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Title: A Cyborg Manifesto
Author: Donna Haraway
Date: 1991
Language: en
Topics: cyborg, cybernetics, transhumanism, Anarcho-Transhuman, anarcho-transhumanism, socialism, feminism, transfeminism, anti-humanism, dialectics, anarcha-feminism,  not-anarchist
Source: Simians, Cyborgs and Women: The Reinvention of Nature (New York; Routledge, 1991), pp.149–181. http://www.stanford.edu/dept/HPS/Haraway/CyborgManifesto.html][www.stanford.edu]] [[https://web.archive.org/web/20120214194015/http://www.stanford.edu/dept/HPS/Haraway/CyborgMan

Donna Haraway

A Cyborg Manifesto

An Ironic Dream of a Common Language for Women in the integrated

Circuit

This essay is an effort to build an ironic political myth faithful to

feminism, socialism, and materialism. Perhaps more faithful as blasphemy

is faithful, than as reverent worship and identification. Blasphemy has

always seemed to require taking things very seriously. I know no better

stance to adopt from within the secular-religious, evangelical

traditions of United States politics, including the politics of

socialist feminism. Blasphemy protects one from the moral majority

within, while still insisting on the need for community. Blasphemy is

not apostasy. Irony is about contradictions that do not resolve into

larger wholes, even dialectically, about the tension of holding

incompatible things together because both or all are necessary and true.

Irony is about humour and serious play. It is also a rhetorical strategy

and a political method, one I would like to see more honoured within

socialist-feminism. At the centre of my ironic faith, my blasphemy, is

the image of the cyborg.

A cyborg is a cybernetic organism, a hybrid of machine and organism, a

creature of social reality as well as a creature of fiction. Social

reality is lived social relations, our most important political

construction, a world-changing fiction. The international women’s

movements have constructed ‘women’s experience’, as well as uncovered or

discovered this crucial collective object. This experience is a fiction

and fact of the most crucial, political kind. Liberation rests on the

construction of the consciousness, the imaginative apprehension, of

oppression, and so of possibility. The cyborg is a matter of fiction and

lived experience that changes what counts as women’s experience in the

late twentieth century. This is a struggle over life and death, but the

boundary between science fiction and social reality is an optical

illusion.

Contemporary science fiction is full of cyborgs—creatures simultaneously

animal and machine, who populate worlds ambiguously natural and crafted.

Modern medicine is also full of cyborgs, of couplings between organism

and machine, each conceived as coded devices, in an intimacy and with a

power that was not generated in the history of sexuality. Cyborg ‘sex’

restores some of the lovely replicative baroque of ferns and

invertebrates (such nice organic prophylactics against heterosexism).

Cyborg replication is uncoupled from organic reproduction. Modern

production seems like a dream of cyborg colonization work, a dream that

makes the nightmare of Taylorism seem idyllic. And modern war is a

cyborg orgy, coded by C3I, command-control-communication-intelligence,

an $84 billion item in 1984’s US defence budget. I am making an argument

for the cyborg as a fiction mapping our social and bodily reality and as

an imaginative resource suggesting some very fruitful couplings. Michael

Foucault’s biopolitics is a flaccid premonition of cyborg politics, a

very open field.

By the late twentieth century, our time, a mythic time, we are all

chimeras, theorized and fabricated hybrids of machine and organism; in

short, we are cyborgs. This cyborg is our ontology; it gives us our

politics. The cyborg is a condensed image of both imagination and

material reality, the two joined centres structuring any possibility of

historical transformation. In the traditions of ‘Western’ science and

politics—the tradition of racist, male-dominant capitalism; the

tradition of progress; the tradition of the appropriation of nature as

resource for the productions of culture; the tradition of reproduction

of the self from the reflections of the other—the relation between

organism and machine has been a border war. The stakes in the border war

have been the territories of production, reproduction, and imagination.

This chapter is an argument for pleasure in the confusion of boundaries

and for responsibility in their construction. It is also an effort to

contribute to socialist-feminist culture and theory in a postmodernist,

non-naturalist mode and in the utopian tradition of imagining a world

without gender, which is perhaps a world without genesis, but maybe also

a world without end. The cyborg incarnation is outside salvation

history. Nor does it mark time on an oedipal calendar, attempting to

heal the terrible cleavages of gender in an oral symbiotic utopia or

post-oedipal apocalypse. As Zoe Sofoulis argues in her unpublished

manuscript on Jacques Lacan, Melanie Klein, and nuclear culture,

Lacklein, the most terrible and perhaps the most promising monsters in

cyborg worlds are embodied in non-oedipal narratives with a different

logic of repression, which we need to understand for our survival.[1]

The cyborg is a creature in a post-gender world; it has no truck with

bisexuality, pre-oedipal symbiosis, unalienated labour, or other

seductions to organic wholeness through a final appropriation of all the

powers of the parts into a higher unity. In a sense, the cyborg has no

origin story in the Western sense – a ‘final’ irony since the cyborg is

also the awful apocalyptic telos of the ‘West’s’ escalating dominations

of abstract individuation, an ultimate self—untied at last from all

dependency, a man in space. An origin story in the ‘Western’, humanist

sense depends on the myth of original unity, fullness, bliss and terror,

represented by the phallic mother from whom all humans must separate,

the task of individual development and of history, the twin potent myths

inscribed most powerfully for us in psychoanalysis and Marxism. Hilary

Klein has argued that both Marxism and psychoanalysis, in their concepts

of labour and of individuation and gender formation, depend on the plot

of original unity out of which difference must be produced and enlisted

in a drama of escalating domination of woman/nature.[2] The cyborg skips

the step of original unity, of identification with nature in the Western

sense. This is its illegitimate promise that might lead to subversion of

its teleology as Star Wars.

The cyborg is resolutely committed to partiality, irony, intimacy, and

perversity. It is oppositional, utopian, and completely without

innocence. No longer structured by the polarity of public and private,

the cyborg defines a technological polls based partly on a revolution of

social relations in the oikos, the household. Nature and culture are

reworked; the one can no longer be the resource for appropriation or

incorporation by the other. The relationships for forming wholes from

parts, including those of polarity and hierarchical domination, are at

issue in the cyborg world. Unlike the hopes of Frankenstein’s monster,

the cyborg does not expect its father to save it through a restoration

of the garden; that is, through the fabrication of a heterosexual mate,

through its completion in a finished whole, a city and cosmos. The

cyborg does not dream of community on the model of the organic family,

this time without the oedipal project. The cyborg would not recognize

the Garden of Eden; it is not made of mud and cannot dream of returning

to dust. Perhaps that is why I want to see if cyborgs can subvert the

apocalypse of returning to nuclear dust in the manic compulsion to name

the Enemy. Cyborgs are not reverent; they do not re-member the cosmos.

They are wary of holism, but needy for connection—they seem to have a

natural feel for united front politics, but without the vanguard party.

The main trouble with cyborgs, of course, is that they are the

illegitimate offspring of militarism and patriarchal capitalism, not to

mention state socialism. But illegitimate offspring are often

exceedingly unfaithful to their origins. Their fathers, after all, are

inessential.

I will return to the science fiction of cyborgs at the end of this

chapter, but now I want to signal three crucial boundary breakdowns that

make the following political-fictional (political-scientific) analysis

possible. By the late twentieth century in United States scientific

culture, the boundary between human and animal is thoroughly breached.

The last beachheads of uniqueness have been polluted if not turned into

amusement parks—language tool use, social behaviour, mental events,

nothing really convincingly settles the separation of human and animal.

And many people no longer feel the need for such a separation; indeed,

many branches of feminist culture affirm the pleasure of connection of

human and other living creatures. Movements for animal rights are not

irrational denials of human uniqueness; they are a clear-sighted

recognition of connection across the discredited breach of nature and

culture. Biology and evolutionary theory over the last two centuries

have simultaneously produced modern organisms as objects of knowledge

and reduced the line between humans and animals to a faint trace

re-etched in ideological struggle or professional disputes between life

and social science. Within this framework, teaching modern Christian

creationism should be fought as a form of child abuse.

Biological-determinist ideology is only one position opened up in

scientific culture for arguing the meanings of human animality. There is

much room for radical political people to contest the meanings of the

breached boundary.[3] The cyborg appears in myth precisely where the

boundary between human and animal is transgressed. Far from signaling a

walling off of people from other living beings, cyborgs signal

disturbingly and pleasurably tight coupling. Bestiality has a new status

in this cycle of marriage exchange.

The second leaky distinction is between animal-human (organism) and

machine. Pre-cybernetic machines could be haunted; there was always the

spectre of the ghost in the machine. This dualism structured the

dialogue between materialism and idealism that was settled by a

dialectical progeny, called spirit or history, according to taste. But

basically machines were not self-moving, self-designing, autonomous.

They could not achieve man’s dream, only mock it. They were not man, an

author to himself, but only a caricature of that masculinist

reproductive dream. To think they were otherwise was paranoid. Now we

are not so sure. Late twentieth-century machines have made thoroughly

ambiguous the difference between natural and artificial, mind and body,

self-developing and externally designed, and many other distinctions

that used to apply to organisms and machines. Our machines are

disturbingly lively, and we ourselves frighteningly inert.

Technological determination is only one ideological space opened up by

the reconceptions of machine and organism as coded texts through which

we engage in the play of writing and reading the world.

[4]’Textualization’ of everything in poststructuralist, postmodernist

theory has been damned by Marxists and socialist feminists for its

utopian disregard for the lived relations of domination that ground the

‘play’ of arbitrary reading.[5] It is certainly true that postmodernist

strategies, like my cyborg myth, subvert myriad organic wholes (for

example, the poem, the primitive culture, the biological organism). In

short, the certainty of what counts as nature—a source of insight and

promise of innocence—is undermined, probably fatally. The transcendent

authorization of interpretation is lost, and with it the ontology

grounding ‘Western’ epistemology. But the alternative is not cynicism or

faithlessness, that is, some version of abstract existence, like the

accounts of technological determinism destroying ‘man’ by the ‘machine’

or ‘meaningful political action’ by the ‘text’. Who cyborgs will be is a

radical question; the answers are a matter of survival. Both chimpanzees

and artefacts have politics, so why shouldn’t we (de Waal, 1982; Winner,

1980)?

The third distinction is a subset of the second: the boundary between

physical and non-physical is very imprecise for us. Pop physics books on

the consequences of quantum theory and the indeterminacy principle are a

kind of popular scientific equivalent to Harlequin romances[6] as a

marker of radical change in American white heterosexuality: they get it

wrong, but they are on the right subject. Modern machines are

quintessentially microelectronic devices: they are everywhere and they

are invisible. Modern machinery is an irreverent upstart god, mocking

the Father’s ubiquity and spirituality. The silicon chip is a surface

for writing; it is etched in molecular scales disturbed only by atomic

noise, the ultimate interference for nuclear scores. Writing, power, and

technology are old partners in Western stories of the origin of

civilization, but miniaturization has changed our experience of

mechanism. Miniaturization has turned out to be about power; small is

not so much beautiful as pre-eminently dangerous, as in cruise missiles.

