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<?xml version="1.0" encoding="utf-8"?>
<feed xmlns="http://www.w3.org/2005/Atom">
  <link href="gemini://isoraqathedh.pollux.casa/"/>
  <link rel="self" type="application/atom+xml" href="gemini://isoraqathedh.pollux.casa/atom.xml"/>
  <id>urn:uuid:43730995-ccfc-4202-afef-f4ba2b2a42c2</id>
  <updated>2022-07-11T21:20:06+0800</updated>
  <generator>dirs.org</generator>
  <title>kapsyël</title>
  <entry>
    <link href="gemini://isoraqathedh.pollux.casa/headspace-claim.gmi"/>
    <link rel="alternate" href="https://isoraqathedh.pollux.casa/headspace-claim.gmi"/>
    <updated>2022-07-11T21:19:17+0800</updated>
    <id>urn:uuid:d7926488-4c44-3a5c-b02f-08ddd2c5778b</id>
    <title>Names as head-space claims</title>
    <summary>
      If you want someone to defend something, simply teach him a lot of
      terms about various small details about the thing. If it is worth
      defending for anyone at all, you will have no trouble making up fine
      divisions for it.
    </summary>
    <author>
      <name>isoraqathedh</name>
    </author>
  </entry>
  <entry>
    <link href="gemini://isoraqathedh.pollux.casa/history-line.gmi"/>
    <link rel="alternate" href="https://isoraqathedh.pollux.casa/history-line.gmi"/>
    <updated>2022-06-26T20:25:43+0800</updated>
    <id>urn:uuid:fb8db6ae-8837-3883-abf2-46c123a2a88e</id>
    <title>The Great Dividing Line in History</title>
    <summary>
      There once was a tweet that I have read, but I have since lost. It
      outlines a particular phenomenon that I want to elaborate on just a
      little bit.
    </summary>
    <author>
      <name>isoraqathedh</name>
    </author>
  </entry>
  <entry>
    <link href="gemini://isoraqathedh.pollux.casa/wonder.gmi"/>
    <link rel="alternate" href="https://isoraqathedh.pollux.casa/wonder.gmi"/>
    <updated>2022-06-21T20:38:39+0800</updated>
    <id>urn:uuid:bc871501-bb0b-3cd8-85a9-924e9e5b69ba</id>
    <title>Wonder and Feeling Clever – alternatives to &quot;subverting expectations&quot;</title>
    <summary>
      The modern Hollywood and adjacent story-writing traditions nowadays
      seem to gravitate upon the idea of &quot;subverting expectations&quot;. For
      various reasons, I find that largely irritating. In this short, I
      explain why, and offer up the two alternatives in the title as
      writing goals.
    </summary>
    <author>
      <name>isoraqathedh</name>
    </author>
  </entry>
  <entry>
    <link href="gemini://isoraqathedh.pollux.casa/noncharacters.gmi"/>
    <link rel="alternate" href="https://isoraqathedh.pollux.casa/noncharacters.gmi"/>
    <updated>2022-06-06T14:15:25+0800</updated>
    <id>urn:uuid:2a418a17-5a12-345f-9ba5-11feb56713c6</id>
    <title>Trolls &amp; Utauloids – Internal Structure and Appeal</title>
    <summary>
      A long time ago I wrote something about characters. That isn&apos;t
      important now, but I would like to say something that I have recently
      learnt about myself. What I do want to talk about is how I consider
      these things as being categorically different from other things that
      they are basically permanently described as, and why.
