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Title: Introduction Author: Hostis Date: March 2016 Language: en Topics: anti-politics, anti-social, insurrectionism, post-left, communisation, empire, comité invisible, Tiqqun, liberalism, politics of recognition, anti-state, Deleuze, Guattari,
INTRODUCTION
RECOGNITION AND ITS DISCONTENTS
For reasons that will become evident in the course of this text and to
save the reader the trouble of sifting through the details, we offer up
our analysis at the start: the politics of recognition, insofar as
recognition is treated as the means for collective emancipation, is
nothing more than a mirage that welcomes those upstanding citizens of
Empire into civilization's warm embrace. We view recognition as another
way to fall back on the illusion of the 'neutral observer;' as a
nonpartisan; as if innocence will save us from one more act of State
violence; a respite from the surplus extraction part of Capital's
growing expanse. It is in the name of partisanship, of taking sides, of
choosing enemies, that we repeat the advice of our Tarnac friends: "To
no longer wait is, in one way or another, to enter into the logic of
insurrection. It is to once again hear the slight but always present
trembling of terror in the voices of our leaders. Because governing has
never been anything other than postponing by a thousand subterfuges the
moment when the crown will string you up, and every act of government is
nothing but a way of not losing control of the population."
Seeking recognition is always servile. We have little interest in
visibility, consciousness raising, or populist pandering. Recognition
always treats power as a give-and-take. On the one hand, the
dispossessed use recognition as respite from exploitation; while on the
other, the State expects its authority to be recognized as the first and
final say. According to this logic, for the dispossessed to even get a
step up, they must first acknowledge a higher power than themselves.
The particulars of our own time are even more obscene. Following the
spread of economic rationality on a global scale, it is clear that the
flow of forces has reversed. The State pornographically exposes its
long-protected interior for others to abuse while lasciviously grooming
what is beyond its regular reach. Recognition chastely reassures the
State of its powers. All the while, the most banal State functions are
farmed out to the highest bidder. So when their parking ticket is
authored by a private corporation, those who seek recognition fall back
on the State dictum that nothing good comes from the outside.
Recognition is the last refuge of those unwilling to make a break with
what is intolerable about this world. The worst of them are power
brokers looking to sell access to those who subjugate us, urging us to
find common interest with politicians, capitalist, and NGO cheats of
every kind. It is easy to identify these swindlers by their pitch for
"making a difference" by "working inside the system" with "community
partners," or even worse, the business of "social justice" aimed at
"serving the underrepresented." They're always generous, far too
generous, with advice on pitching a project meant to enroll others. Ever
wonder if, behind all their 'selfless' marketing wisdom, they believe
anything themselves? We're convinced that their only strongly held
beliefs are a nebulous faith in 'the power of people raising their
voice' and other vague populist propaganda about the benefits of civic
engagement. The one clear thing is the consequence: of the projects that
operate by seeking recognition, the only ones that succeed are those
that also somehow benefit the powers that be.
By far the worst aspect of recognition is its role in resolution. From
where we stand, civil society appears only as a degraded arm of the
State. Collective process, democratic representation, and community
accountability might feel radical, but they are the actions of the State
dressed in black. They transform our desire for antagonism into
'agonistic' fuel for the engine of statecraft. The process of
recognition begins with a riotous insurrection, makes it into an angry
mob, then into an unruly crowd, into a gathering of concerned citizens,
into a protest organization, into a political party, and finally into a
class of legislators. Some enlightened 'direct democrats' believe in
abbreviating the process of resolution in a return to representation.
Our path is far darker. Ours is the 'mad black communism' that haunts
the goodwill of these leftist party bureaucrats. This does not simply
mean a politics where your socialist party finance minister wears a suit
without a tie or walks the halls of Parliament with his hands in his
pockets. It means, first of all, to transform what is present within
riotous insurrection into sites of material leverage, to the point where
any 'movement' worthy of the name is, in itself, irreversible.
