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Title: Pinelli, Valpreda & state terror Author: Albert Meltzer Date: 1976 Language: en Topics: book review, Pietro Valpreda, prison, Italy Source: Retrieved on 19th May 2021 from https://www.katesharpleylibrary.net/83bkp9 Notes: From: Cienfuegos Press Review 1, 1976..
On 12 December 1969 a bomb exploded at a bank in Milan: many people were
killed. The press and police blamed it on anarchists, whereas it was
actually part of a policy by the Italian state, involving infiltration
of the anarchists and the use of fascist terrorists to justify an
authoritarian takeover.
During the ‘investigation’ Pinelli was murdered by the police: despite
the revelation of the plot Valpreda had to wait many years to be cleared
at trial. More details can be found in Stuart Christie’s Stefano delle
Chiaie (available from AK Press)
The Valpreda Papers: The prison diaries of Pietro Valpreda, Gollancz,
1975
The publication of The Valpreda Papers is a major event notwithstanding
the ill-informed introduction by Gaia Servadio, a journalist who has
obviously not even read the book — imagining, for instance, that the
Anarchist Movement in Italy was destroyed by the Fascists and then it
was revived in 1968… in Carrara!
Valpreda was suddenly and without reason involved in 1969 in a major
trial that shook Italy. The neo-Fascist movement (with its police
ramifications) had tried to pull off a threefold coup — to smash the
Anarchist movement, to spread terror in the heart of the working class,
and to show the need for a law-and-order party. The reasons for
attacking the Anarchist movement were because it was not involved in
party politics as was the Communist Party and had therefore no “friends
in high places”; the press had for years built up a “notoriety” tag; a
blow at the libertarian movement would be damaging to the “Left”
generally without involving State politics; and finally, it was thought
the Anarchist movement would be isolated as Valpreda himself indeed was.
To some extent this may have boomeranged against the Fascists — but
because of it the Italian State has kept Valpreda a prisoner for six
years and totally ruined his life, rather than admit his innocence and
the whole frame-up. The plot failed. But the State is stuck with its
trial.
The book does not give the full story of the Milan bomb placed by the
Fascists. Valpreda knew nothing about it then. He only knew he was
picked up one day and blamed. The reason for his selection was not even
mistaken identity, some element of which existed in the Dreyfus and
Sacco and Vanzetti cases, later reinforced by prejudice. He was picked
out deliberately because he was a member of a situationist-type group
that could be [more] easily infiltrated by hostile elements than a
working-class anarchist group — especially on a localised basis as they
are in Italy. He was a dancer and it was thought he would have no
working class solidarity to back him up. He was picked out and built up
as the victim by the Fascists who committed the bomb attack in Milan
against people visiting a co-operative bank. A few of the perpetrators —
long after, and after great pressure — are now on trial. But their
victim Valpreda has been — after touch and go as to acquittal on the
score of justice — kept back to be tried along with them — rather than
the State admit it lent itself to a gross injustice and a massacre.
By giving Valpreda’s own thought day after day, month after month, as
his long calvary dragged on, the diaries in a way give a deeper insight
to the case than some of the straight documentaries have done, even
though it does not relate the story. (Nothing excelled the two Swedish
T.V. films on Pinelli and Valpreda which were shown in Britain in 1974).
Valpreda has been the subject of great calumny even by so-called
libertarians who did their best to wash their hands of him once they
heard of his problems — the suggestion that he was not really an
anarchist at all (which the police seized on when it was discovered that
the Anarchists could not be blamed at all for the Milan bomb, and an
ideal solution for them would have been “fascist plot” — “anarchist
catspaw”, or even madman ‘who thought he was an anarchist, disowned by
anarchists’) .Nobody could doubt his anarchism who reads the book — and
it is hardly his fault — indeed it is his great misfortune — that the
press have built him up as an “anarchist leader” simply because they
happen to know his name. Some in the movement even now, want to
dissociate themselves from Valpreda because he disagrees with them on
one or two points — he not unnaturally welcomes politicians taking an
interest in his case, for instance. How ossified organisations love to
disclaim!
Valpreda does not answer his deprecators, and reserves his attacks for
the class enemy. There is an essential dignity in his whole bearing that
adds immeasurably to the sustained tragedy of lets story. Faced with the
vicious liars and male whores of the Italian press, whose barbs,
innuendoes and downright lies while he has been defenceless in prison
recall the barbarities of the pillory, he has retained that dignity.
His observations from inside prison are acute and perceptive and throw a
searing light on Italy today. It has been Valpreda’s unsought-for-fate
that he has become in life a symbol of the struggle, linked with Pinelli
in death. PINELLI ASSASSINATED — VALPREDA INNOCENT — CALABRESI MURDERER!
Has been shouted, painted and sung throughout the country. Calabresi has
met rough justice (or perhaps he was disposed of by those who feared
it). But Valpreda goes on living. In life he records the prison scene in
Italy — where the imprisoned rot on for years, and guilt or innocence is
an irrelevance. He speaks simply but movingly of the class struggle and
the great debate on socialism and liberty as it comes through to him in
his cell.
In the face of personal tragedy, despair, the demoralisation that prison
is intended to produce, Valpreda has gone on fighting. He has utilised
his status as anarchist prisoner not to demand privileges for himself as
a “political offender” but to hammer home the message of freedom not
only to other prisoners but to the world. His position was not of his
choice. He was tied to the stake and had to face the torture — His
choice was only whether to submit to the torture miserably or to assert
not just his innocence but his faith. In choosing the latter he will be
remembered, if social justice prevails, when the names of his
hypocritical accusers — in Vanzetti’s words — only recall that accursed
past when man was wolf to man.