reflect that purpose regardless of the intentions of the
individuals who created it. This is the thinking of god-lovers.
Regardless of what names they give their gods or any pretenses they
might have of being “atheists” (there are myriads of pious “atheists” in
the world I despise), this remains a statement of faith. I hate all
gods, all faiths, all believers, and I refuse to recognize any claims
they lay on anything I have done.
No, Killing King Abacus was not a product of its or any other time
(time, being merely a concept, produces nothing). It was the passionate
creation of three individuals. We were close friends at the time, who
shared many intense moments, and who, each of us in her or his own way,
rebelliously refused the measured world that had been imposed on us. As
such, all three of us were untimely people, and anything we did was
bound to be untimely.
Fiercely rebellious individuals do have to contend with the times in
which they live, but they do so as enemies. For this reason, there is
something in them and in what they do that remains beyond their time.
This is why, for instance, Sade, Stirner, Nietzsche, Novatore, among
others continue to provide fine, strong wines of dionysian inspiration
to those of us today who rebel against having our lives measured out for
us, who rebel against measuring our lives and our worlds at all.
Does Killing King Abacus provide such a wine? Certainly not every word
in it. There are articles dealing with specific events going on in the
world of that time. But there was also a certain tone that ran through
the two issues of the publication that certainly goes beyond its time, a
playful ferocity and creativity that called up other worlds. This is
why, among our unwitting accomplices you could find the likes of Julio
Cortázar. This is why the second issue was spiced with little tidbits of
playful utopian dreaming—some borrowed, some created by the three of us.
Such worlds without measure as the Land of Cockaigne or the Big Rock
Candy Mountain sparked our imaginations, and such visions seem to be
timeless.
Because Killing King Abacus was an expression of the rebellion, the
anarchy, the personal insurrections of three individuals, it couldn’t
avoid being untimely. So long as authoritarian structures exist, so long
as time is used as a system of measurement, a system of rule, and not
merely as way individuals play with each other and with their worlds,
rebellion will remain untimely, anarchy will remain untimely, and the
rising up of individuals against all that would define and enclose them
in social, psychological, historical, conceptual and cultural limits
will remain untimely. And for me, Killing King Abacus, like every other
project I’ve taken up, was an expression of just such a personal
insurrection.
This brings me to another of the banalities you may hear about this
project: that Killing King Abacus was an insurrectionary anarchist
publication. This is true in that the three of us who created it
considered ourselves anarchists. In addition, I think that each of us
felt that insurrection in one sense or another was essential to the
anarchist visions we pursued. But at that point, nothing that could be
called Insurrectionary™ Anarchism™ yet existed, and I don’t think any of
us had a desire to create such a thing. But those who have a need to
belong—to be owned by something greater than themselves—prefer words as
labels to conform to rather than as adjectives that describe one aspect
of a self that will always be greater than any of these aspects. I am an
anarchist not because I adhere to Anarchism™ or even Anarchy™, but
because I refuse to accept being ruled and, to the best of my ability,
fight against whatever strives to rule me, to dominate me, to exploit
me. This refusal and this battle involve rising up for myself and
against the impositions of the ruling order. And this daily rising up is
my personal insurrection. Sadly, Insurrection™ seems to limit this word
to just a few aspects of insurrection … those involving collective
action and violence. To be sure, I would love to see a weaving together
of individual anti-authoritarian insurrections into a large-scale,
“collective” (but only in the sense of an association of individual
willful self-creators) insurrection against all authoritarian
structures, and I assume that violence would be a necessary tool in any
such insurrection, but the defining quality of insurrection as I have
always used the term is that of individuals raising themselves up
against the structures, the authorities, the ruling orders that would
define and confine them. And the beginning of this insurrection is not
throwing a rock or a brick, it is not rioting, it is not even blowing up
a cop shop (as fine as all of these may be); it is desertion. Something,
perhaps, far more difficult in a social world that seems so totalizing.
But rising up, not for a cause, not to vie for a place in this world,
but for oneself against this world, is always, first and foremost, a
profound and uncompromising “No!” But I know from personal experience
that expressing this “No!” on a daily basis often takes the form of
finding the ways to sneak around the impositions of authority in order
to accomplish one’s desires … There is a sense in which every individual
who rises up is an escapee on the lam who needs to cultivate the skills
that allow her to remain as free as possible. In this world, freedom
always exists only in battle against the ruling powers, but it is far
more a battle of wits—of creativity, imagination and playfulness—than of
arms.