However, it is worth noting that there is nothing new in saying we must
move beyond recognition. Remembering Stokely Carmichael on non-violence,
we refuse the ready-made game of back-and-forth; waiting for the State
to recognize the violence it purports to shield us from. Add to this the
reminder from our Tarnac friends that "waiting is madness... [because]
we are already situated within the collapse of a civilization. It is
within this reality that we must choose sides." It is this manner in
which we assert that waiting for recognition is like waiting for the
democracy to come: a war by other means waged through infinite deferral.
As in warfare, there are enemies regardless of whether or not a
declaration of formal conflict is recognized. Empire does not have a
conscience. Empire does not give a shit about critique.
It is this manner in which we assert that waiting for recognition is
like waiting for the democracy to come: a war by other means waged
through infinite deferral. As in warfare, there are enemies regardless
of whether or not a declaration of formal conflict is recognized. Empire
does not have a conscience. Empire does not give a shit about critique.
We contrast recognition with the destruction of worlds. Our destruction
is both affective and collective – Hostis nurses a hatred for this
world, and it works to annihilate everything it hates. Our purpose is to
make apparent to all what is already self-evident to us: that our
collective self-interest lies in the destruction of this world. Orthodox
Marxists argue that revolutionary politics emerges from the working
class when they realize the benefits of overturning capitalism. This is
why the Communist Manifesto denounces "philanthropists, humanitarians,
improvers of the condition of the working class, organisers of charity,
members of societies for the prevention of cruelty to animals,
temperance fanatics, hole-and-corner reformers of every imaginable
kind." The line we draw is not between bourgeois/proletariat (good/bad,
left/right, oppressor/oppressed, etc.) but between those who preserve
what is intolerable about this world and those of us dismantling it.
We must learn how to weaponize the concrete asymmetry between Empire and
the dispossessed. We are drawn to those who sharpen the gap between the
State and its subjects, not into biting tongues but cutting edges. Thus,
against the State's idealized invocation of authority, Hostis listens to
military strategists who say that opening with a concession is to begin
from a position of weakness. The point of Hostis is to spread the crisis
of representation; to antagonize the vulgar translation at every step
along the way. It is for this reason that we retain the language of
anti-politics, the destruction of worlds, and so on. We have no interest
in 'rights,' as they imply the exploitation of wider swaths of the
global population. The State or Capital may grant some individuals
rights, freedoms, or security, but is quite plain that these benefits
only extend so far. The only guarantee we acknowledge is that the global
population Fanon called the wretched of the Earth continues to grow.
Following Fanon's advice, Hostis evades recognition altogether. It
leaves the job of identification to the police. Abandoning the project
of the struggle for recognition is already at work in various areas of
the globe, and Hostis simply seeks to add to this growing body of
literature.
LAYING SIEGE TO EMPIRE FROM OUTSIDE THE CITY GATES
§1 Royal etiquette demands specific protocol: paramount is the rule of
no touching; one should never extend a hand in the expectation of a
handshake. Begin by saying "Your Majesty" and wait to see if they
initiate a handshake. If offered, accept, but do not squeeze too hard,
as it would be seen as a challenge to their power. Similarly, refrain
from conversation unless they start it...
We were buoyed in 2015 by sustained activity in the U.S. against the
police, who executed more than a thousand people. Through a perverse
deployment of the legal right to habeas corpus, it appears that United
States citizens are guaranteed representation by the State insofar as
this right is granted, in large part, through the literal 'presentation
and/or having of the corpses' of those it claims to represent. It was
interrupted by parliamentary victories by the Left in Europe, with the
short lived excitement of Syriza in Greece and recent success of Podemos
in Spain, further bookended by attacks in France. What do these events
have to do with our struggle to move 'beyond recognition'?
For one, it is increasingly transparent that the social categories of
recognition take the perspective of State power, and that they are the
means through which the State represents the power of a people. We see
this activity in the public person of the good-citizen who has purified
themselves of any cultural or religious heritage that may hint of any
Islamic affiliation. Muslims unwilling to pass as completely secular are
compelled to make pre-emptive denunciations of violence to make public
'whose side they are really on.' This is where recognition reveals its
true purpose as the State's biopolitical tool in the ongoing civil war.
