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<div style="margin:0 auto; text-align:left; width:700px;"><font
color="#33ff33"><small><font face="Courier">SoCiEtIeS ArCh
NeMeSiS CyBeRpUnK E-ZiNe Issue #2 December 2014
<br>
<br>
welcome to the order of the...<br>
<font color="#ffffff">
<br>
o
o .
.
o .
o o<br>
o
o
o
.
.<br>
.
.
.
.
.
.
. o .</font><br>
<font color="#ffffff"> ________ ___
___ ________ ________ ________
___ o
__ <br>
|\ ____\|\ \|\ \|\
__ \|\ ___ \|\ __
\|\ \ |\ \
o <br>
\ \ \___|\ \ \\\ \ \ \|\ \
\ \_|\ \ \ \|\ \ \
\ \ \ \ </font><br>
<font color="#00cccc"> \ \_____ \ \
__ \ \ __ \ \ \ \\ \ \
\\\ \ \ \ __\ \ \ .<br>
. \|____|\ \ \ \ \ \ \ \ \ \
\ \_\\ \ \ \\\ \ \ \|\__\_\
\ </font><br>
<font color="#339999"> ____\_\ \
\__\ \__\ \__\ \__\ \_______\ \_______\ \____________\<br>
|\_________\|__|\|__|\|__|\|__|\|_______|\|_______|\|____________|
.<br>
o \|_________| <font
color="#ffffff"> |
| |
. |</font>
<font
color="#ffffff">. </font> </font>
<br>
<font color="#ffffff">|
|
O
.
o |
.
o </font>
<br>
<font color="#ffffff">
|
O
| </font>
/\ o /\
<br>
<font color="#ffffff"> ___ O
__ ________
___ ________ </font>
<font color="#ffffff">. </font> |
\-------/ | <font color="#ffffff">.</font>
<br>
<font color="#ffffff">|\ \
|\ \|\ __ \|\
\ |\ _____\ </font>
/
\ <br>
<font color="#00cccc">\ \ \ \
\ \ \ \|\ \ \ \
\ \ \__/ </font> <font color="#ffffff">.</font>
| __ __ | <font
color="#ffffff">. </font><br>
<font color="#00cccc"> \ \ \ __\ \ \
\ \\\ \ \ \ \
\ __\ </font>
/
\ <br>
<font color="#339999"> \ \ \|\__\_\ \
\ \\\ \ \ \____\ \ \_| </font>
/
\ <br>
. <font color="#339999">\ \____________\ \_______\
\_______\ \__\ </font>
/
\ <font color="#ffffff">.</font><br>
<font color="#339999">
\|____________|\|_______|\|_______|\|__|</font> <font
color="#ffffff">.</font>
/
\ <br>
<font color="#ffffff"> O |
|
.
| </font>
/
\ <font color="#ffffff">O</font> <br>
<font color="#ffffff">.
. O . |
. .</font>
/
\
<font color="#ffffff"> </font>
<br>
<font color="#ffffff">/\ </font> <font
color="#ffffff"> </font><font color="#ffccff"><font
color="#ffffff">TH</font>E LAUN<font color="#ff99ff">D</font></font><font
color="#ff99ff">RoMA</font><font color="#cc66cc">T OF YO</font><font
color="#ff99ff">UR MI<font color="#ffccff">ND </font></font><font
color="#ffccff"> </font>
<font color="#ffffff">/\</font> <font
color="#ffffff"> O O</font><br>
<font color="#ffffff">/ </font>
<font color="#ffffff">\</font> <font color="#ffffff">/\
/\ </font>
<font color="#ffccff"> EXT</font><font color="#ff99ff">RA
BIG</font> <font color="#cc66cc">DECEM</font><font
color="#ff99ff">BER I</font><font color="#ffccff">SSUE!!!</font>
<font color="#ffffff">/ \</font> <font
color="#ffffff">.</font><br>
<font color="#ffffff"> /
\/ \/ \</font> <font
color="#ffffff">
. .
/..\ <font color="#cc9933"><</font>
. </font> <font color="#ffffff">/
\</font> <font
color="#ffffff"> .</font><br>
<font color="#ffffff">/ </font>
\ \ <font color="#ffffff">\</font>
<font color="#ffffff">_\<font color="#ffcc66">'</font> /_ <font
color="#ffcc00">/</font> . </font>
/ \ <font
color="#ffffff"> .</font><br>
/ \
\ \ <font color="#ffffff">
. . / . \
. </font>
/
\ <br>
/________\___\___\
<font color="#ffffff">| . |</font>
/____ ___\<br>
|| ||
||
<font color="#ffffff">\ .
/ </font>
||<br>
<font color="#ffffff">/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\</font><br>
==============================================================================<br>
<font color="#ffddff"><br>
</font><font color="#ff99ff"><font color="#ffddff">The Order
OF THE SHADOW WOLF IS</font> N</font><font
color="#ccccff">O</font><font color="#3366ff">W</font> <font
color="#66ffff">I</font><font color="#99ff99">N</font> <font
color="#ffff00">C</font><font color="#ffcc00">O</font><font
color="#ff9966">L</font><font color="#ff0000">O</font><font
color="#990000">R</font><font color="#ccffff">!<font
color="#66ffff">!<font color="#33ccff">!<font
color="#3366ff">!<font color="#3333ff">!</font></font></font></font></font><br>
<br>
your online cyber-zine for:<br>
<font color="#ffffff">Occult home</font> <font
color="#eeeee">experiments</font> <font color="#ddddd">-
Synthesizers</font> <font color="#cccccc">- <font
color="#ffcc66">Sorcery & Magick</font></font> <font
color="#c0c0c0">- <font color="#ff99ff">DIY projects</font>
- </font><br>
<font color="#ccccff">Movies</font><font color="#9999ff"> -
Music <font color="#33ccff">-</font></font><font
color="#33ccff"> Counter Culture <font color="#66ffff">-
</font></font><font color="#66ffff">UFOlogy</font> <font
color="#ccffff">- Poetry <font color="#ffffff">- Obsolete
</font></font><font color="#ffffff">computers - </font><br>
<font color="#ffffcc">Artificial Intelligence</font> <font
color="#ffff00">- Rastafarian Language Course</font> <font
color="#ffcc33">- ExoPsychology<br>
<font color="#33ffff">and lots more!!!!!</font><br>
</font> <br>
<font color="#33ccff">Supsup...<br>
Here is the loooong awaited 2nd issue of the SHADOW WOLF
Cyberzine. Right<br>
in time to get you through the hell of christmas. You
might<br>
have noticed that the shadowwolf.net web adress didnt
operate anymore, thats <br>
because I kinda forgot to renew the name or pay it or
something....its not that<br>
important we will just put it on
http://www.legowelt.org/cyberzine from now on!<br>
There you can also find the 1st issue in glorious green
monochrome.<br>
That also means the editor@shadowwolf.net email is gone,
if you have an article<br>
you know where to find me.<br>
<br>
My name is S.Haddowwolf and I am a CyBeRpUnK...are u
2???!?!<br>
<br>
Order of the Shadow Wolf partners in MIND-CRIME:<br>
Lacksley Shambleton * Adeptus from Black Angel Crew * Guy
Tavares *<br>
Clendon Toblerone *</font></font></small></font><font
color="#33ff33"><small><font face="Courier"><font
color="#33ccff"> BoeufStroganoff * Trollius
Magnus-Basketcase *<br>
Argios the Sorcerer Druid * Myster E Mallik * Baz Reznik *
DaTa ThOr<br>
Jimi Voltagio * Eggerton Omolet and many more<br>
<br>
I N D E X<br>
<br>
1. The Urbino Mirror Experiment<br>
<br>
2. News From Intergalactic FM Radio<br>
<br>
3. The Great Mono-Poly Interview<br>
<br>
4. Latest Ball Lightning Theories<br>
<br>
5. Rastafarian Language Course<br>
<br>
6. Hong Kong's Electro Trash Hunt<br>
<br>
7. Brian Eno's Ambient Surround Speaker System<br>
<br>
8. Xenology 101: A Guide To Greys<br>
<br>
9. Hot Producer Tips<br>
<br>
10. The Occult Orientated Crime Album<br>
<br>
11. Psychoactive Properties Of Garlic<br>
<br>
12. Behringer BSY600 Bass Synthesizer Review<br>
<br>
13. Behind The Scenes Of Relics Of The Past<br>
<br>
14. Exo-Psychology With The Eight Circuit Model Of
Consciousness<br>
<br>
15. New Words For U<br>
<br>
16. ASCII Art Gallery<br>
<br>
17. Video Advice Movie Tips<br>
<br>
18. Essential Trip Music<br>
<br>
19. Build Your Own Mixer Controlled Feedback Synth<br>
<br>
20. Pulsars Of Poetry<br>
<br>
21. Roland Aira TR8 Review From Miami<br>
<br>
22. Hail To The Technological Singularity<br>
<br>
23. Baz Reznik's Travel Journal<br>
<br>
24. The Wisdom Of Argios The Sorcerer Druid<br>
<br>
25. SchmerzLabor Und Das Cabaret Voltaire<br>
<br>
26. Classifieds</font><br>
<br>
<font color="#3333ff">==============================================================================</font><br>
<br>
<font color="#ffffff"> _
_
_
_
<br>
| |_| |__ ___ _ _ _
__| |__ (_)_ __ ___ </font>
<br>
| __| '_ \ / _ \ | | | | '__| '_ \| | '_ \ / _
\ <br>
| |_| | | | __/ | |_| | | | |_) | | | | | (_)
| <font color="#33cc00"> <br>
\__|_| |_|\___| \__,_|_| |_.__/|_|_|
|_|\___/ </font> <br>
<br>
<font color="#ffffff">
_
<br>
_ __ ___ (_)_ __ _ __ ___ _
__
<br>
| '_ ` _ \| | '__| '__/ _ \| '__| </font>
<br>
| | | | | | | | | | | (_) |
|
<br>
<font color="#33cc00">|_| |_| |_|_|_| |_|
\___/|_| </font>
<br>
<br>
<font color="#ffffff">
_
_ <br>
_____ ___ __ ___ _ __(_)_ __
___ ___ _ __ | |_ <br>
/ _ \ \/ / '_ \ / _ \ '__| | '_ ` _ \ / _ \ '_ \|
__|</font><br>
| __/> <| |_) | __/ | | | | |
| | | __/ | | | |_ <br>
<font color="#33cc00"> \___/_/\_\ .__/ \___|_|
|_|_| |_| |_|\___|_| |_|\__|<br>
|_|
</font><br>
<br>
<font color="#006600"><font
color="#336666">. .
.
. --</font></font><font
color="#336666"><br>
------
.
.
. .</font><br>
<font
color="#339999">
----------
.
.
.<br>
.
.
.
.
-------------
. .</font><br>
<font color="#00cccc">.
. -----------------
.<br>
----------------------
.</font><br>
<font color="#33ffff">.
.
.
---------- -- ----
----
.
.<br>
----- - -- ----- ------
-----
.</font><br>
<font
color="#ccffff"> --------- --- ------- --- ---
----
.
.<br>
. . -----
------- -----
--- ---</font><br>
<font
color="#ffffff"> -- -- -
- - --- --
--- --
--
. .</font><br>
<font color="#ffffff">.
.
--
|
| |
. . . --
<br>
<font color="#ffccff">---</font> |
. |
|
| <font
color="#ffccff">\ \
\
--
. .</font><br>
<font color="#cc33cc"><font
color="#ff99ff">. . ----</font></font>
|| | |
| | || . <font
color="#ff99ff">\ \
\ --</font></font><br>
<font color="#ff99ff">.</font> <font
color="#ff99ff"> <font color="#cc33cc"> -------- </font></font><font
color="#ffeeff">||||| | | ||| | ||
||| . <font color="#cc66cc">
\ \ \ .
-- .</font></font><br>
<font
color="#ffccff"> ----------</font> <font color="#ffccff">||||||||||||||||||||||||
------ . . --</font><br>
<font color="#ffccff">. </font> <font
color="#ffffff"> ------------ </font><font
color="#66ffff">||||||||||||||||||||||||</font>
. <font color="#ccffff">-----------
--</font><br>
<font color="#66ffff"> -------------
</font><font color="#33ccff">||||||||||||||||||||||||
---- .... ------ --</font><br>
-------------- ||||||||||||||||||||||||
---
..... ------ --<br>
<font color="#ffff00">-------------</font>
<font color="#ffff33">||||||||||||||||||||||||
--- ...
----- --</font><br>
<font color="#ff0000"> ||||||||||||||||||||||||
----- ------</font> <br>
<font color="#ff00ff">
////<font color="#33ccff">//<font color="#66ffff">////<font
color="#00ff00">////<font color="#ffff00">////<font
color="#ffcc33">//<font color="#ff0000">////
----------</font></font></font></font></font></font><br>
////<font color="#33ccff">//<font color="#66ffff">//<font
color="#00cccc">//<font color="#33ff33">////<font
color="#ffff00">////<font color="#ffcc33">//<font
color="#ff0000">//// <font
color="#cc66cc"> /
/ /</font></font></font></font></font></font></font></font><br>
////<font color="#33ccff">//<font color="#66ffff">//<font
color="#00cccc">//<font color="#33ff33">////<font
color="#ffff00">////<font color="#ffcc00">//<font
color="#ff0000">//// <font
color="#ff99ff"> /
/ / </font></font></font></font></font></font></font></font><br>
////<font color="#33ccff">//<font color="#66ffff">//<font
color="#00cccc">//<font color="#33ff33">////<font
color="#ffff00">////<font color="#ffcc00">//<font
color="#ff0000">////
<font color="#ffccff">/
/ /</font></font></font></font></font></font></font></font><br>
</font>
<br>
<font color="#33ccff">
<br>
"The Urbino Mirror Experiment, an occult home adventure"<br>
<br>
Here is an astonishing mysterious experiment you can do
with just a mirror<br>
and a dim light. In the Urbino mirror experiment you sit
or stand<br>
before a mirror, starring at your own reflection for some
time. After a few<br>
minutes your reflection will transform into the face of
someone or something<br>
else! Another person, someone you might know, an ancestor,
an archetypical <br>
face, an animal, a demon or magic creature...or something
even weirder!<br>
<br>
Reality falls apart, the true nature of the very self
becomes questionable,<br>
do you even exist? Are you just some kind of vaporous
hologram of which<br>
reality and proof we can only behold in a mirror? Does the
fabric of reality <br>
short circuit in some kind of weird glitch loop because
you are watching <br>
yourself which is not really yourself?<br>
<br>
This strange phenomenon has been used since the earliest
of times by <br>
sorcerers, witches, clairvoyants and fortune tellers in
magick practices.<br>
It has only recently, in 2010, been scientificly
studied by dr. Giovanni<br>
Caputo from the university of Urbino in Italy, hence the
name "URBINO <br>
MIRROR EXPERIMENT".<br>
<br>
This experiment might be scary, some people experienced
seeing monstrous<br>
beings and felt quite disturbed aftwerwards.<br>
<br>
What you need:<br>
................<br>
A dark room<br>
<br>
A mirror - Dr. Giovanni Caputo suggests a mirror at least
50 by 50 cm, <br>
(that would be 19 by 19 inches) but I guess a smaller one
will do also.<br>
<br>
A dim light - Giovanni suggests a 25W incandescent light,
but you probably<br>
can try candles, LED's too or something.<br>
<br>
Thats all you need...Place the light behind you,
preferably on a lower level<br>
then the mirror. Sit before the mirror with a distance of
40 centimeters <br>
(about 15-16 inches). Gaze for a couple of minutes at your
own reflection and<br>
if everything should go as planned you will experience the
strange face <br>
transformations.<br>
<br>
<br>
Schematic drawing of the experiment:</font><br>
<br>
<font
color="#ffffff"><br>
_____
|\<br>
/
\
| \<br>
| _____\ 40 cm | |<br>
<font
color="#ffdddd">
| | -| <--------->| |</font></font><font
color="#ffdddd"><br>
|_/ ]
| |<br>
| -|
| | <--,<br>
<font
color="#ffaaaa"> </font></font><font
color="#ffaaaa">
___|___-'_
| | |<br>
<font
color="#cc9933"> | </font>
/ o
\ |
|<br>
| | o |\
| |
mirror</font><br>
<font color="#cc9933">\</font> <font
color="#ff8888"> you ------> |
|________-\__ | /<br>
\____________/_/ '-----|/-----------<br>
<font color="#ffcc00">
\
| / </font>
|
|_________
<br>
|_____________ |</font><br>
<font color="#ffff33"> \ </font><font
color="#ff6666"><font color="#ffff33"> |
/ </font> |________/
| | |<br>
| | |
| | |<br>
dim light <font color="#ffff00">/</font>
| | |
| | |</font><br>
<font color="#cc0000"> <font color="#ff3333">
<font color="#ffff00"> _
</font> |
| |__|<br>
|__\ <font color="#ffff00">(
) </font> <font color="#ffff00"> -</font> <font
color="#ffcc00">- </font><font color="#cc9933">-</font>
| | | --,<br>
/ =
| |
===== <br>
/ \
</font></font><br>
<font color="#ffffff"><br>
<br>
<font color="#33ccff">Experiment with different colors of
light and sound. Research if certain <br>
music or frequencies have different effects on the
transforming reflections.</font><br>
<br>
<font color="#339999">Scientific Explanation<br>
So what did Dr.Giovanna Caputo find out during this
experiment? Well nothing<br>
much except that it is a real experience and that there
is not really a <br>
conclusive scientific explenation of what is going on.