I would like to see this desertion generalize, precisely because in its
generalization it would be able to come out more into the open, each one
of us would be able to come out more into the open and more readily find
our accomplices, and the interweaving of creativity, imagination and
play this could bring about and increase the force of these tools. But
in this world where power operates more and more through the horizontal
control of networks, the technological communization that capitalism has
imposed, desertion and refusal has specific connotations, particular
among them, that of breaking ranks, of refusing the networks, the
technologically-imposed global community that insinuates itself
everywhere and imposes its methods even on the most adamant rebellion.
Who among us does not have a cell phone and an email address? Simply not
having a Facebook page is enough to rouse the suspicions of certain
upholders of the ruling order. To desert, to refuse, to rise up, is
inevitably to be an anachronism, to be untimely. If certain of the
current upholders of Insurrection™ (I am thinking of those who over the
past ten years have claimed the term for a post-marxist, neo-blanquist
ideological product, who occasionally use the word “anarchy”, but have
no love for anarchists) would rather enlist people into their little
army of well-disciplined “communist” grocers, municipal council members,
and media opinion-makers, Killing King Abacus, precisely because it was
an explicitly anti-authoritarian project, was a call for desertion. And
desertion is an individual act, and would remain so even were it to
generalize.
I know that I still find Killing King Abacus stimulating,
thought-provoking, a goad to my own efforts in creating my life on my
own terms. There are others who tell me the same. And I am convinced
that what is stimulating in Killing King Abacus is its emphasis on
creativity, imagination and playfulness as essential tools of
insurrection, anarchy and rebellion, and on individual freedom as
central to anarchy. But I have changed somewhat over the past fifteen
years. At the time we did Killing King Abacus, I was convinced that it
was possible to reconcile individual freedom and communism. I no longer
think this can be done. I made the mistake of equating certain negative
critiques that the most interesting and extreme communists made—the
critiques of work, mercantile exchange and economic property—for
communism. But communism is not essentially a negation. It is a positive
concept, specifically the promotion of the idea of community, that is of
becoming one with each other. Communist writers have spoken of this in
such terms as “species being” (“Gattungswesen,” aka “species essence,”
if one wants to stick more closely to how hegelian terms tend to get
translated into English) and “human community.” Basically, a global
linking together of the human species into single unity greater than any
of the individuals involved. Marx argued that the development of the
productive forces under capitalism would bring about this unity in the
realm of production. If he was wrong in locating where it would happen,
I would argue that the ruling order has succeeded in creating this
“human community”, this “species being”, not through the technology of
production (or not primarily so), but through developments in the
technology of communication. The internet, cell phone technology and all
that goes along with them is connecting more and more of the global
population in a community based precisely on the suppression of all that
is unique in each individual, all that is most intimate and personal. It
is communism in the only way communism can exist, through the reduction
of each individual to a mere atom in the global machine. That the ruling
system of the state and capitalism has accomplished this should come as
no surprise, since this suppression of every individual into a mere
electron flowing through the networks of its machine has always been the
aim of ruling systems. Some would argue that it is now too late to fight
this. Even most so-called rebels prefer to carry out their rebellion in
the terms that this system sets, preferring to be in line with
“historical forces,” preferring to be timely, and so willingly
participating in what they rebel against. I see a dearth of imagination,
of creativity, of a fierce playfulness capable of a utopian journey that
refuses all authoritarian destinations behind this surrender disguised
as rebellion. In light of such a world, the spirit of refusal and
desertion that infused Killing King Abacus seems more necessary than
ever, because it is only outside that there is any possibility for
imagination, creativity and play to flourish. And this outside, for now,
may have to be in those most intimate, hidden realms where poetry,
passion and dreams can still breathe, realms that are getting reduced
more and more, drowned under a glut of information available to
everyone, useful to no one but those who rule us. Against this, only you
and I as self-creating individuals can rise up, and that insurgence will
need to be a desertion, a break with the networked world of authority.