On November 22, 2014, Tamir Rice was executed by two Cleveland police
officers. The justification, as it goes, was that his airsoft gun
constituted enough of a danger to the lives of the police officers and
the community at large that Tamir's murder was necessary. In the eyes of
the law, a young black body playing by himself in a park was all
suspicion needed for police officers Timothy Loehmann and Frank Garmback
to kill him. The most vocal activist response is to proclaim that 'the
civil rights movement is not over,' implying that such brutality is a an
effect of black Americans not being fully recognized as citizens in the
eyes of the law. The only thing those rights guard is the path to
innocence. They are the words of those who say with all honestly,
"injustice is when the wretched of the earth are treated as a problem,
for they are not one." In their haste to not be a problem, the innocent
strip themselves of everything but their proof of good citizenship,
which is a script only redeemable with those already looking to punish
you. Innocence can only be cashed out to pay for a single act: the event
of the sovereign adjusting the scales of justice so that punishment once
again fits the crime.
What if Tamir's gun had been real, Mike Brown had actually charged like
a demon, or what if Trayvon really did hit first? We would support them
even more. Our solidarity does not extend in spite of alleged
criminality but usually because of it. Though it is trite, one must
remember that colonialism, slavery, the Holocaust, and apartheid were
all legal. Yet we have nothing good to say about Clement Attlee, Abraham
Lincoln, Dwight Eisenhower, or F.W. Klerk, even if it was their pen that
ended each one of those terrible systems. Our heroes come from the ranks
of the Haitian Revolution, the Creole ship revolt, Eastern European
partisan units, and Umkhonto we Sizwe. We could care less about being
recognized by those who see it as their job to rule over us, justly or
unjustly. Fuck justice, we want revenge.
Recognition has not evolved much since the days of that Royal etiquette
we mentioned before. Though it has traded a bit of its gold gilding for
bureaucratic banalities, the State still insinuates itself in all
conflicts as the vanishing mediator – the ultimate arbiter of justice,
and the final judge of what is good. Its goal is to ensure that anything
not recognized simply ceases to exist at all.
Foucault clarifies the stakes with his concept of biopolitics – as we
become modern, recognition expand from courtly game to principle of
governance. The nation is no longer worn like a badge of honor by the
sovereign and is actively grown according to scientific principles of
security, territory, and population. The pompous social sport of
recognition (as seen in any comedy of manners) is developed into a
finely-tuned system of surveillance, development, and policing. He
summarizes this transition from a monarchy largely indifferent to their
commoners to a modern State obsessed with waging wars in the name of its
population; from "letting live and making die" to "making live and
letting die." But how can the State go from letting live to letting die?
Dispossession. Modernization is just shorthand for so-called land
reform, which expropriates people from their ancestral lands and in turn
withholds access to their means of subsistence. This is why the greatest
violence today is not the State's summary executions or that of those
who fight back, but the biopolitical system of abandonment meant to make
life outside the approving eye of the State unlivable.
The obvious strategy is to reverse one of the two processes: abandonment
or dispossession. But what does a reversal of abandonment look like in
the age of biopolitics? That the State act on our behalf? The
recognition of a previously unsanctioned way of life as worthy of State
support? The State codification of a freedom or entitlement as a right?
All of these approaches already cede too much. Those who were never
expropriated from their own means of subsistence do not suffer the same
way from abandonment; they can engage the State as an all-or-nothing
proposition. So instead of expanding the system of recognition premised
on the power of another, we are interested in strategies that reverse
our dispossession.
Simply put, our goal is to lay siege to Empire from outside the city
gates. For this, we are called barbaric. Not self-attributed but a
smear, the term 'barbarian' was invented by Hellenistic Greeks as
onomatopoeia for the blabber of those who could not speak their
language. Lacking the capacity for reason, 'barbarian' is used to paint
certain foreigners as unworthy of social, political, or legal
recognition. They are not just any stranger, as not all strangers are
vilified by the citizens of empire. Rather, barbarians have two defining
characteristics: they refuse to be educated in the language of the
polis, and they act with a savage roughness that exceeds the boundaries
of appropriateness. The first jams the usual logocentric means of
recognition that would extend them the communal rights of being a human.
