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This is the archive of GLOSSATORY, an illustrated companion to a bot which generates dictionary entries based on an RNN trained on the WordNet lexical database.

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June 2020

DISCOVERY: an instance of action by virtue of being extremely distinguished. The drawing depicts an elderly and imposing man with a long white beard seated at a desk on which is a globe and a book bearing his portrait. Behind him hangs a painting of himself as a younger man in an alpine landscape and a mounted lion.

WILLIAMS: United States architect (1888-1955). The drawing shows a balding, bespectacled white man working at a drawing board with two drawings of severe, rectilinear buildings on the wall behind him. To the right a window reveals a cityscape of similar buildings.

SECOND FACILITY: the quality of being unconventional. The drawing depicts two men in frock coats shaking hands. The man on the left has a long white beard and is wearing a very tall hat which is crowned by a strange mushroom shape.

REALISTIC MONASTICS: a political orientation of the Mason-Egyptian authority of the Pope and studies of Ancient Rome. The drawing shows an obelisk crowned with the All-Seeing Eye in front of a broad Roman palace.

TWIN: a British colony in the American Civil War (1864); king of England and the Pacific Ocean (1759-1799). The drawing depicts a tropical island on which stands a gothic cathedral flying a Union Jack, flanked by ironclad ships flying Confederate and United States flags.

STRAIGHT STRANGLY: a small arch whos formal arts and strings to that for a sports that is abovation is placating a stronghold. A drawing of two warriors atop a stronghold, smiling at music playing from a small consort standing on a small knotty arch.

LATERAL GENUS: a genus of bacterous monotremes constructed of the cerebral hemlocks. The drawing depicts a group of platypuses and echnidas in attitudes of sorrow surrounding an echidna on its deathbed accepting a cup of hemlock, its other arm raised in proud resignation.

ANTITYPE: a person who descends or applies or supplies or delivers and destroys and provides restoring someone or something. The drawing shows a superheroes holding a girl in his arms walking away from the burning ruins of a devastated city and the corpse of an alien monster.

OPEN OFFICE: one of operation of observations of organic organs or opinions or organisms. The drawing depicts an office whose cubicles contain an amoeboid creature, a large gland and an angry shouting man. A figure with headphones is working with an impassive expression on the other side of the partition.

STREET SINK: a small salad that is a member of the sun. The drawing depicts a bowl of greens undergoing a transformation and rearrangement into a moderate star.

COUNTER: a counter that is set aside for storage of status. The drawing depicts a man with a pleased expression and folded hands, standing in front of a shelf which holds a device with indicators and a picture of himself.

RADIATION RADIATOR: red rather rate resembling radiating radiation resembling rather rats resembling red rays resembling radiating rats. The drawing shows two rats, one wearing a protective suit and measuring the radiation being emitted by the second, who has a worried expression.

DEFECATION: the act of consumption or decision. The drawing shows a view from within a pantry of a man deciding between two packets, the leftmost decorated with macaroni and the rightmost with sprays of wheat and a diagram of a digestive tract.

BUTERFINGER: United States prizefighter who won the French wit (1889-1968). The drawing shows a burly man in a turtleneck, dark glasses and beret seated in a bar with a glass of red wine. In the background, under a low arch, the barkeeper cleans a glass.

BALLERINA: a shallow dark greyish kind of gunsigh green sailor. The drawing shows a slim woman wearing a sailor’s cap, leotard and bell-bottomed trousers on the deck of a ship.

PETROMERESCENCE: the property of bearder. The drawing depicts a bearded saint standing before the gates of Paradise.

INFECTION: intensity intended in international intelligence interest. The drawing depicts two shadowy figures wearing long coats, hats and face masks in an alley, exchanging a dossier.

EUROPEAN EGYPT: extended extension extending examiners empty empties especially earth. The drawing shows an obelisk capped with the All-Seeing Eye standing in a plaza in a European city. Below the ground it is connected to a network of round nodes.

WINDOWSWELL: the act of raising in a card game. The drawing shows three poker players seated around a table to the right of a curtained window. The player closest to the window is pushing a pile of chips forward as the curtain billows inward.

KUSANNE: king known known Kireweight known known known knots, known knitted knots known knote knight. The drawing devices a bearded king with a long pointed crown which is entangled with the mustachios of a knight.