Contrast the TV sets of the 1950s or the news cameras of the 1970s with

the TV wrist bands or hand-sized video cameras now advertised. Our best

machines are made of sunshine; they are all light and clean because they

are nothing but signals, electromagnetic waves, a section of a spectrum,

and these machines are eminently portable, mobile—a matter of immense

human pain in Detroit and Singapore. People are nowhere near so fluid,

being both material and opaque. Cyborgs are ether, quintessence.

The ubiquity and invisibility of cyborgs is precisely why these

sunshine-belt machines are so deadly. They are as hard to see

politically as materially. They are about consciousness—or its

simulation.[7] They are floating signifiers moving in pickup trucks

across Europe, blocked more effectively by the witch-weavings of the

displaced and so unnatural Greenham women, who read the cyborg webs of

power so very well, than by the militant labour of older masculinist

politics, whose natural constituency needs defence jobs. Ultimately the

‘hardest’ science is about the realm of greatest boundary confusion, the

realm of pure number, pure spirit, C3I, cryptography, and the

preservation of potent secrets. The new machines are so clean and light.

Their engineers are sun-worshippers mediating a new scientific

revolution associated with the night dream of post-industrial society.

The diseases evoked by these clean machines are ‘no more’ than the

minuscule coding changes of an antigen in the immune system, ‘no more’

than the experience of stress. The nimble fingers of ‘Oriental’ women,

the old fascination of little Anglo-Saxon Victorian girls with doll’s

houses, women’s enforced attention to the small take on quite new

dimensions in this world. There might be a cyborg Alice taking account

of these new dimensions. Ironically, it might be the unnatural cyborg

women making chips in Asia and spiral dancing in Santa Rita jail[8]

whose constructed unities will guide effective oppositional strategies.

So my cyborg myth is about transgressed boundaries, potent fusions, and

dangerous possibilities which progressive people might explore as one

part of needed political work. One of my premises is that most American

socialists and feminists see deepened dualisms of mind and body, animal

and machine, idealism and materialism in the social practices, symbolic

formulations, and physical artefacts associated with ‘high technology’

and scientific culture. From One-Dimensional-Man (Marcuse, 1964) to The

Death of Nature (Merchant, 1980), the analytic resources developed by

progressives have insisted on the necessary domination of technics and

recalled us to an imagined organic body to integrate our resistance.

Another of my premises is that the need for unity of people trying to

resist world-wide intensification of domination has never been more

acute. But a slightly perverse shift of perspective might better enable

us to contest for meanings, as well as for other forms of power and

pleasure in technologically mediated societies.

From one perspective, a cyborg world is about the final imposition of a

grid of control on the planet, about the final abstraction embodied in a

Star Wars apocalypse waged in the name of defence, about the final

appropriation of women’s bodies in a masculinist orgy of war (Sofia,

1984). From another perspective, a cyborg world might be about lived

social and bodily realities in which people are not afraid of their

joint kinship with animals and machines, not afraid of permanently

partial identities and contradictory standpoints. The political struggle

is to see from both perspectives at once because each reveals both

dominations and possibilities unimaginable from the other vantage point.

Single vision produces worse illusions than double vision or many-headed

monsters. Cyborg unities are monstrous and illegitimate; in our present

political circumstances, we could hardly hope for more potent myths for

resistance and recoupling. I like to imagine LAG, the Livermore Action

Group, as a kind of cyborg society, dedicated to realistically

converting the laboratories that most fiercely embody and spew out the

tools of technological apocalypse, and committed to building a political

form that actually manages to hold together witches, engineers, elders,

perverts, Christians, mothers, and Leninists long enough to disarm the

state. Fission Impossible is the name of the affinity group in my town.

(Affinity: related not by blood but by choice, the appeal of one

chemical nuclear group for another, avidly.)[9]

Fractured Identities

It has become difficult to name one’s feminism by a single adjective—or

even to insist in every circumstance upon the noun. Consciousness of

exclusion through naming is acute. Identities seem contradictory,

partial, and strategic. With the hard-won recognition of their social

and historical constitution, gender, race, and class cannot provide the

basis for belief in ‘essential’ unity. There is nothing about teeing

‘female’ that naturally binds women. There is not even such a state as

‘being’ female, itself a highly complex category constructed in

contested sexual scientific discourses and other social practices.

Gender, race, or class consciousness is an achievement forced on us by

the terrible historical experience of the contradictory social realities

of patriarchy, colonialism, and capitalism. And who counts as ‘us’ in my

own rhetoric? Which identities are available to ground such a potent

political myth called ‘us’, and what could motivate enlistment in this

collectivity? Painful fragmentation among feminists (not to mention

among women) along every possible fault line has made the concept of

woman elusive, an excuse for the matrix of women’s dominations of each

other. For me—and for many who share a similar historical location in

white, professional middle-class, female, radical, North American,

mid-adult bodies—the sources of a crisis in political identity are

legion. The recent history for much of the US left and US feminism has

been a response to this kind of crisis by endless splitting and searches

for a new essential unity. But there has also been a growing recognition

of another response through coalition—affinity, not identity.[10]

Chela Sandoval (n.d., 1984), from a consideration of specific historical

moments in the formation of the new political voice called women of

colour, has theorized a hopeful model of political identity called

‘oppositional consciousness’, born of the skills for reading webs of

power by those refused stable membership in the social categories of

race, sex, or class. ‘Women of color’, a name contested at its origins

by those whom it would incorporate, as well as a historical

consciousness marking systematic breakdown of all the signs of Man in

‘Western’ traditions, constructs a kind of postmodernist identity out of

otherness, difference, and specificity. This postmodernist identity is

fully political, whatever might be said about other possible

postmodernisms. Sandoval’s oppositional consciousness is about

contradictory locations and heterochronic calendars, not about

relativisms and pluralisms.

Sandoval emphasizes the lack of any essential criterion for identifying

who is a woman of colour. She notes that the definition of the group has

been by conscious appropriation of negation. For example, a Chicana or

US black woman has not been able to speak as a woman or as a black

person or as a Chicano. Thus, she was at the bottom of a cascade of

negative identities, left out of even the privileged oppressed authorial

categories called ‘women and blacks’, who claimed to make the important

revolutions. The category ‘woman’ negated all non-white women; ‘black’

negated all non-black people, as well as all black women. But there was

also no ‘she’, no singularity, but a sea of differences among US women

who have affirmed their historical identity as US women of colour. This

identity marks out a self-consciously constructed space that cannot

affirm the capacity to act on the basis of natural identification, but

only on the basis of conscious coalition, of affinity, of political

kinship.[11] Unlike the ‘woman’ of some streams of the white women’s

movement in the United States, there is no naturalization of the matrix,

or at least this is what Sandoval argues is uniquely available through

the power of oppositional consciousness.

Sandoval’s argument has to be seen as one potent formulation for

feminists out of the world-wide development of anti-colonialist

discourse; that is to say, discourse dissolving the ‘West’ and its

highest product—the one who is not animal, barbarian, or woman; man,

that is, the author of a cosmos called history. As orientalism is

deconstructed politically and semiotically, the identities of the

occident destabilize, including those of feminists.[12] Sandoval argues

that ‘women of colour’ have a chance to build an effective unity that

does not replicate the imperializing, totalizing revolutionary subjects

of previous Marxisms and feminisms which had not faced the consequences

of the disorderly polyphony emerging from decolonization.

Katie King has emphasized the limits of identification and the

political/ poetic mechanics of identification built into reading ‘the

poem’, that generative core of cultural feminism. King criticizes the

persistent tendency among contemporary feminists from different

‘moments’ or ‘conversations’ in feminist practice to taxonomize the

women’s movement to make one’s own political tendencies appear to be the

telos of the whole. These taxonomies tend to remake feminist history so

that it appears to be an ideological struggle among coherent types

persisting over time, especially those typical units called radical,

liberal, and socialist-feminism. Literally, all other feminisms are

either incorporated or marginalized, usually by building an explicit

ontology and epistemology.[13] Taxonomies of feminism produce

epistemologies to police deviation from official women’s experience. And

of course, ‘women’s culture’, like women of colour, is consciously

created by mechanisms inducing affinity. The rituals of poetry, music,

and certain forms of academic practice have been pre-eminent. The

politics of race and culture in the US women’s movements are intimately

interwoven. The common achievement of King and Sandoval is learning how

to craft a poetic/political unity without relying on a logic of

appropriation, incorporation, and taxonomic identification.

The theoretical and practical struggle against unity-through-domination

or unity-through-incorporation ironically not only undermines the

justifications for patriarchy, colonialism, humanism, positivism,

essentialism, scientism, and other unlamented -isms, but all claims for

an organic or natural standpoint. I think that radical and

socialist/Marxist-feminisms have also undermined their/our own

epistemological strategies and that this is a crucially valuable step in

imagining possible unities. It remains to be seen whether all

‘epistemologies’ as Western political people have known them fail us in

the task to build effective affinities.

It is important to note that the effort to construct revolutionary

stand-points, epistemologies as achievements of people committed to

changing the world, has been part of the process showing the limits of

identification. The acid tools of postmodernist theory and the

constructive tools of ontological discourse about revolutionary subjects

might be seen as ironic allies in dissolving Western selves in the

interests of survival. We are excruciatingly conscious of what it means

to have a historically constituted body. But with the loss of innocence

in our origin, there is no expulsion from the Garden either. Our

politics lose the indulgence of guilt with the naiveté of innocence. But

what would another political myth for socialist-feminism look like? What

kind of politics could embrace partial, contradictory, permanently

unclosed constructions of personal and collective selves and still be

faithful, effective—and, ironically, socialist-feminist?

I do not know of any other time in history when there was greater need

for political unity to confront effectively the dominations of ‘race’,

‘gender’, ‘sexuality’, and ‘class’. I also do not know of any other time

when the kind of unity we might help build could have been possible.

None of ‘us’ have any longer the symbolic or material capability of

dictating the shape of reality to any of ‘them’. Or at least ‘we’ cannot

claim innocence from practicing such dominations. White women, including

socialist feminists, discovered (that is, were forced kicking and

screaming to notice) the non-innocence of the category ‘woman’. That

consciousness changes the geography of all previous categories; it

denatures them as heat denatures a fragile protein. Cyborg feminists

have to argue that ‘we’ do not want any more natural matrix of unity and

that no construction is whole. Innocence, and the corollary insistence

on victimhood as the only ground for insight, has done enough damage.

But the constructed revolutionary subject must give

late-twentieth-century people pause as well. In the fraying of

identities and in the reflexive strategies for constructing them, the

possibility opens up for weaving something other than a shroud for the

day after the apocalypse that so prophetically ends salvation history.

Both Marxist/socialist-feminisms and radical feminisms have

simultaneously naturalized and denatured the category ‘woman’ and

conscious-ness of the social lives of ‘women’. Perhaps a schematic

caricature can highlight both kinds of moves. Marxian socialism is

rooted in an analysis of wage labour which reveals class structure. The

consequence of the wage relationship is systematic alienation, as the

worker is dissociated from his (sic) product. Abstraction and illusion

rule in knowledge, domination rules in practice. Labour is the

pre-eminently privileged category enabling the Marxist to overcome

illusion and find that point of view which is necessary for changing the

world. Labour is the humanizing activity that makes man; labour is an

ontological category permitting the knowledge of a subject, and so the

knowledge of subjugation and alienation.

