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The new King Crimson *album* is blaring in my ears through my vastly underrated Bose headphones. Why are they underrated? I was mocked with gentle smirks in that windowed office in Boston when I attained them. What was his name? Ah... *Jeff*. Wasn't that it? I believe so. He asked were they the ones about which I had raved, though not with a phrase so eloquent. I affirmed and asked would he like to try them. The augmented smirk brushed me off with a declination and shiny lips. *Jeff* then turned back to his computers to presumeably work. Now he is dead. Poor *Jeff*.
The music of this album, in other forms, was soundtrack to the years 1993 - 1994. Most possibly, memories are attached to nearly every song. For instance, now plays *Epitaph* and I can refer again to the **DEAD** Marcie. In one very clear instance, I see her maw open and rather than receive a glop of manure begin to sing when Greg Lake's voice returns after the song's moody midpoint. She had her good points, I admit. In contrast to other females that I shall not name at the moment, Marcie delved into the music I loved and made it part of her life. She certainly did not do it solely to please me, as did Christián's **DEAD** wench Sing. My **DEAD** girl incorporated my lifestyle wholly into her own. Of course, her own personality was itself hardly a personality at all at the time. She was thirteen when we met. She simply borrowed from me to become more whole. I'm sure she's shed most of it by now. Well, of course she has since she is **DEAD**.
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