ANGLO-ALLIGATORIAL: a Asian arch and an average and associated and angle allurean. The drawing depicts a stone bridge with a high rounded arch crossing a small stream with willows on its banks. An anthropomorphic alligator is fishing from the bridge with a light rod and float.

DISPOSAL: the consequence of being self-propelled. The drawing depicts a man riding a bicycle to the right, tossing a crumpled piece of paper over his shoulder.

RECEPTION COMPOSITION: a department of a company that is a constant preserved in a court of art and regard for a distance. The drawing depicts a receptionist at a desk next to a potted plant and a huge abstract painting. A man in a suit stands on the far side of the painting.

PERIODICAL: a person who is an activity that is intended to confort to the state or position of or expectation. The drawing depicts a statue of a crowned monarch standing to the right of a kiosk which is selling many publications, all of which show the same monarch’s face.

THOMSON: United States architect who defended the French in 1961 and which was built by Louis XIV and the first to use matter (1906-1993). The drawing depicts an elaborate formal garden decorated with conical topiary, the largest of which has human features and a draughtsman’s visor.

ANALYSIS: trade name for a social group in western Canada. The drawing depicts a man in a suit on a riverbank in a pine forest giving a presentation to an audience of professionals seated in kayaks on the water.

BARBECUED BAT: batter baked by beef before being broiled. The drawing depicts an anthropomorphic bison holding a bat impaled on a stick over an open fire, next to an iron oven.

LITTLE LILY: lily leaves lacking large leaves like limestone like leaves like limestone like limestone leaves

EXTENSION: extreme extracting electrical energy. The drawing depicts a house on the left side of a valley with a long electrical cable running from its window to a shed on the other side of the valley.

PROPOSITION: the act of specializing in a correct statement. The drawing depicts a bearded, balding man with his hands clasped and a smug expression.

ACCOMPANIMENT: a sudden and intentional proposal to something. The drawing depicts a pianist and singer; the latter is clutching her hands to her chest and looking at the former.

ENDOMORPHISM: extreme extremity especially eaten eaten especially efferentiated especially evil especially entertained elsewhere. The drawing depicts a burly demon holding a knife and fork seated at the head of a long table laden with dishes containing odd animals and piles of round objects with terrified faces.

BATH MATCH: a small portable sharp powerful pole of bearer that can be protected by a farm. The drawing depicts a figure brandishing a stout pole in the middle of the front yard of a farmhouse. A dog and cow stand in defensive postures facing towards the fences.

SCHOOL: a strong company that is used to contract the results of an electrical current to another. The drawing depicts a school of fish facing a single fish. The school is surrounded by an electrical discharge which reaches out to blast the solitary fish.

DIRECT DETENTION: deliberate degree during diseases designing during disease. The drawing depicts a bearded man drawing at a table with a view of a distant city skyline visible through the window.

RECORD: a special matter of a computer and evil. The drawing depicts a horned demon typing on a laptop which is connected to a turntable playing a vinyl record.

WHITE WATER: wood warm-wailed with white wine white wine while water. The drawing depicts a slab of grained wood. A boat sails on the grains as if they were flowing water, in which two sailors raise wine glasses.

DIONYSIUS: a repubure to the south of the Hebrew tribes of San Francisco; to treat angina organizes in the 1950s; responsibirstics increases a country of groups of peopossyus. The drawing shows three bacchantes dancing to the left of two men with long beards and robes standing beside tents, with the San Francisco skyline and Bay Bridge in the background.

REACTION: recognition resulting rules resulting rules relating rapidly represented responsible resulting rules resulting rules represent results resulting rule resulting rules ready required research results resulting rules relations represented relative responsibilities. The drawing shows two people facing one another. The rightmost is waving to the leftmost. From the latter’s head emanates a thought balloon containing a complicated flowchart.

FRONTAL SALAD: a small caramanchi that is usually boiling and som on that surfacing it and so introducing throughout its body and throat and thick bony plants. A drawing of a small animal with a long snout, producing balls of vapour and with big stalky plants growing from its back.

STATESMANSHIP: the position of a person or thing. The drawing depicts a cheering crowd at the top of a harbour wall above a plinth and statue which have been toppled into the water.

SPANISH INDIAN DAISY: the artery of the eastern United States whose larvae feed on the skull and the stream of the superior medicine. The drawing depicts a skull with several segmented grubs crawling on it, surrounded by a flowering vine.

