💾 Archived View for library.inu.red › file › ruth-kinna-when-kropotkin-met-lenin.gmi captured on 2023-01-29 at 13:40:12. Gemini links have been rewritten to link to archived content

View Raw

More Information

➡️ Next capture (2024-07-09)

-=-=-=-=-=-=-

Title: When Kropotkin met Lenin
Author: Ruth Kinna
Date: 2017
Language: en
Topics: Lenin, Pëtr Kropotkin, history
Source: Retrieved on 2020-05-05 from https://www.academia.edu/35056447/When_Kropotkin_met_Lenin
Notes: Also published in Socialist History 52 edited by Kevin Morgan.

Ruth Kinna

When Kropotkin met Lenin

Introduction

In 1970 the left libertarian Maurice Brinton presented a novel version

of the victor’s history thesis in an attempt to show why historical

analysis of the Russian revolution remained an urgent task. Brinton was

not interested in exposing the partiality of Soviet narratives of the

revolution or in presenting an ideologically driven critique of past

events or decisions. Instead he wanted to recover the revolution’s

conceptual history. He argued that, like it or not, post-revolutionary

socialism was impregnated with the ‘ethos, traditions and organisational

conceptions of Bolshevism.’[1] Perhaps we were not all Bolsheviks then

but we nonetheless inhabited the conceptual world that they had shaped.

Failing to appreciate how profoundly the languages of socialism had been

moulded in the course of past revolutionary struggles led modern

political activists to formulate their politics imprecisely and feebly.

Instead of interrogating the meaning of principles bequeathed by their

revolutionary idols, the critics lazily repeated their old demands as if

their sense was clear. History had been reduced to a vehicle for

toothless finger-wagging and critical energy was diverted into the

confirmation of deeply-rooted anti-Bolshevik positions.

Brinton’s argument resonated with a charge made by the anarchist Voline

much earlier: that the Bolsheviks had used propaganda to hijack slogans

popularised by political rivals in order to advance policies that were

entirely out of kilter with the opposition’s proposals.[2] However

Brinton was interested the content of the ideas, not their cynical

manipulation. These critiques were not mutually exclusive, but he

identified Voline as one of the purveyors of the reductive history he

was attacking. Brinton’s particular concern was to probe revolutionary

demands for workers’ control and show how the campaign spearheaded by

the Factory Councils between 1917 and 1921 had been effectively halted

by Bolshevik institutionalisation. Observing that the demand for

workers’ control remained a watchword of the post-68 European left —

social democrats and socialist revolutionaries alike — he distinguished

the management of production from its control. Management meant the

‘total domination of the producer over the production process’[3] and it

entailed the assumption of all managerial functions by the working

class. Control, on the other hand, signalled a mere change in the

ownership of the means of production – for example, the transfer from

private to state ownership – and it was therefore consistent with the

consolidation of bureaucratic power. Having made this distinction,

Brinton explained the instigation of Bolshevik state control and the

demise of workers’ management not only with reference to the opposition

that the Factory Councils faced, but also by its internal shortcomings.

The Factory Councils movement had been ‘unable to proclaim its own

objectives ... in clear and positive terms.’ Reaching the end of

history, albeit temporarily, has helped some recast Soviet communism as

a romantic foil for neoliberalism. Yet even stalwart critics find it

less easy to argue that the Bolshevik legacy in any of its forms now

saturates socialism as it once did. Indeed, histories of modern

libertarianism plot a dramatic reversal of Bolshevism’s fortunes and the

resurgence of anarchism, its nemesis. Seemingly outsmarted by Marxists

in the two great nineteenth-century socialist internationals, crushed at

Kronstadt and defeated during the Makhnovist campaigns in the Ukraine

–then finally Spain — anarchism has emerged anew to capture the heart of

the alterglobalisation movement. The ‘battle for Seattle’ affirmed the

ascendancy of anarchist sensibilities in social movement politics and

the ‘anarchist turn’ in radical political theory has cemented

anarchism’s revival. So is there any point in mulling over Russian

revolutionary history? My view is that Brinton’s project, namely to try

and understand what ‘the forces in conflict really represented,’[4]

rather than judge sets of historical actions from the vantage point of

the present, is as instructive today as it was 50 years ago.

