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                              N E W S L E T T E R
                                    
                                 -= Issue 12 =-
                             
                            Released October 31, 1994


                               Table of Contents
                               ~~~~~~~~~~~~~~~~~
                      01 .................... Introduction
                      02 ........... Pocket dialer red box
                      03 ................ Hallmark red box
                      04 ........... Scratch-built red box
                      05 ...... Other construction methods
                      06 .................. QBasic red box
                      07 ......... QUARTER.VOC (uuencoded)
                      08 ............. BOX.EXE (uuencoded)
                      09 .................. The Grand Scan

-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

                                   411 is:
   Firebug -/- Hedonist -/- Substance -/- Leper Messiah -/- Pliny the Elder
         Gambit -/- White Boy -/- Somebody -/- Roadruner -/- Mercenary

-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=


                                 Introduction
                                 ~~~~~~~~~~~~
    As the saying goes,  there's more than one way to skin a cat, and the same 
applies to many things,  including the  red box.  Throughout the years,  we've 
seen  countless methods  of generating thoses tones,  but the output is always 
the same.  And the  strange thing  is that  even though  red boxes  have  been 
around for decades,  Bell still hasn't really  done anything about it,  and as 
far  as  I know,  it  still  works  almost  everywhere.  In  honor  of  Bell's 
stupidity,  we've decided to devote this entire issue of the 411 newsletter to 
the red box, it's use, and various ways of making it.
    First off,  I should probably explain  exactly what a red box is for those 
who aren't familiar with it's function.  To put it simply, a red box generates 
the  tones  that  you  hear when  you deposit  a coin  into a  payphone.  More 
specificly, these tones are 1700 hz and 2200 hz sounded together.  The timings 
are as such:  on 66 ms for a nickel,  on 66 ms, off 66 ms on 66 ms for a dime, 
and on for 33 ms 5 times with a 33 ms space between them for a quarter.  Since 
you aren't actually paying for the call,  exact change isn't really needed, so 
most people simply concern  themselves with the quarter tone.  These tones are 
usually  generated by  a small  handheld  device  or recorded  onto  something 
portable and then used at a Bell payphone.  This is important, because it will 
only work on a payphone that  is owned by the phone company.  Other payphones, 
called COCOTs  (customer owned coin operated telephones)  don't handle billing 
this way so it will not work.
    The easiest way to use a red box is to dial the number you are calling and 
wait for the  automated recording to  come on and  tell you how  much money to 
insert.  You may or may not  need to insert a nickel,  depending on the phone, 
then simply play the tones until the proper amount of money has been inserted.  
The purpose of the nickel is because the phone may not know how much money was 
physically inserted,  but it does  know whether or not ANY money was inserted.  
It  may  work without doing  so in many  cases though.  Other  methods include 
calling the operator and having him/her connect the  call for you telling them 
that it won't  take your money.  Then play the tones  in a quiet area when the 
operator  tells you to insert  the money.  Also,  try playing the tones first, 
before dialing.  The problems with theses two methods though, is that with the 
first one,  you are dealing with a live person who may catch  on if the volume 
of your red box isn't quite right, or if there is any noise in the background.  
The second method won't usually work because if you'll notice,  when a coin is 
put in hear, the dialtone disappears while the tone is being played, something 
you can't simulate with a red box.
    That about  sums it up...  As you read  through this  issue,  keep in mind 
that each method has it's advantages and drawbacks, and if you choose to build 
one,  you should build the  one best suited  to your spending  limitations and 
skill level.  If you've never soldered before in your life,  you're better off 
recording the tones onto  a tape and playing them through your walkman,  while 
those with no sound card or even a computer  will need to build something that 
can generate the tones rather than just play back.

-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=


                            Pocket Dialer Red Box
                            ~~~~~~~~~~~~~~~~~~~~~
    This first construction method for building a red box is pretty simple and 
convenient to  carry and use.  It's only drawback is it's cost,  which will be 
in the  area of  $30.  It's  not  too bad,  but  unless  you  frequently  call 
international from a payphone, it doesn't exactly pay for itself.  It's a nice 
little package though.  Anyway, here are the plans...