In faithful filiation, socialist-feminism advanced by allying itself

with the basic analytic strategies of Marxism. The main achievement of

both Marxist feminists and socialist feminists was to expand the

category of labour to accommodate what (some) women did, even when the

wage relation was subordinated to a more comprehensive view of labour

under capitalist patriarchy. In particular, women’s labour in the

household and women’s activity as mothers generally (that is,

reproduction in the socialist-feminist sense), entered theory on the

authority of analogy to the Marxian concept of labour. The unity of

women here rests on an epistemology based on the ontological structure

of ‘labour’. Marxist/socialist-feminism does not ‘naturalize’ unity; it

is a possible achievement based on a possible standpoint rooted in

social relations. The essentializing move is in the ontological

structure of labour or of its analogue, women’s activity.[14] The

inheritance of Marxian humanism, with its pre-eminently Western self, is

the difficulty for me. The contribution from these formulations has been

the emphasis on the daily responsibility of real women to build unities,

rather than to naturalize them.

Catherine MacKinnon’s (1982, 1987) version of radical feminism is itself

a caricature of the appropriating, incorporating, totalizing tendencies

of Western theories of identity grounding action.[15] It is factually

and politically wrong to assimilate all of the diverse ‘moments’ or

‘conversations’ in recent women’s politics named radical feminism to

MacKinnon’s version. But the teleological logic of her theory shows how

an epistemology and ontology—including their negations—erase or police

difference. Only one of the effects of MacKinnon’s theory is the

rewriting of the history of the polymorphous field called radical

feminism. The major effect is the production of a theory of experience,

of women’s identity, that is a kind of apocalypse for all revolutionary

standpoints. That is, the totalization built into this tale of radical

feminism achieves its end—the unity of women—by enforcing the experience

of and testimony to radical non-being. As for the Marxist/ socialist

feminist, consciousness is an achievement, not a natural fact. And

MacKinnon’s theory eliminates some of the difficulties built into

humanist revolutionary subjects, but at the cost of radical

reductionism.

MacKinnon argues that feminism necessarily adopted a different

analytical strategy from Marxism, looking first not at the structure of

class, but at the structure of sex/gender and its generative

relationship, men’s constitution and appropriation of women sexually.

Ironically, MacKinnon’s ‘ontology’ constructs a non-subject, a

non-being. Another’s desire, not the self’s labour, is the origin of

‘woman’. She therefore develops a theory of consciousness that enforces

what can count as ‘women’s’ experience—anything that names sexual

violation, indeed, sex itself as far as ‘women’ can be concerned.

Feminist practice is the construction of this form of consciousness;

that is, the self-knowledge of a self-who-is-not.

Perversely, sexual appropriation in this feminism still has the

epistemological status of labour; that is to say, the point from which

an analysis able to contribute to changing the world must flow. But

sexual objectification, not alienation, is the consequence of the

structure of sex/gender. In the realm of knowledge, the result of sexual

objectification is illusion and abstraction. However, a woman is not

simply alienated from her product, but in a deep sense does not exist as

a subject, or even potential subject, since she owes her existence as a

woman to sexual appropriation. To be constituted by another’s desire is

not the same thing as to be alienated in the violent separation of the

labourer from his product.

MacKinnon’s radical theory of experience is totalizing in the extreme;

it does not so much marginalize as obliterate the authority of any other

women’s political speech and action. It is a totalization producing what

Western patriarchy itself never succeeded in doing—feminists’

consciousness of the non-existence of women, except as products of men’s

desire. I think MacKinnon correctly argues that no Marxian version of

identity can firmly ground women’s unity. But in solving the problem of

the contradictions of any Western revolutionary subject for feminist

purposes, she develops an even more authoritarian doctrine of

experience. If my complaint about socialist/Marxian standpoints is their

unintended erasure of polyvocal, unassimilable, radical difference made

visible in anti-colonial discourse and practice, MacKinnon’s intentional

erasure of all difference through the device of the ‘essential’

non-existence of women is not reassuring.

In my taxonomy, which like any other taxonomy is a re-inscription of

history, radical feminism can accommodate all the activities of women

named by socialist feminists as forms of labour only if the activity can

somehow be sexualized. Reproduction had different tones of meanings for

the two tendencies, one rooted in labour, one in sex, both calling the

consequences of domination and ignorance of social and personal reality

‘false consciousness’.

Beyond either the difficulties or the contributions in the argument of

any one author, neither Marxist nor radical feminist points of view have

tended to embrace the status of a partial explanation; both were

regularly constituted as totalities. Western explanation has demanded as

much; how else could the ‘Western’ author incorporate its others? Each

tried to annex other forms of domination by expanding its basic

categories through analogy, simple listing, or addition. Embarrassed

silence about race among white radical and socialist feminists was one

major, devastating political consequence. History and polyvocality

disappear into political taxonomies that try to establish genealogies.

There was no structural room for race (or for much else) in theory

claiming to reveal the construction of the category woman and social

group women as a unified or totalizable whole. The structure of my

caricature looks like this:

socialist feminism – structure of class // wage labour // alienation

labour, by analogy reproduction, by extension sex, by addition race

radical feminism – structure of gender // sexual appropriation //

objectification

sex, by analogy labour, by extension reproduction, by addition race

In another context, the French theorist, Julia Kristeva, claimed women

appeared as a historical group after the Second World War, along with

groups like youth.[16] Her dates are doubtful; but we are now accustomed

to remembering that as objects of knowledge and as historical actors,

‘race’ did not always exist, ‘class’ has a historical genesis, and

‘homosexuals’ are quite junior. It is no accident that the symbolic

system of the family of man—and so the essence of woman—breaks up at the

same moment that networks of connection among people on the planet are

unprecedentedly multiple, pregnant, and complex. ‘Advanced capitalism’

is inadequate to convey the structure of this historical moment. In the

‘Western’ sense, the end of man is at stake. It is no accident that

woman disintegrates into women in our time. Perhaps socialist feminists

were not substantially guilty of producing essentialist theory that

suppressed women’s particularity and contradictory interests. I think we

have been, at least through unreflective participation in the logics,

languages, and practices of white humanism and through searching for a

single ground of domination to secure our revolutionary voice. Now we

have less excuse. But in the consciousness of our failures, we risk

lapsing into boundless difference and giving up on the confusing task of

making partial, real connection. Some differences are playful; some are

poles of world historical systems of domination. ‘Epistemology’ is about

knowing the difference.

The Informatics of Domination

In this attempt at an epistemological and political position, I would

like to sketch a picture of possible unity, a picture indebted to

socialist and feminist principles of design. The frame for my sketch is

set by the extent and importance of rearrangements in world-wide social

relations tied to science and technology. I argue for a politics rooted

in claims about fundamental changes in the nature of class, race, and

gender in an emerging system of world order analogous in its novelty and

scope to that created by industrial capitalism; we are living through a

movement from an organic, industrial society to a polymorphous,

information system—from all work to all play, a deadly game.

Simultaneously material and ideological, the dichotomies may be

expressed in the following chart of transitions from the comfortable old

hierarchical dominations to the scary new networks I have called the

informatics of domination:

This list suggests several interesting things.[17] First, the objects on

the right-hand side cannot be coded as ‘natural’, a realization that

subverts naturalistic coding for the left-hand side as well. We cannot

go back ideologically or materially. It’s not just that ‘god’ is dead;

so is the ‘goddess’. Or both are revivified in the worlds charged with

microelectronic and biotechnological politics. In relation to objects

like biotic components, one must not think in terms of essential

properties, but in terms of design, boundary constraints, rates of

flows, systems logics, costs of lowering constraints. Sexual

reproduction is one kind of reproductive strategy among many, with costs

and benefits as a function of the system environment. Ideologies of

sexual reproduction can no longer reasonably call on notions of sex and

sex role as organic aspects in natural objects like organisms and

families. Such reasoning will be unmasked as irrational, and ironically

corporate executives reading Playboy and anti-porn radical feminists

will make strange bedfellows in jointly unmasking the irrationalism.

Likewise for race, ideologies about human diversity have to be

formulated in terms of frequencies of parameters, like blood groups or

intelligence scores. It is ‘irrational’ to invoke concepts like

primitive and civilized. For liberals and radicals, the search for

integrated social systems gives way to a new practice called

‘experimental ethnography’ in which an organic object dissipates in

attention to the play of writing. At the level of ideology, we see

translations of racism and colonialism into languages of development and

under-development, rates and constraints of modernization. Any objects

or persons can be reasonably thought of in terms of disassembly and

reassembly; no ‘natural’ architectures constrain system design. The

financial districts in all the world’s cities, as well as the

export-processing and free-trade zones, proclaim this elementary fact of

‘late capitalism’. The entire universe of objects that can be known

scientifically must be formulated as problems in communications

engineering (for the managers) or theories of the text (for those who

would resist). Both are cyborg semiologies.

One should expect control strategies to concentrate on boundary

conditions and interfaces, on rates of flow across boundaries—and not on

the integrity of natural objects. ‘Integrity’ or ‘sincerity’ of the

Western self gives way to decision procedures and expert systems. For

example, control strategies applied to women’s capacities to give birth

to new human beings will be developed in the languages of population

control and maximization of goal achievement for individual

decision-makers. Control strategies will be formulated in terms of

rates, costs of constraints, degrees of freedom. Human beings, like any

other component or subsystem, must be localized in a system architecture

whose basic modes of operation are probabilistic, statistical. No

objects, spaces, or bodies are sacred in themselves; any component can

be interfaced with any other if the proper standard, the proper code,

can be constructed for processing signals in a common language. Exchange

in this world transcends the universal translation effected by

capitalist markets that Marx analysed so well. The privileged pathology

affecting all kinds of components in this universe is

stress—communications breakdown (Hogness, 1983). The cyborg is not

subject to Foucault’s biopolitics; the cyborg simulates politics, a much

more potent field of operations.

This kind of analysis of scientific and cultural objects of knowledge

which have appeared historically since the Second World War prepares us

to notice some important inadequacies in feminist analysis which has

proceeded as if the organic, hierarchical dualisms ordering discourse in

‘the West’ since Aristotle still ruled. They have been cannibalized, or

as Zoe Sofia (Sofoulis) might put it, they have been ‘techno-digested’.

The dichotomies between mind and body, animal and human, organism and

machine, public and private, nature and culture, men and women,

primitive and civilized are all in question ideologically. The actual

situation of women is their integration/ exploitation into a world

system of production/reproduction and communication called the

informatics of domination. The home, workplace, market, public arena,

the body itself—all can be dispersed and interfaced in nearly infinite,

polymorphous ways, with large consequences for women and

others—consequences that themselves are very different for different

people and which make potent oppositional international movements

difficult to imagine and essential for survival. One important route for

reconstructing socialist-feminist politics is through theory and

practice addressed to the social relations of science and technology,

including crucially the systems of myth and meanings structuring our

imaginations. The cyborg is a kind of disassembled and reassembled,

postmodern collective and personal self. This is the self feminists must

code.

Communications technologies and biotechnologies are the crucial tools

recrafting our bodies. These tools embody and enforce new social

relations for women world-wide. Technologies and scientific discourses

can be partially understood as formalizations, i.e., as frozen moments,

of the fluid social interactions constituting them, but they should also

be viewed as instruments for enforcing meanings. The boundary is

permeable between tool and myth, instrument and concept, historical

systems of social relations and historical anatomies of possible bodies,

including objects of knowledge. Indeed, myth and tool mutually

constitute each other.