ONION BOTTLE: a short timepiece that supports another position or to the appearance of the charge. The drawing shows a clock whose face appears in the middle of a bulbous glass vessel.

HARD HALF-HALP: hard heavy hard heavy hard heavy hard hard hard hard hard harden. The drawing depicts a cement mixer which has poured cement over a humanoid figure which stands with its arms helplessly outstretched.

EUROPEAN ECHNOLOGY: extinct elephant extending extremely early evil. The drawing depicts a woolly mammoth with a sinister expression and horns facing a wizard with upraised arms.

HEARTHROOM: a collection of beauty of a verb. The drawing depicts a bearded figure seated in an armchair beside a fireplace in a book-lined study. A strange ornament rests on the mantelpiece and a large cat sleeps in front of the fire.

WOOLLEY: United States sculptor (1908-1987). The drawing depicts an enormous sheep with button eyes being knitted by a bearded figure wearing a beret.

THORNE: Engent of the Deces (1881-1950) The drawing depicts an elegant man with a thin moustache wearing a bow tie posed in front of a landscape with lake, trees and very tall and thin mountains.

FLATHEAD: freshwater food fish found from Florida for forming forests from Florida for forming forests from Florida for forming forests from Florida for forming forests from Florida for forming forests from Florida for forming forests from Florida for forming forests from Florida for forming forests from Florida for forming forests from Florida for forming forests from France from Florida for formical fish. The drawing depicts a view of Paris, a cluster of trees and a large fish.

SELF-CONTROL: the object of retirctive through the skin or breeding or condition. The drawing depicts a middle-aged man in a suit holding presenting a half-sized version of himself, also dressed in a suit, on a podium for inspection by a female marshal holding a clipboard.

PERCUSSION: a person who is a member of the military to a court of the same power. The drawing depicts a man in a tall decorated hat wearing a coat with tasseled epaulets playing a glockenspiel to a crowned monarch in a tall throne with courtiers wearing long wigs standing on either side.

RELIGIOUS LABORER: an actor who writes and protects a contract and great matrix or surface and engineering. The drawing depicts a robotic spacecraft assembling an enormous and serene female figure in orbit.

BIG SAC: a large pad on the music of daughters. The drawing depicts a man and woman in evening dress, each sitting half-enfolded in a large bulbous pouch, listening to a girl playing the piano.

GREEN GLOSSY GRASS: grass grown ground grown grown grown grown growing ground growing ground ground ground growing green grass. The drawing depicts a barefoot bearded man lying with arms outstretched in long grass with a battered old hat resting on his chest.

EXTRAVAGANCE: the act of coloring or destroying something. The drawing depicts an artist standing next to a cannon from which paint is dripping, facing a statue which has been blasted with paint.

CALIFORNIA SANDWICH: any of various small short-beaked fishes of the sea but with a short tail. The drawing depicts a fish sandwiched between two vertical slices of wholegrain bread.

PORK FAT: corn with a spicy saucablost malaria and som on thriatuch. A drawing of a corn cob with salsa and a miasma of noxious atoms as a garnish.

THOMSON: United States physicist who discovered the policy of the United States (1801-1873) The drawing depicts a woman opening a door to a darkened room while two men in formal dress look on with surprise

CORNWETHER: United States film actress (born in 1928) The drawing depicts a woman in braids and heavy lipstick leaning over a rail fence as a cow looks on.

POSTURE: an adversary committee in a program or a person or group of people. The drawing shows two men in business suits. One is raising his fist in a threatening gesture and the other is holding his arms and legs akimbo.

BEAR HAZYLAND: a roofed horizontal bar between two people from a candle for support for the surface of a barrel. The drawing depicts a bar shaped like a wooden barrel at which two bears are seated, served by a third, lit by paper lanterns and wreathed in mist.

FALSE FROG: former forest food fish formerly for food. A drawing of a fish peering from behind a paper frog mask.

DEFLECTION: the act of constructing or destroying and discouraging something. The drawing depicts three figures holding up an angled barrier which is deflecting the path of a large wormlike creature with a mouth ringed with sharp teeth.

SYMPATHETIC MOVEMENT: a constituent of a deliberative or institution. The drawing depicts a man waving his left hand standing beside a statue of a figure in archaic clothes which is also waving its left hand.