    Parts:  Radio Shack 33 memory autodialer (43-141 or 43-146)
            6.5536 mhz crystal (also available from Radio Shack)

    To convert  the autodialer  into a red box  you must first remove  the six 
screws  in the back  and open it up so that you  can work on the circuitboard.  
Everything  is surface  mounted so soldering  will be a little  more difficult 
here,  but isn't really a problem,  there are just  no holes to push the leads 
through.  First you need to remove  the six screws  on the back and open it up 
so that you can work  on the circuit board.  In order to  replace the existing 
crystal, it must first be removed.  In case you can't find it,  it's the small 
metal  cylinder  the size  of your pinky  nail.  Once removed,  solder in  the 
6.5536 mhz crystal in  its place.  In order  for it to fit,  you will probably 
have to clip the leads shorter and position the crystal over the black ceramic 
mound.  Make sure the  case can close  all the way,  otherwise the contacts of 
the switches won't touch and it won't work at all.  Close the case and replace 
the screws,  and program into one of the priority numbers ***** (5 asterisks).  
This is a quarter.  You should know that  the tones and timings  aren't exact, 
but they're close enough to fool any operator, and most ACTS systems.
    An enhancement  you might want to add  is some sort of  switch so that you 
can switch between the two crystals.  That way, your red box will double as an 
autodialer  for use on  COCOTs or whatever  else you like.  On  the old  model 
(43-141),  there was  a little  more room  inside,  but  on  the  newer  model 
(43-146), things are pretty tight, so if you figure anything out there, please 
let me know...

-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

                              Hallmark Red Box
                              ~~~~~~~~~~~~~~~~
    Hallmark makes a greeting card that  can digitally sample up to 10 seconds 
of  your  voice  with decent quality  sound reproduction.  This  is convenient 
because that frequency range is the exact  same range that can be carried over 
the  phone  lines,  making  the  card  ideal  for  any  device  involving  the 
reproduction  of  tones,  including  those  of  the quarter.  This  method  of 
constructing a  red box is advantageous  because of  it's price  (around $10), 
size,  and versitality.  An  added plus  is that  the sample is  stored in  an 
EEPROM  meaning  that when you  disconnect the  batteries,  it still keeps its 
memory.  The  only real  drawback to this  design is that  the circuit doesn't 
actually  generate  the  quarter tone,  it  simply  reproduces  the  tone  you 
originally supplied it with, so you need access to something that can generate 
the tones in the first place, most likely a computer.

    Parts:  Hallmark voice-recordable greeting card ($8.00)
            1/8" mic jack
            SPST switch (optional)

    The beauty of this design is that Hallmark pretty much built the thing for 
you already.  Make sure to read the instruction sheet included with it so that 
you know how to use it,  and all that's really  left to do is record the tone.  
I won't  give the colors  of the  wires in the  instructions because they vary 
from card to card.
    First, clip the  wires going to the  piezoelectric microphone element  and 
attach a 1/8"  mic jack to them.  Polarity isn't real important here.  You can 
solder it on if you like,  but unless you plan on using the  circuit for other 
things as well,  you won't need the jack after you get a good recording of the 
tone and  soldering it  on isn't  really  necessary.  Now  play  the  included 
QUARTER.VOC or  where ever  else you are  getting the tones  from into the mic 
jack and record them.  Play them back to make sure that the tones are loud and 
clear and not  distorted.  If they are distorted,  you need  to play the tones 
quieter while recording.  Also,  if thry are too quiet,  turn it up  a little.  
You now have a  functioning red box in less than 10 minutes.  But chances are, 
you  don't want  to carry around a  greeting card whenever you  want to make a 
call, so I'd definitely recommend the following enhancements.
    The first thing you probably want to do is cut down on size.  There are an 
infinite number of possibilities of how to go about doing this, but here are a 
few that work well.  The easiest way is  to remove the  cardboard and  cut the 
plastic frame,  leaving only the parts necessary for operation.  These include 
the circuit board,  the battery case, and the speaker.  Cut the wires going to 
the flimsy switch  and solder on a  SPST switch here.  This is  basically your 
on/off switch.  I would recommend keeping the  battery holder and its "drawer" 
simply because if you don't,  changing the batteries will be harder and you'll 
have  to do  some more  soldering that  isn't really necessary.  Also,  if you 
really want to save space,  you might want to  try using a small piezoelectric 
speaker  rather than  the one  supplied,  although the  volume is  drastically 
reduced and may be  too low to  even use.  For a case,  you can use just about 
anything.  Radio Shack has  a wide variety of plastic  project cases that work 
well, or you can use just about anything  else it will fit in,  such as a tape 
case or  zippo lighter  (real tight squeeze there!).  Don't  forget to drill a 
bunch of holes where the speaker  is and one  for  the switch.  It's  probably 
easiest  to just  glue everything in place,  but  don't  glue  the  case  shut 
permanantly or  else you won't  be able to change the batteries when they die.
Make sure that you  don't leave the switch in the  on position when you're not 
using it.  Even  though no sound  is coming out,  it is  still  using  up  the 
batteries, which unfortunately, aren't cheap...