The second banishes them to the uncivilized realm of beasts that lacks
decorum, protocol, and restraint. Nomads are perfectly satisfied with
such a one-sided story. What initially appears as an insulting depiction
of their limited capacities instead is a definition of how they avoid
capture. As the Italian authors Crisso and Odoteo argue, barbarians can
continue their siege as long as the likes of Hegel, "an honest subject
of the Prussian state," cannot apprehend "a completely autonomous,
sovereign, uncompromising opposition – a multiplicity that does not
allow itself to be enrolled in any synthesis." The outside to the new
'socially-conscious' economy, barbarians avoid the liberal trap of
tolerance, compassion, and respect. The only risk is that ferocity will
abate and passion subsides.
ALL THAT IS RECOGNIZABLE MELTS INTO AIR
§2 The State is not our sole enemy in moving beyond recognition. Capital
proves time and again that the State is merely its functionary for the
accumulation of global surplus in the hands of the few. It was already
in the 1970's that Gabriel Ardent formulated what we are still
witnessing in the beginning of 2016: namely, the neoliberal
transformation of capitalism through the credit-debt relation. As Ardent
notes, credit is "one of the most effective instruments of exploitation
man has managed to create, since certain people, by producing credit,
are able to appropriate the labor and wealth of others." It is precisely
through finance that the marriage between Capital and the State utilizes
its mode of economic recognition as the means to determine which
sections of the population are fit for the extraction of value from
social life.
Between the years of 2005 to 2008, Wells Fargo targeted Black and Latino
families with mortgages the bank knew they could not repay: "Wells Fargo
... saw the black community as fertile ground for subprime mortgages, as
working-class blacks were hungry to be a part of the nation's
home-owning mania. Loan officers ... pushed customers who could have
qualified for prime loans into subprime mortgages. Another loan officer
stated in an affidavit filed last week that employees had referred to
blacks as 'mud people' and to subprime lending as 'ghetto loans.'" As
Beth John, a former loan officer, recounts, "We just went right after
them [black families] ... Wells Fargo mortgage had an emerging-markets
unit that specifically targeted black churches because it figured church
leaders had a lot of influence and could convince congregants to take
out subprime loans." It is the power relation of debt managed by
finance-Capital that destroyed whole neighborhoods and constitutes
Baltimore's real looter. As Marc Belisle put it, "The real "thugs" in
Baltimore wear suits." In any case, whether we consider recognition from
an economic, socio-political, or legal perspective, it appears to us as
nothing more than a power relation used for the management and control
of a population for ends other than its own.
From this perspective, our present state of affairs appears as a thief
in the night with one purpose: to possess all possible futures by
wresting them from us in the present. What is debt if not an obligation
to future work? Thus, present day economic models of recognition (e.g.,
the determination of which social groups will reap the most profit
through their debts) simply repeats the wisdom of the Middle Ages:
"Usurers are ... thieves [latrines], for they sell time that does not
belong to them, and selling someone else's property, despite its owner,
is theft. In addition, since they sell nothing other than the
expectation of money, that is to say, time, they sell days and nights.
But the day is the time of clarity and the night is the time for
repose."
As we write, think, and struggle during these first months of 2016, that
tired and worn-out slogan 'NO FUTURE' appears as relevant as ever. If
for no other reason than this slogan signals a situation where the
intersection of those processes of exclusion and violence obstruct the
orthodox tools offered to us by the Left. No longer able to affirm some
unified class identity; no longer able to treat processes of
racialization and the construction of genders/bodies as secondary or
tertiary points of struggle; and living through Capital's debt
extraction that operates differentially across race, class, and gender
lines; we no longer can pretend to shore up our partisanship against
this world in accord with the thesis of recognition and representation
at the heart of much of the Left's strategies for struggle.
In light of the past wave of protests, and insofar as something like
NYC's 'Fight for 15' could have happened in Midtown while the Occupy
protests got under way in Wall st. just some blocks south of the
fast-food workers strikes in the same city; and insofar as it would be
the Black Lives Matter movement that would take their place on the
streets of Manhattan a few years later; it is clear that the ongoing
decomposition of working-class identity necessitates our move beyond the
politics of the civil and innocent citizen who remains respectable, and
therefore recognizable. All that is recognizable melts into air.