We simply don't know<br>
enough of neuroscience or how the brain works yet to
understand. There are <br>
however some theories Dr.Caputo hinted at, which you can
read in his report of<br>
the experiment, in pdf file <a target="_blank"
href="http://www.perceptionweb.com/abstract.cgi?id=p6466">http://www.perceptionweb.com/abstract.cgi?id=p6466</a></font><br>
<br>
<br>
<font color="#3366ff">==============================================================================<br>
<br>
</font><font color="#ffccff">N <font color="#ff99ff">E <font
color="#cc66cc">W <font color="#cc33cc">S
F <font color="#cc66cc">R <font
color="#ff99ff">O <font color="#ffccff">M . <font
color="#ffcccc">. <font color="#ffffff">.</font></font></font></font></font></font></font></font></font><br>
<font color="#ffcccc"> _
_
_
_
_
__
<br>
(_)_ __ | |_ ___ _ __ __ _ __ _| | __ _ ___|
|_(_) ___ / _|_ __ ___ <br>
| | '_ \| __/ _ \ '__/ _` |/ _` | |/ _` |/ __| __| |/
__| | |_| '_ ` _ \ </font><br>
<font color="#ff6666">| | | | | || __/ | | (_| | (_|
| | (_| | (__| |_| | (__ | _| | | | | |</font><br>
<font color="#990000">|_|_| |_|\__\___|_| \__,
|\__,_|_|\__,_|\___|\__|_|\___| |_| |_| |_| |_|<br>
|___/
<br>
</font><font color="#ff6666">
<font color="#ffcccc">_
_
<br>
_ __ __ _ __| (_) ___ </font>
<br>
| '__/ _` |/ _` | |/ _ \ </font>
<br>
<font color="#ff6666"><font color="#ff0000">| | | (_| |
(_| | | (_) | </font> </font>
<br>
<font color="#990000">|_|
\__,_|\__,_|_|\___/
. .
</font>
<br>
. .
. . .
. .
.
<br>
.
.
. .
.
. .
. .<br>
<font color="#ff0000">====<font color="#ffffff">====<font
color="#ff0000">====<font color="#ffffff">====<font
color="#ff0000">====<font color="#ffffff">====<font
color="#ff0000">====<font color="#ffffff">====<font
color="#ff0000">==== <font
color="#ffffff">
.
. .</font><br>
<font color="#ffffff">=<font
color="#ff0000">====<font
color="#ffffff">====<font
color="#ff0000">===<font
color="#ffffff">====<font
color="#ff0000">====<font
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color="#ff0000">====<font
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<font
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FM party in
Rotterdam at
the<br>
Perron club
with I-F ,
Gesloten
Cirkel ,
Legowelt and
Still Serious
Nic!!!<br>
<br>
Also remember
every Thursday
and Friday
there is live
broadcast /TV
/ Action<br>
from the
PANAMA RACING
CLUB. Its
always open if
you want to
perform, DJ,
talk,<br>
do magic
tricks or
whatever you
want to do. <br>
Mail IFMX ///a
t///
intergalacticFM.com
for more
informatioN!<br>
<br>
If you don't
want to do a
liveshow you
can also send
in a mix!
Every tuesday<br>
its time for
the supermix
on IFM channel
1. Send in a
mix (1 hour
minimum)<br>
and IFM will
make you
famous!
--->
https://ifm.wetransfer.com</font><font
color="#3366ff"><br>
<br>
==============================================================================</font><br>
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color="#ffffff"> _
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o o o
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| \ </font>
<br>
<font
color="#ffffff">
___________ </font> <font color="#ffcccc">
/
\</font>
<font
color="#ffffcc">|
o
o
o
o
o
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<br>
<font
color="#ffffff">
/|
| </font>
<font
color="#ffcc99">/
\</font>
<font
color="#ffcc00">|
o
o
o o oooo
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color="#ffcc00"> /
| o oo o
o |</font>
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color="#ffcc99">|
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color="#cc9933">|</font> <font
color="#ffcccc"> ____</font> <font color="#cc9933">
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| o o o</font><font
color="#ffcccc">,__</font><font color="#ffcc00"> |</font> <font
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)
|</font>
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color="#cc9933">|</font>
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color="#ffcccc">/
<font
color="#ffcc99">,</font></font><font
color="#ffcc99">==</font><font color="#cc9933">' o o o o o |
|</font><br>
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color="#996633"><font
color="#cc9933">| | </font> </font>
<font
color="#ffcccc">==
\</font>
<font
color="#ff9900">|
___ |</font>
<font
color="#996633">|</font>
<font
color="#ff9900">
/__/</font> <font
color="#996633">o o o o o o | |</font><br>
<font
color="#996633">|
|
o
o o</font><font
color="#ff9966">\_\</font> <font color="#ff6600">\ _____ /</font> <font
color="#ccffff"> / /</font><font color="#996633">
o
o
o o | / </font><br>
<font
color="#996633">|
|
o
o o</font>
<font
color="#66ffff">\
\___|
|____/ /</font>
<font
color="#996633">________________|/
</font><br>
<br>
<br>
<font
color="#ffffff"><font
color="#33ff33">MONO-POLY AND THE ART OF NOODLING<br>
<br>
Hidden
somewhere in
the shadow of
the brand new
colossal
cathedral-esque
<br>
Rotterdam
Central
Station there
is a cosy room
with probably
one of the <br>
most amazing
collections of
modular synths
in Holland…or
maybe even
europe…<br>
maybe even the
world. It is
the modular
synthesizer
studio of
Dennis <br>
Verschoor,
better known
by his artist
names
Mono-Poly and
Zond3. <br>
<br>
In his
windowless
sweaty modular
synthesizer
studio he
drones away on
<br>
countless new
and ancient
machines. Some
dating from
the very
earliest <br>
pioneering
times of
electronic
music. Endless
Infinite loops
of ever <br>
changing
sounds,
bleeps,
drones…from
dreamy
ethereal pads
to harsh <br>
industrial
noise. He has
released a
number of
albums on
various labels
<br>
such as
the cult
Japanese
Doppelgänger
records, based
around the
Japanese<br>
avant garde
dark ambient
scene of
Koichi
Watanabe and
Seiji Nagai. <br>
<br>
Miles of wires
are
intertwined on
the modular
synths, wires
that remind us
<br>
of endless
infinite
threads of
noodles.
Dennis calls
himself
jokingly "chef
<br>
noodle"
sometimes,
like the
muppet's
swedish chef
cooking up the
modular<br>
canapés
frolicking
around…but
such a name
might be too
light hearted:
With a <br>
little
imagination
Dennis could
also be a
fiendishly
genius villain
trying<br>
to fabricate
evil giant
drones to take
over the
world. Shadow
Wolf investi-<br>
gated to seek
out whats
cooking in
Rotterdam…<br>
<br>
<br>
<font
color="#66cccc">Q:
I guess most
readers will
know what a
modular
synthesizer
is, but just <br>
for fun and
those 3 people
that don't
know...could
you explain
very shortly<br>
in your own
words what it
is and why you
particularly
like it so
much?</font><br>
<br>
Dennis: A
modular synth
is basically
something like
a custom car.
You can <br>
choose what
kind of wheels
you want, what
type of
engine, what
exhaust
etc....<br>
So basicaly in
synthesis
language you
can build it
up with vco's,
vcfs and <br>
vca's etc from
all different
kinds of types
and brands.
But you can
also add <br>
exotic stuff
like
ring-modulators,
wave-shapers
etc. That is
also for me
the<br>
main reason
why I like
modular
synthesizers
that much.<br>
<br>
<br>
<font
color="#66cccc">Q:
You call your
creations
Noodles. Can
you explain
what Noodling
is?</font><br>
<br>
Dennis:
Noodling,
basically, is
patching and
playing
modular
synthesizers.<br>
I often call
patches
noodles when
they are self
playing
patches
without any<br>
hand
manipulation
or computer
control…and
not sounding
like a looping
16 step
sequencer…something
that keeps
evolving by
itself.<br>
<br>
<br>
<font
color="#66cccc">
Q: Is there a
difference
between
Noodles and
Drones?</font><br>
<br>
Dennis: Well a
noodle could
be a drone
actually and a
drone a
noodle.<br>
But basically
a noodle for
me is an
automatic
continuous
changing patch
which <br>
could be
rhythmic or
melodic…or a
combination of
all above. But
a drone is <br>
basically a
one note tone
or chord which
slowly evolves
due to a vcf
filter,<br>
pulse width or
wave-shape
modulation for
example.<br>
<font
color="#66cccc"><br>
<br>
Q: Why is the
term Noodling
used and not
Spaghetti-ing
for example?
Just<br>
because it is
easier to
pronounce or
is there
another
reason, maybe
even a<br>
more sinister
one?</font><br>
<br>
Dennis: I
think
spaghetti
somehow sounds
more like a
mess and
noodling
cooler.<br>
Noodles are
nicer to eat
then spaghetti
anyway!<br>
<br>
<font
color="#66cccc"><br>
Q: How did you
get involved
with the
mysterious
Japanese
Doppelgänger
label<br>
where you did
your first
release…can
you tell us a
bit who is
behind it and
<br>
have you ever
played there
or want to in
the future?</font><br>
<br>
Dennis: At the
time i
contacted
Koichi
Watanabe i was
using some
Buchla 100<br>
VCO's and a
bandpass
filter
together with
my Wiard. I
was doing some
deep<br>
spacious drone
stuff and i
had some stuff
done. So i was
looking into
labels<br>
and
doppelgänger
was one of the
labels i did
email. In the
email i had an<br>
example of the
stuff i did
and Koichi
Watanabe
replied me
that he wanted
to <br>
release it on
his label. So
that's
basicaly how i
got a release
there.<br>
<br>
<font
color="#66cccc"><br>
Q: What is the
oldest machine
you own?</font><br>
<br>
Dennis: My
oldest machine
is a Rhode
& Schwarz
Abstimmbarer
Anzeigeverstärker
<br>
UBM. Well
actualy i
currently own
6 of them.
These were
made from 1955
until<br>
somewhere
halfway the
1960s.
Official these
aren't "real"
instruments
but <br>
made to test
telephone-lines.
They are
bandpass
filters with
resonance and<br>
build with
tubes. Karl
Heinz
Stockhausen
used them
probably first
in a <br>
musical way in
his
compositions
in the end
50s.<br>
The oldest
"real" synth
piece i
currently is i
think my
Oberheim SEM.<br>
But the oldest
i owned in the
past was a
Buchla/CBS
modular from
1968.<br>
<br>
<font
color="#66cccc"><br>
Q: Your alias,
Mono-Poly
seems a bit
odd as this is
not a Modular
Synth, was <br>
this one of
your
synthesizers?
How do you
compare that
synth nowadays
with the<br>
stuff you have
now?</font><br>
<br>
Dennis: The
Korg Mono/Poly
was the first
monophonic
analogue
synthesizer i
<br>
ever owned.
And i think
the 3rd
synthesizer i
ever owned.
The first one
was a<br>
Crumar Bit One
(bought
because it had
midi)
And the second
one a Roland
JX3P<br>
with a PG-200.
I think the
Mono/Poly is
still an
interesting
synth and the
<br>
voicing
switching and
modulation
possibilities
are pretty
good!<br>
<br>
<br>
<font
color="#66cccc">Q:
Do you use
scales at all
or do you
embrace the
total freedom
of stepless<br>
frequencies
that modular
synths can
provide? <br>
</font><br>
Dennis: It
depends,
but for the
past years
i've been
using
quantizers
quite <br>
often to keep
notes in minor
or major
scales. (A
Quantizer is a
module that <br>
automatically
quantizes a
"wild" untuned
pitch into a
pitch of a
musical <br>
scale)<br>
<font
color="#66cccc"><br>
<br>
Q: Do you see
yourself as a
explorer of
sound…if so
what have you
discovered <br>
so far (in
terms of
sounds, music
and the
influence it
has on the
mind, did<br>
you ever have
a mystical
experience
with sound?<br>
</font><br>
Dennis: I
think i'm an
explorer of
sound but also
of patterns.<br>
I'm not really
sure how to
describe
discoveries
but i think
sounds and<br>
soundscapes
really play
with your
mind.
Sometimes
people come up
with<br>
complete
story-lines
when they
listen to
stuff. And i
think we all
do. Don't<br>
we? I think it
works really
well when
you're a
painter.<br>
Because i am a
painter too.
