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Topic: art

'Wearing the Scars Inside'

1919–1950: The politics of Surrealism

25 Images of a Man's Passion

A Cavalier History of Surrealism

A Slap In The Face of Public Taste

A Solarpunk Manifesto

A for Alan

Adrian Blackwell’s Anarchitecture: The Anarchist Tension

An art-killing machine.

Anarchism and Other Essays

Anarchism and Surrealism

Anarchism, Representation, and Culture

Anarchist Aesthetics: A Few Notes Towards a Libertarian View of the Arts

Anarcho-Hucksters: There is Nothing Anarchistic about Capitalism

Anarchy

Anarchy and Literature

Anarchy in Milton Keynes

Anarchy in Toronto

Anarchy, Neo-Impressionism and Utopia

Another Art World

Anti-Anarchist Propaganda Reported as Historical Fact

Art Schools Burning & Other Songs of Love and War

Art and Religion

Art and Social Responsibility

Art and the People

Art as a Weapon

Art: Play and its Perversions

Avatar: An Anarcho-Primitivist Picture of the History of the World

Beaubourg: Future Cancer?

Ben Morea: An Interview

Beyond Good and Evil

Black Mask & Up Against the Wall Motherfucker

Black Roses for Mike Brown

Blood Money for Art

Dada

Decadence

Dedans Nous, le DĂ©luge: The Flood Within

Designing Pacifist Films

Divert Or Die

Droomschaar

Egyptian Surrealism and ʻDegenerate Artʼ in 1939

Escapism has its price, The artist has his income

Evoking Spirit

Free Culture Benefits Everyone But the Middle Man

Freedom, Individualism, Revolution

From Ghosts up to your Eyes

Gord Hill, Indigenous Artist and Anarchist

Group Anarchy

H. Leivick, Anarchism & Yiddish Theatre

Human Strike Has Already Begun And Other Writings

I've Got a Bad Feeling About This

Ideals and Realities in Russian Literature

Immediatism

In girum imus nocte et consumimur igni

Is Utopianism Dead?

Light and Shadows in the Life of an Avant-Guard

Lived poetry

Living Under Sick Machines

Make Art, Not War

Manifesto of Nonceptual Art

Manifesto of Proletarian Art

Mirrors and Mirages in Slumil K’Ajxemk’op

Music & Domestication

My Book of Hours

Notes on “The Situationist International: The Art of Historical Intervention”

On the Phenomenology of Giant Puppets

On the Significance of Science and Art

Political Drawings

Posters from the Revolution : Paris, May 1968

QUEER AS IN CHALLENGING HETERONORMATIVITY

Reappropriate the Imagination!

Report on the Construction of Situations

Rocks In My Pillow

Science Fiction as Protest Art

Signs of Change

Silence

Surrealism is (Still) Elsewhere

The Anarchist Aesthetic

The Artist as Equal, Not Master

The Avatars of Culture as Commodity

The Case Against Art

The City

The End of Communication?

The Garden of Peculiarities

The Idea

The Impossible, Patience

The Last Of The Hippies — An Hysterical Romance

The Line Between Harassment and Public Pressure

The Occupation of art and gentrification

The Picture of Dorian Gray

The Refusal of Art

The Revolution of Modern Art and the Modern Art of Revolution

The Sad Truth: Femme aux Bananes (Woman with Bananas)

The Sadness of Post-Workerism

The Social Significance of the Modern Drama

The Soul of Man Under... Anarchism?

The Soul of Man under Socialism

The Spiral of Police Violence

The Theater of the State

The Work of Art in the Age of Mechanical Reproduction

Thirty Theses

Tombeau for L

Towards a Futurology of the Present

Up against the Wall, Motherfucker—The Game?

Ursula K Le Guin’s speech at National Book Awards

Voltairine De Cleyre

What is Art?

What is Dadaism and what does it want in Germany?

Why We Founded the Yes Women, an Art Group Demanding Justice for Divorcées in the Former East Germany