Thus it is worth repeating how recognition fails, whether from the State
or from the Left, insofar as our present situation is such that every
identity is in a process of decomposition vis-á-vis the civil war waged
by Capital in its current form: "Participants in the milieu observed
that, even in factory struggles, the re-emergence of an affirmable
working class identity seemed to be off the table: workers were
self-organizing, but without illusions about the revolutionary potential
of such self-organization...Meanwhile, many struggles were erupting
outside of the workplace – concerning students, the unemployed,
racialised minorities – with no interest in finding their way in.
Workers in what were once bastions of working class strength...could no
longer offer up their struggles as a container for the needs of the
class as a whole. Struggles over "reproduction" were supplanting those
over "production", even if the former seemed to lack the power vis-á-vis
capital historically wedded by the latter."
THE OTHER: A RELIC OF RECOGNITION PAST
§3 We all know the popular argument about anthropology being a perverse
theater where the Other is always 'represented' or 'invented' according
to the sordid interests of the West. Nothing can camouflage the
paternalism of this thesis, as it simply refocuses the conversation back
on Westerners too anxious to talk about anything but themselves.
Doubling this subjective phantasmagoria of the colonial system simply
piles insult upon injury. These critics once again suggest that all
roads return to Europe, even if it is to challenge its civilizing
pretensions instead of celebrate them. The result is that European
history remains the only universal required reading – the only change is
that we are to be wagging our fingers all the way through. By always
seeing the Same in the Other, by thinking that under the mask of the
other it is always just 'us' contemplating ourselves, we we can only see
what is 'of interest to us.' Anthropology thus reveals recognition to be
the mirror of Narcissus. In light of the narcissistic trap of
recognition it is imperative to accept the idea that our "negation does
not signify nothingness; when the mirror does not reflect our own
likeness, it does not prove there is nothing to perceive."
For a long time, and due to its acceptance into academic discourse, the
'Other' has come to be seen as the pillar of the politics and ethics of
recognition. However, a non- and even anti-academic history of the Other
requires special mention since we refuse to partake in the self-serving
system of 'the Other' whether defined as "the face" of vulnerability, or
as the non-White and/or non-Male/Masculine partner in that suffocating
courtship of earning the privilege to see and evaluate oneself through
the eyes of another.
Additionally, some of our contemporaries simply expand the narcissistic
mirror, beginning from the myth regarding anthropologies tainted
origins, to the whole world through a radical animism whereby humans,
bacteria, and mountains all have minds that need to be recognized.
Without even cracking a smile, one theorist honestly suggests that we
'respond to the call' of a littered bottlecap in the gutter. Such
recognition presupposes that the world exists in some sort of primordial
equality; between rivals struggling to be recognized by their Others. We
do not criticize this perspective as anthropocentric, but rather, to
stave off the ridiculous anthropocentrism of giving every-thing 'the
human treatment.' Extending human virtues to all things does advance our
position in civil war. In fact, some things do not deserve our
recognition: we refuse to recognize that bosses produce value as capital
has no value without the power labor; we refuse to recognize social
solutions as they are the biopolitical management of our lives; we
refuse to recognize the authority of the law as it is only the
codification of routine violence; we refuse to recognize popular opinion
as it is merely a reflection of the Spectacle. To them, to the extent we
appear to them at all, it should only be as Rimbaud said: as an I that
is essentially an Other.
Let's take another case from film: Abel Ferrara's Ms .45 (aka, Angel of
Vengeance) tells a story of a mute woman who works as a seamstress in
Manhattan's Garment District. While walking alone one day, she is raped
by a male stranger. And even though he need not cover her mouth, since
she cannot make a sound, he indulges in a few reaches at her face.
However, in a world where speech has atrophied – in the lives of women
who are violated even as they loudly make their protest public – our
heroine finds other means for fighting back. She refuses to accept the
unmitigated access men have over the female body, which gives her a new
sense of purpose and the means for its realization (a gun). This is the
very principle that Godard gave to cinema ('all one needs is a girl and
a gun') raised to the level of the political/aesthetic education of our
affects. The final scene tells us everything we need to know regarding
cruelty and its taste for vengeance: when 'Ms .45' realizes that she has
been stabbed (in the back, no less) by another woman, she mouths, though
silently, the word 'sister'. That is, to her surprise, she has been
betrayed by someone who is like her; and despite this betrayal,
communication between women is possible only in the silent mouthing of
the words which cannot be spoken. This lesbian moment ends before it can
begin, with the literal killing of a 'love that dare not speak its
name.' As if 'Ms .45' was uttering the phrase "Sister, why have you
forsaken me? Don't you know that your silence won't protect you!?"