Furthermore, communications sciences and modern biologies are

constructed by a common move—the translation of the world into a problem

of coding, a search for a common language in which all resistance to

instrumental control disappears and all heterogeneity can be submitted

to disassembly, reassembly, investment, and exchange.

In communications sciences, the translation of the world into a problem

in coding can be illustrated by looking at cybernetic

(feedback-controlled) systems theories applied to telephone technology,

computer design, weapons deployment, or data base construction and

maintenance. In each case, solution to the key questions rests on a

theory of language and control; the key operation is determining the

rates, directions, and probabilities of flow of a quantity called

information. The world is subdivided by boundaries differentially

permeable to information. Information is just that kind of quantifiable

element (unit, basis of unity) which allows universal translation, and

so unhindered instrumental power (called effective communication). The

biggest threat to such power is interruption of communication. Any

system breakdown is a function of stress. The fundamentals of this

technology can be condensed into the metaphor C31, command-control

communication-intelligence, the military’s symbol for its operations

theory.

In modern biologies, the translation of the world into a problem in

coding can be illustrated by molecular genetics, ecology,

sociobiological evolutionary theory, and immunobiology. The organism has

been translated into problems of genetic coding and read-out.

Biotechnology, a writing technology, informs research broadly.[18] In a

sense, organisms have ceased to exist as objects of knowledge, giving

way to biotic components, i.e., special kinds of information-processing

devices. The analogous moves in ecology could be examined by probing the

history and utility of the concept of the ecosystem. Immunobiology and

associated medical practices are rich exemplars of the privilege of

coding and recognition systems as objects of knowledge, as constructions

of bodily reality for us. Biology here is a kind of cryptography.

Research is necessarily a kind of intelligence activity. Ironies abound.

A stressed system goes awry; its communication processes break down; it

fails to recognize the difference between self and other. Human babies

with baboon hearts evoke national ethical perplexity—for animal rights

activists at least as much as for the guardians of human purity. In the

US gay men and intravenous drug users are the ‘privileged’ victims of an

awful immune system disease that marks (inscribes on the body) confusion

of boundaries and moral pollution (Treichler, 1987).

But these excursions into communications sciences and biology have been

at a rarefied level; there is a mundane, largely economic reality to

support my claim that these sciences and technologies indicate

fundamental transformations in the structure of the world for us.

Communications technologies depend on electronics. Modern states,

multinational corporations, military power, welfare state apparatuses,

satellite systems, political processes, fabrication of our imaginations,

labour-control systems, medical constructions of our bodies, commercial

pornography, the international division of labour, and religious

evangelism depend intimately upon electronics. Micro-electronics is the

technical basis of simulacra; that is, of copies without originals.

Microelectronics mediates the translations of labour into robotics and

word processing, sex into genetic engineering and reproductive

technologies, and mind into artificial intelligence and decision

procedures. The new biotechnologies concern more than human

reproduction. Biology as a powerful engineering science for redesigning

materials and processes has revolutionary implications for industry,

perhaps most obvious today in areas of fermentation, agriculture, and

energy. Communications sciences and biology are constructions of

natural-technical objects of knowledge in which the difference between

machine and organism is thoroughly blurred; mind, body, and tool are on

very intimate terms. The ‘multinational’ material organization of the

production and reproduction of daily life and the symbolic organization

of the production and reproduction of culture and imagination seem

equally implicated. The boundary-maintaining images of base and

superstructure, public and private, or material and ideal never seemed

more feasible.

I have used Rachel Grossman’s (1980) image of women in the integrated

circuit to name the situation of women in a world so intimately

restructured through the social relations of science and technology.[19]

I used the odd circumlocution, the social relations of science and

technology, to indicate that we are not dealing with a technological

determinism, but with a historical system depending upon structured

relations among people. But the phrase should also indicate that science

and technology provide fresh sources of power, that we need fresh

sources of analysis and political action (Latour, 1984). Some of the

rearrangements of race, sex, and class rooted in high-tech-facilitated

social relations can make socialist-feminism more relevant to effective

progressive politics.

The ‘Homework Economy’ Outside ‘The Home’

The ‘New Industrial Revolution’ is producing a new world-wide working

class, as well as new sexualities and ethnicities. The extreme mobility

of capital and the emerging international division of labour are

intertwined with the emergence of new collectivities, and the weakening

of familiar groupings. These developments are neither gender- nor

race-neutral. White men in advanced industrial societies have become

newly vulnerable to permanent job loss, and women are not disappearing

from the job rolls at the same rates as men. It is not simply that women

in Third World countries are the preferred labour force for the

science-based multinationals in the export-processing sectors,

particularly in electronics. The picture is more systematic and involves

reproduction, sexuality, culture, consumption, and production. In the

prototypical Silicon Valley, many women’s lives have been structured

around employment in electronics-dependent jobs, and their intimate

realities include serial heterosexual monogamy, negotiating childcare,

distance from extended kin or most other forms of traditional community,

a high likelihood of loneliness and extreme economic vulnerability as

they age. The ethnic and racial diversity of women in Silicon Valley

structures a microcosm of conflicting differences in culture, family,

religion, education, and language.

Richard Gordon has called this new situation the ‘homework economy’.[20]

Although he includes the phenomenon of literal homework emerging in

connection with electronics assembly, Gordon intends ‘homework economy’

to name a restructuring of work that broadly has the characteristics

formerly ascribed to female jobs, jobs literally done only by women.

Work is being redefined as both literally female and feminized, whether

performed by men or women. To be feminized means to be made extremely

vulnerable; able to be disassembled, reassembled, exploited as a reserve

labour force; seen less as workers than as servers; subjected to some

arrangements on and off the paid job that make a mockery of a limited

work day; leading an existence that always borders on being obscene, out

of place, and reducible to sex. Deskilling is an old strategy newly

applicable to formerly privileged workers. However, the homework economy

does not refer only to large-scale deskilling, nor does it deny that new

areas of high skill are emerging, even for women and men previously

excluded from skilled employment. Rather, the concept indicates that

factory, home, and market are integrated on a new scale and that the

places of women are crucial—and need to be analysed for differences

among women and for meanings for relations between men and women in

various situations.

The homework economy as a world capitalist organizational structure is

made possible by (not caused by) the new technologies. The success of

the attack on relatively privileged, mostly white, men’s unionized jobs

is deaf to the power of the new communications technologies to integrate

and control labour despite extensive dispersion and decentralization.

The consequences of the new technologies are felt by women both in the

loss of the family (male) wage (if they ever had access to this white

privilege) and in the character of their own jobs, which are becoming

capital-intensive; for example, office work and nursing.

The new economic and technological arrangements are also related to the

collapsing welfare state and the ensuing intensification of demands on

women to sustain daily life for themselves as well as for men, children,

and old people. The feminization of poverty—generated by dismantling the

welfare state, by the homework economy where stable jobs become the

exception, and sustained by the expectation that women’s wages will not

be matched by a male income for the support of children—has become an

urgent focus. The causes of various women-headed households are a

function of race, class, or sexuality; but their increasing generality

is a ground for coalitions of women on many issues. That women regularly

sustain daily life partly as a function of their enforced status as

mothers is hardly new; the kind of integration with the overall

capitalist and progressively war-based economy is new. The particular

pressure, for example, on US black women, who have achieved an escape

from (barely) paid domestic service and who now hold clerical and

similar jobs in large numbers, has large implications for continued

enforced black poverty with employment. Teenage women in industrializing

areas of the Third World increasingly find themselves the sole or major

source of a cash wage for their families, while access to land is ever

more problematic. These developments must have major consequences in the

psychodynamics and politics of gender and race.

Within the framework of three major stages of capitalism (commercial/

early industrial, monopoly, multinational)—tied to nationalism,

imperialism, and multinationalism, and related to Jameson’s three

dominant aesthetic periods of realism, modernism, and postmodernism—I

would argue that specific forms of families dialectically relate to

forms of capital and to its political and cultural concomitants.

Although lived problematically and unequally, ideal forms of these

families might be schematized as (1) the patriarchal nuclear family,

structured by the dichotomy between public and private and accompanied

by the white bourgeois ideology of separate spheres and

nineteenth-century Anglo-American bourgeois feminism; (2) the modern

family mediated (or enforced) by the welfare state and institutions like

the family wage, with a flowering of a-feminist heterosexual ideologies,

including their radical versions represented in Greenwich Village around

the First World War; and (3) the ‘family’ of the homework economy with

its oxymoronic structure of women-headed households and its explosion of

feminisms and the paradoxical intensification and erosion of gender

itself.

This is the context in which the projections for world-wide structural

unemployment stemming from the new technologies are part of the picture

of the homework economy. As robotics and related technologies put men

out of work in ‘developed’ countries and exacerbate failure to generate

male jobs in Third World ‘development’, and as the automated office

becomes the rule even in labour-surplus countries, the feminization of

work intensifies. Black women in the United States have long known what

it looks like to face the structural underemployment (‘feminization’) of

black men, as well as their own highly vulnerable position in the wage

economy. It is no longer a secret that sexuality, reproduction, family,

and community life are interwoven with this economic structure in myriad

ways which have also differentiated the situations of white and black

women. Many more women and men will contend with similar situations,

which will make cross-gender and race alliances on issues of basic life

support (with or without jobs) necessary, not just mice.

The new technologies also have a profound effect on hunger and on food

production for subsistence world-wide. Rae Lessor Blumberg (1983)

estimates that women produce about 50 per cent of the world’s

subsistence food.[21] Women are excluded generally from benefiting from

the increased high-tech commodification of food and energy crops, their

days are made more arduous because their responsibilities to provide

food do not diminish, and their reproductive situations are made more

complex. Green Revolution technologies interact with other high-tech

industrial production to alter gender divisions of labour and

differential gender migration patterns.

The new technologies seem deeply involved in the forms of

‘privatization’ that Ros Petchesky (1981) has analysed, in which

militarization, right-wing family ideologies and policies, and

intensified definitions of corporate (and state) property as private

synergistically interact.[22] The new communications technologies are

fundamental to the eradication of ‘public life’ for everyone. This

facilitates the mushrooming of a permanent high-tech military

establishment at the cultural and economic expense of most people, but

especially of women. Technologies like video games and highly

miniaturized televisions seem crucial to production of modern forms of

‘private life’. The culture of video games is heavily orientated to

individual competition and extraterrestrial warfare. High-tech, gendered

imaginations are produced here, imaginations that can contemplate

destruction of the planet and a sci-fi escape from its consequences.

More than our imaginations is militarized; and the other realities of

electronic and nuclear warfare are inescapable. These are the

technologies that promise ultimate mobility and perfect exchange—and

incidentally enable tourism, that perfect practice of mobility and

exchange, to emerge as one of the world’s largest single industries.

The new technologies affect the social relations of both sexuality and

of reproduction, and not always in the same ways. The close ties of

sexuality and instrumentality, of views of the body as a kind of private

satisfaction- and utility-maximizing machine, are described nicely in

sociobiological origin stories that stress a genetic calculus and

explain the inevitable dialectic of domination of male and female gender

roles.[23] These sociobiological stories depend on a high-tech view of

the body as a biotic component or cybernetic communications system.

