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Title: Beyond the Two Anarchies
Author: Renzo Novatore
Language: en
Topics: individualist, egoist, communism, morality
Source: The Collected Writings of Renzo Novatore, Ardent Press 2012
Notes: Vertice, La Spezia, Translated by Wolfi Landstreicher

Renzo Novatore

Beyond the Two Anarchies

The social thought saturated with the revolutionary dynamic that the

social-political concept of libertarian communists radiates breaks

through the universal depth of human pain to intertwine in an almost

monistical embrace with the higher and vaster psycho-spiritual concept

of anarchist individualism yearning for the definitive and radical

Anarchy.

But Anarchy being a “final absolute” in full harmony with the infinite

idea and communism a “relative” social, juridical passage flowing into

economic empiricism—therefore prelude and promise but not full musical

harmony and epic finale—it happens that the flourishing children of the

two theoretical currents of social becoming continue to wrangle, still

contending with each other—now tempestuous and now calm—the

philosophical-spiritual heritage of pure Anarchy. It is the ancient

dualism that, dressed up again in apparent logic, still goes round in

the vicious circle where the merry-go-round of dogma and utopia spin on

the inauspicious axle of the dream that truth deforms and life

transfigures.

And it is from this vicious circle, which neither one of the two parts

has yet boldly dared to escape, that I want to decisively free myself to

later immerse myself in the bath of a new sun.

The anarchist who aspires to communism and the individualist who aspires

to Anarchy don’t notice that they are gripped, violently, in the

shackles of castrating sociology and in the jaws of the humanism that is

a slimy blend of individual non-will and pseudo-christian morality.

Anyone who accepts a social, collective, and human cause is not in the

pure Anarchy of the free, virgin, and original instinct of the

anthropocentric inassimilables and negators.

I—anarchist and individualist—don’t want to and cannot embrace the cause

of atheist communism, because I don’t believe in the supreme elevation

of the masses and therefore I refuse the realization of Anarchy

understood as a social form of human life together.

Anarchy is in free spirits, in the instinct of great rebels, and in

great and superior minds.

Anarchy is the innermost animating mystery of misunderstood

uniquenesses, strong because alone, noble because they have the courage

of solitude and of love, aristocratic because scornful of commonness,

heroic because against all...

Anarchy is nectar for the psychic I and not sociological alcohol for the

collectivity.

The anarchist is the one who refuses every cause for the joy of his life

radiating from inner spiritual intensity.

No future and no humanity, no communism and no anarchy is worthy of the

sacrifice of my life. From the day that I discovered myself, I have

considered myself as the supreme PURPOSE.

Now I wrap myself in the rising trajectory of my liberated and

liberating spirit, I cast off the harness of the pure nakedness of

instinct to soar above the arch—ideal sociological inspiration—that

joins and combines the dogmatic utopianism of the two pale dreaming

anarchies to glorify—between the clash of the winds and the feasts of

the sun—the egoarchic and powerful lordship of myself.

Beyond the tragic bridge of the Nietzschean overman, I catch sight of a

summit even freer and more phosphorescent on which no god-man ever

celebrated his birth or his easter resurrection.

Beyond the people and humanity, the absurd and sublime mystery of the

undefined UNIQUE lives and throbs.

I—crazed human eagle—flash across the gloomy darkness of this black

night, where the storm of ideas howls and the winds of thought roar, to

later soar beyond the arms of the earliest glimmer of the dawn, among

the raging flames of the noontime sun, sensing myself in the voluptuous

and dionysian throbbing of the vital, amoralistic instinct where the

light of the spirit and the passion of emotion get drunk in the wild and

virgin springs of blood and flesh.

Joy is—above all—a special way of feeling life.

For the higher man who feels elevated, there is the sublime joy of

sorrow and the deep sadness of happiness. Zarathustra who, through the

painful and sublime solitude of the peaks, eagerly seeks the keen joy of

knowledge, and encounters crazed, divine madness; Jules Bonnot who,

through “Crime” and “Transgression,” exalts the will of the Unique who,

beyond Good and Evil, rises toward the sky of the heroic Art of living

and dying; Bruno Filippi who is annihilated in the titanic effort, who

claims the right of the “I” against the social constraints of the

unctuous bourgeois and plebeian collectivities; these are the radiant

jewels that compose the libertarian garland of my vital amoralism, as

well as the protagonists of my spiritual tragedy.