-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=


                            Scratch-Built Red Box
                            ~~~~~~~~~~~~~~~~~~~~~
    The following plans were taken from Phrack issue #33.  In my opinion,  the 
amount of work it takes to make a red  box this way is restrictive in that you 
need to make the circuitboard yourself and a lot of work is involved.  However, 
if you've got the equipment, time, and expertise required to build it this way, 
go right ahead.  It's definitely  cost effective  (parts are real cheap),  and 
it will work  quite well.  Pardon the  repetition in the  file,  but  I  would 
rather leave it unchanged from it's original format.

------------------------- BEGIN INCLUDED FILE --------------------------------

                                ==Phrack Inc.==

                Volume Three, Issue Thirty-Three, File 9 of 13

                  /////////////////////\\\\\\\\\\\\\\\\\\\\\
                 ||                                        ||
                 ||  A Real Functioning RED BOX Schematic  ||
                 ||                                        ||
                 ||      Written by: R.J. "BoB" Dobbs      ||
                 ||                                        ||
                  \\\\\\\\\\\\\\\\\\\\\/////////////////////

::What is a Red Box?::

     Essentially, the Red Box is a device used to fool the phone company's
computer into thinking coins are deposited into a payphone.  Every time you
drop a coin into a payphone, the phone signals the type of coin inserted with
one or more bursts of a combination of 1700hz and 2200hz.  The tone bursts are
coded as follows:

Nickel : One 60 millisecond pulse
Dime   : Two 60 millisecond pulses separated by 60 milliseconds
Quarter: Five 35 millisecond pulses separated by 35 milliseconds

::How to use it::

     Simply dial a long distance number (some areas require you to stick in
a genuine nickel first), wait for the ACTS computer to demand your cash, and
press the "deposit" button on the red box for each coin you want to simulate.
The coin signals are coupled from the red box into the phone with a small
speaker held to the mouthpiece.  For local calls, either you must first deposit
a genuine nickle before simulating more coins or place your call through the
operator with 0+xxx+yyyy.  Use some care when the operator is on the line -
sometimes they catch on to your beeper ploy.

 ::Circuit Operation::

     Each time the pushbutton is pressed, it triggers half of IC1, configured
as a monostable multivibrator to energize the rest of the circuit for a length
of time determined by the setting of the coin selector switch. This in turn
starts the other half of IC1, configured as an astable multivibrator, pulsing
on and off at regular intervals at a rate determined by the 100k pot between
pins 12 and 13.  The output of the astable thus alternately powers of IC2,
configured as a square wave oscillator, providing the required 1700hz and
2200hz to the op amp which acts as a buffer to drive the speaker.

::Alignment & Testing::

     When you are making this thing by no means should you use a 9v AC to DC
adapter! I also suggest not using a bread board. So be careful with that
sodering iron. Both of these things will cause you problems.
     For alignment, a frequency counter is desired but you can use a good
oscilloscope as well. (These are not ABSOLUTELY necessary, but to help.) In
order to figure frequency in Hz with your scope you can use the following
formula.