But i don't
use paint but
sine and
square waves.<br>
<br>
<br>
<font
color="#66cccc">Q:
And where do
you want to
take your
exploring, are
there any
unknown, un-<br>
mapped areas
in sound you
want to seek
out?</font><br>
<br>
Dennis: I want
to discover
new worlds.<br>
<br>
<font
color="#66cccc"><br>
Q: Are you
aware of any
frequencies
that can
influence the
brain? Like
for <br>
example
certain low
frequencies
around 19HZ
make people
feel
uncomfortable,
<br>
scared that
something is
around
them…like they
are being
haunted…did
you <br>
ever
experience
something like
that? Or plan
to do some
experiments?</font><br>
<br>
Dennis: Well
offcourse
frequency's
work on your
brain.<br>
Everyone
knows…and
there are even
goverements
doing research
experiments to<br>
break or make
people with
sound/frequencies.
Like torturing
people at<br>
Guatomale Bay
while playing
Skinny Puppy!
I never
experimented
with it<br>
yet but i will
for sure!<br>
<br>
<br>
<font
color="#66cccc">Q:
You have been
playing abroad
quite a few
times now with
your modular <br>
synths at
festivals and
stuff…?</font><br>
<br>
Dennis: I am a
resident at
Freerotation
Festval in
Wales (going
4th<br>
year now).
Last year was
actually super
fun and at
Sunday i did a
jam sesion<br>
with Cary
Grace which is
an amazing
Woman. She's
an awesome
musician,
singer <br>
and she builds
Wiard modular
synthesizers.
Further more i
play a few
times <br>
each year in
Brussel which
got a good and
nice modular
scene. I also<br>
played in
Kuru, Estonia
last year.<br>
<br>
<br>
<font
color="#66cccc">Q:
When you
travel with
your modulars,
especially
when you
travel by air-<br>
plane, I can
imagine it can
be difficult
at airports,
have there
ever been<br>
any problems
with security?</font><br>
<br>
Dennis: When i
fly back from
Berlin, Tegel
they always
take me out of
the<br>
cue into a
seperate room
for further
investigation.
The best thing
i <br>
learned is
tell them
you're a DJ.<br>
Mostly there
aren't any big
problems at
airports. But
last year when
I <br>
flew to
Tallin,
Estonia to
play at Kuru.
I got there
without a
problem.<br>
Got picked up
at the airport
went to the
festival in
the middle of
the<br>
woods, about 2
hours from the
city. On
Saturday i
wanted to
power up the <br>
modular and it
didn't work at
all. This kind
off stuff
happens always
<br>
happen. But
after some
further
inspection i
noticed that
the
powersupply's<br>
were broken. A
coil on the
pcb was broken
off and the
housing of the
Coil<br>
was broken.<br>
<br>
There i was in
the middle of
nowhere and
only 50% of
the modular
was<br>
working. At
first i was
focused on
getting a new
power supply.
But i<br>
realised that
wasn't
possible....we
were in the
middle of
nowhere.<br>
<br>
So somehow I
got this very
old rusty
soldering iron
from a farm
and we<br>
arranfed some
super glue. We
didn't had
solderpaste or
anything but I<br>
managed to get
it working!<br>
The rest of
the weekend in
Estonia was
amazing and I
ended up doing
a<br>
last show a
few hours
before my
flight back
somewhere in
the Harbor<br>
of Tallin.<br>
<br>
<br>
<font
color="#66cccc">Q:
Apart from
doing your
music you also
have been
doing the
noodle bar <br>
events which
have grown as
an interesting
get-to-together
for many dutch
<br>
modular freak
and
enthiousast…can
you tell us a
bit about
these nights?
<br>
Who have
played so far
etc.?</font><br>
<br>
Dennis: In
2012 i was
struggling
with being
annoyed that
there was not
<br>
really a good
electronic
(modular)
experimental
scene here at
all. In<br>
August 2012 I
started with
the first
Noodlebar on a
Sunday at the
old BAR<br>
at the
West-Kruiskade
in Rotterdam.
It was just a
bit of modular
fun in the <br>
back of an old
bar. January
2013 BAR moved
to their
current
location and<br>
things got
better. We
also could
play a bit
louder and we
got more
organized<br>
as a Noodlebar
team.<br>
At the end of
2014 i decided
to leave BAR
and in Januari
2014 we
started<br>
doing our
events at
Roodkapje. And
we're still
doing shows at
Roodkapje now<br>
every month.
But also
sometimes
party/festival
organizers
come to me<br>
because they
have a room or
a day when
they want me
to program a
Noodlebar<br>
and bring some
artists and
organize it.<br>
<br>
So far we had
a few well
known artists
like Das Ding
and Stefan
Robbers from<br>
the Acid
Junkies...
Also lots of
Artists which
aren't that
well known but
<br>
really deserve
to be
mentioned:
Gein, Rip-It,
Rumatov,
Ruistuin,
Jenamu6 with <br>
Jenoer and
Stanislav,
Zenn,
Falafelbiels
and all others
i've
forgotten!<br>
<br>
Newsupdate
just in:<br>
The noodlebar
is going to
move from the
roodkapje
building to a
new more <br>
permanent
location which
will also
include a
workshop <br>
<br>
Check out the
Noodlebar
homepage here:
http://noodlebar.org!<br>
<br>
<font
color="#66cccc">
Thank u Dennis
Mono-Poly for
this
interview.</font><br>
<br>
<br>
MONO-POLY
SELECTED GEAR
LIST:<br>
-----------------------------<br>
<br>
BUCHLA MUSIC
EASEL<br>
BUCHLA 100
& 200
series<br>
FENIX XL
(prototype of
the Fenix 1
& 2)<br>
SERGE/CGS 5
panel suitcase<br>
Lots of
1960s/70's
laboratory
equipment like
filters,
oscillators<br>
and weird
stuff. <br>
<br>
HARRY PLOTTER
- this is an
intriguing
machine, sort
of a printer
that<br>
directly
prints sound
into graphical
waveforms on
paper,
creating
little <br>
artpieces
which you can
actually
purchase here
for very
modest prices:<br>
<font
color="#339999">http://www.harryplotter.nl</font><br>
<br>
<br>
MONO-POLY
SELECTED
DISCOGRAPHY:<br>
-------------------------------<br>
<br>
Zond3 - Proton
K
(Doppelganger
Records CD
2008, Japan)<br>
<br>
Mono/Poly -
Atlantic Storm
(Strange Life
Records CD
2009 Holland)<br>
<a
target="_blank"
href="https://www.youtube.com/watch?v=EH9Cjxs5vbk"><font color="#339999">https://www.youtube.com/watch?v=EH9Cjxs5vbk</font></a><br>
<br>
Mono/Poly -
AniTsalagi
Svnoyihi (205
Recordings CD
2011 Sweden)<br>
</font> </font><br>
<br>
<font
color="#3366ff">=============================================================================<br>
<font
color="#33cc00"><br>
<font
color="#ccffff"> _
_
_
_
_
_
_
_
<br>
|
|__
__ _| | | |
(_) __ _| |__
| |_ _ __ (_)_
__
__ _ <br>
| '_ \ / _` |
| | | | |/ _`
| '_ \| __| '_
\| | '_ \ / _`
|</font><br>
<font
color="#66ffff">|
|_) | (_| | |
| | | | (_| |
| | | |_| | |
| | | | | (_|
|</font><br>
<font
color="#33ccff">|_.__/
\__,_|_|_|
|_|_|\__, |_|
|_|\__|_|
|_|_|_|
|_|\__, |</font><br>
<font
color="#3366ff">
|___/
|___/ </font><br>
<font
color="#ccffff"> _
_
_
<br>
| |_|
|__
___
___ _
__(_)
___
___
<br>
| __| '_ \ / _
\/ _ \| '__|
|/ _ \/
__| </font>
<br>
<font
color="#66ffff">|
|_| | |
| __/
(_) | |
| |
__/\__
\ </font>
<br>
<font
color="#33ccff"> \__|_|
|_|\___|\___/|_|
|_|\___||___/ </font>
<br>
<font
color="#ccffff">
____ . .<br>
___/ .
\____/</font><br>
<font
color="#66ffff">\____/
.
____/
\
. . </font><br>
<font
color="#33ccff">
\
/
</font>
<br>
<font
color="#ffffff"> <font
color="#3366ff"> \ </font> ______</font> <font
color="#ffccff">---
___ _ _
_
__
_</font><br>
<font color="#ccffff"> \</font> <font
color="#ffffff">/ ..\</font> <font color="#ff99ff">_________________
_ _ _
_
_ _ _
_ </font>
<br>
<font
color="#66ffff"> / </font> <font color="#ffff00">/
..\</font> <font
color="#cc33cc">- --- - - - --</font><br>
<font
color="#33ccff">\___\_</font>
<font
color="#ffff00">|
.. |</font>
<font
color="#993399">--------
___ _
_
_
__ _
_
</font><br>
<font
color="#3366ff">
/ </font>
<font
color="#ffcc00">|
... |</font><font
color="#663366">____ _ _ _ _ _ </font><br>
<font
color="#ff9900">\
....../</font>
<font
color="#660000">_________
----- -
- -- -
- - </font>
<br>
<font
color="#ff6600">\______/</font><font
color="#330033"> -- - -- -----</font><br>
<br>
<br>
<br>
<font
color="#33ccff">The
phenomena of
the mysterious
Ball Lighting
is still
unexplained
and <br>
puzzling
scientists the
world over.
For many years
science
disregarded <br>
ball lightning
as a fairytale
and
psuedoscience.
<br>
<br>
If you are
unfamiliar
with this
phenomenon:<br>
Ball Lightning
is a
spherical,
globular ball
of fuzzy
"lightning"
that <br>
floats and
moves around
for a
considerable
amount of
time. They can
move <br>
straight
through walls,
windows and
metal and will
keep their
cosistency.<br>
They can be
anywhere
between a few
centimeters to
meters in
diameter and<br>
they have been
reported all
around the
world.<br>
<br>
In the past
decades it has
become clear
that ball
lightning is a
very<br>
real phenomena
and many
studies have
been conducted
investigating
them.<br>
Many
laboratory
experiments
have been done
to recreate
the ball
lightning<br>
to some
degree,
including one
with a
microwave
which you can
do yourself!<br>
(see below).<br>
<br>
But giving
similar
results
doesn't mean
it is the real
deal...it is<br>
unknown if
these
laboratory
creations
resemble the
real ball
lightning.<br>
We simply
don't know
what is going
on...we just
know they
exist: There<br>
is a
considerable
amount of
collective eye
witness
reports and
photo-<br>
graphic
evidence.<br>
<br>
Here are some
theories
concerning the
origins of
ball
lightning:<br>
<br>
<font
color="#66ffff">
ANTIMATTER
METEOR<br>
<font
color="#33ccff">An
hypothesized
speculation
that comets or
meteoroids
exist that are<br>
made out of
antimatter
instead of
normal matter.
So
occasionally
these<br>
metereoids hit
the earths
atmosphere and
become ball
lightning.<br>
More
information
here <a
target="_blank"
href="http://en.wikipedia.org/wiki/Antimatter_comet">http://en.wikipedia.org/wiki/Antimatter_comet</a></font><br>
<br>
</font><font
color="#66ffff">MICROSCOPIC
BLACK HOLES</font><br>
A theory that
ball lightning
is a supertiny
primeordial
microscopic<br>
black hole. As
they pass
through the
earth they
appear as the
balllightning.
<br>
</font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></small></font><font
color="#33ff33"><small><font face="Courier"><font
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color="#33cc00"><font color="#33ccff">
<title></title>
Mario
Rabinowitz of
Stanford
University
wrote a paper
on the subject
you <br>
can read here:
<a
target="_blank"
href="http://arxiv.org/pdf/astroph/0212251.pdf">http://arxiv.org/pdf/astroph/0212251.pdf</a><br>
<br>
<font
color="#66ffff">TRANSCRANIAL
MAGNETIC
STIMULATION</font><br>
Ball lightning
seems to be
very similar
to certain
hallucinations
ex-<br>
perienced by
people who
have
epileptical
seizures in
the occipital
lobe.<br>
These seizures
can be
triggered by
the force of a
lightning
strike: its <br>
intense flash
and magnetic
field burst
could excite
the neurons in
the<br>
brain.<br>
This is
however
questionable
as ball
lightning has
been
photographed <br>
and filmed.
Also, when it
occurs it is
witnessed by
everyone. That<br>
would mean
these people
are
experiencing a
"collective
hallucination"<br>
of something
that is
behaving the
same in the
mind of all
observers.<br>
<br>
<font
color="#66ffff">PROJECT
CONDIGN:
BUYANT PLASMA
HYPOTHESIS</font><br>
A recently
declassified
secret study
by the British
Defence
Intelligence <br>
on UFO's
"concluded"
that the
existence of
them as such
is
indisputable,
<br>
but that their
origin is not
extraterrestrial
but most
feasably <br>
"supernormal"
weather/atmospheric
phenomena that
are not yet
understood. <br>
One of these
is "Buyant
Plasma
Formation"
which creates
ball lightning<br>
effects
through some
kind of
plamsic energy
field whatever
that means.<br>
It even goes
as far
claiming these
Byant Plasma
formations can
induce<br>
livelike
hallucinations
of close
encounters,
akin to the
transcranial<br>
magnetic
stimulation
theory.<br>
You can read
the Project
Condign report
here: <br>
<a
target="_blank"
href="http://www.uk-ufo.org/condign/condscan.htm">http://www.uk-ufo.org/condign/condscan.htm</a><font
color="#66ffff"><a href="http://www.uk-ufo.org/condign/condscan.htm"> </a><br>
<br>
<font
color="#ffccff">BALL
LIGHTNING
EXPERIMENT IN
YOUR OWN
KITCHEN!<br>
<font
color="#ff99ff">BALL
LIGHTNING
EXPERIMENT IN
YOUR OWN
KITCHEN!</font><br>
<font
color="#cc66cc">BALL
LIGHTNING
EXPERIMENT IN
YOUR OWN
KITCHEN!</font><br>
</font></font><br>
dissclaimer: I
am not
responsible if
you burn down
your house or
create<br>
interdimensional
portals or
f*ck up the
time space
continuum.<br>
if you do this
experiment -
its at your
own risk.<br>
<br>
</font> </font><font
color="#33ccff">What you need:<br>
--------------<br>
1 knife<br>
1 grape<br>
1 glass<br>
1 microwave
oven<br>
<br>
cut the upper
top from the
grape and make
a vertical
incision
through the<br>
grape but
leave the
bottom part
together, like
this...we used
a green <br>
grape but you
can ofcourse
use any color
you want:<br>
<br>
</font>
grape is cut
as follows:<br>
<font
color="#33ff33">____</font><br>
<font
color="#99ff99">/____\ </font> <font
color="#66ffff"> | incision</font><br>
<font
color="#33ff33">____</font> <font
color="#66ffff"> _ _ _ _ _ cut </font>
<br>
<font
color="#33ff33">/
\</font>
<font
color="#33ff33">____
__</font> <font
color="#66ffff">|</font><font color="#33ff33"> __</font><br>
<font
color="#33cc00"> |
|
|
|
| |
| |</font><br>
<font
color="#009900">|
|
|
|
| |</font><font
color="#66ffff">|</font><font color="#009900">| |</font> <br>
<font color="#006600">
\____/
\____/
\_______/</font>
<- leave
bottom part
intact.<br>
<br>
<font
color="#33ccff">Now
place the
grape under a
glass in the
microwave:</font><br>
<br>
<font
color="#ffffff"> ____<br>
/
\<br>
/
\</font><br>
<font
color="#ccffff">
/
\ </font><br>
<font
color="#66ffff">/</font>
<font
color="#33ff33">.