    </summary>
    <author>
      <name>isoraqathedh</name>
    </author>
  </entry>
  <entry>
    <link href="gemini://isoraqathedh.pollux.casa/transport-mentality.gmi"/>
    <link rel="alternate" href="https://isoraqathedh.pollux.casa/transport-mentality.gmi"/>
    <updated>2022-05-28T20:34:07+0800</updated>
    <id>urn:uuid:a03a4203-c91c-34c7-b74d-c62d75c2873c</id>
    <title>Petrolheads and anoraks – the mentality of transport</title>
    <summary>
      A few weeks ago now I was in a conversation about how cars are bad,
      lad, and we should have sent them all to the scrapyard a hundred and
      one years ago (however, see n.b.s below). As with all conversations
      that I tend to have, it went into very different places very quickly,
      and the result was something that confused everyone and so it
      ultimately went back to some other topic at some time. However, along
      the way I noticed that there was an interesting point that I made
      independent on anything else and I want to write a bit about it.
    </summary>
    <author>
      <name>isoraqathedh</name>
    </author>
  </entry>
  <entry>
    <link href="gemini://isoraqathedh.pollux.casa/masquerades.gmi"/>
    <link rel="alternate" href="https://isoraqathedh.pollux.casa/masquerades.gmi"/>
    <updated>2022-05-06T14:26:25+0800</updated>
    <id>urn:uuid:db47f8aa-749c-3cdb-ada8-b5f859d4406a</id>
    <title>Masquerades and re-attribution of man&apos;s accomplishments</title>
    <summary>
      When writing stories about the supernatural which purport to happen
      in the real world, there is a consistent problem that needs to be
      resolved: the fact that the supernatural parts of the world remains
      entirely nonexistent in any part of the world that we examine.
    </summary>
    <author>
      <name>isoraqathedh</name>
    </author>
  </entry>
  <entry>
    <link href="gemini://isoraqathedh.pollux.casa/roads-and-life.gmi"/>
    <link rel="alternate" href="https://isoraqathedh.pollux.casa/roads-and-life.gmi"/>
    <updated>2022-04-29T11:30:27+0800</updated>
    <id>urn:uuid:411952ce-1970-353e-9744-1b91c9944b16</id>
    <title>How roads shaped my life</title>
    <summary>
      A few months ago I mused at how there are many people who like trains
      (anoraks), roads (odologists), cars (petrol-heads) and even buses
      (just &quot;bus fans&quot;, it seems like). Soon I will write another article
      about how these compare in general, but in this entry I want to
      discuss how I end up taking some properties of all of these, and how
      in general, much of my outside interests lie in the roads.
    </summary>
    <author>
      <name>isoraqathedh</name>
    </author>
  </entry>
  <entry>
    <link href="gemini://isoraqathedh.pollux.casa/mouse-pointer.gmi"/>
    <link rel="alternate" href="https://isoraqathedh.pollux.casa/mouse-pointer.gmi"/>
    <updated>2022-04-04T21:35:09+0800</updated>
    <id>urn:uuid:c8e67642-be83-3e18-9c51-3f152c142cbf</id>
    <title>The Mouse Pointer</title>
    <summary>
      A few days ago, I snapped this picture of a road sign, which contains
      three live-updating displays that tell you how many minutes it takes
      to go to the places indicated on the sign. The thing is, if you look
      carefully, there is an unwelcome guest in the sign.
    </summary>
    <author>
      <name>isoraqathedh</name>
    </author>
  </entry>
  <entry>
    <link href="gemini://isoraqathedh.pollux.casa/mjr.gmi"/>
    <link rel="alternate" href="https://isoraqathedh.pollux.casa/mjr.gmi"/>
    <updated>2022-03-16T19:24:52+0800</updated>
    <id>urn:uuid:4b757ae7-c58f-3f93-a2e8-04b62734a2b4</id>
    <title>Mahjong game notation</title>
    <summary>
      This is a sketch of a file format that can be used to record a game
      of mahjong. I developed it for use for my own variant, but it is
      general enough to be used for most variants of mahjong.