Ms. 45's lesson is clear: in all those forms of social life, structured
according to the logic of hetero-patriarchy, one is silent because one
is a woman and a woman because one is silent. This is the Fanonian
insight manifest in a queer negativity that wants nothing more than to
abolish the false promises extended by striving to be seen, to be heard,
to be recognized. It represents our own world, where the only
communication between 'Ms .45' and her male counterparts can take place
by means of the bullet. We do not seek to form parties, organizations,
or syndicalist organizations. It is not 'peace now!' but 'a piece, now!'
that trades social recognition for political force. This is the
'counter-violence' of Frantz Fanon and Malcolm X, which produces a
separation from the system of recognition. Such violence is not itself
political, yet the violent reciprocity of 'a direct relation of force'
that breaks the abstract bond holding together State domination of its
subjects and poses a disharmony that arrests the dialectic of
recognition while opening a space in which politics can emerge.
This issue continues "Five Theses on the Politics of Cruelty," a
restatement of the main features of our defense of 'the politics of
cruelty' in Hostis issue 1. Though it should go without saying, such
cruelty is not meant to be directed at friends and neighbors. It is
certainly not an excuse to act shitty to members of your crew, be
abusive to a loving partner, or sow divisiveness of any kind. Our
cruelty follows in the footsteps of Spike Lee, who replaces the
self-appointed Reverend Harry Powell's moralism in The Night of Hunter
with Radio Raheem's struggle to fight the power. In his telling of the
battle between love and hate, Radio Raheem does not act as a false
prophet telling us how good prevails over evil. Instead, Raheem tells us
that he divides the world in two: love and hate. Those he loves, he
loves; those he hates, he hates.
This lesson is at the core of Hostis – we believe that we are in the
midst of a civil war. There are two sides: our accomplices and our
enemies. To our accomplices, we promise our undying conviction. For our
enemies, we have nothing but cruelty. Insofar as the contemporary civil
war is ongoing, we are, and despite ourselves, drawn into partisanship
as a default condition of our everyday lives. To be and act as a
partisan, it could be said, summarizes those founding theses of the
politics of cruelty. Additionally, there should be nothing awe-inspiring
in such theses. And if philosophy begins, and draws its inspiration
from, wonder and awe as Aristotle thought, then thinking, feeling, and
fighting as a partisan seeks to put an end to the tired and academic
justification of "philosophy as a way of life." There is nothing
wonderful or satisfying in contemplating "being" or some eternal
"essence;" especially the "being/essence" of those power relations
specific to the civil war waged by Capital.
BEYOND RECOGNITION
In their "Letter to the Editors," the Mary Nardini Gang give the reader
their assessment of Hostis's first issue; our stated aims, commitments,
and their points of affinity and divergence. For these authors, what
they have termed 'vengeance' is what Hostis calls cruelty. By reflecting
on this point of agreement, and the resistance they met by other
activists regarding the attempt to transform a praxis of vengeance into
a politics proper, we get a better sense of where this resistance stems
from. As they write, "We suspect that much of the problem in this
misreading lies in the attempts at visibility..." The skepticism one
meets regarding vengeance and cruelty is intimately related to the
equation between politics and the struggle for recognition and one's
visibility from the point of view of the State.