.</font> <font
color="#66ffff"> \</font><br>
<font color="#33ccff"> / </font>
<font
color="#33cc00">||||</font>
<font
color="#33ccff">\</font><br>
<font
color="#33ccff">/_____</font><font
color="#009900">\__/</font><font color="#33ccff">_____\</font><br>
<font
color="#ffff00">______________________________</font><br>
<br>
<font
color="#33ccff">And
turn on the
microwave and
watch the
genesis of a
ball
lightning!<br>
Ofcourse we
really don't
know if this
actuall ball
lightning,
what we do<br>
know is that
you just
created a
plasma
ball...which
kind of looks
like it.</font><br>
<br>
<br>
=============================================================================</font><br>
<font
color="#ff0000">
_
__
_
<br>
_ __ __
_ ___| |_ __ _
/ _| __ _ _
__(_) __ _ _
__
<br>
| '__/ _` /
__| __/ _` |
|_ / _` | '__|
|/ _` | '_
\ </font>
<br>
<font
color="#ffff00">|
| | (_| \__ \
|| (_| |
_| (_| |
| | |
(_| | | |
| </font>
<br>
<font
color="#66ffff">|_|
\__,_|___/\__\__,_|_|
\__,_|_|
|_|\__,_|_|
|_| </font>
<br>
<br>
<font
color="#ff0000">
_
___
_
<br>
__
_____ _
__ __|
|___
( _
)
_ __ |
|__ _ __
__ _ ___
___ ___
<br>
\ \ /\ / / _
\| '__/ _` /
__| / _
\/\ | '_ \| '_
\| '__/ _` /
__|/ _ \/ __|<br>
<font
color="#ffff00"> \
V V /
(_) | | | (_|
\__ \ |
(_>
< | |_) | |
| | | | (_|
\__ \
__/\__ \</font></font><br>
<font
color="#66ffff">
\_/\_/
\___/|_|
\__,_|___/
\___/\/ |
.__/|_|
|_|_|
\__,_|___/\___||___/<br>
|_|
</font>
<font
color="#99ff99"><br>
</font>
<font
color="#66ffff">
||||||||||||</font><br>
<font
color="#ff99ff">
////////////
/\
________
,<br>
||||||||||||____/
_\____
_/___
\\\
//<br>
////////////
\ /
/
/
\\\\
\\</font><br>
||||||||||||<font
color="#ffffcc"><font color="#ffff00">
\
\/
\
\\\\________-------,
//
<br>
////////////
/
\
\_____
\\
\
\\ </font><br>
<font
color="#33cc00">||||||||||||
/___
____\
/
/</font></font><font
color="#33cc00">
\
\\
////////////
\
/
/
/
\
/
//<br>
||||||||||||
\/
,------____/
_/
,-----___\
\___//
</font><br>
<font
color="#006600">///////////
///____________/_____\\\_______________----'</font><br>
<br>
<br>
<font
color="#33ff33">The
Rastafarian
language also
called Iyaric,
Livalect or
Italk is a
very <br>
interesting
phenomena in
the
linguistics
world. It is a
dialect of
English but <br>
pushes it
forward with
some
intruiging
concepts.<br>
<br>
It uses the
idea of
"WORDSOUND", a
concept where
the sound of a
pronounced <br>
word, or its
written name
is thought to
have powers
and hidden
meaning. Words
<br>
have higher
realities and
should never
be spoken
carelessly or
withouth
thought.<br>
"It is a
conjuction of
mind, heart
and tongue to
project
positive and
enlighted<br>
concepts of
thought and
heart"<br>
<br>
The power of
words can be
changed:
negative
sounding words
have to become<br>
more postive
within their
meaning and
viceversa.
Words are thus
changed if its
<br>
pronouncation
or written
name does not
comply with
its meaning.<br>
<br>
For example:<br>
<br>
Appreciate
becomes
Apprecilove,
because "ate"
sounds like
hate.<br>
<br>
Dedication
becomes
Livication
because "Ded"
sounds like
dead.<br>
<br>
Concept
becomes Incept
because "con"
has a negative
meaning<br>
<br>
Understanding
becomes
Innerstanding
because
"Under"
doesn't fit
the meaning<br>
of the word.<br>
<br>
Oppressor
becomes
Downpressor
because "Op"
is related to
up and its
vibration<br>
is too
positive for
such a
negative word.
<br>
<br>
Invention
becomes
Outvention for
mechanical
things -
because a
machine is <br>
seen as
outward, it is
not "in the
mind", but for
a more
spiritual
concept like<br>
Rastafarianism
you can use
Invention,
because it
comes from the
innermind.<br>
<br>
<br>
More words and
phrases:</font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></font></small></font><font
face="Courier"><font color="#cc0000"><font color="#ff0000"><font
color="#ffffff"><font color="#ff0000"><br>
<br>
<font color="#33ff33"><small><font face="Courier">Irie -
Good, positive, peacefull emotions.<br>
<br>
Ax / Aks - To Ask<br>
<br>
Creation Stepper - Means you step it in and
throughout Babylon withouth fear -<br>
cutting edge, living on the edge, fearing no foe.
Looking Justice in the eye<br>
and saying what are you doing?" as said by Clinton
Fearon.<br>
<br>
</font></small></font><font color="#33ff33"><small><font
face="Courier">Bong Belly Pickney - A gluttonous
little fat brat <br>
<br>
Babylon - The corrupt establishment, the system,
church, state, the police<br>
<br>
Cool Runnings - Rastafarian term for "have a safe
journey"<br>
<br>
Polytrickster - A Politician<br>
<br>
Whore of Babylon - Queen Elizabeth II<br>
<br>
Scientist - Occult practioner<br>
<br>
Leggo Beas - Wild, Disorderly, like an uncaged
ferocious animal<br>
<br>
First Light - Tommorow<br>
<br>
I an I - term for Me, Myself, I <br>
<br>
I-Wah time - What Hour or What is the Time?<br>
<br>
I-nerversity - Your unexplored mental universe,
self teaching<br>
<br>
Wolf - Non rasta dreadlocks<br>
<br>
Sight? - Do you understand?<br>
<br>
Chalice - Rastafarian Bong made out of a hollow
coconut<br>
<br>
Bandulu Bizness - a racket, swindle<br>
<br>
<br>
<font color="#3366ff">=============================================================================</font><br>
<font color="#ffffff"> _
_
_
<br>
| |__ ___ _ __ __
_ | | _____ _ __ __ _(
)__ <br>
| '_ \ / _ \| '_ \ / _` | | |/ / _ \| '_ \ / _`
|/ __| </font><br>
<font color="#ffccff">| | | | (_) | | | | (_| |
| < (_) | | | | (_| |\__
\ </font> <br>
<font color="#cc33cc">|_| |_|\___/|_| |_|\__, |
|_|\_\___/|_| |_|\__,
||___/ <br>
|___/
|___/
<br>
</font><font color="#ffffff"><font
color="#cc33cc">
_
_
_
</font>_ <br>
___| | ___ ___| |_ _ __
___ | |_ _ __ __ _ ___|
|__ <br>
/ _ \ |/ _ \/ __| __| '__/ _ \ | __|
'__/ _` / __| '_ \ </font><br>
<font color="#ffccff">| __/ | __/ (__|
|_| | | (_) | | |_| | | (_| \__ \ | | | </font><br>
<font color="#993399"><font color="#cc33cc"> \___|_|\___|\___|\__|_|
\___/ \__|_| \__,_|___/_|
|_|</font> <br>
</font><br>
<font color="#ffffff"> _
_
<br>
| |__ _ _ _ __ |
|_
<br>
| '_ \| | | | '_ \|
__| </font>
<br>
<font color="#ff99ff">| | | | |_| | | | |
|_ </font>
<br>
<font color="#cc33cc">|_| |_|\__,_|_|
|_|\__|
<br>
</font>
<br>
<br>
A report on gear-hunting activities in Asia's
world city from our special <br>
reporter in Hong Kong BoeufStroganoff:<br>
<br>
Living in Hong Kong has its advantages and
disadvantages. <br>
<br>
The city is build in a very dramatic fashion. It
is a string-shaped city,<br>
sandwiched between the sea and jungle-ish
mountains, and high-rise buildings <br>
pop up wherever there is a piece of land flat
enough not to be hazardous to<br>
live on. Every squared centimetre is busy and
people "live" in rabbit cage-<br>
like apartments. There is just no space in the
city.<br>
<br>
Hong Kong is also addicted... to cash. Money flows
in here like sweet drug in <br>
the veins of a shemale crackwhore. It is
constantly on people's mind, turning <br>
them into money zombies.This kind of created a
society landscape that doesn't<br>
contain all the flavours you would find in a more
balanced society. You meet a <br>
lot of bankers, import-export guys, fashion
industry bitches, vacuous appear-<br>
ance-related people or Chinese factory
coordinators,... but never will you <br>
meet any astrophysicists, biomedical-scientist,
anthropologist and of course<br>
very few artists or musicians. Rent is so
damn high that you just can't <br>
afford having a non-conventional lifestyle.
Artists are not rich enough to<br>
dedicate a room of their tiny apartment to make
big metal sculptures, a paint<br>
studio or a music studio with machines instead of
just a laptop computer. As a consequence, the
city's cultural offer sucks big time. <br>
<br>
But all this has created a unique setup for
someone like me.<br>
<br>
There's a neighbourhood in Hong Kong called Sham
Shui Po. It used to be one of<br>
the poorest district of Hong Kong, but it's under
heavy gentrification lately.<br>
It's a place where you can find a lot of
electronic stores, second hand shops,<br>
LED's, photography gear and a few block of
electronic junk places. <br>
<br>
I call them "places" because I have never
understood if they were shops or not, <br>
since sometimes people would yell at you to get
the fuck out (in cantonese), <br>
but a week after the same people are happy
to make business with you. It is <br>
especially good after dark, because you'll have a
lot of people running around<br>
with electro junk and sitting on a pile of
cassette recorders smoking, drinking <br>
and gambling in exotic languages. It has some ´
rebel spaceport market on an <br>
asteroid ª kind of a vibe to it, and it is the
only true multicultural district <br>
of Hong Kong in that regard.<br>
<br>
Anyway, those places are basically just piles of
TVs, aircon units, DVD players <br>
and all sort of weird machines that come here to
die. It feels like an electronic<br>
machine death row, the last place where they are
stocked before being pulled <br>
apart. They can hear the sound of the electric
screw driver, the same way cows <br>
and pigs can hear screams of animal being killed
at the slaughterhouse. <br>
<br>
Some of those machines will be offered a second
chance though. Maybe a black <br>
Jesus will save them, by buying and putting them
into a container bound to an <br>
exotic African country, where they can be repaired
and enjoy a nice sunny <br>
lifestyle or something. Shipping junk to Africa
seems to be a big business here.<br>
<br>
Where am I going with all this ?<br>
<br>
Well, since there is only a handful of people
making music in this place, and<br>
especially making music with actual space-hungry
gear, this is kind of a <br>
paradise for gear-hunting activities. But forget
about mint condition. Whatever<br>
you can find here will be run down, missing limbs,
or mentally deficient.<br>
But dirt cheap !!<br>
<br>
One cannot describe the pleasure of finding unique
musical gems amongst dead <br>
80's karaoke amplifiers. You can never predict
what you will find, and many <br>
trips are unsuccessful, but there are some good
picks. Like this Pearl <br>
syncussion SY-1 analog drum synth I found on top
of some poor plasma TVs. <br>
The guy didn't know what it was and got it for a
ridiculous (small) amount <br>
of money. The wood is destroyed, the metal has
dents everywhere, but plug <br>
it in and it makes amazing bliiip and pooings, as
to thank you for having <br>
rescued it. Inspiring bubbly drone-ish tones can
be achieved with it.<br>
<br>
Once I saw a concrete-covered Roland super-JX,
barely recognizable (4 euros). <br>
Turned out that when I removed the concrete, it
was rusted to the extreme as <br>
if it stayed under acid rain for a few years.
Considering it's state, I have to <br>
say that I was quite surprised to see it turning
on and making sweet melancholic<br>
pad sounds flawlessly. Has the machine
acquired new deep sound quality because <br>
of it's difficult life experience ?<br>
<br>
Sometimes making a deal is difficult, because of
the locals not willing to deal <br>
with gweilos ("white ghost" in cantonese, used to
describe westerners). I had to<br>
lie to an old lady who was not willing to let me
save a Siel DK80 from certain destruction. I told
her I made an arrangement with her boss previously
and that <br>
she's going to get in trouble for not letting me
have it. <br>
The concept of ethic becomes blurry when one see a
machine with a Chord Memory <br>
function.<br>
<br>
A Tama TS202 and the almighty AMS RMX16 reverb
where once sold to me for a <br>
price fixed by the weight of the metal. The RMX16
is still in a coma state <br>
but I'm sure it will rise one day.<br>
<br>
It is such a great way to tap into a new sound
source as you're bringing home <br>
weird sound modules you would never find anywhere
else. Ever heard of the Kawai <br>
Phm pop synth module ? Or the Yamaha PTX8 Drum
synth ? Great at making dark <br>
electronic oil refinery drum sounds. Or the
strange and elegant Tascam CF-20 <br>
dual analog flanger/chorus rack module.<br>
<br>
I could also talk about a couple of ensoniq ESQ1
keyboards in a special asian <br>
version build by suzuki, sold for less than the
price of a single CEM chip, of<br>
which it contains 8 units (I made this random
patch generator for it and it <br>
sounds just like an episode of Ulysse 31).
Sweet...<br>
<br>
Or the 50 euro deal for a Roland D50 and a Korg M1
that a Nigerian dude helped <br>
me secure with a reluctant canto boss. Nigerians
junk dealers and Cantonese<br>
Chinese seem to be able to communicate in a weird
form of mutated transgenic<br>
english, a language I'm not familiar with
unfortunately.<br>
<br>
Or an amazing sounding BOSS DM300 analog echo that
i bought "just because I <br>
need those big black and orange knobs for an art
project" for 3 euros. <br>
BTW, If you see one of these passing by, get it on
the spot, you'll never <br>
regret it. Juicy soft distorted feedback sound
that can beef up the thinnest <br>
sound.<br>
<br>
Anyway, loads of unexpected finds in that hood...
Replace some fuses, turn <br>
the machines on and if you don't die from an
electrical shock, a new sound <br>
palette is offered to you, with scratchy pots and
digital glitches as extra <br>
bonus. It's like seeing new colors in the rainbow
or something. I don't lust <br>
after vintage legendary analog synth anymore. Now
my thrill is to find the <br>
most obscure, unknown, off-market sound module and
make electricity pass <br>
through its circuits again, after all those years
in a dark, warm and humid, <br>
rat infested Hong Kong warehouse. Not to mention
that it actually helped me <br>
learning some Cantonese which is a fucking
difficult language. One may also <br>
learn a lot about their negotiation techniques,
which consist mostly in <br>
smoking some hardcore chinese cigarettes, and
faking being busy and annoyed <br>
when you try to show interest in a piece of crap.