           1          S = The measurement of the wave that is on the display
Hz =   -----------
       S*(T*10^-6)    T = The setting of the time selector (milliseconds)

              1
Hz =  ------------------  Hz = 2198
      9.1 * 50ms * 10^-6

     Carefully remove IC1 from it's socket. Install a temporary jumper from
+9v supply to pin 14 of IC2 and temporarily disconnect the 0.01uF capacitors
from pins 5 and 9 of IC2. Power up the circuit.  Measuring the output from pin
5 of IC2 with the frequency counter or scope, adjust the 50k pot between pins 1
and 6 for an output of 1700hz.  Now adjust the 50k pot between pins 8 and 13
for an output of 2200hz from pin 9 of IC2.  Remove the temporary jumper and
re-attach the capacitors to pins 5 and 9 of IC2, and re-insert IC1.  (Note: if
no frequency counter is available, the outputs can be adjusted by ear one at a
time by zero-beating the output tone with a computer generated tone of known
precision.)
     Next, using a multimeter, adjust the 10K pot at the cathode of the
"quarter" diode for resistance of approximately 8K ohms.  (This sets the
difference between the duration of the quarter pulses and those of the
nickel/dime -- fine tuning of this ratio may be necessary durring the latter
stages of alignment; this can be done by ear.)
     Now, temporarily disconnect the wire between pins 5 and 10 of IC1.  Set
coin selector switch in the "N" (nickel) position.  With the oscilloscope
measuring the output from pin 9 of IC1, adjust the 100k pot between pins 12 and
13 of IC1 for output pulses of 60 millisecond duration.  Reconnect the wire
between pins 5 and 10.  (Note: If no scope is available, adjust the pulse rate
by ear using computer generated tones for comparison.)
     Leave the selector switch in the "N" position. Adjust the 50K pot
labeled "Nickel" for a single beep each time the deposit pushbutton is pressed.
     Next set the coin selector switch to "Dime". Adjust the 50k pot labelled
"Dime" for a quick double beep each time the pushbutton is pressed.
     Finally, set the selector to "Quarter".  Adjust the 50k pot labelled
"Quarter" until exactly 5 very quick beeps are heard for each button
press.  Don't worry if the quarter beeps sound shorter and faster than
the nickel and dime ones. They should be.

::Conclusion::

     If all went well to this point, your red box should be completely
aligned and functional.  A final test should now be conducted from a payphone
using the DATL (Dial Access Test Line) coin test.  Dial 09591230 and follow the
computer instructions using the red box at the proper prompts.  The computer
should correctly identify all coins "simulated" and flag any anomalies.  With a
little discretion, your red box should bring you many years of use.  Remember,
there is no such thing as spare change!

::Parts list for Red Box::

2  556 Dual Timer IC's             8 0.01uF Caps
1  741 Op Amp IC                   2 0.1uF Cap
2  1N914 Diodes                    1 1.0uF Electrolytic Cap
5  10k Resistors                   2 10uF Electrolytic Caps
1  4.7k Resistor                   1 3 Position Rotary Switch
2  100k Resistors                  1 SPST Toggle Switch
1  100k PC Mount Pots              1 Momentary Push Button Switch (n/o)
3  50k PC Mount Pot                1 9v Battery Clip
1  10k PC Mount Pot                2 14 Pin Dip Socket
2  50k Multi-Turn Pots             1 8 Pin Dip Socket

::Schematic::
       _
+9__S1/  _____________________________________________________________
        |        |           |          |                   |   S3    |
       R1       R2           |         R3                o  @  o      |
        |___C1___|      _____|          |_________|/___ /   o   \___  |
        |    ____|_____|_____|____      |     |   |\   |    |      _| |
     _| o   |    6     4    14    |    R4    R5    D1  |    |   R9<   |
 S2   | o  _|5                  13|_____|     |        |    |__  |    |
        | | |                     |     |__   g        |      _| |    |
        g |_|10       IC1        8|_      _|           |   R8<   |    |
            |         556         | |__R6<             |__  |    |    |
           _|9                  12|_|                    _| |    |    |
          | |                     | |__C2__g          R7<   |    |    |
          | |_11___3___7___2___1__|                    |    |    |    |
          |    |   |   |   |___|_______________________|____|____|    |
          |    |  C3   |       |                                      |
          |__|/|   |   |      C4                                      |
          |  |\    |   |       |                                      |
          |   D2   g   g       g                                      |
          |_____________________                                      |
               |       |        |                                     |
         ___  R10      |       R11  ___                               |
        v   |  |       |        |  |  v                               |
      __R12 |__|    ___|___     |__| R13__                            |
     |        _|___|___|___|____|_        |                           |
     |       | 1   4  14  10   13 |       |                           |
     |       |                    |       |                           |
     |_______|6                  8|_______|                           |
     |    |  |        IC2         |  |    |                           |
    C5    |__|2       556       12|__|   C6                           |
     |       |                    |       |                           |
     g     __|3                 11|__     g                           |
          |  |_____7___5___9______|  |                                |
         C7        |   |   |        C8                                |
          |        |  C9  C10        |                                |
          |        |   |___|         |                                |
          g        g     |           g                                |
                         |                                            |
                         |            ________________________________|
                         |           |                 |
                         |          R14                |
                         |           |           |\    |
                         |           |           |  \  |
                         |___________|___________|3   \|
                         |           |           |    7 \
                       C11          R15          |IC3     \
                         |           |           |741    6/___
                         g           g           |    4 /     |
                                                 |    /|      |
                          g_[speaker]___C12______|2 /  |      |
                                              |  |/    g      |
                                              |_______________|