Among the many transformations of reproductive situations is the medical

one, where women’s bodies have boundaries newly permeable to both

‘visualization’ and ‘intervention’. Of course, who controls the

interpretation of bodily boundaries in medical hermeneutics is a major

feminist issue. The speculum served as an icon of women’s claiming their

bodies in the 1970S; that handcraft tool is inadequate to express our

needed body politics in the negotiation of reality in the practices of

cyborg reproduction. Self-help is not enough. The technologies of

visualization recall the important cultural practice of handing with the

camera and the deeply predatory nature of a photographic

consciousness.[24] Sex, sexuality, and reproduction are central actors

in high-tech myth systems structuring our imaginations of personal and

social possibility.

Another critical aspect of the social relations of the new technologies

is the reformulation of expectations, culture, work, and reproduction

for the large scientific and technical work-force. A major social and

political danger is the formation of a strongly bimodal social

structure, with the masses of women and men of all ethnic groups, but

especially people of colour, confined to a homework economy, illiteracy

of several varieties, and general redundancy and impotence, controlled

by high-tech repressive apparatuses ranging from entertainment to

surveillance and disappearance. An adequate socialist-feminist politics

should address women in the privileged occupational categories, and

particularly in the production of science and technology that constructs

scientific-technical discourses, processes, and objects.[25]

This issue is only one aspect of enquiry into the possibility of a

feminist science, but it is important. What kind of constitutive role in

the production of knowledge, imagination, and practice can new groups

doing science have? How can these groups be allied with progressive

social and political movements? What kind of political accountability

can be constructed to the women together across the scientific-technical

hierarchies separating us? Might there be ways of developing feminist

science/technology politics in alliance with and-military science

facility conversion action groups? Many scientific and technical workers

in Silicon Valley, the high-tech cowboys included, do not want to work

on military science.[26] Can these personal preferences and cultural

tendencies be welded into progressive politics among this professional

middle class in which women, including women of colour, are coming to be

fairly numerous?

Women in The Integrated Circuit

Let me summarize the picture of women’s historical locations in advanced

industrial societies, as these positions have been restructured partly

through the social relations of science and technology. If it was ever

possible ideologically to characterize women’s lives by the distinction

of public and private domains—suggested by images of the division of

working-class life into factory and home, of bourgeois life into market

and home, and of gender existence into personal and political realms—it

is now a totally misleading ideology, even to show how both terms of

these dichotomies construct each other in practice and in theory. I

prefer a network ideological image, suggesting the profusion of spaces

and identities and the permeability of boundaries in the personal body

and in the body politic. ‘Networking’ is both a feminist practice and a

multinational corporate strategy—weaving is for oppositional cyborgs.

So let me return to the earlier image of the informatics of domination

and trace one vision of women’s ‘place’ in the integrated circuit,

touching only a few idealized social locations seen primarily from the

point of view of advanced capitalist societies: Home, Market, Paid Work

Place, State, School, Clinic-Hospital, and Church. Each of these

idealized spaces is logically and practically implied in every other

locus, perhaps analogous to a holographic photograph. I want to suggest

the impact of the social relations mediated and enforced by the new

technologies in order to help formulate needed analysis and practical

work. However, there is no ‘place’ for women in these networks, only

geometries of difference and contradiction crucial to women’s cyborg

identities. If we learn how to read these webs of power and social life,

we might learn new couplings, new coalitions. There is no way to read

the following list from a standpoint of ‘identification’, of a unitary

self. The issue is dispersion. The task is to survive in the diaspora.

Home: Women-headed households, serial monogamy, flight of men, old women

alone, technology of domestic work, paid homework, re-emergence of home

sweat-shops, home-based businesses and telecom-muting, electronic

cottage, urban homelessness, migration, module architecture, reinforced

(simulated) nuclear family, intense domestic violence.

Market: Women’s continuing consumption work, newly targeted to buy the

profusion of new production from the new technologies (especially as the

competitive race among industrialized and industrializing nations to

avoid dangerous mass unemployment necessitates finding ever bigger new

markets for ever less clearly needed commodities); bimodal buying power,

coupled with advertising targeting of the numerous affluent groups and

neglect of the previous mass markets; growing importance of informal

markets in labour and commodities parallel to high-tech, affluent market

structures; surveillance systems through electronic funds transfer;

intensified market abstraction (commodification) of experience,

resulting in ineffective utopian or equivalent cynical theories of

community; extreme mobility (abstraction) of marketing/financing

systems; inter-penetration of sexual and labour markets; intensified

sexualization of abstracted and alienated consumption.

Paid Work Place: Continued intense sexual and racial division of labour,

but considerable growth of membership in privileged occupational

categories for many white women and people of colour; impact of new

technologies on women’s work in clerical, service, manufacturing

(especially textiles), agriculture, electronics; international

restructuring of the working classes; development of new time

arrangements to facilitate the homework economy (flex time, part time,

over time, no time); homework and out work; increased pressures for

two-tiered wage structures; significant numbers of people in

cash-dependent populations world-wide with no experience or no further

hope of stable employment; most labour ‘marginal’ or ‘feminized’.

State: Continued erosion of the welfare state; decentralizations with

increased surveillance and control; citizenship by telematics;

imperialism and political power broadly in the form of information

rich/information poor differentiation; increased high-tech

militarization increasingly opposed by many social groups; reduction of

civil service jobs as a result of the growing capital intensification of

office work, with implications for occupational mobility for women of

colour; growing privatization of material and ideological life and

culture; close integration of privatization and militarization, the

high-tech forms of bourgeois capitalist personal and public life;

invisibility of different social groups to each other, linked to

psychological mechanisms of belief in abstract enemies.

School: Deepening coupling of high-tech capital needs and public

education at all levels, differentiated by race, class, and gender;

managerial classes involved in educational reform and refunding at the

cost of remaining progressive educational democratic structures for

children and teachers; education for mass ignorance and repression in

technocratic and militarized culture; growing and-science mystery cults

in dissenting and radical political movements; continued relative

scientific illiteracy among white women and people of colour; growing

industrial direction of education (especially higher education) by

science-based multinationals (particularly in electronics- and

biotechnology-dependent companies); highly educated, numerous elites in

a progressively bimodal society.

Clinic-hospital: Intensified machine-body relations; renegotiations of

public metaphors which channel personal experience of the body,

particularly in relation to reproduction, immune system functions, and

‘stress’ phenomena; intensification of reproductive politics in response

to world historical implications of women’s unrealized, potential

control of their relation to reproduction; emergence of new,

historically specific diseases; struggles over meanings and means of

health in environments pervaded by high technology products and

processes; continuing feminization of health work; intensified struggle

over state responsibility for health; continued ideological role of

popular health movements as a major form of American politics.

Church: Electronic fundamentalist ‘super-saver’ preachers solemnizing

the union of electronic capital and automated fetish gods; intensified

importance of churches in resisting the militarized state; central

struggle over women’s meanings and authority in religion; continued

relevance of spirituality, intertwined with sex and health, in political

struggle.

The only way to characterize the informatics of domination is as a

massive intensification of insecurity and cultural impoverishment, with

common failure of subsistence networks for the most vulnerable. Since

much of this picture interweaves with the social relations of science

and technology, the urgency of a socialist-feminist politics addressed

to science and technology is plain. There is much now being done, and

the grounds for political work are rich. For example, the efforts to

develop forms of collective struggle for women in paid work, like SEIU’s

District 925,27 should be a high priority for all of us. These efforts

are profoundly deaf to technical restructuring of labour processes and

reformations of working classes. These efforts also are providing

understanding of a more comprehensive kind of labour organization,

involving community, sexuality, and family issues never privileged in

the largely white male industrial unions.

The structural rearrangements related to the social relations of science

and technology evoke strong ambivalence. But it is not necessary to be

ultimately depressed by the implications of late twentieth-century

women’s relation to all aspects of work, culture, production of

knowledge, sexuality, and reproduction. For excellent reasons, most

Marxisms see domination best and have trouble understanding what can

only look like false consciousness and people’s complicity in their own

domination in late capitalism. It is crucial to remember that what is

lost, perhaps especially from women’s points of view, is often virulent

forms of oppression, nostalgically naturalized in the face of current

violation. Ambivalence towards the disrupted unities mediated by

high-tech culture requires not sorting consciousness into categories of

clear-sighted critique grounding a solid political epistemology’ versus

‘manipulated false consciousness’, but subtle understanding of emerging

pleasures, experiences, and powers with serious potential for changing

the rules of the game.

There are grounds for hope in the emerging bases for new kinds of unity

across race, gender, and class, as these elementary units of

socialist-feminist analysis themselves suffer protean transformations.

Intensifications of hardship experienced world-wide in connection with

the social relations of science and technology are severe. But what

people are experiencing is not transparently clear, and we lack

sufficiently subtle connections for collectively building effective

theories of experience. Present efforts—Marxist, psychoanalytic,

feminist, anthropological—to clarify even ‘our’ experience are

rudimentary.

I am conscious of the odd perspective provided by my historical

position—a PhD in biology for an Irish Catholic girl was made possible

by Sputnik’s impact on US national science-education policy. I have a

body and mind as much constructed by the post-Second World War arms race

and cold war as by the women’s movements. There are more grounds for

hope in focusing on the contradictory effects of politics designed to

produce loyal American technocrats, which also produced large numbers of

dissidents, than in focusing on the present defeats.

The permanent partiality of feminist points of view has consequences for

our expectations of forms of political organization and participation.

We do not need a totality in order to work well. The feminist dream of a

common language, like all dreams for a perfectly true language, of

perfectly faithful naming of experience, is a totalizing and imperialist

one. In that sense, dialectics too is a dream language, longing to

resolve contradiction. Perhaps, ironically, we can learn from our

fusions with animals and machines how not to be Man, the embodiment of

Western logos. From the point of view of pleasure in these potent and

taboo fusions, made inevitable by the social relations of science and

technology, there might indeed be a feminist science.

Cyborgs: A Myth of Political Identity

I want to conclude with a myth about identity and boundaries which might

inform late twentieth-century political imaginations (Plate 1). I am

indebted in this story to writers like Joanna Russ, Samuel R. Delany,

John Varley, James Tiptree, Jr, Octavia Butler, Monique Wittig, and

Vonda Mclntyre.[27] These are our story-tellers exploring what it means

to be embodied in high-tech worlds. They are theorists for cyborgs.

Exploring conceptions of bodily boundaries and social order, the

anthropologist Mary Douglas (1966, 1970) should be credited with helping

us to consciousness about how fundamental body imagery is to world view,

and so to political language. French feminists like Luce Irigaray and

Monique Wittig, for all their differences, know how to write the body;

how to weave eroticism, cosmology, and politics from imagery of

embodiment, and especially for Wittig, from imagery of fragmentation and

reconstitution of bodies.[28] American radical feminists like Susan

Griffnn, Audre Lorde, and Adrienne Rich have profoundly affected our

political imaginations—and perhaps restricted too much what we allow as

a friendly body and political language.[29] They insist on the organic,

opposing it to the technological. But their symbolic systems and the

related positions of ecofeminism and feminist paganism, replete with

organicisms, can only be understood in Sandoval’s terms as oppositional

ideologies fitting the late twentieth century. They would simply

bewilder anyone not preoccupied with the machines and consciousness of

late capitalism. In that sense they are part of the cyborg world. But

there are also great riches for feminists in explicitly embracing the

possibilities inherent in the breakdown of clean distinctions between

organism and machine and similar distinctions structuring the Western

self. It is the simultaneity of breakdowns that cracks the matrices of

domination and opens geometric possibilities. What might be learned from

personal and political ‘technological’ pollution? I look briefly at two

overlapping groups of texts for their insight into the construction of a

potentially helpful cyborg myth: constructions of women of colour and

monstrous selves in feminist science fiction.