<br>
<br>
Nobody seems to be interested in old gear in this
city, which is super duper<br>
cool for me, but eventually those old bastards
keep filling up the space in <br>
my tiny tiny place. I need more money to afford a
bigger place !<br>
<br>
If one of you guys ever visit Hong Kong, and
unlike mushroom hunting <br>
afficionados, I'll be happy to offer a tour of the
best "places"<br>
(contact the editor )<br>
<br>
BoeufStroganoff<br>
<br>
some pics here : <a target="_blank"
href="http://www.thomasbouffioulx.com/hktrash.html">http://www.thomasbouffioulx.com/hktrash.html</a><br>
<br>
<font color="#3366ff">=============================================================================<br>
<font color="#ffffff"> _
_
_
<br>
| |__ _ __(_) __ _ _
__ ___ _
__ ___(
)__
<br>
| '_ \| '__| |/ _` | '_ \ / _ \ '_
\ / _ \/ __|</font>
<br>
<font color="#66ffff">| |_) | | | | (_| |
| | | | __/ | | | (_) \__
\ </font>
<br>
<font color="#33ccff">|_.__/|_|
|_|\__,_|_| |_| \___|_|
|_|\___/|___/ </font>
<br>
<br>
<font color="#ffffff"> _
___ ___
____
_
_
_
<br>
/ |/ _ \ ( _ )___ \ __ _ _
__ ___ | |__ (_) ___ _ __ |
|_ </font>
<br>
<font color="#ccffff">| | (_) |/ _ \ __) |
/ _` | '_ ` _ \| '_ \| |/ _ \ '_ \|
__| </font>
<br>
<font color="#66ffff">| |\__, | (_) / __/
| (_| | | | | | | |_) | | __/ | | |
|_ </font>
<br>
<font color="#33ccff">|_| /_/
\___/_____| \__,_|_| |_|
|_|_.__/|_|\___|_| |_|\__| </font>
<br>
<br>
<font color="#ffffff">
_
_
<br>
___ _ __ ___ __ _| |
_____ _ __ ___ _ _
___| |_ ___ _ __ ___ <br>
/ __| '_ \ / _ \/ _` | |/ / _ \ '__| / __| | |
/ __| __/ _ \ '_ ` _ \ </font><br>
<font color="#ccffff">\__ \ |_) | __/ (_|
| < __/
| \__ \ |_| \__ \ ||
__/ | | | | |</font><br>
<font color="#33ccff">|___/ .__/
\___|\__,_|_|\_\___|_|
|___/\__, |___/\__\___|_| |_| |_|<br>
|_|
|___/
<br>
<br>
<font color="#ffffff"> .
. . . . . . ............... . . . . . . .</font><br>
<font color="#ccffff">. . . . . . .
........... . . . . . . . </font><br>
<font
color="#66ffff"> . . . . . . . ....... . . .
. . . . </font><br>
. . . . . . . ... . . . . . . .<br>
<font
color="#3366ff"> . . . . . . . .
. . . . .</font><br>
<font
color="#3333ff"> . . . . . . . .
. . . <br>
</font><br>
<br>
These are instructions on how to build a
surround "ambient" speaker system <br>
with just a normal -2 speaker- setup and one
extra cheap speaker. They could <br>
be found on the liner notes of the 1982 Brian
Eno Ambient 4:On Land record.<br>
It is a very simple trick with some quite
impressive results and makes <br>
your listening experience way more dynamic and
adventerous.<br>
<br>
Although Brian Eno claims he discovered this
"by accident" it was really <br>
originally invented in the early 1970s by
David Hafler as a cheap way to get<br>
ambient surround sound by means of "passive
psuedo-quadraphonics", it is known <br>
originally as the "Hafler Hookup". Naughty
Brian Eno! But because Ambient 4 On <br>
Land is such a good album we will see it
through the fingers, as they say in <br>
Holland.<br>
<br>
What you need:<br>
----------------<br>
(oldschool) HIFI Amplifier + left & right
speaker, not one of those new<br>
stupid MP3 boombox Guido babyroom toys.<br>
<br>
________________________________<br>
|
|<br>
| o o
o o (
) ( ) |<br>
|
|<br>
| []
- - - - - - |<br>
|________________________________|<br>
======
=====<br>
<br>
One extra loudspeaker, less powerfull then
above, not giving too much<br>
bass.<br>
<br>
speaker cable<br>
<br>
<br>
Instructions:<br>
----------------<br>
<br>
AMBIENT 4 ON LAND Liner notes - An Ambient
Speaker System:<br>
<br>
I regard this music as environmental: to be
experienced from the inside.<br>
Accordingly I considered releasing a
quadrophonic version of it, an idea I <br>
abandoned upon realising that very few people
(myself included) own quadra-<br>
phonic systems.<br>
<br>
However, I have for many years been using a
three-way speaker system that is<br>
both simple to install and inexpensive, and
which seem to work well on any <br>
music with a broad stereo image. The effect is
subtle but definite - it opens<br>
out the music and seems to enlarge the room
acoustically.<br>
<br>
In addition to a normal stereo hifi system all
that is required is one extra <br>
loudspeaker and some speaker cable. The usage
of this speaker in the three-<br>
way system is such that it will not be
required to handle very low frequencies:<br>
therefore a small or "mini" speaker will be
adequate.<br>
<br>
As shown in the diagram below, the two
terminals of the new speaker are <br>
connected to the two positive speaker
connectors on the amplifier. This<br>
speaker is located somewhere behind the
listener - at the apex of a triangle<br>
whose base is formed by the original
loudspeaker set-up. One of the unexpected<br>
benefiets of this system is an increase in the
usable listening area - almost <br>
any point in the room will yield good
(although not necessarily "accurate")<br>
stereo sound.<br>
<br>
I arrived at this system by accident, and I
don't really know why it works.<br>
What seems to happen is that the third speaker
reproduces any sound that is<br>
not common to both sides of the stereo - i.e.,
everything that is not <br>
located centrally in the stereo image - and I
assume that is because the <br>
common information is put out of phase with
itself and cancels out.<br>
<br>
More technically, the lower the impedance of
the added speaker, the louder it<br>
will sound. If it is found to be too loud
(although this rarely seems to <br>
happen), you can either insert a potentiometer
(6-12 ohms, at least 10 watts)<br>
into the circuit, or move the speaker further
away.<br>
<br>
Brian Eno.<br>
<br>
Schematic setup of the ambient surround
system:<br>
</font> <br>
<br>
<font color="#66ffff">______</font><br>
<font
color="#ff0000"> - - - - - -</font><font
color="#66ffff"> / / /</font><br>
<font
color="#ff0000"> |</font> <font
color="#33ff33">,- - - - -</font><font
color="#66ffff"><font color="#33ff33">/</font>
/ o /</font><br>
<font
color="#33ffff">/ / O / right speaker</font><br>
<font
color="#ff0000"> |</font> <font
color="#33ff33">| </font>
<font color="#66ffff">\/___/
<font color="#663366">___</font></font><br>
<font color="#993399">|
| o</font>
<br>
<font color="#ff0000">|</font> <font
color="#33ff33">|
<font color="#ffcccc">_____ <font
color="#993399"> o o</font></font></font><br>
____________ <font color="#ffcccc">|
|</font><br>
| <font
color="#33ff33">- - </font> <font
color="#ffccff">+[
hifi| <font
color="#66ffff">1 smaller</font></font><br>
| <font color="#ff0000">|</font>
<font
color="#ffccff">|
| <font
color="#663366">o </font>
<font color="#ffff00">______</font>
<font color="#66ffff">crappy
speaker</font></font><br>
| <font
color="#ff0000">- - - <font color="#ffccff">-</font></font><font
color="#ffccff">[ a |</font>
_____ <font color="#ffff00">\</font>
<font color="#33ffff"> ___</font><br>
|
<font
color="#ffccff">| m |</font>
_\_ <font color="#ffff00">|</font>
<font color="#663366">___ </font> <font
color="#66ffff"> | |</font><br>
| __________ <font
color="#ffccff">| p |</font>
<font
color="#66ffff"> YOU</font> | / |<font
color="#ffff00">|</font> <font
color="#993399">| |</font> <font
color="#66ffff">|\ |</font>___<br>
| | <font
color="#33ff33"> - - -</font> <font
color="#ffccff">+[ | </font>
<font color="#66ffff"> in chair</font>
|_\_|<font color="#ffff00">|</font> <font
color="#cc33cc"> o o </font>
<font color="#66ffff">| | |</font> |<br>
| | <font
color="#33ff33">|</font>
<font color="#ffccff">| | </font>
_____/ <font color="#ffff00">|</font>
<font color="#66ffff">|/ |</font>_ |<br>
| | <font
color="#ff0000"> - -</font> <font
color="#ffccff">-[ | </font>
<font color="#ffff00">______/</font>
<font color="#66ffff">|___|</font> | |<br>
| | <font
color="#33ff33">|</font> <font
color="#ff0000">|</font>
<font color="#ffccff">|_____| </font>
<font color="#663366">_ </font>
| |<br>
| |
<font color="#663366">| </font>
| |<br>
| | <font
color="#33ff33"> </font><font color="#ff0000"><font
color="#33ff33">|</font> | </font> <font
color="#663366"> ___ </font>
<font color="#663366">o </font>
| |<br>
|
| <font
color="#66ffff"> ___</font>
<font
color="#663366">| | </font>
| |<br>
| | <font
color="#33ff33">|</font> <font
color="#ff0000">|</font>
<font color="#66ffff">/\ \</font>
<font color="#993399">o
o </font>
| |<br>
|
|
<font color="#66ffff">\ \ o \ </font>
| |<br>
| | <font
color="#33ff33">|</font> <font
color="#ff0000">|__ _ _ _</font> <font
color="#66ffff">\ \ O \ left speaker </font>
| |<br>
| | <font
color="#33ff33"> - - - - - -</font><font
color="#66ffff"> \_\___\ </font>
| |<br>
|
|____________________________________________________________|
|<br>
|________________________________________________________________|<br>
<br>
<br>
<font color="#33ccff">So what is happening here?
Basicly the added third speaker emits the <br>
sounds that are not common to both sides of
the stereo spectrum and<br>
plays them beyond you. This will give a
"3 Dimensional" sound experience,<br>
it seems like the sound moves past you coming
from all angles! This<br>
is quite the same thing that happens in dolby
surround systems today<br>
but this is a cheaper and more rag-tag
"unique" way of doing things.<br>
It also works great on movies!<br>
<br>
Note: It will only work if your amplifier has
a common ground, it won't<br>
work with a floating ground amplifier. How can
you check that? Well just<br>
try it I guess, if it doesn't work you got the
wrong amp or you are <br>
listening to some really shitty music.<br>
</font> <br>
=============================================================================</font><br>
<br>
<font color="#ffffff">
_
_ ___ _ <br>
__ _____ _ __ ___ | |
___ __ _ _ _ / |/
_ \/ |</font><br>
<font color="#ffffcc"> \ \/ / _ \ '_ \ / _
\| |/ _ \ / _` | | | | | | | | | |</font><br>
<font color="#ffff00"> >
< __/ | | | (_) | | (_) | (_| | |_| | |
| |_| | |</font><br>
<font color="#ffcc00"> /_/\_\___|_|
|_|\___/|_|\___/ \__, |\__, | |_|\___/|_|<br>
|___/ |___/ </font>
<br>
<font
color="#ffffff"> __________<br>
/
\<br>
/
\</font><br>
<font
color="#cccccc">
/
\</font> SUP _/\_. . \/
/\__.\.. . .<br>
<font
color="#cccccc">
|
|</font> <br>
<font
color="#c0c0c0">
|
|</font> SUP .. ./\ __.
. /\__.. /\__<br>
<font color="#c0c0c0">
| ___ ___ |</font> <font
color="#c0c0c0"> _ ,. _</font><br>
<font
color="#c0c0c0"> | \ \
/ / |</font> <font
color="#c0c0c0"> \\ || // </font> <font
color="#ffffff"> _ </font>
______<br>
<font
color="#999999">| \_|
|_/ | </font> <font
color="#999999"> \\||// </font>
<font color="#ccffff"> __/ \__ </font>
/ \ \_<br>
<font
color="#999999"> \
.. /</font> <font
color="#999999"> | | </font> <font
color="#ccffff"> _____/o o o o\_____</font>
\____/_/ \<br>
<font
color="#999999"> \
___ /\ </font> <font
color="#999999"> \
/ </font> <font
color="#66ffff"> /___________________\</font>
|| |__/<br>
<font
color="#999999">
\
/ \ </font> <font
color="#999999"> / / </font>
<font color="#33ccff"> \\\\\||||////</font>
|| ||||<br>
<font
color="#666666"> \_______/\
\--- / /</font> - ---- --
--- - -- --
-------<br>
<font
color="#666666">
/
\/ / </font> -
--- - -
-- -------- -<br>
<br>
An Introduction to the GREY ALIEN SPECIES<br>
<br>
NAMES: Greys, Roswell Greys, Grays, Zetans, Zeta
Reticulians, Petit Gris,<br>
Gourds, The Kids, Extranjero Gris, Estrangeiro
Cinzento, Colonists, UFO<br>
occupants and many more.<br>
<br>
PHYSICAL APPEARANCE: Hairless skinny grey colored
humanoid-type alien.<br>
Small size around 2 to 4 ft. with a large head,
enlarged cranium. Large black <br>
eyes with no visible iris or pupil. Thin slithed
mouth, no lips. No external <br>
organs such as noses, ears or sex organs. No
visible muscles or bone structures.<br>
Often depicted with Long thin fingers, thin limbs
either small or long. There <br>
are also taller greys reported but most of the
time they are small in size.<br>
The taller greys, about 6 - 8 ft. are believed to
be in a higer ranking,<br>
commanding function.<br>
<br>
SUSPECTED ORIGIN: The Zeta Reticuli star system<br>
A binary star system (a star system that consists
of two stars) of which the <br>
stars are exceptionally similar to our own sun. At
a distance of around 39.5 <br>
Light years / 12 parsecs it is fairly close to us
on a cosmic scale.<br>
<br>
It is believed that it has at least one planet
called SERPO (or SERPONIA or <br>
SEINU) its existence leaked from undisclosed
sources that told about the <br>
mysterious PROJECT SERPO - a top secret exchange
program between earth and<br>
the supposedly grey home planet SERPO.
