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After his night of inner debate, Valjean rushes out of town to reach the court trying his double. He still hasn't decided what to do, but he needs to be there just in case.
At this point, Victor Hugo stops to describe the country postal system.
Just kidding. He only takes a couple of paragraphs before a postal cart racing down the road crashes into Valjean's cart. At his next stop, someone notices the wheel's busted and won't last the rest of the journey, and he spends several pages talking with the local wheelwright about how soon it can be fixed, can he hire another conveyance, can he just ride, etc.
What a relief! I tried to go to the trial, but the wheel broke and I can't get on the road till tomorrow! I can't turn myself in, but it's not my fault!
At this point someone overhears the conversation who can rent him a gig. Noooooo!
And now the road's closed for repairs. Valjean making it to the trial is like Hurley getting to the airport to catch Flight 815.
It's weird to read about Fantine dying of consumption while you and your small child are both coughing loudly due to a bad cold. Actually I don't think the book specifically says which extended respiratory disease she has, but it's at least a good bet. (On checking, I found that Wikipedia has an article on Tuberculosis in popular culture.)
Tuberculosis in popular culture
Fantine actually does sing a lullaby she used to sing to Cosette in her final hours.
M. Madeleine visits Fantine every afternoon at 3:00. On learning that he's left town, the nuns fear the shock will kill her. Instead, she's deliriously happy -- why else would he have left town except to fetch Cosette!
Another of those things that don't quite come across in the musical: At this point it's been five years since Fantine last saw Cosette. She was two at the time, and now she's seven. Cosette barely remembers her mother at all, and Fantine only remembers her daughter as an infant.
M. Madeleine, Mayor of Montreuil-sur-mer, has to pull rank to get into the packed courtroom, which is already in session.
Would you believe these facts about not-Valjean's trial?
The original form of "Liberty, Equality, Fraternity" ended with "...or Death." According to Wikipedia, the last bit was dropped due to association with the Terror.
dropped due to association with the Terror
No one believes M. Madeleine when he finally outs himself as Jean Valjean. The presiding judge asks if there's a doctor present. He convinces them by rattling off details about the three fellow convicts who had identified the other man and are still in court as witnesses. Even so, everyone's too shocked to make a move to arrest him (Javert has already left), so he walks out, saying essentially "You know where to find me."
The next chapter is seriously titled "In which mirror Monsieur Madeleine examines his hair." Sometimes I think S. Morgenstern was a real author, and his name was Victor Hugo.
Valjean returns to Fantine's bedside to find that her condition is markedly improved by her belief that she'll see Cosette soon. He and the doctor spend several pages trying to explain why she can't see Cosette right now without telling Fantine that he hasn't brought her.
Then Javert walks in.
Victor Hugo couldn't have Fantine say "Oh, merde!" back in 1862, but you know she was thinking it. [Edit: well, actually...]
You can tell Javert is seething with inner turmoil because the button on his collar is a little off.
The shock of Javert's cruelty when he arrests Valjean is what finally kills Fantine. But hey, he was right about Valjean, so he's perfectly happy in his I-think-I'm-an-avenging-angel-with-a-flaming-sword-of-righteousness way.
Javert actually puts Valjean in the town jail. He breaks out. The nun who never lies covers his escape, sacrificing her honesty for his freedom.
And that wraps up the first part of the book! Next up is Part Two: Cosette, which starts with the battle of Waterloo.
Pages covered this week: 225-275. You might also be interested in my review of the movie. Continue to Part 7: Waterloo.
— Kelson Vibber, 2013-03-02
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Thoughts and commentary on Victor Hugo’s masterpiece.