For the Mary Nardini Gang, it is clear that striving to be acknowledged
by the State is symptomatic of the material conditions in which the
civil war we effectuate against the World is undertaken: "We yearn for
recognition when we feel alone, when we fear our pains and joys might go
unacknowledged by our friends." In the shared project of the destruction
of the world, the authors do not hesitate to underscore points of
contention they maintain with our project. While we cautioned our
readers that burning out was a real possibility and a real danger for a
politics of cruelty, these authors see things otherwise. For them, the
figure of the burnout is not a danger but a source of the continued
nourishment of the praxis/politics of vengeance they call for. The
figure of the burnout, in the end, turns out to be a case of misplaced
concreteness. It is not we who burnout; it is the juridical, political,
and moral machines that management the reproduction of globally
integrated capital that burns out. For our authors, we have nothing to
fear in burning out since it is capital that manifests as the global
burnout of a society that is increasingly hard to believe in.
The "Letter" ends in a manner that brings home the urgency and necessity
for cultivating the vengeance we all compromise by engaging in political
recognition. It is the recounting of the death of a black, trans woman,
and the subsequent practice of seeking vengeance against her murderer
that the Mary Nardini Gang conclude their piece. In the face of the
indiscriminate murder of trans women, and the ongoing State-sponsored
extermination of Black life in the US and across the globe, the politics
of vengeance, the cultivation of cruelty, and destroying the world that
has an interest in our collective destruction appears as simple
necessity and not as a moral catechism we use against each other. We
respond with "A Cautious Reply," which focuses on our points of
divergence regarding the figure of the burnout, how our desire for
excess is used against us, and a renewed drive for vengeance.
Regarding the question of recognition in its contemporary manifestation
of State power, we have included translations of two responses to the
recent state of emergency in France recently published in the online
magazine Lundi Matin. Though the authorship is anonymous, it is obvious
to us that the pieces emerge from a milieu targeted by State
anti-terrorism forces for the better part of a decade. The first, "The
Real War" [La guerre véritable], explores the effects of the Paris
attacks on State power. Of particular interest is their description of a
spectacularly anti-economic form of power, which reminds us of a
recently translated critique of economics as the science of police,
Jacques Fradin's "Economy, Ecumenes, Communism: Economy as the
Devastation of Ecumenes, Communism as the Exit From Economy." The
second, "Against the State of Emergency" [Contre l'Ă©tat d'urgence,
l'urgence de prendre la rue] responds to the subsequent state of
emergency. This text was originally written in response to a request
made by the French newspaper Le Monde who asked some of the "Tarnac"
defendants ("des mis en examen") to comment on the 13 November 2015
attacks on Paris and what followed. Despite Le Monde's initial request
the piece was accepted but never published. The newspaper provided no
rationale, so we leave it up to our readers to determine why. Perhaps it
is their claim that "the real danger doesn't come from the Middle-East
but from the successive governments that have plunged us into these dark
waters and are attempting at present to close their trap on us once
more."
Throughout this issue we have included images from Gabriel Salmon's
"Notes on People Who Have Been Surveilled by the Police or the State
Asked to Take A Picture That Reveals Nothing About Them." The project is
a collaboration between the artist and people who have had the
experience of being surveilled. The purpose is to use the artistic
process to resist the act of surveillance and acknowledge the emotional
impact of surveillance as an assault. Since 2012, he has been asking
people to take a photo according to the following instruction: "Take a
photo that reveals absolutely nothing about you." Earlier contributions
to this project were included in an art exhibition looking at
surveillance, forensics, and the way that artists are being changed by
surveillance. As this archive grows it will continue to be used in
public exhibitions and publications that share a critical rejection of
surveillance as a tool of repression and control. In his artist
statement, Saloman argues that the governmental technology has become so
ubiquitous that it has changed our whole way of seeing. The consequence,
he suggests, is not just that we see world as surveilled, but that "we
produce ourselves for the world to be surveilled."
Building off the the themes of State surveillance and its models of
recognition, "The Tyranny of Imagery, Or, Escaping the Zoopraxiscope,"
offers a critique of recognition in light of the context of cybernetic
governance. Anonymously authored, this piece draws a line of continuity
from the early days of media to today's Internet-connected world. The
beginning stitches together the first film, Eadweard Muybridge's 1878
Sallie Gardner at a Gallop, and Alphonse Bertillon's early card-based
police database. The former would have been initially viewed on a
zoopraxiscope, a rotating disc-device invented by the filmmaker for
projecting images in quick succession, the second captured the likes of
criminals such as notorious French anarchist Ravochol. The essay winds
through a discussion of Spinoza, Agamben, Debord, and Scott to arrive at
today's world of Facebook, Google maps, and other forms of digital
connectivity. The author's concerns could be summarized in the words of
FĂ©lix Guattari, who said,"I am convinced that all of the possible
variants of another May 68 have already been programmed on an IBM."