Earlier I suggested that ‘women of colour’ might be understood as a

cyborg identity, a potent subjectivity synthesized from fusions of

outsider identities and in the complex political-historical layerings of

her ‘biomythography’, Zami (Lorde, 1982; King, 1987a, 1987b). There are

material and cultural grids mapping this potential, Audre Lorde (1984)

captures the tone in the title of her Sister Outsider. In my political

myth, Sister Outsider is the offshore woman, whom US workers, female and

feminized, are supposed to regard as the enemy preventing their

solidarity, threatening their security. Onshore, inside the boundary of

the United States, Sister Outsider is a potential amidst the races and

ethnic identities of women manipulated for division, competition, and

exploitation in the same industries. ‘Women of colour’ are the preferred

labour force for the science-based industries, the real women for whom

the world-wide sexual market, labour market, and politics of

reproduction kaleidoscope into daily life. Young Korean women hired in

the sex industry and in electronics assembly are recruited from high

schools, educated for the integrated circuit. Literacy, especially in

English, distinguishes the ‘cheap’ female labour so attractive to the

multinationals.

Contrary to orientalist stereotypes of the ‘oral primitive’, literacy is

a special mark of women of colour, acquired by US black women as well as

men through a history of risking death to learn and to teach reading and

writing. Writing has a special significance for all colonized groups.

Writing has been crucial to the Western myth of the distinction between

oral and written cultures, primitive and civilized mentalities, and more

recently to the erosion of that distinction in ‘postmodernist’ theories

attacking the phallogocentrism of the West, with its worship of the

monotheistic, phallic, authoritative, and singular work, the unique and

perfect name.[30] Contests for the meanings of writing are a major form

of contemporary political struggle. Releasing the play of writing is

deadly serious. The poetry and stories of US women of colour are

repeatedly about writing, about access to the power to signify; but this

time that power must be neither phallic nor innocent. Cyborg writing

must not be about the Fall, the imagination of a once-upon-a-time

wholeness before language, before writing, before Man. Cyborg writing is

about the power to survive, not on the basis of original innocence, but

on the basis of seizing the tools to mark the world that marked them as

other.

The tools are often stories, retold stories, versions that reverse and

displace the hierarchical dualisms of naturalized identities. In

retelling origin stories, cyborg authors subvert the central myths of

origin of Western culture. We have all been colonized by those origin

myths, with their longing for fulfilment in apocalypse. The

phallogocentric origin stories most crucial for feminist cyborgs are

built into the literal technologies—technologies that write the world,

biotechnology and microelectronics—that have recently textualized our

bodies as code problems on the grid of C3I. Feminist cyborg stories have

the task of recoding communication and intelligence to subvert command

and control.

Figuratively and literally, language politics pervade the struggles of

women of colour; and stories about language have a special power in the

rich contemporary writing by US women of colour. For example, retellings

of the story of the indigenous woman Malinche, mother of the mestizo

‘bastard’ race of the new world, master of languages, and mistress of

Cortes, carry special meaning for Chicana constructions of identity.

Cherrie Moraga (1983) in Loving in the War Years explores the themes of

identity when one never possessed the original language, never told the

original story, never resided in the harmony of legitimate

heterosexuality in the garden of culture, and so cannot base identity on

a myth or a fall from innocence and right to natural names, mother’s or

father’s.[31] Moraga’s writing, her superb literacy, is presented in her

poetry as the same kind of violation as Malinche’s mastery of the

conqueror’s language—a violation, an illegitimate production, that

allows survival. Moraga’s language is not ‘whole’; it is

self-consciously spliced, a chimera of English and Spanish, both

conqueror’s languages. But it is this chimeric monster, without claim to

an original language before violation, that crafts the erode, competent,

potent identities of women of colour. Sister Outsider hints at the

possibility of world survival not because of her innocence, but because

of her ability to live on the boundaries, to write without the founding

myth of original wholeness, with its inescapable apocalypse of final

return to a deathly oneness that Man has imagined to be the innocent and

all-powerful Mother, freed at the End from another spiral of

appropriation by her son. Writing marks Moraga’s body, affirms it as the

body of a woman of colour, against the possibility of passing into the

unmarked category of the Anglo father or into the orientalist myth of

‘original illiteracy’ of a mother that never was. Malinche was mother

here, not Eve before eating the forbidden fruit. Writing affirms Sister

Outsider, not the Woman-before-the-Fall-into-Writing needed by the

phallogocentric Family of Man.

Writing is pre-eminently the technology of cyborgs, etched surfaces of

the late twentieth century. Cyborg politics is the struggle for language

and the struggle against perfect communication, against the one code

that translates all meaning perfectly, the central dogma of

phallogocentrism. That is why cyborg politics insist on noise and

advocate pollution, rejoicing in the illegitimate fusions of animal and

machine. These are the couplings which make Man and Woman so

problematic, subverting the structure of desire, the force imagined to

generate language and gender, and so subverting the structure and modes

of reproduction of ‘Western’ identity, of nature and culture, of mirror

and eye, slave and master, body and mind. ‘We’ did not originally choose

to be cyborgs, but choice grounds a liberal politics and epistemology

that imagines the reproduction of individuals before the wider

replications of ‘texts’.

From the perspective of cyborgs, freed of the need to ground politics in

‘our’ privileged position of the oppression that incorporates all other

dominations, the innocence of the merely violated, the ground of those

closer to nature, we can see powerful possibilities. Feminisms and

Marxisms have run aground on Western epistemological imperatives to

construct a revolutionary subject from the perspective of a hierarchy of

oppressions and/or a latent position of moral superiority, innocence,

and greater closeness to nature. With no available original dream of a

common language or original symbiosis promising protection from hostile

‘masculine’ separation, but written into the play of a text that has no

finally privileged reading or salvation history, to recognize ‘oneself’

as fully implicated in the world, frees us of the need to root politics

in identification, vanguard parties, purity, and mothering. Stripped of

identity, the bastard race teaches about the power of the margins and

the importance of a mother like Malinche. Women of colour have

transformed her from the evil mother of masculinist fear into the

originally literate mother who teaches survival.

This is not just literary deconstruction, but liminal transformation.

Every, story that begins with original innocence and privileges the

return to wholeness imagines the drama of life to be individuation,

separation, the birth of the self, the tragedy of autonomy, the fall

into writing, alienation; that is, war, tempered by imaginary respite in

the bosom of the Other. These plots are ruled by a reproductive

politics—rebirth without flaw, perfection, abstraction. In this plot

women are imagined either better or worse off, but all agree they have

less selfhood, weaker individuation, more fusion to the oral, to Mother,

less at stake in masculine autonomy. But there is another route to

having less at stake in masculine autonomy, a route that does not pass

through Woman, Primitive, Zero, the Mirror Stage and its imaginary. It

passes through women and other present-tense, illegitimate cyborgs, not

of Woman born, who refuse the ideological resources of victimization so

as to have a real life. These cyborgs are the people who refuse to

disappear on cue, no matter how many times a ‘western’ commentator

remarks on the sad passing of another primitive, another organic group

done in by ‘Western’ technology, by writing.[32] These real-life cyborgs

(for example, the Southeast Asian village women workers in Japanese and

US electronics firms described by Aihwa Ong) are actively rewriting the

texts of their bodies and societies.[33] Survival is the stakes in this

play of readings.

To recapitulate, certain dualisms have been persistent in Western

traditions; they have all been systemic to the logics and practices of

domination of women, people of colour, nature, workers, animals—in

short, domination of all constituted as others, whose task is to mirror

the self. Chief among these troubling dualisms are self/other,

mind/body, culture/nature, male/female, civilized/primitive,

reality/appearance, whole/part, agent/resource, maker/ made,

active/passive, right/wrong, truth/illusion, total/partial, God/man. The

self is the One who is not dominated, who knows that by the service of

the other, the other is the one who holds the future, who knows that by

the experience of domination, which gives the lie to the autonomy of the

self. To be One is to be autonomous, to be powerful, to be God; but to

be One is to be an illusion, and so to be involved in a dialectic of

apocalypse with the other. Yet to be other is to be multiple, without

clear boundary, frayed, insubstantial. One is too few, but two are too

many.

High-tech culture challenges these dualisms in intriguing ways. It is

not clear who makes and who is made in the relation between human and

machine. It is not clear what is mind and what body in machines that

resolve into coding practices. In so far as we know ourselves in both

formal discourse (for example, biology) and in daily practice (for

example, the homework economy in the integrated circuit), we find

ourselves to be cyborgs, hybrids, mosaics, chimeras. Biological

organisms have become biotic systems, communications devices like

others. There is no fundamental, ontological separation in our formal

knowledge of machine and organism, of technical and organic. The

replicant Rachel in the Ridley Scott film Blade Runner stands as the

image of a cyborg culture’s fear, love, and confusion.

One consequence is that our sense of connection to our tools is

heightened. The trance state experienced by many computer users has

become a staple of science-fiction film and cultural jokes. Perhaps

paraplegics and other severely handicapped people can (and sometimes do)

have the most intense experiences of complex hybridization with other

communication devices.[34] Anne McCaffrey’s pre-feminist The Ship Who

Sang (1969) explored the consciousness of a cyborg, hybrid of girl’s

brain and complex machinery, formed after the birth of a severely

handicapped child. Gender, sexuality, embodiment, skill: all were

reconstituted in the story. Why should our bodies end at the skin, or

include at best other beings encapsulated by skin? From the seventeenth

century till now, machines could be animated—given ghostly souls to make

them speak or move or to account for their orderly development and

mental capacities. Or organisms could be mechanized—reduced to body

understood as resource of mind. These machine/ organism relationships

are obsolete, unnecessary. For us, in imagination and in other practice,

machines can be prosthetic devices, intimate components, friendly

selves. We don’t need organic holism to give impermeable wholeness, the

total woman and her feminist variants (mutants?). Let me conclude this

point by a very partial reading of the logic of the cyborg monsters of

my second group of texts, feminist science fiction.

The cyborgs populating feminist science fiction make very problematic

the statuses of man or woman, human, artefact, member of a race,

individual entity, or body. Katie King clarifies how pleasure in reading

these fictions is not largely based on identification. Students facing

Joanna Russ for the first time, students who have learned to take

modernist writers like James Joyce or Virginia Woolf without flinching,

do not know what to make of The Adventures of Alyx or The Female Man,

where characters refuse the reader’s search for innocent wholeness while

granting the wish for heroic quests, exuberant eroticism, and serious

politics. The Female Man is the story of four versions of one genotype,

all of whom meet, but even taken together do not make a whole, resolve

the dilemmas of violent moral action, or remove the growing scandal of

gender. The feminist science fiction of Samuel R. Delany, especially

Tales of Neveyon, mocks stories of origin by redoing the neolithic

revolution, replaying the founding moves of Western civilization to

subvert their plausibility. James Tiptree, Jr, an author whose fiction

was regarded as particularly manly until her ‘true’ gender was revealed,

tells tales of reproduction based on non-mammalian technologies like

alternation of generations of male brood pouches and male nurturing.