However at the time of writing there<br>
has been no astronomical evidence for any planets
in the Zeta Reticuli system <br>
to support this theory. But then again, exoplanet
research has just begun and <br>
this doesn't mean at all that there are no planets
circling in the binary<br>
system.<br>
<br>
GALACTIC GEO-POLITICAL SITUATION: <br>
They are enemies of the Reptillian alien race, who
like to eat Grey aliens <br>
as a delicacy. Especially the Grey's fingers are
eaten as a light snack. <br>
Also enemies of the Pleiadians, or Nordic
Aliens...basicly Greys <br>
are enemies of everyone except neo-nazis as they
were allied with the Third<br>
Reich in World War 2.<br>
<br>
ACTIVITY: Primeraly known for abducting humans and
doing experiments on them<br>
Greys are inheretily evil minded, or perhaps in
line with Lovecrafts cosmicism indifferent to our
feelings. Generally abductions take place during
nightime <br>
when we are in our beds. The abductee is paralysed
while the greys appear on<br>
the bedside and take their captive.<br>
<br>
Abductions are extremely traumatic and terrifying
events. The abductee is <br>
conducted to forced medical experiments that focus
most of the times on the<br>
reproductive system and cranium. When they are
returned from their capture<br>
the abductee occasionaly find themselves at a
different location from where <br>
they were taken and they experience missing time.<br>
<br>
HOW TO PROTECT AGAINST THEM:<br>
There is probably not much you can do when these
greys show up in your <br>
house, resistance seems futile as they aparently
use telepathic "thought" <br>
control to abduct you. <br>
<br>
It is said that white sage repells them but I dont
really think a highly <br>
advanced extraterrestrial race with technology far
surpassing ours would be<br>
repelled by a dried herb.<br>
<br>
If you get abducted by Greys the best thing to do
is probably go with<br>
the flow and at least enjoy the fact that aliens
take interest in you. Also<br>
the mere idea that you have a first hand
encounter, in whatever way, with an<br>
Alien lifeform should be quite a thrilling
experience...<br>
<br>
<font color="#3366ff">==============================================================================</font><br>
<br>
<font color="#ffffff"> _
_
_<br>
| |__ ___ | |_ _
__ _ __ ___ __| |_
_ ___ ___ _ __ </font><br>
<font color="#ffffff">| '_ \ / _ \| __| | '_ \|
'__/ _ \ / _` | | | |/ __/ _ \ '__|</font><br>
<font color="#66ffff">| | | | (_) | |_ | |_)
| | | (_) | (_| | |_| | (_| __/ | 0
</font><br>
<font color="#33ccff">|_| |_|\___/ \__| |
.__/|_| \___/
\__,_|\__,_|\___\___|_| </font> <br>
<font
color="#3366ff">
|_|
0
0 </font>
<br>
<font color="#ffffff"> _
_
o <br>
| |_(_)_ __
___
o
<br>
| __| | '_ \/ __| </font>
0
o
<br>
<font color="#66ffff">| |_| | |_) \__ \ </font>
0 <br>
<font color="#33ccff"> \__|_|
.__/|___/ </font>
___,
<br>
<font color="#3366ff">
|_| </font>
\ \ <br>
\
o <font
color="#ffffff"> _______________</font><br>
o
o <font color="#ffffff">
|
|</font><br>
<font
color="#ffffff"> |
/\
|</font><br>
<font
color="#ffffff">
__________________________________ </font>
<font color="#cccccc"> | __/ \ _____ |</font><br>
<font
color="#ffffff"> | o o
o
o o o o o | </font>
<font color="#cccccc">
|
\/ |</font><br>
<font
color="#ffccff"> | o o o
| | | | | o o o o o | </font> <font
color="#c0c0c0"> |_______________|</font><br>
<font
color="#ffccff">|
____________________________ | </font> <font
color="#cccccc"> _________________</font><br>
<font
color="#cc33cc"> | || | <font color="#ffffff">
|||||||||||||||||||||||||||</font>||</font> <font
color="#cccccc"> |Amiga 3000 ____ |</font><br>
<font
color="#cc33cc"> | |<font
color="#ffffff">| ! ! ! ! ! ! ! ! ! ! !
! !</font> |</font>----------<font
color="#c0c0c0">|_________________|</font><br>
<font
color="#cc33cc">
|____|===========================|_|</font> <font
color="#ffffff"> __________________</font><br>
<font
color="#ffffff"> /:::::::::::::::::/</font><br>
<font color="#cccccc"> /:::===========:::/</font><br>
<font
color="#c0c0c0"> <font color="#999999">'----------------'</font></font><br>
<br>
Some more tips from the world's freakiest studios:<br>
<br>
-=*=-<br>
<br>
HOW TO GET RID OF A SMELLY ODOR ON SYNTHESIZER<br>
<font color="#33cc00">Did you acquire a secondhand
synthesizer that smells funny? Or you just don't<br>
like the chemical weird fumes of your brand new
one? Here is a tip to make it<br>
smell all fresh and natural! Put the synthesizer
in a plastic garbagebag, it <br>
has to be entirely enclosed, if possible with
some small horizontal space for <br>
a small bowl. If it doesn't fit in one just tape
2 garbagebags together. Put<br>
an (open) bowl of ground coffee in the bag,
hermeticly seal the bags and wait<br>
for a couple of days. When you take it out the
faul smell should be gone!</font><br>
<br>
-=*=-<br>
<br>
MONO MIXTIP<br>
<font color="#33cc00">A cool usefull tip from Jimi
Elektrovolt:<br>
When mixing down a track on a DAW put a MONO
fuction VST on the master, this<br>
is a plugin or function in the DAW that will let
you hear the mix in mono.<br>
It will be much easier to make a good mixdown
now, and you can tackle phase<br>
cancellation problems and what not more way
easier.<br>
For example in Ableton you can use the UTILITY
-> MONO.<br>
</font><br>
<br>
-=*=-<br>
<br>
A PSYCHOLOGICAL MENTAL INSPIRATIONAL RITUAL<br>
From S.Hadowwolf<br>
<font color="#33cc00">This is a strange tip that
might actually work when you are producing or<br>
working on tracks and you feel its not going so
well...It could be writer's<br>
block, just plain laziness or even just lack of
skill. Get rid of those mind <br>
states with this semi-magickal mind trick:<br>
Have a record player with a random record
running somewhere in your studio<br>
while you are working, no sound just have it
somewhere in the corner of your<br>
eye and occasionally look at it while you check
your own song (If the sound of<br>
the needle is too loud still just lift the arm
over the record but let the<br>
record keep turing). This will make your
perceivement of the music you are<br>
working on different, You trick your mind
because your unfinished track is <br>
transposed to you seeing a finished format in
action and this might give you <br>
some more inspiration and motivation..This might
sound weird but try it…it<br>
might work for you!</font><br>
<br>
-=*=-<br>
<br>
SAMPLER OPERATING SYSTEM FLOPPY TIP<br>
<font color="#33cc00">A handy tip from DJ Overdose
for all the old sampler freaks:<br>
If you use one of those old samplers where you
have to load the operating <br>
system each time you turn it on from a floppy
(Ensoniq EPS, ASR, Akai S2000, <br>
Roland W30, Ensoniq Mirage etc.etc.etc.) get a
piece of string or wire, put<br>
it through the read/write protect hole and
attach that string or wire to the<br>
sampler (you can use the rackears or use a
piece of tape or find somekind of<br>
screw) Now you never loose that Operating System
floppy!</font><br>
<br>
-=*=-<br>
<br>
A COOL VOLCA BASS PATCH "COMMODORE JAZZFUNK"<br>
<font color="#33cc00">From S.Hadowwolf<br>
The Korg Volca bass is a cool little analog 3
osc synthesiser, playing the <br>
touch keyboard with a detuned 3 oscillator patch
instantly gets u 70s ArpMoog <br>
Jazzfunk freakiness…and with a little bit of
imagination u might think u are <br>
playing a Buchla Music Easel!<br>
Anyways here is a cool patch, it sort of
emulates the Commodore 64 SID arpeggio <br>
by using a square wave LFO that modulates the
pitch so it quickly emulates a 2 <br>
notes arpeggio. The oscillators are detuned in a
chord...be sure to put the OSC <br>
on <br>
<br>
EG: Attack 9 o'clock (or whatever u like)<br>
Decay/Release 5 o'clock (till
the end)<br>
LFO RATE = slightly over 2'o clock (just listen
to what sounds ok)<br>
INT = wait with setting this
after u set the LFO WAVE below<br>
VCF: Peak = 1 o'clock<br>
Cutoff = 12 o'clock<br>
VCO: pitch 1 = 12n<br>
pitch 2 = 5n<br>
pitch 3 = 10n<br>
<br>
And the settings for the touchpad keys:<br>
VCO Group: M3<br>
LFO TARGET: PITCH _<br>
LFO WAVE: SQUARE ( | |_| )<br>
now set the LFO INT to your liking, depending on
whatever interval<br>
you want for this "fake" arpeggio.<br>
You can also choose the Sawtooth LFO Wave and
put the LFO INT just at<br>
8 o'clock for a more conservative lead sound.<br>
VCO WAVE: Whatever you want, can be a
combination of different waves<br>
Sustain: ON<br>
AMP EG: ON<br>
<br>
Put some delay (and a tad of reverb to your
liking) over it and you are ready<br>
to go...slide your fingers over the keyboard and
tweak the Octave key for<br>
some extra freakyness Sun Ra cosmic explorer
freejazzzz style!</font><br>
<br>
-=*=-</font></small></font><font
color="#33ff33"><small><font face="Courier"> <br>
<br>
AUTHENTIC DUB ECHO <br>
<font color="#33cc00">Your echo delays will become
swirling splashy wow & fluttery if you add
some phaser<br>
before the delay signal (or after it to personal
taste). Use a nice "soft" silk<br>
modest phaser like the MXR or Mu-Tron Phaser.
Twiddle the rate knob occasionaly<br>
for those magic warbles
wieieieieieuueepepeppepeppeeppiwwueueieeueuue!</font></font></small></font><font
color="#33ff33"><small><font face="Courier"><br>
<br>
-=*=-<br>
<br>
CHEAP XOX 606/808/909 STYLE SEQUENCER<br>
<font color="#33cc00">For drum sequencing, it
might be obvious but the old Korg smaller
Electribes,<br>
the ES1 and ER1 send MIDI out and are great
hardware XOX drum sequencers for <br>
any MIDI gear - hook up your drum machine,
sampler or module and you are in<br>
business! The Electribe sequencer works even
better then the original XOX <br>
sequencer in many aspects as you can save your
pattern while playing (like <br>
only the TR606 does) and you have stuff like
mute and solo buttons, among<br>
some other more fancy bits!</font><br>
<br>
-=*=-<br>
<br>
OLD KORG SYNTHESIZERS FREE LFO<br>
<font color="#3366ff"><font color="#33cc00">You
want a free extra LFO for pitch and filter for
your <font color="#33ccff">Poly 61, Poly 800,<br>
DW6000, 8000, DSS1, DS8</font>? Basicly any
korg that uses that weird multidirectional<br>
joystick for pitch/modulation. Just open it up
and take out the spring that<br>
bounces back the joystick. Now you can set the
joystick in any position and<br>
it will not bounce back giving you a free 2nd
LFO you can program on the <br>
filter and cutoff!</font><br>
<br>
<br>
<br>
==============================================================================<br>
<br>
<font color="#99ff99"><font color="#ffffff"> _
_
_
_
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| |_| |__ ___
___ ___ ___ _ _| |
|_ </font> </font>
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color="#cc33cc"> . <font
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color="#33ccff">.
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color="#66ff99">
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color="#009900">| (_) | | | |
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<font color="#009900">| (__| | | | | | | |
| __/ | (_| | | |_) | |_| | | | | | |</font><br>
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color="#009900">\<font color="#990000">__/ </font> <font
color="#cc66cc"> \
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<font color="#33cc00">\ </font> <font
color="#009900">\</font><font color="#33ff33">/</font>
<font color="#33cc00">\</font><font
color="#009900"> \</font> <font
color="#006600">\</font> <font
color="#33ff33">/</font> <font
color="#009900"> \<font color="#3333ff">______________<font
color="#cc33cc">\ \<font
color="#3333ff">____</font>/ /<font
color="#3333ff">___</font>\ \</font>____<font
color="#cc33cc">/ /</font>_______</font></font><br>
<font color="#33ff33">/</font> <font
color="#009900"> \</font> <font
color="#009900">\</font><font color="#33ff33">/</font>
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color="#33ff33">/</font> <font
color="#009900"> \ <font
color="#3333ff">. .</font><font
color="#ffffff"> <font color="#33ccff">___
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color="#993399"> <font color="#3366ff">.</font>/
/ <font color="#3333ff">.</font>
\</font><font color="#000099"><font
color="#993399"> \</font> .<font
color="#993399">/ /</font>___</font></font></font><br>
<font color="#33ff33">/</font>
<font color="#009900">\</font> <font
color="#33ff33">/</font>
<font color="#009900">\</font> <font
color="#33ff33">/</font> <font
color="#009900"> \ <font
color="#3333ff"> </font><font
color="#ffffff"><font color="#3333ff">_____ </font>
<font color="#33ccff">. </font> <font
color="#000099"> .
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color="#33ccff"> ___ </font> <font