Brinton linked the tendency to ahistoricism amongst socialists to an

anti-intellectual bias. Ironically, he felt that this had been

encouraged by left intellectuals who had most to hide and most to lose

from a historically informed critique. Discouraging conceptual

questioning by throwing a blanket over the past most suited those keen

to assert their ideological dominance over the revolutionary movement.

The anti-intellectual ahistorical prejudice he observed in the 1970s has

outlived the collapse of the Soviet empire, even if the priority given

to activism over history reflects a commitment to anti-power and an

eagerness to decouple political movements from their white, male,

hetero-normative, Eurocentric pasts. But while historical detachment is

now driven by motives diametrically opposed to those that Brinton

detected, it still leaves open questions about the history of the

revolution which deserve to be addressed. The issue I consider here

revolves around the construction of the concept of revolution.

While the idea of revolution survives in contemporary theory and

practice, in anarchist/ic circles ‘prefigurative politics’ has become

the more popular idiom for change. Broadly describing a commitment to

render the means and ends of change consistent, prefiguration is equally

associated with institution-building, horizontal organisation and

ethical behavioural practices. Expressing different forms of activism,

prefiguration is difficult to pin down precisely. Yet it expresses two

strong ideas. One is a rejection of old-style Leninist vanguardism,

class dictatorship and party rule. In this sense prefiguration frames a

means-end relationship that distinguishes anarchism as a politics of

direct action and grass-roots organising. In another sense,

prefiguration implies the rejection of forms of action associated by

turns with class struggle, violence and cataclysmic emancipatory

moments. Here it extends beyond the critique of Leninism to link a

commitment to realise transformative change with forms of rebellion and

disobedience that exclude big R revolution.

Kropotkin’s meeting with Lenin discussed below shows how these themes

rely on concepts of revolution that have been historicised through the

Russian experience. This fleeting single encounter also draws out a

contrast between anarchist and Bolshevik ideas.[5] The risk of returning

to Russian revolutionary history to re-examine anarchist and Bolshevik

concepts of revolution is that it encourages a misleadingly bipolar

narrative. However, the point is neither to deny the complexity of the

revolution nor to show what divided anarchists from Bolsheviks, still

less Marxists – as if there were no greys in this relationship. Rather

it is to consider what Kropotkin’s analysis of revolution, advanced in

the course of a revolutionary struggle, represented, and where

prefigurative ideas elaborated thereafter stand in relation to it.

The context: revolution or betrayal?

Kropotkin ended 36 years of near-continuous exile in Britain when he

returned to Russia in June 1917. His meeting with Lenin in May 1919, two

years before his death, was arranged by Vladimir Bonch-Bruevich,

department head of the Council of People’s Commissars. Kropotkin was

then a marginalised figure, alienated from most European revolutionary

socialists on account of his decision to back the Allies in their war

against the Central Powers. This decision had sparked an angry debate

about Kropotkin’s understanding of revolution, and whether in fact he

was a revolutionary at all. Trotsky summed up a widely-held view when he

charged the ‘superannuated’ Kropotkin with disavowing ‘everything he had

been teaching for almost half a century.’[6] This damning judgment

strongly resonated with the anarchist Errico Malatesta’s critique of

Kropotkin’s ‘anarcho-chauvinism.’ Both argued that in backing the war

Kropotkin had turned his back on revolution.

A second contrasting view recently advanced by Sergey Saytanov equally

suggests that Kropotkin renounced revolution. This paints Kropotkin as

an anarchist Eduard Bernstein – the leading revisionist Marxist within

the Second International – who embraced gradualism in place of

revolution. Confirming Trotsky’s conclusion that Kropotkin had reversed

his youthful position, Saytanov reads late Kropotkin as a principled

reformist anarchist, not a revolutionary.[7] This view similarly

forecloses discussion of Kropotkin’s late revolutionary politics.

Two other evaluations keep the lines of inquiry open. Lenin’s critical

assessment painted Kropotkin as a disreputable revolutionary. Having

described Kropotkin as an anarchist-patriot who hung on the coat-tails

of the bourgeoisie during the war, Lenin met him in 1919 to talk about

the principles and character of revolution. At the end of their

encounter he floated the idea of publishing Kropotkin’s The Great French

Revolution, pitching the project as a contribution to socialist

enlightenment. He had earlier run the proposal past Bonch-Bruevich, this

time sharing his earnest assessment of the book’s educational value:

releasing a hundred thousand copies to libraries and reading rooms

across the country would enable the masses to ‘understand the

distinction between the petty bourgeois anarchist and the true communist

world view of revolutionary Marxism.’[8] If Lenin was Machiavellian, he

perhaps held Kropotkin’s anarchism to be consistently petit bourgeois.