John Varley constructs a supreme cyborg in his arch-feminist exploration

of Gaea, a mad goddess-planet-trickster-old woman-technological device

on whose surface an extraordinary array of post-cyborg symbioses are

spawned. Octavia Butler writes of an African sorceress pitting her

powers of transformation against the genetic manipulations of her rival

(Wild Seed), of time warps that bring a modern US black woman into

slavery where her actions in relation to her white master-ancestor

determine the possibility of her own birth (Kindred), and of the

illegitimate insights into identity and community of an adopted

cross-species child who came to know the enemy as self (Survivor). In

Dawn (1987), the first instalment of a series called Xenogenesis, Butler

tells the story of Lilith Iyapo, whose personal name recalls Adam’s

first and repudiated wife and whose family name marks her status as the

widow of the son of Nigerian immigrants to the US. A black woman and a

mother whose child is dead, Lilith mediates the transformation of

humanity through genetic exchange with extra-terrestrial

lovers/rescuers/destroyers/genetic engineers, who reform earth’s

habitats after the nuclear holocaust and coerce surviving humans into

intimate fusion with them. It is a novel that interrogates reproductive,

linguistic, and nuclear politics in a mythic field structured by late

twentieth-century race and gender.

Because it is particularly rich in boundary transgressions, Vonda

McIntyre’s Superluminal can close this truncated catalogue of promising

and dangerous monsters who help redefine the pleasures and politics of

embodiment and feminist writing. In a fiction where no character is

‘simply’ human, human status is highly problematic. Orca, a genetically

altered diver, can speak with killer whales and survive deep ocean

conditions, but she longs to explore space as a pilot, necessitating

bionic implants jeopardizing her kinship with the divers and cetaceans.

Transformations are effected by virus vectors carrying a new

developmental code, by transplant surgery, by implants of

microelectronic devices, by analogue doubles, and other means. Lacnea

becomes a pilot by accepting a heart implant and a host of other

alterations allowing survival in transit at speeds exceeding that of

light. Radu Dracul survives a virus-caused plague in his outerworld

planet to find himself with a time sense that changes the boundaries of

spatial perception for the whole species. All the characters explore the

limits of language; the dream of communicating experience; and the

necessity of limitation, partiality, and intimacy even in this world of

protean transformation and connection. Superluminal stands also for the

defining contradictions of a cyborg world in another sense; it embodies

textually the intersection of feminist theory and colonial discourse in

the science fiction I have alluded to in this chapter. This is a

conjunction with a long history that many ‘First World’ feminists have

tried to repress, including myself in my readings of Superluminal before

being called to account by Zoe Sofoulis, whose different location in the

world system’s informatics of domination made her acutely alert to the

imperialist moment of all science fiction cultures, including women’s

science fiction. From an Australian feminist sensitivity, Sofoulis

remembered more readily McIntyre’s role as writer of the adventures of

Captain Kirk and Spock in TV’s Star Trek series than her rewriting the

romance in Superluminal.

Monsters have always defined the limits of community in Western

imaginations. The Centaurs and Amazons of ancient Greece established the

limits of the centred polls of the Greek male human by their disruption

of marriage and boundary pollutions of the warrior with animality and

woman. Unseparated twins and hermaphrodites were the confused human

material in early modern France who grounded discourse on the natural

and supernatural, medical and legal, portents and diseases—all crucial

to establishing modern identity.[35] The evolutionary and behavioral

sciences of monkeys and apes have marked the multiple boundaries of late

twentieth-century industrial identities. Cyborg monsters in feminist

science fiction define quite different political possibilities and

limits from those proposed by the mundane fiction of Man and Woman.

There are several consequences to taking seriously the imagery of

cyborgs as other than our enemies. Our bodies, ourselves; bodies are

maps of power and identity. Cyborgs are no exception. A cyborg body is

not innocent; it was not born in a garden; it does not seek unitary

identity and so generate antagonistic dualisms without end (or until the

world ends); it takes irony for granted. One is too few, and two is only

one possibility. Intense pleasure in skill, machine skill, ceases to be

a sin, but an aspect of embodiment. The machine is not an it to be

animated, worshipped, and dominated. The machine is us, our processes,

an aspect of our embodiment. We can be responsible for machines; they do

not dominate or threaten us. We are responsible for boundaries; we are

they. Up till now (once upon a time), female embodiment seemed to be

given, organic, necessary; and female embodiment seemed to mean skill in

mothering and its metaphoric extensions. Only by being out of place

could we take intense pleasure in machines, and then with excuses that

this was organic activity after all, appropriate to females. Cyborgs

might consider more seriously the partial, fluid, sometimes aspect of

sex and sexual embodiment. Gender might not be global identity after

all, even if it has profound historical breadth and depth.

The ideologically charged question of what counts as daily activity, as

experience, can be approached by exploiting the cyborg image. Feminists

have recently claimed that women are given to dailiness, that women more

than men somehow sustain daily life, and so have a privileged

epistemological position potentially. There is a compelling aspect to

this claim, one that makes visible unvalued female activity and names it

as the ground of life. But the ground of life? What about all the

ignorance of women, all the exclusions and failures of knowledge and

skill? What about men’s access to daily competence, to knowing how to

build things, to take them apart, to play? What about other embodiments?

Cyborg gender is a local possibility taking a global vengeance. Race,

gender, and capital require a cyborg theory of wholes and parts. There

is no drive in cyborgs to produce total theory, but there is an intimate

experience of boundaries, their construction and deconstruction. There

is a myth system waiting to become a political language to ground one

way of looking at science and technology and challenging the informatics

of domination—in order to act potently.

One last image organisms and organismic, holistic politics depend on

metaphors of rebirth and invariably call on the resources of

reproductive sex. I would suggest that cyborgs have more to do with

regeneration and are suspicious of the reproductive matrix and of most

birthing. For salamanders, regeneration after injury, such as the loss

of a limb, involves regrowth of structure and restoration of function

with the constant possibility of twinning or other odd topographical

productions at the site of former injury. The regrown limb can be

monstrous, duplicated, potent. We have all been injured, profoundly. We

require regeneration, not rebirth, and the possibilities for our

reconstitution include the utopian dream of the hope for a monstrous

world without gender.

Cyborg imagery can help express two crucial arguments in this essay:

first, the production of universal, totalizing theory is a major mistake

that misses most of reality, probably always, but certainly now; and

second, taking responsibility for the social relations of science and

technology means refusing an anti-science metaphysics, a demonology of

technology, and so means embracing the skillful task of reconstructing

the boundaries of daily life, in partial connection with others, in

communication with all of our parts. It is not just that science and

technology are possible means of great human satisfaction, as well as a

matrix of complex dominations. Cyborg imagery can suggest a way out of

the maze of dualisms in which we have explained our bodies and our tools

to ourselves. This is a dream not of a common language, but of a

powerful infidel heteroglossia. It is an imagination of a feminist

speaking in tongues to strike fear into the circuits of the supersavers

of the new right. It means both building and destroying machines,

identities, categories, relationships, space stories. Though both are

bound in the spiral dance, I would rather be a cyborg than a goddess.

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[21 The conjunction of the Green Revolution’s social relations with

biotechnologies like plant genetic engineering makes the pressures on

land in the Third World increasingly intense. The U.S. Agency for

International Development’s estimates used at the 1984 World Food Day

are that in Africa women produce about 90 percent of rural food

supplies, about 60–80 percent in Asia, and provide 40 percent of

agricultural labor in the Near East and Latin America (New York Times

1984). Blumberg charges that world organizations’ agricultural politics,

as well as those of multinationals and national governments in the Third

World, generally ignore fundamental issues in the sexual division of

labor. The present tragedy of famine in Africa might owe as much to male

supremacy as to capitalism, colonialism, and rain patterns. More

accurately, capitalism and racism are usually structurally male

dominant. See also Blumberg 1981; Hacker 1984; Hacker and Bovit 1981;

Busch and Lacy 1983; Wilfred 1982; Sachs 1983; International Fund for

Agricultural Development 1985; Bird 1984.

[1] See Zoe Sofoulis (n.d.).

[2] See Hilary Klein 1989.

[3] Useful references to left and/or feminist radical science movements

and theory and to biological/biotechnical issues include Bleier 1984,

1986; Harding 1986; Fausto-Sterling 1985; Gould 1981; Hubbard et al.

1979; Keller 1985; Lewontin et al. 1984. See also Radical Science

Journal (which became Science as Culture in 1987): 26 Freegrove Road,

London N7 9RQ; and Science for the People, 897 Main Street, Cambridge,

Massachusetts 02139.

[4] Starting points for left and/or feminist approaches to technology

and politics include Cowan 1983, 1986; Rothschild 1983; Traweek 1988;

Young and Levidow 1981, 1985; Weisenbaum 1976; Winner 1977, 1986;

Zimmerman 1983; Athanasiou 1987; Cohn 1987a, 1987b; Winograd and Flores

1986; Edwards 1985. Global Electronics Newsletter, 867 West Dana Street,

204, Mountain View, California 94041; Processed World, 55 Sutter

Street, San Francisco, California 94104; ISIS, Women’s International

Information and Communication Service, P.O. Box 50 (Cornavin), 1211

Geneva 2, Switzerland; and Via Santa Maria Dell’Anima 30, 00186 Rome,

Italy. Fundamental approaches to modern social studies of science that

do not continue the liberal mystification that all started with Thomas

Kuhn include Knorr-Cetina 1981; Knorr-Cetina and Mulkay 1983; Latour and

Woolgar 1979; Young 1979. The 1984 Directory of the Network for the

Ethnographic Study of Science, Technology, and Organization lists a wide

range of people and projects crucial to better radical analysis,

available from NESSTO, P.O. Box 11442, Stanford, California 94305.

[5] A provocative, comprehensive argument about the politics and

the-ories of “postmodernism” is made by Fredric Jameson (1984), who

argues that postmodernism is not an option, a style among others, but a

cultural dominant requiring radical reinvention of left politics from

within; there is no longer any place from without that gives meaning to

the comforting fiction of critical distance. Jameson also makes clear

why one cannot be for or against postmodernism, an essentially moralist

move. My position is that feminists (and others) need continuous

cultural reinvention, most modernist critique, and historical

materialism; only a cyborg would have a chance. The old dominations of

white capitalist patriarchy seem nostalgically innocent now: they

normalized heterogeneity, into man and woman, white and black, for

example. “Advanced Capitalism” and postmodernism release heterogeneity

without a norm, and we are flattened, without subjectivity, which

requires depth, even unfriendly and drowning depths. It is time to write

The Death of the Clinic. The clinic’s methods required bodies and works;

we have texts and surfaces. Our dominations don’t work by medicalization

and normalization anymore; they work by networking, communications

redesign, stress management. Normalization gives way to automation,

utter redundancy. Michel Foucault’s Birth of the Clinic (1963), History

of Sexuality (1976), and Discipline and Punish (1975) name a form of

power at its moment of implosion. The discourse of biopolitics gives way

to technobabble, the language of the spliced substantive; no noun is

left whole by the multinationals. These are their names, listed from one

issue of Science: Tech-Knowledge, Genentech, Allergen, Hybritech,

Compupro, Genen-cor, Syntex, Allelix, Agrigenetics Corp., Syntro, Codon,

Repligen, Micro/Angelo from Scion Corp., Percom Data, Inter Systems,

Cyborg Corp., Statcom Corp., Intertec. If we are imprisoned by language,

then escape from that prison-house requires language poets, a kind of

cultural restriction enzyme to cut the code; cyborg heteroglossia is one

form of radical cultural politics. For cyborg poetry see Perloff 1984;

Fraser 1984. For feminist modernist/postmodernist cyborg writing, see

HOW(ever), 971 Corbett Avenue, San Francisco, California 94131

[6] The U.S. equivalent of Mills and Boon.