In life I seek the joy of the spirit and the luxurious voluptuousness of

instinct. And I don’t care to know whether these have their perverse

roots in the caverns of good or in the whirling abysses of evil. I rise,

and if in rising I encounter the tragic lightning of my destiny, life

and death will bend on my twisted lips to later follow me into the

supreme turmoil where Art glorifies the strong, misunderstood rebels

whom morality reviles and condemns, whom science calls lunatics, and

whom society curses.

I am therefore the rejoicing liberated instinct. Lending an ear to

myself I hear the thunderous howl of my liberator spirit that sings the

epic and triumphant song of the final victory.

All ARCHIES have fallen shattered. Now I love myself, I exalt myself, I

sing myself, I glorify myself. My old dreams have found rest on the pale

and fragrant skin of women. My passionate, pagan mind is that of an

uninhibited poet and is voluptuously reflected in their perverse eyes

where the spirits of Pleasure and Evil dance the maddest dance. Only the

twinkling of stars, the flowing of rivers, the whispering of forests say

something of what lives in me. Anyone who can’t comprehend the strange

symphonies of nature can’t comprehend the resounding verses of my

enchanting songs.

Mine is not a thought or theory, but a state of mind, a particular way

of feeling. When I feel the need to decisively set my Centaurs and my

raging stallions free, there will be around me a mad orgy of love and

blood, because I am—I feel it—what the inhabitants of the moral swamps

of society call a “common criminal.”

Madman? As you will! Normal beings have never enjoyed my affections.

Among human beings, the ones I love most are the “criminals” of Thought

and Action (Artists, Thieves, Vagabonds, Poets).

Among women I love the perverts. I love them dressed in blue in the

evening sunset. I love them dressed in red among the golden rays of the

coming dawn; I love them naked and perfumed on the bed of love, I love

them dressed in white on the small bed of death.

Poor, small, great sisters of mine who I have always loved and never

possessed. I love you! I love you! I love you!

Tell me, oh my living sisters, oh my deceased sisters: who? who among

you was the most famous, the greatest, the most perverted?

Ah, I remember, I remember!...

Clara, it was you!... But where are you now?

I knew you once through Octave Mirbeau’s The Torture Garden. I knew you

and I loved you! You are the strangest and most delicate creature, the

most romantically and deeply human and cruel, who has known how to feel

life keenly, to feel love exquisitely amidst the moaning of the tortured

and the aroma of the flowers. When I think of you running, mad and

light, under the blonde prelude of the golden twilight to find green sod

reddened with blood and make yourself a wedding bed from it to grant

yourself the deepest loving embrace, I feel exalted by admiration for

you.

Ah, romantic and refined creature, how you are able to penetrate the

divine miracle of flowers and how the sensual perfume of the Chinese

meadow rue teaches you to exalt….

Only a great voluptuary and a great pervert could hear as your

equal—still amidst the heartrending and terrible cries of the

tortured—the strong and powerful voice of instinctive nature that cries:

“Love yourself!... Love yourself!... Make yourself also like the

flowers... In truth, there is only Love!” And I understand it and I feel

it, oh Clara, your wicked and amoral love, damned and abominated by the

castrated purity of the morality of the chaste and of men. I feel it,

how it rises, mad and impetuous, from the most subterranean depths of

instinct, to spread—with the musical harmony of eagerness and

mysteries—uninhibited and superb before the cruel and barbarous

spectacle of human sacrifice and to celebrate the supreme and vigorous

throb of the most painfully profound JOY, resonating in the bleeding

heart of the fullest, most tragic life.

Oh perverse heroine of Octave Mirbeau, I exalt you and sing you because

I am the barbarous singer of Evil.

Above the two Anarchies of Reason and Good—glorious and triumphant—I

raise the banner of the Anarchy of Instinct and Evil.