From this perspective, Kropotkin’s support for the Allied campaign was

part and parcel of his degraded anarchist revolutionism. Emma Goldman,

who had been deeply saddened by Kropotkin’s wartime stance, added a

different twist to Lenin’s assessment of his consistency. Visiting

Kropotkin in Russia, she compared her growing disillusionment with ‘the

Revolution and in the masses’ with his enduring belief in its

significance, undiminished even by the October coup.[9] Quietly

unhooking the pro-war/anti-revolution link which other anti-war

revolutionaries invoked to expose Kropotkin’s betrayal, Goldman also

challenged Lenin’s critique of Kropotkin’s petit bourgeois tendencies as

a mischaracterisation of his anarchism. By her reckoning Kropotkin,

though wrong about the war, had nevertheless remained a committed

anarchist and revolutionary. The support he lent to the co-operative

movement and anarcho-syndicalism was not only consistent with his

pre-war anarchist theorising it also flowed from a practical concern to

re-energise the forces that Bolshevik terror had succeeded in

paralysing.[10] As Goldman noted, it stemmed directly from continuing

engagement in revolutionary struggles and his desire to learn from them.

For his part, Kropotkin presented his views not as a rejection of

revolution but as an alternative conception. His insistence that Lenin

appoint a co-operative to print cheap editions of his literary output

and his refusal to take 250,000 roubles from the State Publishing

Company when the currency ‘still stood well’ was a not-so-small measure

of the resilience of his anarchist ethics.[11] When he and Lenin met he

invoked the means-ends distinction to suggest that they disagreed only

about methods. This was perhaps disingenuous; but he was frank in his

defence of revolution against Lenin’s Bolshevik concept.

Two concepts of revolution

It seems unlikely that Kropotkin would ever have approved of what he had

heard of Lenin’s commitment to the withering away of the state, or that

he would have mistaken Engels’ slogan to be one of Marx’s most important

and original contributions to state theory, as Bonch-Bruevich claimed.

Always opposed to Marxism and never even temporarily ‘dazzled’ by the

‘glitter of Bolshevism,’ (as Goldman admitted that she had been),

Kropotkin dubbed Lenin a Jacobin before the war and continued to do so

when he spoke to Goldman in March 1920.[12] Bolshevism, he told her, was

the use of mass terror for the achievement of ‘political supremacy.’[13]

Kropotkin was perhaps more inclined to suggest to Lenin that they had

more in common than this candid opinion indicated because he wanted to

wrench concessions from him; to ease the pressure on the local co-ops in

his home town Dmitrov, which party officials were busily closing down.

Certainly, the exchanges with Lenin turned on their predicament.

The meeting opened with a discussion about the composition of the

co-ops. Did they provide sanctuary to would-be capitalists – kulaks,

landowners, merchants and the like? The disagreement between them on

this question revealed a deeper tension about socialist education, the

nature of authority and the destruction of capitalism. None of these

issues was tackled directly. Lenin led the exchanges throughout,

determining the major themes and shaping the course of the discussion.

But he did not dominate the debate because Kropotkin met his points

obliquely.

To summarise: Kropotkin countered Lenin’s plan to deploy party workers

in order to enlighten the masses with a warning about the poisonous

effects of unenlightened authority and authoritarianism; he responded to

Lenin’s appeal to pass on information about recalcitrant individuals in

the co-ops with a promise to report bureaucratic power abuses; he

followed Lenin’s blunt advocacy of civil war with a comment about the

need to avoid the intoxications of power and the domination of workers

by party non-workers. Talking past Kropotkin in a similar way, Lenin

greeted Kropotkin’s critique of authority with a reflection on the

inevitability of errors or, as he put it, the impossibility of wearing

white gloves while waging revolution. He countered Kropotkin’s

enthusiastic assessment of the revolutionary potential of west European

co-operatives and industrial unions by rejecting syndicalism and

relating the counter-power of the co-ops to the enormous armed might of

capitalist states. Lenin responded to Kropotkin’s endorsement of

struggle, ‘desperate struggle,’ as an essential ingredient of

revolutionary change by contrasting the uselessness of anarchist tactics

– individual acts of violence — with the energy and power of ‘massive

red terror.’ Lenin’s reply to Kropotkin’s critique of party-workers in

workers’ organisations was to reiterate the need to enlighten the

illiterate, backward masses. This final return prompted Lenin’s offer to

publish Kropotkin’s history of the French Revolution.