color="#000099"> _ . _</font></font></font><br>
<font color="#33ff33">/ </font>
<font color="#009900">\
/ \
/ \<font
color="#000099"> </font><font
color="#ffffff"><font color="#3333ff"><font
color="#000099">___ </font>
____ </font><font color="#33ccff">.
__</font> <font color="#3333ff">___
__ </font> <font
color="#000099">_____</font></font></font><font
color="#000099"><br>
_____ _ _
_ _____ ______
_ _ _
___ _ _ _
___ _____ _</font><br>
<font color="#3333ff">______________________________________________________________________________</font><br>
______________________________________________________________________________<br>
<font color="#33ccff">______________________________________________________________________________</font><br>
<font color="#66ffff">______________________________________________________________________________</font><br>
<font color="#ccffff">______________________________________________________________________________</font><font
color="#33ccff"><br>
<br>
OUT NOW! The first Occult Orientated Crime
album on Nightwind Records!<br>
Extremely trippy PROFESSIONAL ambient, not
just some jumbled up chiliwave <br>
overcompressed 80s retro soggy biscuit
jerkoff---this is PROFESSIONAL <br>
AMBIENT - 100% psychedelic drug music with
perfectly finetuned selected <br>
frequencies to alter your state of mind
and take you to <font color="#66ffff">complete
loss of<br>
subjective self-identity</font>: the result
of years of experimentation and research.<br>
It can be purchased and downloaded here: <br>
<a target="_blank"
href="https://legowelt.bandcamp.com/album/the-occult-orientated-crime-album">https://legowelt.bandcamp.com/album/the-occult-orientated-crime-album</a><br>
<br>
Some information about the tracks:<br>
<br>
TAUSEND KUSSE <br>
This one was originally performed at the
Cinesonic event in Trouw,Amsterdam <br>
Holland were it was used as a soundtrack for
some video art movies from<br>
the LIMA archive. <br>
Performed on Roland Alpha Juno 2, Roland Super
JX10, Korg X5D<br>
<br>
NATUFIAN MODELLING AGENCY <br>
The dark side of the high bustling beau monde
of international modelling.<br>
Performed on EMU Emulator II, Korg MicroKorg,
Doepfer Modular<br>
<br>
WORSHIP ME IN THE SANCTUARY OF TRANSCENDENCE<br>
Envision ancient rituals like those at the
Temple of Apollo giving offerings<br>
in sensual dances to attain a higher spirit of
being.<br>
Performed on EMU Emulator II<br>
<br>
LZH127 paixao na sala de estar - Set in the
lounge and dining quarters of<br>
the LZH127 airship "Graf Zepellin. Romance is
in the air floating endlessy <br>
towards a setting sun...what adventures await?<br>
performed on D.S.I PEK <br>
<br>
FORMATION OF CHAOS<br>
What do you get when you are narcotized to the
maximum and sitting behind<br>
a Casio AT-3 keyboard? Well this.<br>
<br>
DOGGERLAND <br>
Around 8000 years ago the islands of
Doggerland and Vikingbergen vanished<br>
in the North Sea. It was a vertile neolythical
culture of which not much is<br>
known. Some say it was Atlantis, or "Atland"
the homeworld of the Frysians <br>
before they had to abandon it during a great
flooding...as is told in their <br>
ancient sagas. Perfomed on Korg Microkorg Moog
Voyager and Korg X5D, Watkins <br>
Copicat <br>
<br>
NEOLITHIC COMPUTER <br>
It is believed that Stonehenge was the world's
first analogue computer. With<br>
a memory of 240 bytes it could store
information about the summer's solstice<br>
All hidden in the mysterious juxtaposition of
the ancient standing stones...<br>
Performed on Novation Nova and Moog Delay.<br>
<br>
RODRIGO SYNTESE SYSTEM<br>
Influenced by the spanish composer Joaquin
Rodrigo, mysterious evaporous <br>
sketches of Spain enfold in this odd duck on
the album.<br>
Performed on Alpha Juno 2, Moog Voyager,
Roland JX3P, Korg X5D. <br>
<br>
RAVELIAN MINDMELT<br>
Melt your mind with this extremely zompy
version of Ravel's Bolero...<br>
transposed to sync with your theta brain
waves....mind you don't trip!<br>
Perfomed on Roland Alpha Juno, Yamaha CS30,
Doepfer Modular, Watkins Copicat<br>
<br>
INGESLOTEN IN EEN MUSEUM<br>
"Locked in at a museum" a sinister dark stroll
through the dark empty halls<br>
and corridors of a museum to your choice. <br>
Performed on Roland JV2080, Moog MF104Delay<br>
<br>
NORWEGIAN RAVEN <br>
This is a 37 minute long trip going into
various directions. You might heard <br>
it on the legowelt soundcloud a couple of
months ago. This track was <br>
"conceptualized" when my friend Kaman send me
a fieldrecording of a torrential<br>
rainstorm in Oslo Norway earlier this year. I
took out a Korg MS2000 and <br>
Doepfer Modular synthesizer and started
jamming over it, the result being <br>
this track. Performed on Korg MS2000, Doepfer
Modular, Korg Microsampler<br>
<font color="#ffffff"><br>
<br>
<br>
<font color="#33cc00">
BROUGHT TO YOU BY<br>
<br>
</font></font>
<font
color="#ffffff"> .........</font><br>
<font color="#99ff99">
...
...</font><br>
<font color="#66ff99">
..
__________ ..</font><br>
<font color="#33ff33">
. __________
/\ .</font><br>
</font><font color="#33cc00">
. _______ .... /
\ .</font><br>
<font color="#009900">
. ____ .....
/ \ .</font><br>
<font color="#009900">
.
/\ ..../
\ .</font><br>
<font color="#006600">.
/ \
/
.<br>
.
/ \
/
.</font><br>
<font
color="#007700"> </font><font color="#003300"><font
color="#007700">.
\/
.</font><br>
<font
color="#005500">
..
..<br>
...
...<br>
...........<br>
<br>
<font color="#ffffff">
<font color="#009900"> </font><font
color="#33ff33"><font color="#009900">N
I G H T W I N
D M U S I C </font><br>
<font color="#006600">
G R O U P I N T E R
N A T I O N A L </font><br>
</font></font> </font></font> <br>
<br>
==============================================================================</font><font
color="#ffffff"><br>
_
_
_
<br>
_ __ ___ _ _ ___|
|__ ___ __ _ ___|
|_(_)_ _____ <br>
| '_ \/ __| | | |/ __| '_ \ / _ \ / _` |/ __|
__| \ \ / / _ \</font> <br>
<font color="#ffffcc">| |_) \__ \ |_| | (__| | | |
(_) | (_| | (__| |_| |\ V / __/ <br>
<font color="#ffff33">| .__/|___/\__, |\___|_|
|_|\___/ \__,_|\___|\__|_| \_/ \___| </font></font><font
color="#ffff33"><br>
|_|
|___/
</font><br>
<font color="#ffffff">
_
_
<br>
_ __ _ __ ___ _ __
___ _ __| |_(_) ___
___
<br>
| '_ \| '__/ _ \| '_ \ / _ \ '__| __| |/ _ \/
__| </font>
<br>
<font color="#ffffcc">| |_) | | | (_) | |_)
| __/ | | |_| | __/\__
\ </font>
<br>
<font color="#ffff33">| .__/|_| \___/| .__/
\___|_|
\__|_|\___||___/
<br>
|_|
|_| </font>
<br>
<font color="#ffffff">
__
_
_
<br>
___ / _| __ _ __
_ _ __| (_)
___
<br>
/ _ \| |_ / _` |/ _` | '__| |
|/ __| </font>
<br>
<font color="#ffffcc">| (_) | _| | (_| | (_|
| | | | | (__ </font>
<br>
<font color="#ffff33"> \___/|_|
\__, |\__,_|_|
|_|_|\___|
<br>
|___/
<br>
</font>
\ /<br>
_
______________________<br>
____ <font
color="#66ffff">
o
o
___
____________________</font><br>
/-<font color="#ffffff">
__\ *</font> \
/
______ o ________________o<br>
<font color="#66ffff"> | |</font><font
color="#ff0000">-------</font>
// <font
color="#3333ff">o <font color="#ffffff">
__________ _________
o ______________</font></font><br>
| <font
color="#66ffff"><font color="#33ff33">\</font>
</font> <font color="#ffffff">
|| </font> <font color="#66ffff">o
<font color="#ffffff">/
________ \
____________
_____ o ____</font></font><br>
<font color="#33cc00"> |
|\_\ </font> <font color="#ffffcc">
_/ll\_ <font
color="#99ff99"> / / ______ \ \
_______________
__________</font><br>
<font color="#009900">|
| </font> / / |
\\ <font
color="#33ff33">/ /
/ \ \ \
__________________ ________</font></font><br>
<font color="#66cccc"> \ \__</font>_
<font color="#ffff33">// / |\ \\ <font
color="#33cc00">___/ / / \____/ /
/ ______________________
_____</font></font><br>
<font color="#33ffff">\_____</font><font
color="#ffff00">|| | || || <font
color="#006600">____ \ \________/
/ __________________________ ___</font></font><br>
<font color="#ffcc33">\\_\ /
/-/ <font
color="#003300">\__________/
______________________________</font></font><br>
<font color="#ff6600">------</font><br>
<br>
<br>
<font color="#00cccc">GARLIC - Not well
documented, and no scientific research has ever
been done on<br>
this subject, but eating a lot of garlic has a
mild sedating buzzy elating<br>
effect, an overall relaxed mesmerization and
will give you sense of euphoria.<br>
You will ofcourse be so smelly there won't be
much euphoria for the people<br>
around you. <br>
<br>
Some people claim results after only 2 raw
cloves of garlic but I think you <br>
need some more, which isn't particular healthy
for your stomach either. Some <br>
people crush the garlic and snort it through
their nose, claiming it has an<br>
"energetic" effect...I reckon that must be quite
painfull...<br>
<br>
I am not entirely convinced it needs to be RAW
garlic, I think you can<br>
have the same effect by cooking garlic in the
oven, which will make it much<br>
more enjoyable. Just take a few garlic bubls,
take off the outer skin (you <br>
can leave the individual garlic skings). Cut off
the upper part with a knife<br>
(Just like that Plasma ball lightning Grape from
the Ball Lightning experiment!)<br>
sprinkle or massage them with olive oil and put
them in the oven for half an<br>
hour at 200 degrees Celsius (400 Fahrenheit).<br>
Now you can just squeeze out that soft
pudding-esque garlic and get high.<br>
<br>
It will be but a matter of time before Garlic
will become a CLASS 1 substance<br>
and be illegal and outlawed in oppresive
regimes.</font><br>
<br>
==============================================================================<br>
<br>
<br>
<font color="#ffffff"> _
_
_
<br>
| |__ ___| |__ _ __(_)_
__ __ _ ___ _
__
<br>
| '_ \ / _ \ '_ \| '__| | '_ \ / _` |/ _ \
'__| </font>
<br>
<font color="#00cccc">| |_) | __/ | | |
| | | | | | (_| | __/ | </font>
<br>
<font color="#339999">|_.__/ \___|_| |_|_|
|_|_| |_|\__,
|\___|_|
<br>
|___/ </font>
<br>
<font color="#ffffff"> _
__ ___
___
_
<br>
| |__ ___ _ _ / /_ / _ \
/ _ \ | |__ __ _ ___ ___ <br>
| '_ \/ __| | | | '_ \| | | | | | | | '_ \ / _`
/ __/ __|</font><br>
<font color="#00cccc">| |_) \__ \ |_| | (_) | |_|
| |_| | | |_) | (_| \__ \__ \</font><br>
<font color="#339999">|_.__/|___/\__, |\___/ \___/
\___/ |_.__/ \__,_|___/___/<br>
|___/ </font>
<br>
<font color="#ffffff">
_
_
_
<br>
___ _ _ _ __ | |_|
|__ ___ ___(_)_______ _
__ <br>
/ __| | | | '_ \| __| '_ \ / _ \/ __| |_ /
_ \ '__| </font> <br>
<font color="#66cccc">\__ \ |_| | | | | |_| | |
| __/\__ \ |/ / __/ | </font>
<br>
<font color="#339999">|___/\__, |_| |_|\__|_|
|_|\___||___/_/___\___|_|
<br>
|___/ </font>
<br>
<font color="#ffffff">
_
<br>
_ __ _____ _(_)
_____
__
<br>
| '__/ _ \ \ / / |/ _ \ \ /\ / / </font>
<br>
<font color="#66cccc">| | | __/\ V /|
| __/\ V V / </font>
____
<br>
<font color="#339999">|_| \___| \_/ |_|\___|
\_/\_/ </font>
/ \
<br>
/ /
<br>
\
| |
/
/ \<br>
_ <font color="#ffffff">
________ </font> __
/ |<br>
<font color="#ffffff">| o o
|\ </font>
\__ <font color="#33ccff">
__|____________</font><br>
pwoooo <font color="#ffcc00">|
o o o o| | </font>
\ <font color="#33ccff">| : : : : : : : |</font><br>
----==<font
color="#ffcc00">|________| </font>====-------
/ <font color="#66ffff">|
--------------| </font><br>
bwieie <font color="#ff9900">|
bsy | | </font>
/ / <font color="#ffffff"> |
||||||||||||| |</font><br>
<font color="#ff9900">| 600 | | </font>
/ \ <font color="#ffffff">|
l l l l l l l |</font><br>
pwoeoeow <font color="#ff0000">|________|
| </font>
\____/ <font color="#66ffff">===============</font><br>
<font color="#ff0000"> \ ________\| </font><br>
<br>
<br>
Eggerton Omolet investigates the BEHRINGER BASS
SYNTHESIZER BSY600<br>
<br>
By now you might have heard that Behringer is
designing a bunch of analogue<br>
synthesizers. Still pretty much in its conception
phase we might forget<br>
that they already are selling a synthesizer....the
BSY600 BASS Synthesizer!<br>
<br>
<br>
Sort off...this is not really a full fledged
synthesizer but a behringer<br>
copy of the BOSS SYB-3 bass pedal. If you don't
know, the German Behringer <br>
mostly copies ***Everything*** that exist in
the gearmusicworld. With guitar <br>
effect pedals they don't even hide where it comes
from, they even copy the <br>
looks, artwork and whatnot more with some
***slight*** alterations to avoid <br>
issues. And if they get issues with the original
brands they just settle it <br>
for $$$. Maybe they always settle before they
design...I don't know I <br>
wouldn't be surprised. The names are quite
hilarious, they just husslebussle <br>
the original product name around randomly to get
something new. So BSY600<br>
comes from SYB-3 and even more hilarious:
the CHORUS SPACE-C C300 <br>
which ofcourse comes from the Line6 SPACE CHORUS
jumbled with some old <br>
Roland stuff...come on!!!!!!!)<br>
<br>
Somtimes these copies actually outclass the
original copied products (For<br>
example Behringer mixers are superior over their
Mackie inspiration,<br>
the Vintage Time Machine analog echo outclasses
its EHX Memory man source<br>
in many ways and the Behringer V-Verb is
considered a high class reverb,<br>
though I am not sure where that was copied from,
they had to stop making it<br>
a few years ago...maybe they got sued I dunno)<br>
<br>
Apart from that its flooding the world with more
useless plastic crap<br>
for humankinds inexhaustible trash heap, Behringer
is an infinite source of <br>
cheap, fun and sometimes usefull things for the
studio. A Cheap quick fix<br>
for gear junkies.<br>
<br>
Enter the BSY-600 BASS synthesizer, basicly
designed for bass guitar players<br>
so they can transform their bass sounds into funky
moogesuqe basssynth.<br>
The cool thing is that you don't have to use a
bassguitar: a cheap 10$ casio<br>
keyboard, a drummachine, monotron or a Jupiter 8
will do the trick just <br>
as fine.<br>
<br>
So connect a drummachine or whatever, twiddle the
knobs a bit and <br>
you get insant acid bleeps and bloops. The pedal
tracks the pitch of<br>
incoming signal together with an envelope filter
to create synthbass <br>
sounds out of your signal. There are 11 waveforms
to choose from,of which<br>
2 or 3 sound quite good. Depending on the chosen
waveform you can<br>
either control the LFO depth/rate or the envelope
decay (so some<br>
waveforms have an LFO controlling its filter and
other ones an <br>
envelope follower). <br>
<br>
There are knobs for filter resonance and frequency
so you can tweak<br>
around. Don't expect any 303 madness or
sophisticated finetuning of filter <br>
freakyness its all a bit rough and crumbley or
"friable".<br>
<br>
There is an extra input where you can connect an
expression pedal and<br>
tweak the filter frequency externally sort of
overriding the LFO or <br>
envelope follower control.<br>
<br>
It doesn't really sound like its inspiration (The
Boss SYB)<br>
The BSY600 is a bit more "chorusey" and plastic-y
but certainly not in a <br>
bad way...it can sound juicy and fresh and the fun
level is out of the roof. <br>
I had a 5$ old casio SA-1 connected to it and it
became a very ragtag<br>
undisciplined mini analog monster that could take
on something like a<br>
Yamaha CS01, with a lot of imagination.<br>
<br>
If you are into these cheap little electronic
music instruments<br>
(Monotrons, Volca's etc.) this might give you some
exotic spontaneous<br>
freshness.<br>
<br>
Check out this youtube movie of someone
controlling it with an organ<br>
rhythm box: <a target="_blank"
href="https://www.youtube.com/watch?v=YWVomPRx-kE">
https://www.youtube.com/watch?v=YWVomPRx-kE</a><br>
<br>
<br>
<font color="#3366ff">==============================================================================<br>
<font color="#44ff44"><br>
<font color="#663366">B E HI N D T H E S
CE N ES O F</font><br>
<br>
<font color="#cc33cc">B E H I N D T H
E S C E N E S O F</font><font
color="#ffffff"><br>
<br>
<font color="#ff99ff">B E H I N D T H
E S C E N E S O F</font></font><br>
<font color="#ffffff">
_
_
__ _
_
_ <br>
_ __ ___| (_) ___
___ ___ / _| | |_|
|__ ___ _
__ __ _ ___| |_ </font><br>
<font color="#ffdddd">| '__/ _ \ | |/ __/
__| / _ \| |_ | __| '_ \ / _ \ |
'_ \ / _` / __| __|</font><br>
<font color="#ffaaee">| | | __/ | |
(__\__ \ | (_) | _| | |_| | | |
__/ | |_) | (_| \__ \ |_ </font><br>
<font color="#ee77cc">|_|
\___|_|_|\___|___/
\___/|_| \__|_| |_|\___| |
.__/ \__,_|___/\__|<br>
|_|
</font><br>
<font
color="#ffffff"> @ @
@
@ @ @</font><br>
<font color="#cccccc">@</font><br>
<font color="#ffffcc">..</font>
<font color="#999999">@</font><br>
<font color="#ffff00">....</font> <font
color="#ff6600"> <font color="#ff0000">_____</font>
</font> <br>
<font color="#ffcc00">..</font>
<font color="#ff0000">/ .\</font>
<font color="#ffffff">________---------</font><br>
<font color="#ff0000">/ / \ .\</font>
<font color="#cccccc">-___</font><br>
<font color="#ff9900">/ .. . .<font
color="#ff0000">\ </font>
<font color="#999999">--------</font><br>
<font color="#cccccc">-------</font> /
| <font color="#ff0000">\</font>
\<br>
/ . . <font
color="#cccccc">-------- </font><br>
<font color="#c0c0c0">--</font>/ <font
color="#ff6600">/</font> .