::Schematic Parts Code::

R1:10K          R4:10K          R7:50K pot      R10:10K         R13:50K pot
R2:10K          R5:10K          R8:50K pot      R11:10K         R14:100K
R3:4.7K         R6:100K pot     R9:50K pot      R12:50K pot     R15:100K

C1:0.01uf       C4:10uf         C7:0.01uf       C10:0.01uf
C2:1.00uf       C5:0.01uf       C8:0.01uf       C11:0.10uf      D1 :1N914
C3:0.01uf       C6:0.01uf       C9:0.01uf       C12:10uf        D2 :1N914

S1 - SPST toggle
S2 - Momentary push button Normally Open
S3 - 3-position rotary switch                   g - Ground

-------------------------- END INCLUDED FILE ---------------------------------

-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=


                         Other Construction Methods
                         ~~~~~~~~~~~~~~~~~~~~~~~~~~
    There are countless other  ways of constructing a  working red box,  and I 
will explain a few of them here.
    Just about the easiest way to make a red box is to simply record the tones 
onto a tape and play them  through a portable tape player,  such as a walkman.  
Then,  just hold the headphones up to the phone with the volume all the way up 
and you're all set.  The drawbacks to this design are,  again you need to have 
a way of generating the quarter tone in the first place,  and the batteries in 
the walkman  must be fresh.  This is because as  the batteries wear down,  the 
tape  will  play a  little bit  slower,  and even if it isn't noticeable,  the 
frequencies and timings will be slightly lower and it may not work.
    If you  have a  computer and  a sound  card,  you can easily  generate the 
quarter tone by playing the included QUARTER.VOC file, or generating them with 
programs like  BOX.EXE (included), BlueBeep, BoxTones, etc.  If you don't have 
a sound card,  you may be  able to find a  sound driver for the  PC speaker so 
that you can use these programs,  or try using the included  segment of QBasic 
code  to  play  the tones.  You  will have to connect  the input that  you are 
recording onto directly to the wires going to the PC speaker,  so you may want 
to stay away from these methods.  Another method of obtaining the quarter tone 
is from a payphone itself.  You can  bring along a  portable cassette recorder 
and a suction  cup induction coil pickup  (less than  $4  at Radio Shack)  and 
record the tones as you deposit a quarter by  placing the suction cup bear the 
speaker, or even call your answering machine at home and record the tones that 
way.  You can also get the tones from another red box,  but if you already had 
one, you probably wouldn't need the tones...

-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=


                               QBasic Red Box
                               ~~~~~~~~~~~~~~
    For those of you with no sound card in need of the quarter tone, here is a 
short piece of QBasic code that will  generate the quarter tone through the PC 
speaker.
    This  is just something  I was playing around  with a few  years ago in my 
spare time,  and finally decided to do  something with.  It's not very useful, 
but it makes  the necessary  red box tones,  and could be modified to generate 
just  about any  tones for phreaking.  They may or may  not work if you record 
the tones by  hooking up a  recording device to the output  wires to  your  PC 
speaker... Probably not really worth the time.
    It's  more  of  an interesting  little demo  for the  beginner phreak  who 
doesn't really have a clue what most of this is all about.  It's a small piece 
of code I wrote in QBASIC which basically (no pun intended) alternates between 
the  two desired  frequencies as fast  as possible without  losing the  actual 
frequencies.  The timing  and frequencies are accurate,  and should sound just 
like any other quarter tone, but with a little lower sound quality.