Overall, two different conceptions of revolution can be seen in this

encounter. Each was informed by active engagement in struggle: Lenin’s

was shaped by the demands to co-ordinate collective action against

global capitalism while Kropotkin’s was informed by the desire to build

alliances with grass roots institutions, self-organising for local

sustainability in a period of revolutionary upheaval. Kropotkin’s

critique provides modern anarchists with plenty of ammunition against

Leninism but it is less easy to see how his concept of revolution

dovetails with the models embedded in prefiguration.

Anarchy and the revolution

When Brinton rebuked anti-Bolsheviks for reproducing ‘finger-wagging

history,’ he failed to consider how traditions of opposition had also

framed the conceptual worlds that revolutionary socialists inhabited

after the revolution. Perhaps it was easier for anarchists to construct

this tradition than it was for non-anarchist anti or non-Bolshevik

revolutionaries. For while the tensions created by the realignment of

the revolutionary left with the founding of the Comintern were also felt

in anarchist circles, events like Kronstadt, the Makhnovist campaign and

Goldman’s disillusionment forcefully sharpened anarchism’s anti-Marxist

alignment. The breaks-in-continuity thesis that attempted to drive a

wedge between Leninism and Stalinism, advanced by Victor Serge, Isaac

Deutscher and others, hardly troubled anarchists. Indeed, anarchists

supported histories that combined versions of the Jacobin critique that

Kropotkin pioneered to argue that Bakunin’s break with Marx anticipated

the later anarchist analysis of Leninist revolutionary organisation. The

vanguard party, democratic centralism, proletarian dictatorship and

one-party rule are integral to this history and provide the foil for

anarchist transformation. Horizontalism, direct action and

decentralisation – the linchpins of anarchist politics – represent the

reverse of Bolshevik methods.

Brinton also overlooked the extent to which the legacy of war left its

mark on anarchism. If anarchism, like other oppositional currents, was

impregnated with the ethos, traditions and organisational conceptions of

Bolshevism, it was as a determinedly anti-war revolutionary movement.

Nazi aggression reignited an anarchist debate about war and revolution,

but its impact was trivial compared to the fall-out in 1914. By 1939,

the anti-war/anti-revolution juxtaposition that had prevailed against

Kropotkin grounded anarchist politics. This shift historicised

revolution as the violent seizure of power, exemplified in the Russian

revolution and the Bolshevik coup. In this understanding, anarchist

revolution involves the rejection of Leninism’s organisational trappings

and the deployment of violence.

Two models of anarchist change can be distilled from these critical

histories of the Russian experience. Each assesses anarchist revolution

by the internal consistency of ends and means and rejects Leninism and

war-mongering in the name of prefigurative change. Their lineages are

often traced to one of Kropotkin’s two most vocal anti-war critics. The

Malatestan version advocates collective class-struggle against

capitalism while rejecting proletarian dictatorship. The Goldman

variation calls for creative cultural transformation. The Malatestan

concept legitimises class violence for anti-capitalist ends while the

Goldman principle excludes violence as an expression of dictatorship.

Even though it bears some resemblance to the broad anti-Bolshevik

historical conceptualisation, the idea of revolution that emerges from

Kropotkin’s encounter with Lenin contrasts with both models.

It would be odd to discover that in 1920 Kropotkin did not draw on the

anti-Marxist critique he had rehearsed before the revolution when given

the opportunity to discuss policy with Lenin; his general analysis of

state socialism is clear in his denunciation of the Bolsheviks’ use of

torture and hostage-taking.[14] Yet his quarrel with Lenin had a

different focus to the later historical critique of Leninism. Kropotkin

pressed his arguments about the rejection of bureaucracy, party control

and the corruptions of power in response to Lenin’s claims about

proletarian education. Kropotkin rejected these claims and similarly

disputed the necessity of charging party officials with the

responsibility of weeding out class enemies. And when Kropotkin

contacted Lenin again later, taking seriously Lenin’s ambiguous

invitation to prolong their exchange, he also referred to the damaging

effects of the influx of ‘ideological communists’ into local non-party

committees and their detachment from the soviets. Contained within

Kropotkin’s organisational critique of Bolshevik party policy was a

defence of self-government which resembled the idea of management that

Brinton defended. In addition, in contesting Bolshevik social

engineering, Kropotkin tied anarchist self-government firmly to local

co-operation, detaching anarchist revolution from the harmonisation of

class interests. Kropotkin’s revolutionaries were not to be moulded into

communists, nor were they anarchist activists.

