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Title: On Renzo Novatore
Author: Enzo Martucci
Language: en
Topics: egoist, individualist, Italy, Renzo Novatore
Source: Retrieved on June  6, 2011 from https://sites.google.com/site/anarchyinitaly/renzo-novatore/enzo-martucci-on-renzo-novatore-1
Notes: (revised from a translation by Stephen Marletta)

Enzo Martucci

On Renzo Novatore

My soul is a sacrilegious temple

in which the bells of sin and crime

voluptuous and perverse,

loudly ring out revolt and despair.

These words written in 1920, give us a glimpse of the promethean being

of Renzo Novatore.

Novatore was a poet of the free life. Intolerant of every chain and

limitation, he wanted to follow every impulse that rose within him. He

wanted to understand everything and experience all sensations — those

which lead to the abyss and those which lead to the stars. And then at

death to melt into nothingness, having lived intensely and heroically so

as to reach his full power as a complete man.

The son of a poor farmer from Arcola, Italy, Abile Riziero Ferrari

(Renzo Novatore) soon showed his great sensibility and rebelliousness.

When his father wanted him to plow the fields he would flee, stealing

fruit and chickens to sell so that he could buy books to read under a

tree in the forest. In this way he educated himself and quickly

developed a taste for non-conformist writers. In these he found reasons

for his instinctive aversion to oppression and restriction, to the

principles and institutions that reduce men to obedience and

renunciation.

As a young man he joined the Arcola group of anarcho-communists, but he

was not satisfied with the harmony and limited freedom of the new

society they awaited so eagerly. “I am with you in destroying the

tyranny of existing society,” he said, “but when you have done this and

begun to build anew, then I will oppose and go beyond you.”

Until he was fifteen years old, Renzo included the church in his poetry.

After that, freed and unprejudiced, he never planted any roots in the

gregarious existence of his village, but often found himself in conflict

with both men and the law. He scandalized his respectable family, who

wondered what they had done to deserve such a devil...

...Novatore, who was influenced by Baudelaire and Nietzsche, asserted

that we had needs and aspirations that could not be satisfied without

injury to the needs and aspirations of others. Therefore we must either

renounce them and become slaves, or satisfy them and come into conflict

with Society, whatever kind it may be, even if it calls itself

anarchist. Novatore:

Anarchy is not a social form, but a method of individuation. No society

will concede to me more than a limited freedom and a well-being that it

grants to each of its members. But I am not content with this and want

more. I want all that I have the power to conquer. Every society seeks

to confine me to the august limits of the permitted and the prohibited.

But I do not acknowledge these limits, for nothing is forbidden and all

is permitted to those who have the force and the valor.

Consequently, anarchy, which is the natural liberty of the individual

freed from the odious yoke of spiritual and material rulers, is not the

construction of a new and suffocating society. It is a decisive fight

against all societies — christian, democratic, socialist, communist,

etc., etc. Anarchism is the eternal struggle of a small minority of

aristocratic outsiders against all societies which follow one another on

the stage of history.

Those were the ideas expressed by Novatore in Il Libertario of La

Spezia, L’Iconoclasta of Pistoia, and other anarchist journals. And

these were the ideas that then influenced me as I was well-prepared to

receive them.

During World War I Novatore refused to fight for a cause that was not

his own and took to the mountains. Astute, courageous, vigilant, his

pistol at the ready the authorities failed at every attempt to capture

him. At the end of the war the deserters were amnestied and he was able

to return to his village where his wife and son were waiting for him.

I was sixteen years old and had run away from home and my studies,

freeing myself from my bourgeois family, who had done everything they

could to stop my anarchist activities. Passing through Saranza on my way

to Milan, I stopped to get to know Novatore, having read his article “My

Iconoclastic Individualism”. Renzo came at once to meet me together with

another anarchist called Lucherini.

We passed unforgettable hours together. Our discussions were long and he

helped me fill gaps in my thinking, setting me on my way to the solution

of many fundamental problems. I was struck by his enthusiasm.

His appearance was impressive. Of medium height he was athletic in

build, and had a large forehead. His eyes were vivacious and expressed

sensibility, intelligence and force. He had an ironic smile that

revealed the contempt of a superior spirit for men and the world. He was

thirty-one years old, but already had the aura of genius.

After two months wandering around Italy with the police at my heels, I

returned to Arcola to see Renzo again. But Emma, his wife, told me that

he was also hunted and that I could only meet him at night in the

forest.

Once again we had long discussions and I was able to appreciate his

exceptional qualities as a poet, philosopher and man of action even

more. I valued the power of his intellect and his fine sensitivity which

was like that of a Greek god or a divine beast. We parted for the last

time at dawn.

Both of us were existing under terrible conditions. We were in open

struggle against Society, which would have liked to throw us in jail.

Renzo had been attacked in his house at Fresonaro by a band of armed

fascists who intended to kill him, but he had driven them off with

home-made grenades. After that he had to keep a safe distance from the

village.

Despite being an outlaw, he continued to develop his individualist

anarchist ideas in libertarian papers. I did the same and we aroused the

anger of the theoreticians of anarcho-communism. One of them, Professor

Camillo Berneri, described us in the October, 1920 issue of

L’Iconoclasta as “Paranoid megalomaniacs, exalters of a mad philosophy

and decadent literature, feeble imitators of the artists of opium and

hashish, sirens at so much an hour.”

I could not reply because in the meantime I had been arrested and shut

up in a House of Correction. But Renzo replied for both of us and took

“this bookworm in whom it is difficult to find the spirit and fire of a

true anarchist” to task.

More than a year later I was provisionally released from prison, but I

could find out nothing regarding the whereabouts of Renzo. Finally I

received the terrible news that he had been killed.

He was at an inn in Bolzaneto, near Genova, along with the intrepid

illegalist S.P., when a group of carabinieri arrived disguised as

hunters. Novatore and S.P. immediately opened fire and the police

responded. The tragic result was two dead, Renzo and Marasciallo Lempano

of the carabinieri, and one policeman wounded. This was in 1922: a few

months before the fascist march on Rome.

So a great and original poet, who, putting his thoughts and feelings

into action, attacked the mangy herd of sheep and shepherds, died at the

age of thirty three. He showed that life can be lived in intensity, not

in duration as the cowardly mass want and practice.

After his death it was discovered that, together with a few others, he

was preparing to strike at society and tear from it that which it denies

the individual. And in the Assizes Court where his accomplices were

tried, a prosecuting counsel acknowledged his bravery and called him “a

strange blend of light and darkness, love and anarchy, the sublime and

the criminal.”

A few friends collected some of his writings and posthumously published

them in two volumes: Above Authority (Al Disopra dell’Arco) and Toward

the Creative Nothing (Verso il Nullo Creatore). Other writings remained

with his family or were lost.

So an exceptional man lived and died — the man I felt was closest to me

in his ideals and aspirations. He described himself as “an atheist of

solitude” He wanted to “ravish the impossible” and embraced life like an

ardent lover. He was a lofty conquistador of immortality and power, who

wanted to bring all to the maximum splendor of beauty.