    </summary>
    <author>
      <name>isoraqathedh</name>
    </author>
  </entry>
  <entry>
    <link href="gemini://isoraqathedh.pollux.casa/pi-mj.gmi"/>
    <link rel="alternate" href="https://isoraqathedh.pollux.casa/pi-mj.gmi"/>
    <updated>2022-02-23T00:03:14+0800</updated>
    <id>urn:uuid:d56b580a-e507-3c61-a660-f6bd3e0d39f0</id>
    <title>Mahjong and π</title>
    <summary>
      The first fourteen digits of π create a winning hand in almost every
      variant of mahjong. How often do random collections of digits form
      one? Are there any other famous ones?
    </summary>
    <author>
      <name>isoraqathedh</name>
    </author>
  </entry>
  <entry>
    <link href="gemini://isoraqathedh.pollux.casa/cars.gmi"/>
    <link rel="alternate" href="https://isoraqathedh.pollux.casa/cars.gmi"/>
    <updated>2022-02-22T16:44:01+0800</updated>
    <id>urn:uuid:1fe1ce39-3851-3cd8-9c02-82d4da9a5fcc</id>
    <title>Cars and Power Demonstration</title>
    <summary>
      I have thought about cars a lot because ever since I was young I have
      amassed a large amount of miniatures, and here are some of them.
    </summary>
    <author>
      <name>isoraqathedh</name>
    </author>
  </entry>
  <entry>
    <link href="gemini://isoraqathedh.pollux.casa/ujmj.gmi"/>
    <link rel="alternate" href="https://isoraqathedh.pollux.casa/ujmj.gmi"/>
    <updated>2022-02-14T23:15:30+0800</updated>
    <id>urn:uuid:736106f0-4bcc-3823-9255-674e25565d7b</id>
    <title>Ùzje Mahjong</title>
    <summary>
      Ùzje mahjong is a mahjong variant that is designed primarily for my
      conworld, Ùzje. It is supposed to be a combination of a number of
      other variants, along with a number of idiosyncratic changes that are
      there just to be difficult. This document is not a complete document
      of Ùzje mahjong, but rather a list of key differences that
      distinguish it from other variants. In general, you should be able to
      play the game if you have this document and some knowledge of either
      Riichi mahjong or HKOS.
    </summary>
    <author>
      <name>isoraqathedh</name>
    </author>
  </entry>
  <entry>
    <link href="gemini://isoraqathedh.pollux.casa/station-songs.gmi"/>
    <link rel="alternate" href="https://isoraqathedh.pollux.casa/station-songs.gmi"/>
    <updated>2022-02-14T18:32:29+0800</updated>
    <id>urn:uuid:592e1b4e-028c-399c-bd05-8cad68a1c5de</id>
    <title>On station songs</title>
    <summary>
      Over the last few years I have been interested in a good number of
      songs frequently found on YouTube. These songs all follow a very
      specific pattern and is almost entirely by one small group of people
      that you can&apos;t find on Wikipedia (and won&apos;t be on there for a long
      time yet).
    </summary>
    <author>
      <name>isoraqathedh</name>
    </author>
  </entry>
  <entry>
    <link href="gemini://isoraqathedh.pollux.casa/language-list.gmi"/>
    <link rel="alternate" href="https://isoraqathedh.pollux.casa/language-list.gmi"/>
    <updated>2021-12-31T23:15:39+0800</updated>
    <id>urn:uuid:a5a5cf51-08b5-3601-b3a1-90169f88e9e5</id>
    <title>Language list</title>
    <summary>
      This is a list of conlangs that I maintain. It represents the sum
      total of all work since about 2008.