------------------------------ BEGIN PROGRAM ---------------------------------
FOR j% = 1 TO 5                 ' repeat 5 times
    FOR i% = 1 TO 33 / 8        ' sound multifrequency tone for 33 ms
        SOUND 1700, 4 * .0182   ' sound 1700 hz for 4 ms
        SOUND 2200, 4 * .0182   ' sound 2200 hz for 4 ms
    NEXT i%
    SOUND 0, 33 * .0182         ' delay 33 ms between tones
NEXT j%
------------------------------- END PROGRAM ----------------------------------

    This piece of code  will generate the tones  for a quarter,  but it can be 
modified  quite  readily  to accomodate any  other frequencies or  timings for 
other tones  such as those for a nickel,  dime, or those  used in blue boxing.  
The following  piece  of code is a more  generalized version of the  same code 
that can be used by plugging in values for the variables,  or by using it as a 
subroutine in a larger program.  To use this,  an explanation of the variables 
is probably necessary...

    num%    - the number of times to repeat the specified tones
    length% - the length for the tones to be sounded in ms
    freq1%  - the frequency of the first tone to be sounded in hz
    freq2%  - the frequency of the second tone to be sounded in hz
    delay%  - the lenght of the delay between soundings of the tones in ms

------------------------------ BEGIN PROGRAM ---------------------------------
FOR j% = 1 TO num%
    FOR i% = 1 TO length% / 8
        SOUND freq1%, 4 * .0182
        SOUND freq2%, 4 * .0182
    NEXT i%
    SOUND 0, delay% * .0182
NEXT j%
------------------------------- END PROGRAM ----------------------------------

-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=


                                 QUARTER.VOC
                                 ~~~~~~~~~~~
    For those of you with a sound card on your computer, here's the sound of a 
quarter tone in .voc format, uuencoded.  Enjoy...


------------------------- CUT HERE --------------------------

begin 644 quarter.voc
M0W)E871I=F4@5F]I8V4@1FEL91H:``H!*1$!>!D`TP!^:V=M>8!]<F5>9'F:
MNLS'J7="&Q$J7Z+=_/;+B403!1Q/CL3@WK^29TI#3V=^C9")?WR#DJ*KHXMF
M0BPO3H&ZY?/=J64G!`8M;;+E]^6U>40F)D!ID:RTJ9:"=WB`AXA]:59+4VZ6
MO]G9NX9*&@@:39+2^?O8FE8B#!I%?K'0T[V9=%Q476U\@W]V;W*!F+"\M9AL
M/R$?.W&PX_KLNW8T"0,B7:#5[N2]B%8X,T5EAINAFHV"@(:2F)2!94HZ05^.
MO^'HS9=6'@,./(##\?SAJ6@R%QY`<:"^Q;6:?FMG;7F`?7)E7F1YFKK,QZEW
M0AL1*E^BW?SVRXE$P4<3X[$X=Z_DF=*0T]G?HV0B7]\@Y*BJZ.+9D(L+TZ!
MNN7SW:EE)P0&+6ZRY??EM7E$)B9`:9&LM*F6@G=X@(>(?6E62U-NEK_9V;N&
M2AH(&DV2TOG[V)I6(@P:17ZQT-.]F71<5%UM?(-_=F]R@9BPO+68;#\A'SMQ
ML./ZZ[MV-`D#(EV@U>[DO8A6.#-%98:;H9J-@H"&DIB4@65*.D%?CK_AZ,V7
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`
end

------------------------- CUT HERE --------------------------

-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=


                                   BOX.EXE
                                   ~~~~~~~
    I  also  thought you  might  be able to  use  this little  program  called 
BOX.EXE,  out of  Phrack issue  #46.  Unlike  QUARTER.VOC,  you need  no other 
software to play the tones,  only a sound card is  required.  It also  gerates 
other useful tones...

------------------------- BEGIN INCLUDED FILE --------------------------------
                              
                              ==Phrack Magazine==

                 Volume Five, Issue Forty-Five, File 22 of 28


 
BOX.EXE - Submitted to Phrack Magazine for your amusement.
 
by The Fixer / 604
 
This is a tiny, minimalist demonstration of several types of box tones.
No cosmetic bullshit, no command line parameters and no config files.
 
You just type BOX.
 
The only requirements for this program are an IBM PC or compatible and
an Adlib Music Card or one of its many successors (including all Sound
Blaster types).  You may need to turn the volume up a bit as the pure
sinewaves tend to be quieter than other Adlib waveforms.
 