Violence was not central to Kropotkin’s concept of revolution, though it

was core for Lenin (as it is, in different ways, in debates about

prefigurative politics, too). Fastening on the global effects of

micro-political changes, Kropotkin downplayed the idea of revolution as

class war, while also suggesting that Lenin was right to dispense with

‘white gloves.’ His analysis of revolution turned on social, economic

and political dislocation. He saw it as replete with dangers and

potential harms, yet offering an opportunity for the oppressed to rid

themselves of their masters and take direct control of their own

affairs. As Alexander Berkman later noted, this view committed

‘Kropotkinists’ to reject the institutionalisation of violence ‘in the

hands of the Tcheka,’ but also to prefer pragmatism over abstract

theorisation.[15] The ‘desperate struggle’ of revolution pitted ordinary

workers against their old and would-be new oppressors in conditions of

social breakdown. The concerns Kropotkin expressed to Lenin were that

the Party’s suppression of local forces greatly contributed to the

looming threat of famine and threatened further to disrupt the meagre,

already interrupted supplies of firewood, spring seed and soap. His

conviction was that Tsarist White Terror had spread ‘utter contempt for

human life’ and induced ‘habits of violence’ amongst those now battling

to sustain themselves. These pressures would likely intensify habitual

aggression on the ground.[16] Kropotkin believed that the duty of

revolutionaries therefore was to support the constructive efforts of

local people to provide for their wellbeing and help mitigate the worst

deprivations revolution entailed. The combined impact of multiple small

movements was never calculable but was always potentially revolutionary.

On this view, big R revolution was a regressive move intended to channel

local forces through the imposition of laws. Had he lived to see it,

Kropotkin might have pointed to primitive socialist accumulation as an

example. Revolution was a process driven by re-construction of everyday

life in the absence of authority. ‘Anywhere you look,’ Kropotkin told

Lenin, ‘a basis for nonauthority flares up.’[17]

[1] Maurice Brinton, The Bolsheviks and Workers’ Control, 1917–1921. The

State and Counter-Revolution (Montreal: Black Rose, 1975 [1970]), p.

iii.

[2] Voline, pseud. Vsevolod Mikhailovich Eichenbaum, The Unknown

Revolution (Montreal: Black Rose, 1975 [1947]), p. 210.

[3] Brinton, p. vii.

[4] Ibid.

[5] Taken from P.A. Kropotkin, Selected Writings on Anarchism and

Revolution, ed. Martin A. Miller (Cambridge MASS: MIT Press, 1970), pp.

334–340.

[6] Leon Trotsky, The History of the Russian Revolution: Vol. II, trans

Max Eastman (Ann Arbor, 1957), p. 230.

[7] Sergey V. Saytanov, The Argumentation of Peter Kropotkin’s

Anarcho-Reformism in his Social-Political Anarchist Views (According to

Russian Materials), trans. Natalia I. Saytanonva, (Moscow: Ontoprint,

2014).

[8] In Miller ed. p. 326.

[9] Emma Goldman, Living My Life vol. II (New York: Dover, 1970 [1931]),

p. 863.

[10] Ibid. p. 864.

[11] Ibid., p. 770.

[12] Ibid., pp. 755; 770.

[13] Ibid., p. 864.

[14] In Miller, pp. 338–9. For an analysis of Kropotkin’s libertarian

anti-state theory see David Shub, ‘Kropotkin and Lenin,’ The Russian

Review, 12: 4 (October 1953), pp. 227–234.

[15] Alexander Berkman, The Bolshevik Myth, Diary 1920–22 Extracts

(London: Virus, n.d. [1925]), p. 28.

[16] P.A. Kropotkin, The Terror in Russia: An Appeal to the British

Nation, (London: Methuen, 1909), p. 8.

[17] In Miller, pp. 328–9.