[7] Baudrillard 1983 and Jameson 1984 (page 66) point out that Plato’s

definition of the simulacrum is the copy for which there is no original,

i.e., the world of advanced capitalism, of pure exchange. See Discourse

9 (Spring/Summer 1987) for a special issue on technology (cybernetics,

ecology, and the postmodern imagination).

[8] A practice at once both spiritual and political that linked guards

andarrested antinuclear demonstrators in the Alameda County Jail in

California in the early 1980s.

[9] For ethnographic accounts and political evaluations, see

Epstein1993; Sturgeon 1986. Without explicit irony, adopting the

spaceship earth/whole earth logo of the planet photographed from space,

set off by the slogan “Love Your Mother,” the May 1987 Mothers and

Others Day action at the nuclear weapons testing facility in Nevada

nonetheless took account of the tragic contradictions of views of the

earth. Demonstrators applied for official permits to be on the land from

officers of the Western Shoshone tribe, whose territory was invaded by

the U.S. government when it built the nuclear weapons test ground in the

1950s. Arrested for trespassing, the demonstrators argued that the

police and weapons facility personnel, without authorization from the

proper officials, were the trespassers. One affinity group at the

women’s action called themselves the Surrogate Others; and in solidarity

with the creatures forced to tunnel in the same ground with the bomb,

they enacted a cyborgian emergence from the constructed body of a large,

nonheterosexual desert worm. I was a member of that affinity group.

[10] Powerful developments of coalition politics emerge from

“ThirdWorld” speakers, speaking from nowhere, the displaced center of

the universe, earth: “We live on the third planet from the sun”—Sun Poem

by Jamaican writer Edward Kamau Braithwaite, review by Mackey 1984.

Contributors to Smith 1983 ironically subvert naturalized identities

precisely while constructing a place from which to speak called home.

See especially Reagon (in Smith 1983, 356–68); Trinh T. Minh-ha

1986–87a, b.

[11] See hooks 1981, 1984; Hull et al. 1982. Toni Cade Bambara (1981)

wrote an extraordinary novel in which the women of color theater group

the Seven Sisters explores a form of unity. See analysis by Butler-Evans

1987.

[12] On orientalism in feminist works and elsewhere, see Lowe 1986; Said

1978; Mohanty 1984; Many Voices, One Chant: Black Feminist Perspectives

(1984).

[13] Katie King (1986, 1987a) has developed a theoretically sensitive

treatment of the workings of feminist taxonomies as genealogies of power

in feminist idealogy and polemic. King examines Jaggar’s (1983)

problematic example of taxonomizing feminisms to make a little machine

producing the desired final position. My caricature here of socialist

and radical feminism is also an example.

[14] The central role of object relations versions of psychoanalysis

andrelated strong universalizing moves in discussing reproduction,

caring work, and mothering in many approaches to epistemology underline

their authors’ resistance to what I am calling postmodernism. For me,

both the universalizing moves and these versions of psychoanalysis make

analysis of “women’s place in the integrated circuit” difficult and lead

to systematic difficulties in accounting for or even seeing major

aspects of the construction of gender and gendered social life. The

feminist standpoint argument has been developed by Flax 1983; Harding

1986; Harding and Hintikka 1983; Hartsock 1983a, 1983b; O’Brien 1981; H.

Rose 1983; Smith 1974, 1979. For rethinking theories of feminist

materialism and feminist standpoints in response to criticism, see

Harding 1986, 163–96; Hartsock 1987; and S. Rose 1986.

[15] I make an argumentative category error in “modifying” MacKin-non’s

positions with the qualifier “radical,” thereby generating my own

reductive critique of extremely hetergeneous writing, which does

explicitly use that label, by my taxonomically interested argument about

writing, which does not use the modifier and which brooks no limits and

thereby adds to the various dreams of a common, in the sense of

univocal, language for feminism. My category error was occasioned by an

assignment to write from a particular taxonomic position that itself has

a heterogeneous history, socialist-feminism, for Socialist Review,

published in SR as “The Cyborg Manifesto.” A critique indebted to

MacKinnon, but without the reductionism and with an elegant feminist

account of Foucault’s paradoxical conservatism on sexual violence

(rape), is de Lauretis 1985 (see also 1986, 1–19). A theoretically

elegant feminist social-historical examination of family violence, which

insists on women’s, men’s, and children’s complex agency without losing

sight of the material structures of male domination, race, and class, is

Gordon 1988.

[16] See Kristeva 1984.

[17] This chart was published in 1985 in the “Cyborg Manifesto.” My

previous efforts to understand biology as a cybernetic command-control

discourse and organisms as “natural-technical objects of knowledge” were

Haraway 1979, 1983, 1984. A later version, with a shifted argument,

appears in Haraway 1989.

[18] For progressive analyses and action on the biotechnology

debates,see GeneWatch, a Bulletin of the Committee for Responsible

Genetics, 5 Doane St., 4^(th) Floor, Boston, Massachusetts 02109;

Genetic Screening Study Group (formerly the Sociobiology Study Group of

Science for the People), Cambridge, Massachusetts; Wright 1982, 1986;

Yoxen 1983.

[19] Starting references for “women in the integrated circuit”: D’Ono

-frio-Flores and Pfafflin 1982; Fernandez-Kelly 1983; Fuentes and

Ehrenreich 1983; Grossman 1980; Nash and Fernandez-Kelly 1983; A. Ong

1987; Science Policy Research Unit 1982.

[20] For the “homework economy outside the home” and related argu-ments,

see Gordon 1983; Gordon and Kimball 1985; Stacey 1987; Reskin and

Hartmann 1986; Women and Poverty 1984; S. Rose 1986; Collins 1982; Burr

1982; Gregory and Nussbaum 1982; Piven and Coward 1982; Microelectronics

Group 1980; Stallard et al. 1983, which includes a useful organization

and resource list.

[21] The conjunction of the Green Revolution's social relations with

biotechnologies like plant genetic engineering makes the pressures on

land in the Third World increasingly intense. AID's estimates (New York

Times, 14 October 1984) used at the 1984 World Food Day are that in

Africa, women produce about 90 per cent of rural food supplies, about

60-80 per cent in Asia, and provide 40 per cent of agricultural labour

in the Near East and Latin America. Blumberg charges that world

organizations' agricultural politics, as well as those of multinationals

and national governments in the Third World, generally ignore

fundamental issues in the sexual division of labour. The present tragedy

of famine in Africa might owe as much to male supremacy as to

capitalism, colonialism, and rain patterns. More accurately, capitalism

and racism are usually structurally male dominant. See also Blumberg

(1981); Hacker (1984); Hacker and Bovit (1981); Busch and Lacy (1983);

Wilfred (1982); Sachs (1983); International Fund for Agricultural

Development (1985); Bird (1984).

[22] See also Enloe 1983a, 1983b.

[23] For a feminist version of this logic, see Hrdy 1981. For an

analysis of scientific women’s storytelling practices, especially in

relation to sociobiology in evolutionary debates around child abuse and

infanticide, see Haraway 1989.

[24] For the moment of transition of hunting with guns to hunting with

cameras in the construction of popular meanings of nature for an

American urban immigrant public, see Haraway 1984–85, 1989; Nash 1979;

Sontag 1977; Preston 1984.

[25] For guidance for thinking about the political/cultural/racial

implications of the history of women doing science in the United States,

see Haas and Perucci 1984; Hacker 1981; Keller 1983; National Science

Foundation 1988; Rossiter 1982; Schiebinger 1987; Haraway 1989.

[26] See Markoff and Siegel 1983. High Technology Professionals for

Peace and Computer Professionals for Social Responsibility are promising

organizations.

[27] See King 1984. An abbreviated list of feminist science fiction

underlying themes of this essay: Octavia Butler, Wild Seed, Mind of My

Mind, Kindred, Survivor; Suzy McKee Charnas, Motherlines; Samuel R.

Delany, the NevĂšrĂżon series; Anne McCaffery, The Ship Who Sang, Dino

saur Planet; Vonda McIntyre, Superluminal, Dreamsnake; Joanna Russ,

Adventures of Alix, The Female Man; James Tiptree Jr., Star Songs of an

Old Primate, Up the Walls of the World; John Varley, Titan, Wizard,

Demon.

[28] French feminisms contribute to cyborg heteroglossia: Burke 1981;

Irigaray 1977, 1979; Marks and de Courtivron 1980; Signs: Journal of

Women in Culture and Society 1981 (Autumn); Wittig 1973; Duchen 1986.

For English translation of some currents of Francophone feminism, see

Feminist Issues: A Journal of Feminist Social and Political Theory

(1980).

[29] But all these poets are very complex, not least in their treatment

ofthemes of lying and erotic, decentered collective and personal

identities: Griffin 1978; Lorde 1984; Rich 1978.

[30] See Derrida 1976 (especially part II); LĂ©vi-Strauss 1973

(especially “The Writing Lesson”); Gates 1985; Kahn and Neumaier 1985;

Ong 1982; Kramarae and Treichler 1985.

[31] The sharp relation of women of color to writing as theme and

pol-itics can be approached through the program for “The Black Woman and

the Diaspora: Hidden Connections and Extended Acknowledgments,” An

International Literary Conference, Michigan State University, October

1985; Evans 1984; Christian 1985; Carby 1987; Fisher 1980; Frontiers

1980, 1983; Kingston 1976; Lerner 1973; Giddings 1985; Moraga and

AnzaldĂșa 1981; Morgan 1984. Anglophone European and Euro-American women

have also crafted special relations to their writing as a potent sign:

Gilbert and Gubar 1979; Russ 1983.

[32] The convention of ideologically taming militarized high technology

by publicizing its applications to speech and motion problems of the

disabled/differently abled takes on a special irony in monotheistic,

patriarchal, and frequently anti-Semitic culture when computer-generated

speech allows a boy with no voice to chant the Haftorah at his bar

mitzvah. See Sussman 1986. Making the always context-relative social

definitions of “ableness” particularly clear, military high-tech has a

way of making human beings disabled by definition, a perverse aspect of

much automated battlefield and Star Wars research and development. See

Wilford 1986.

[33] See A. Ong 1987.

[34] James Clifford (1985, 1988) argues persuasively for recognition of

continuous reinvention, the stubborn nondisappearance of those “marked”

by Western imperializing practices.

[35] See Du Bois 1982; Daston and Mark n.d.; Park and Daston 1981. The

noun monster shares its root with the verb to demonstrate.