There are keystroke menus in the program.  If you need more help than
that, you shouldn't be running it.
 
-=( The Fixer of 604 )=-
 
begin 644 box.exe
M35J'`1


gemini - kennedy.gemi.dev




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MTN3X%%W#+$L]&R


gemini - kennedy.gemi.dev




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gemini - kennedy.gemi.dev




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gemini - kennedy.gemi.dev




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gemini - kennedy.gemi.dev




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gemini - kennedy.gemi.dev




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gemini - kennedy.gemi.dev




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MJN+ZZZ:L",!T0#P!=`6(P4'KZHG[@^</@<<`(+$T^N,P`'8+0`"CL")\X/F
M#]/KC-@!V([8Z7+_*D9A8G)I8V4@0D5,3$%21"H.'[Z=`5N#PQ`QTJV)P>,3
MB\(!V([`K8OX@___=!$F`1WB\X'Z`/!T%H'"`!#KW(S`0([`@^\0)@$=2([`
MZ^*+PXL^!`"+-@8``<8!!@(`+1``CMB.P#';^H[6B^?[+O\O0U)#($5R<F]R
M#0HD#0$(`!,`)@`N`#\`1P!/`%<`7P!N``$""P(0`B(")P(L`C8".P)-`E("
M5P)I`FX"<P*%`HH"CP*A`J8"JP*]`L("QP+1`M8"Z`+M`O("!`,)`PX#(`,E
M`RH#>0.%`X\#E`.F`ZL#L`.Z`[\#T0/6`]L#[P/T`_D#)P2.!9<%K@6S!7{body}amp;
M>P:`!I(&EP:<!J8&JP:]!L(&QP;9!MX&XP;U!OH&_P81!Q8'&P<E!RH'/`=!
M!T8'6`==!V('=`=Y!WX'HPBM"+((Q`C)",X(V`C=".\(]`CY"`L)


gemini - kennedy.gemi.dev




D5"2<)
M+`DQ"4,)2`E-"5\)9`EI"7,)>`F*"8\)E`FF":L)L`G""<<)S`G9">0)[0GY
M"0(*IPNR"[L+QPO0"X$-C`V5#:$-J@WN#2(.9@Z3#L`..@\_#TT/4@]D#VD/
M;@]U#WH/?P^+#Y</HP^O#[L/QP_3#]\/ZP_W#P,0#Q`;$"<0,Q`_$L05Q!C
M{body}amp;\0=Q!_$%(15Q%<$681=1%_$801CA&3$:41JA&O{body}lt;H1U!'9{body}gt;L1\!'U$0<2
M#!(1$A@261)A$GD2LA+J$BH33A-\$P(4,11@%-H4.A6:%<D5!A9#%H`6X!9(
M%Z@7$!AP&-@8.!EY&;H9[QDD&ED:MAH2&RL;1!M=&W8;CQNI&P{body}lt;3Q]@'W$?
M@!^H'](?W!\&()@@'B%?(3`B02)2(F,B="+I(@0C%R,;)`$I&RH0+!$S+#-"
A,V$S````````````````````````````````````````
`
end

-------------------------- END INCLUDED FILE ---------------------------------

-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
                         
                         
                         T h e   G r a n d   S c a n
                         ~~~~~~~~~~~~~~~~~~~~~~~~~~~
       *370-0036
       *370-0151
       *370-0170

       *371-9903    voice - Clifton Park Phone Company 
        371-9931    muted high tone (2200 Hz)
       *371-9949    voice - New York Telephone Automotive Office
        371-9960    carrier tone
        371-9971    tone (1000 Hz, on 10 seconds, off 1 second)
        371-9972    tone (1000 Hz, on 10 seconds, off 1 second)
        371-9977    carrier tone ("access code?")
        371-9989    silent
        371-9995    high tone (2200 Hz) carrier?