| \ \<br>
<font color="#3333ff">________________________</font><font
color="#666666">--</font>_/
/ | \ <font
color="#ff0000">\</font> \<font
color="#c0c0c0">----------<font
color="#3366ff">__________________________</font></font><br>
<font color="#3333ff">
- - </font>
<font color="#999999">-----</font> / .
/ . .. . . \<font
color="#999999">------------- <font
color="#3333ff"> -
- -
-</font></font><br>
<font color="#3333ff">- -
- -</font>
<font color="#33cc00">/\/\/\/\/\/\/\/\/\/\/\</font><font
color="#66ff99">/\/\///\\\<font
color="#99ff99">/\</font></font><font
color="#99ff99">/\/\\/\/\\ <font
color="#3333ff">-
- .
. </font></font><br>
<font color="#3366ff">-
- -</font><font color="#009900">
/\/\/\/\/\/\/\/\/\/\/</font><font
color="#33ff33"><font color="#33cc00">\/\/\/\/\/\/\/\/\\\</font>/\/\/\/\/\/\</font>-----____
<font color="#3366ff">- </font> <br>
<font color="#3366ff">- -</font>
______<font color="#339999">/\\//\/\/\//\\/\/////\\\/\</font>/<font
color="#33ff33">\//\/\\//\/\\/</font><font
color="#99ff99">\\\\//\/\/\/\/\/\</font>
.. \_ <font color="#3366ff">- -</font><br>
<font color="#33ccff"> -</font>
/ . . ||| | | | ||||
|| | | | || ||| ||
| || ||| | | ||\ <font
color="#ffcc00"> .. \ <font
color="#3366ff">-</font></font><br>
<font color="#33ccff">- -</font><font
color="#ffff00">/ . .
.
.. . ___/<font color="#33ccff">- -</font><br>
\__________ ----
-- ..
.
...
... . . . ______/<font
color="#33ccff"> - - -</font><br>
</font></font><font color="#ffff00"><font
color="#66ffff"> - - -
</font>
\___________________________________________--------
<font color="#33ccff">- - -- --
-</font></font><br>
<font color="#ccffff">
- - ---- - - - - - -
- --- - - - - --- --
- - - - - - -<br>
(proposed scene from episode 23: 'Volcano
Island')<br>
</font><br>
<font color="#33cc00">Relics of the Past, the
Public Acces TV show starring DJ Overdose,
Willie Burns<br>
and Legowelt has hit the internet by storm!
here are some interesting facts about <br>
this show:<br>
<br>
The second episode "Space Weed" was
concieved, shot, editted and soundtracked<br>
in 2 days on a budget of 91 euros.<br>
<br>
The soundtrack of this episode was recorded
in 20 minutes<br>
<br>
Synthesizers used on the soundtrack of Part
II were the Ensoniq SQ80 and the<br>
Dave Smith Instruments Poly Evolver
Keyboard.<br>
<br>
Synthesizers used in episode one were mostly
the Korg Microstation and<br>
Casio AT-3, a gold colored keyboard
workstation designed especially for<br>
Arab weddings.<br>
<br>
The R2D2 robot-like sounds were made with a
Yamaha DX21 FM synthesizer, <br>
tweaking the slider on the frequency
parameter and playing random notes.<br>
<br>
Professor Gardner's sockpuppet's name is
Billy, but is sometimes also refered<br>
to as "Chicken"<br>
<br>
Billy was designed and built by Baz Reznik <br>
<br>
Although he is a gardener, it is assumed
Professor Gardner's gardening <br>
exploits are only a hobby as he seems
wealthy enough to be admitted to a <br>
institution for the "upscale" mentally
insane.<br>
<br>
Professor Gardner has a website somewhere on
the internet. Its subject <br>
Ancient Relics and Anthropology. As of yet
The location of this website is<br>
unknown...maybe you can find it?</font></font><font
color="#009900"><br>
</font><br>
==============================================================================<br>
<font color="#ffffcc"><br>
Its EXO-PSYCHOLOGY TIME with<br>
_
_
_
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| |_| |__ ___
___(_) __ _| |__ |
|_ ___(_)_
__ ___ _ _(_) |_ <br>
| __| '_ \ / _ \ / _ \ |/ _` | '_ \|
__|____ / __| | '__/ __| | | | | __|</font><br>
<font color="#33ccff"><font color="#ffff00">|
|_| | | | __/ | __/ | (_| | | |
| ||_____| (__| | | | (__| |_| | | |_</font>
</font><br>
<font color="#ffcc00"> \__|_|
|_|\___| \___|_|\__, |_|
|_|\__|
\___|_|_| \___|\__,_|_|\__|<br>
|___/
</font><br>
<font color="#ffffcc">
_
_
__
<br>
_ __ ___ ___ __|
| ___| | ___ / _| </font>
<br>
<font color="#ffffcc">| '_ ` _ \ / _ \ / _` |/ _
\ | / _ \| |_ </font>
<br>
<font color="#ffff00">| | | | | | (_) | (_|
| __/ | | (_) |
_| </font>
<br>
<font color="#ffcc00">|_| |_| |_|\___/
\__,_|\___|_|
\___/|_|
<br>
</font>
<br>
<font color="#ffffcc">
_
<br>
___ ___ _ __ ___
___(_) ___ _ _ ___ _
__ ___ ___
___
<br>
/ __/ _ \| '_ \/ __|/ __| |/ _ \| | | /
__| '_ \ / _ \/ __/ __|</font>
<br>
<font color="#ffff00">| (_| (_) | | | \__ \ (__|
| (_) | |_| \__ \ | | | __/\__ \__
\ </font>
<br>
<font color="#ffcc00"> \___\___/|_|
|_|___/\___|_|\___/ \__,_|___/_|
|_|\___||___/___/ <br>
<br>
<br>
<font
color="#ffffff">
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color="#3366ff"> <font color="#3355ff">===
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</font></font><br>
<font
color="#000099"> <font color="#ffffff">===</font><font
color="#99ff99"><font color="#ffffff">=</font>==</font><font
color="#66ff99"><font color="#99ff99">=</font>====</font><font
color="#33ff33">===</font><font
color="#00cccc"><font color="#33ff33">=</font>====</font><font
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color="#00cccc">===</font><font
color="#33ffff">====</font><font
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color="#ffffff">======</font></font><br>
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color="#cc33cc"> ===
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color="#cc66cc">
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color="#ff99ff">
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color="#ffccff">
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<br>
<br>
</font> <font color="#33ccff">A theory from
dr.Timothy Leary, that states that the brain
and human nervous<br>
system has 8 consciousness levels, or modes of
operation that he calls<br>
circuits.<br>
<br>
These eight circuits can be divided into 2
groups, the lower LARVAL CIRCUITS<br>
and the highter STELLAR circuits. <br>
<br>
The lower LARVAL circuits deal with "everyday"
psychology. Circuits needed<br>
for "terrestrial" survival: nourishment,
territoriality, language, mapping,<br>
prediction, looking for comfort, sexuality,
euphoria, enjoyment etc.etc.etc.<br>
<br>
The upper STELLAR circuits deal with psychic,
mystical, enlightend and<br>
psychedelic states of mind. They are not yet
used by most of the humans. <br>
The Stellar circuits only started to evolve in
recent times.<br>
Each circuit going upwards serves as a new
more advanced chapter in human<br>
evolution.<br>
<br>
<font color="#ffccff"> THE LOWER LARVAL
CIRCUITS are:</font><br>
<br>
<font color="#ff99ff"> 1- THE ORAL BIOSURVIVAL
CIRCUIT: </font><br>
Regulates the basic survival needs of humans
(and animals). Comfort, <br>
nourishment, physical safety, violence for
survival.<br>
Activated by Sugar and Opoids, such as
morphine and heroine.<br>
<br>
<br>
<font color="#ff99ff"> 2-THE EMOTIONAL
TERRITORIAL CIRCUIT</font><br>
Regulates domination and submission,
territorialty, suspicion, "political-<br>
territorial groupings"...think shallow brain
function basicly like Guidos<br>
wearing Bang Bang, FUBU or roccawear or
anything similar to that, don't go<br>
any higher then this. Activated by alcohol,
mostly depressant drugs such as<br>
barbiturate and benzodiazepines.<br>
<br>
<font color="#ff99ff"> 3.THE SYMBOLIC
NEUROSEMANTIC-DEXTERITY CIRCUIT</font><br>
This circuit coordinates human symbol systems;
trying to understand the <br>
universe/ the world around you, language,
invention, prediction, manipulating<br>
the enviroment, human science, technology etc.<br>
This system first appeared when we evolved
into "greater apes" (Hominids)<br>
from the primates. This circuit is triggered
by stimulant drugs: Caffiene, <br>
Cocaine, Amphetamines.<br>
<br>
<br>
<font color="#ff99ff">4.THE DOMESTIC SOCIO
SEXUAL CIRCUIT</font><br>
The fourth circuit relates to cultural values,
sexual pleasure and regulates<br>
ones behavior within "cultural networks".
Drugs related to activate this<br>
circuit are: MDMA, Indopan, Monase, Butylone
and other entactogens.<br>
<br>
<font color="#ffffff"> THE HIGHER STELLAR
CIRCUITS are:</font><br>
<br>
<font color="#ff99ff">5.THE NEUROSOMATIC
CIRCUIT</font><br>
Also called the "RAPTURE CIRCUIT": Coordinates
neurological-somatic feedbacks,<br>
The flat "geometry" of ordinary experience is
shifted multidimensionaly.<br>
Transposes the mundane visual space to all
encompassing sensory space.<br>
Releases yourself from the previous lower
Larval compulsive mechanisms.<br>
It is activated by Cannabis, Hatha Yoga, Zen
meditation, Tantra / prolonged <br>
sexual play withouth orgasm.<br>
<br>
<font color="#ff99ff"> 6.THE NEUROELECTRIC OR
METAPROGRAMMING CIRCUIT</font><br>
"The consciousness of abstracting"<br>
This circuit deals with the nervous system
becoming aware of itself. <br>
It can re-implant /re-program all earlier
circuits. Gives a new understanding<br>
of the "percieved" reality. Experienced as a
"mystical event".<br>
It is activated by Peyote, Psilocybin
Mushrooms and low to moderate doses of LSD.<br>
<br>
<br>
<font color="#ff99ff">7.THE NEUROGENETIC OR
MORPHOGENETIC CIRCUIT</font><br>
Deals with the "wholeness" also called
"Mythical Intelligence".<br>
Similar to concepts like the consiousness of
Gaia, Astral plane, Akashic fields,<br>
The Force in Star Wars and The collective
unconscious of Gustav Jung. This<br>
circuit transcends time and encompasses the
understanding of your existence in <br>
deep time. It connects you with an
archetypicial blueprint where you can see<br>
certain patterns of existence. The realm of
the Shamans.<br>
Activated with high doses of LSD.<br>
<br>
Now things are getting really outthere to
prepare yourself for the.....<br>
<br>
<font color="#ff99ff"> 8 THE NEUROATOMIC
CIRCUIT - OVERMIND.</font><br>
Regulates the "Quantum Mind" on a
psycho-atomic level.<br>
The QUANTUM MIND is a proposed idea of brain
function that proclaims that the<br>
brain is governed by quantum mechanical events
such as quantum entanglement<br>
and quantum superpositions. It regulates
information from beyond the normal<br>
space time continiuum. <br>
A cosmos of infinite realms, the planes of the
"gods".<br>
THe last step, beyond this lies the Supermind
<br>
Can be activated by: Kundali Yoga /
Meditation, D.M.T. , Out of Body Experiences,<br>
Near death experiences, astral projection.<br>
<br>
What circuit will you advance to in your
lifetime? Will you never achieve<br>
anything past the Larval stage? ....Maybe its
time to step up to the overmind <br>
and beyond!<br>
<br>
You can read Timothy Leary's "EXO-PSYCHOLOGY"
in PDF here for more information:<br>
</font> <a target="_blank"
href="https://archive.org/details/exopsychologyman00learrich">https://archive.org/details/exopsychologyman00learrich</a><br>
<br>
==============================================================================<br>
<font color="#33cc00"><font color="#ffffff">
_
__
<br>
_ __
_____ __
__ _____
_ __ __| |___ / _| ___ _
__ _ _ <br>
| '_ \ / _ \ \ /\ / / \ \ /\ / / _ \| '__/
_` / __| | |_ / _ \| '__| | | | |</font><br>
<font color="#ff99ff">| | | | __/\
V V / \ V V / (_) |
| | (_| \__ \ | _| (_) |
| | |_| |</font><br>
<font color="#cc33cc">|_| |_|\___|
\_/\_/ \_/\_/
\___/|_| \__,_|___/ |_|
\___/|_| \__,_|<br>
<br>
. .
o
o
O<br>
<font
color="#ffccff"> ________________ </font>
o
o !
O .<br>
.
o <font
color="#ffccff"> / -- -- / ----
/| </font>
.
.<br>
<font color="#ff99ff">/ ----- / -- - /
/ </font>
O
?<br>