    </summary>
    <author>
      <name>isoraqathedh</name>
    </author>
  </entry>
  <entry>
    <link href="gemini://isoraqathedh.pollux.casa/jyutcitzi.gmi"/>
    <link rel="alternate" href="https://isoraqathedh.pollux.casa/jyutcitzi.gmi"/>
    <updated>2021-12-06T22:50:26+0800</updated>
    <id>urn:uuid:b72b9f46-e518-3dfc-b62d-a4f2bd1ad159</id>
    <title>Opinions on Jyutcitzi</title>
    <summary>
      Over on Twitter there is a new script in development for one of the
      languages I speak, Cantonese. It is called jyutcitzi (&quot;yuet chit
      chi&quot;, in a more anglophone-friendly Romanisation scheme) They are all
      over conventional social media, and I&apos;ll link a few here:
    </summary>
    <author>
      <name>isoraqathedh</name>
    </author>
  </entry>
  <entry>
    <link href="gemini://isoraqathedh.pollux.casa/scheduler.gmi"/>
    <link rel="alternate" href="https://isoraqathedh.pollux.casa/scheduler.gmi"/>
    <updated>2021-11-25T22:33:05+0800</updated>
    <id>urn:uuid:f4bea301-3619-3939-8771-7f3aa3458bdd</id>
    <title>Dual-wielding planners</title>
    <summary>
      I have multiple organisational systems, and they work in
      complementary ways. There is a digital setup which is centred on
      org-mode, and an analogue planner or two which I bought commercially.
      I&apos;ll describe how I ended up with this setup here, and also comment
      on the setup itself and why I continue to use it despite whatever
      flaws it might have.
    </summary>
    <author>
      <name>isoraqathedh</name>
    </author>
  </entry>
  <entry>
    <link href="gemini://isoraqathedh.pollux.casa/gem-org-odt.gmi"/>
    <link rel="alternate" href="https://isoraqathedh.pollux.casa/gem-org-odt.gmi"/>
    <updated>2021-11-22T11:04:42+0800</updated>
    <id>urn:uuid:602080ab-b3ec-382c-86cc-8b71fb758d42</id>
    <title>Writing all four ways</title>
    <summary>
      Over the last few months I&apos;ve written articles in several different
      ways, although the final product is not very easy to tell. Having now
      performed this experiment (?), I can now discuss my reflections on
      how each of the writing methods felt like, and how I&apos;m going to
      continue going forward.
    </summary>
    <author>
      <name>isoraqathedh</name>
    </author>
  </entry>
  <entry>
    <link href="gemini://isoraqathedh.pollux.casa/aesthetic.gmi"/>
    <link rel="alternate" href="https://isoraqathedh.pollux.casa/aesthetic.gmi"/>
    <updated>2021-11-05T17:15:19+0800</updated>
    <id>urn:uuid:555d9cea-8ef7-3816-8090-ffdbad45d185</id>
    <title>A particular aesthetic</title>
    <summary>
      One particular aesthetic that has always struck me ever since I grew
      up can be found in the textbooks that my school uses (and most other
      schools use).
    </summary>
    <author>
      <name>isoraqathedh</name>
    </author>
  </entry>
  <entry>
    <link href="gemini://isoraqathedh.pollux.casa/energy-competition.gmi"/>
    <link rel="alternate" href="https://isoraqathedh.pollux.casa/energy-competition.gmi"/>
    <updated>2021-10-23T15:57:38+0800</updated>
    <id>urn:uuid:3d2215b0-f25f-3424-8df2-7ee2956cd68c</id>
    <title>Kvetching about Bitcoin – a quantitative approach</title>
    <summary>
      There had been no small amount of consternation about how
      cryptocurrency and its current uses eats up a lot of power for
      relatively little gain. However, a Twitter post has made me realise
      just how little of a number sense I have on this particular subject:
    </summary>
    <author>
      <name>isoraqathedh</name>
    </author>
  </entry>
  <entry>
    <link href="gemini://isoraqathedh.pollux.casa/twitch-stats.gmi"/>
    <link rel="alternate" href="https://isoraqathedh.pollux.casa/twitch-stats.gmi"/>
    <updated>2021-10-09T22:42:17+0800</updated>
    <id>urn:uuid:7210075b-8dd9-31d5-b846-d5f45a75020c</id>
    <title>Twitch earnings and the Zipfian distribution</title>
    <summary>
      Recently there was the Twitch leaks that someone packaged the
      earnings subset of into a neat space-separated file. Since it’s so
      easily read by machine I decided to do some simple graphs with it.