        383-9999    tone (500 Hz continuous)

       *434-8401    fax machine

       *463-999O    Always busy

       *465-9999    Always busy

        471-2272    AT+T News Line
        471-8111    CN/A

        472-9900    tone (1000 Hz)
        472-9906    silent

       *473-9900    (rec) "You have reached a non working # for the state of NY"
       *473-9999    carrier

       *474-2121    New York operator

       *476-1111    Weather (recording)

       *484-XXXX    This entire prefix is busy

       *488-9999    (rec) "All circuts are..'  then hangs up, 3 beeps

        584-9974    fax
        584-9975    muted tone (2200 Hz)

       *594-9986    NYNEX voice number
       *594-9987    NYNEX voice number
       *594-9991    NYNEX voice number
       *594-9998    Rings forever, but is unsupervised
       
        647-1111    Number doesn't exist, but MF tones are audible before rec.

       *731-9900    Always busy
        
        786-9999    Plays 5 DTMF digits, then disconnects after 10 seconds

     +- 877-3500    Huge   -+
     |  .           voice   |
     |  .           mail    |
     +- 877-3700    system -+

        877-9921    silent
        877-9922    fax machine
        877-9960    tone (1000 Hz, on 10 seconds, off 1 second)
        877-9963    muted tone (1000 Hz)
       *877-9966    voice - New York Telephone communications Office
        877 9980    (rec) "Your call cant be complete-read instruction manual"
        877-9998    tone (1000 Hz, on 10 seconds, off 1 second)

        899-7123    carrier (SCO UNIX)
        899-9900    tone (1000 Hz, on 10 seconds, off 1 second)
        899-9968    muted tone (2200, short)
        899-9969    muted tone (2200, short)
        899-9998    muted tone (2200, long)
       *899-9999    muted tone (2200, long)
                
        311                     TTY emergency (like 911)
        911                     Emergency
        958                     Disconnects line for about 5 minutes
       *981 + last 4 digits of  Ringback
              # calling from
       *982 + last 4 digits of  Ringback
              # calling from
        987 + last 4 digits of  Ringback
              # calling from
       *995                     Disconnects line for about 5 minutes 
        997                     ANI (Automatic Number Identification)
        998                     ANI (Automatic Number Identification)

                                  800 Scans
                                  ~~~~~~~~~
        236-0044    <<ENTER PASSWORD>>****
        236-0057    Operator Code:
       *236-0147    NO ANSWER
        236-0176    ?Login please
       *236-0178    NO ANSWER
        236-0377    IBM AIX Version 3 for RISC System/6000
        236-0697    BLANK SCREEN
        236-0741    Novell Inc.
        236-0967    BLANK SCREEN
        236-1135    First name?
       *236-1409    (?) NO CONNECTION MADE
       *236-1410    BUSY
        236-1421    (?) BLANK SCREEN
        236-1605    SCO UNIX SYSTEM
       *236-1775
        236-1841    BLANK SCREEN
        236-1881    NOTHING USEFUL (?)
        236-1891    BLANK SCREEN
       *236-2169
       *236-2239
       *236-2529
        236-2680    BLANK SCREEN
       *236-2976
        236-3335    BLANK SCREEN
       *236-3741
        236-3917    DROPPED CARRIER
        236-4326    CRAP
        236-4437    BLANK SCREEN
       *236-4605
        236-4874    STRANGE TONE + BLANK SCREEN
        236-4956    DROPPED CARRIER
        236-5077    NO CARRIER
        236-5227    THE GODFREY COMPANY BBS (CLOSED)
       *236-5252
        236-5505    BLANK SCREEN
        236-5750    ACS 'CS_#2'
       *236-5771
        236-5877    HP3000 --> OPIN ACCESS>
        236-6271    Please press <Enter>...
        236-6271    Enter password:
        236-6692    STRANGE TONE + CRAP
        236-6815    ACCOUNT#?
        236-6836    CRAP
       *236-6934
        236-7074    BLANK SCREEN
        236-7238    STRANGE TONE + CRAP
        236-7371    BLANK SCREEN
        236-7379    DG/UX Operating system
       *236-7817
        236-8083    BLANK SCREEN
       *236-8084
        236-8217    STRANGE TONE + CRAP
       *236-8238
        236-8327    VAX/VMS
        236-8329    STRANGE TONE + CRAP
       *236-8776
       *236-8841    NO CARRIER
       *236-9869
        662-1220    TTY Operator, knows where your from...
        855-1155    TTY Information


                                 Unchecked...
                                 ~~~~~~~~~~~~
12345678910 -   Loop?  If anyone finds the other end?!...


"*" --> unchecked...


    If you find any mistakes, or have any results from scans you may have 
done, please let us know and we'll update the list...

-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=