Fortunately, the essay ruminates on the version questions the preoccupy
us: in a time as bleak as our own, how do we ward off our enemies while
making a break for it?
Furthering our advance beyond recognition, K. Aarons' "No Selves to
Abolish: Afropessimism, Anti-Politics, and the End of the World," uses
the work of afropessimist theorists such as Frank Wilderson, Saidiya
Hartman and Jared Sexton to suggest ways in which contemporary
anarchist, communist, and queer approaches to coalitional,
affinity-based radical organizing might respond to what Wilderson calls
"the crisis of the existential commons." It argues that for non-Black
folks, the philosophico-political consequences of Afropessimist
existentialism's negative identity politics (or anti-politics) demand an
overcoming of 'privilege-based' anti-racist politics of recognition, and
its replacement with a regulative ideal of self-abolition.
Aarons specifies how afro-pessimism "wrecks affirmative identity
politics." This begins with his rehearsal of the afro-pessimism claim
that black bodies are structurally defined as a priori guilty. Yet he
does not argue for a return to Eden, but a world in which insurrections
become just as guilty. There are two consequences he suggests: one, an
ongoing refusal of terms of legitimacy such as 'the people,' 'the
oppressed,' and 'the 99%'; and second, calling into question any
liberatory framework which frames the recovery of lost wholeness (of
land, culture, personhood, etc.) as a precondition to overcoming
suffering. To conclude, Aarons proposes a geometry that draws lines of
convergence in various insurrectional movements:
If we fight because our own lives compel us to, and it is our own idea
of happiness that orients us in these struggles, what is left of
'anti-racist solidarity'? While the notion of a 'solidarity' with Black
suffering cannot be stripped of a certain paradigmatic incoherence, if
it means anything at all it must be premised not on an attempt to
identify, recognize, or render visible Black suffering, but on a
disidentification with ourselves.
Aarons' radical redefinition of 'self-abolition' to eradicate
anti-Blackness thus contributes to the communist theorization of the
proletariat as 'the class of its own self-abolition.' But by challenging
this intellectual tradition with the radical thought of afro-pessimism
and practical politics of recent insurrections, Aarons also offers an
ambitious new image of autonomy.
And rounding out our second issue, Helge Peters and Johannes BĂĽttner's
"Peak Panik" afford one an encounter, through a collection of works of
performance art, with the question of subjective life in the context of
ongoing crises - whether economic, political, existential, or
environmental. Through the intersection between aesthetics and politics;
and their mutual production of subjectivity; Peters and BĂĽttner raise a
set of questions that serve as heuristics in order to avoid further
succumbing to those vague discourse that circulate around terms such as
'anthropocene' and 'crisis.' Peak Panik asks: what are we to do,
identify or utilize? Is the task to identify the motor of history or to
utilize it? To identify one's gender or to weaponize it? To identify
with peaceful non-violence or to understand that no side of our ongoing
civil war holds a monopoly on violence?
Their answer to these questions is clear: don't identify, utilize! Sift
through and salvage what you can from the junkyards of
anthropocenic/digital capital so that you may be able to breathe in the
toxic air of our future collapse and be capable of waging a war upon the
wastelands that remain. As they state at the outset of their piece:
"Peak Panik appropriates fragments salvaged from the collective Ă©criture
of our moment – manuals, manifestos, inventories, rumours - to draw
partial maps, not only cognitive but material, for navigating crumbling
anthropogenic landscapes precariously held in place by a metastasising
techno-economy of identification, security and control. Along this
journey we might just lose the Self and find each other." The analytic
and pragmatic resources one can expect to find here are numerous: coal
as the motor of history; how oil becomes a class traitor; the pleasures
of insurrection and why we need to rekindle a love for the passions; the
digital trap of opting for identification instead of utilization as seen
through the 56 gender options, courtesy of Zuckerberg himself.