    </summary>
    <author>
      <name>isoraqathedh</name>
    </author>
  </entry>
  <entry>
    <link href="gemini://isoraqathedh.pollux.casa/notation.gmi"/>
    <link rel="alternate" href="https://isoraqathedh.pollux.casa/notation.gmi"/>
    <updated>2021-10-03T22:09:18+0800</updated>
    <id>urn:uuid:afa2bc53-f0a6-3de3-b2fa-a5e054f22e88</id>
    <title>Using notation to understand the world</title>
    <summary>
      Notation is the idea that an arbitrary object can be represented by
      some other abstract object. A specific type of notation, which is the
      one most people would understand in the conventional sense of the
      word “notation”, is when the object doing the representing is
      written. Commonly seen examples of notation include those that
      represent maths, music, electrical circuits and even lists of
      key-presses. In this article I discuss how notation has shaped my
      understanding of things, and also propose a notation-oriented way of
      understanding something.
    </summary>
    <author>
      <name>isoraqathedh</name>
    </author>
  </entry>
  <entry>
    <link href="gemini://isoraqathedh.pollux.casa/re/power-of-git.gmi"/>
    <link rel="alternate" href="https://isoraqathedh.pollux.casa/re/power-of-git.gmi"/>
    <updated>2021-09-21T13:50:15+0800</updated>
    <id>urn:uuid:dc7bc220-0b7e-38fc-8591-b3ff34f7c00b</id>
    <title>Re: Finally Understanding the Power of Git</title>
    <summary>
      This was greatly eye-opening to me. The list of remotes inside the
      whole thing has always been a bit underused to me, but you have just
      outlined the exact use case for the whole thing.
    </summary>
    <author>
      <name>isoraqathedh</name>
    </author>
  </entry>
  <entry>
    <link href="gemini://isoraqathedh.pollux.casa/monetising-conlangs.gmi"/>
    <link rel="alternate" href="https://isoraqathedh.pollux.casa/monetising-conlangs.gmi"/>
    <updated>2021-09-17T23:38:55+0800</updated>
    <id>urn:uuid:058e3984-2473-3c0c-9213-2b915a37445f</id>
    <title>Monetising conlangs</title>
    <summary>
      I have a small idea about how to use a conlang to get money. It&apos;s not
      something that I have done, but it is something that I am capable of
      doing in a technical sense.
    </summary>
    <author>
      <name>isoraqathedh</name>
    </author>
  </entry>
  <entry>
    <link href="gemini://isoraqathedh.pollux.casa/article-conventions.gmi"/>
    <link rel="alternate" href="https://isoraqathedh.pollux.casa/article-conventions.gmi"/>
    <updated>2021-09-04T22:50:28+0800</updated>
    <id>urn:uuid:3e3e28f1-d4d8-3b7a-a6fc-58e98a90a216</id>
    <title>Some article formatting standards for gemtext</title>
    <summary>
      I have noticed that I have followed a somewhat stricter syntax when
      writing in Gemtext, so in this rather short article I will describe
      it.
    </summary>
    <author>
      <name>isoraqathedh</name>
    </author>
  </entry>
  <entry>
    <link href="gemini://isoraqathedh.pollux.casa/digits-10-and-11.gmi"/>
    <link rel="alternate" href="https://isoraqathedh.pollux.casa/digits-10-and-11.gmi"/>
    <updated>2021-08-28T20:30:50+0800</updated>
    <id>urn:uuid:604fba54-299d-3853-ac3f-c5fa5150488f</id>
    <title>My digits 10 and 11</title>
    <summary>
      Throughout all of my conlanging and occasionally my maths writing, it
      is sometimes needed to add extra glyphs to represent digits in bases
      greater than 10.
    </summary>
    <author>
      <name>isoraqathedh</name>
    </author>
  </entry>
</feed>