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<- The Art of War

V. Energy

1. Sun Tzu said: The control of a large force is the same principle

as the control of a few men: it is merely a question of dividing up

their numbers.

2. Fighting with a large army under your command is nowise different

from fighting with a small one: it is merely a question of instituting

signs and signals.

3. To ensure that your whole host may withstand the brunt of the enemy's

attack and remain unshaken-- this is effected by maneuvers direct

and indirect.

4. That the impact of your army may be like a grindstone dashed against

an egg--this is effected by the science of weak points and strong.

5. In all fighting, the direct method may be used for joining battle,

but indirect methods will be needed in order to secure victory.

6. Indirect tactics, efficiently applied, are inexhaustible as Heaven

and Earth, unending as the flow of rivers and streams; like the sun

and moon, they end but to begin anew; like the four seasons, they

pass away to return once more.

7. There are not more than five musical notes, yet the combinations

of these five give rise to more melodies than can ever be heard.

8. There are not more than five primary colors (blue, yellow, red,

white, and black), yet in combination they produce more hues than

can ever been seen.

9. There are not more than five cardinal tastes (sour, acrid, salt,

sweet, bitter), yet combinations of them yield more flavors than can

ever be tasted.

10. In battle, there are not more than two methods of attack--the

direct and the indirect; yet these two in combination give rise to

an endless series of maneuvers.

11. The direct and the indirect lead on to each other in turn. It

is like moving in a circle--you never come to an end. Who can exhaust

the possibilities of their combination?

12. The onset of troops is like the rush of a torrent which will even

roll stones along in its course.

13. The quality of decision is like the well-timed swoop of a falcon

which enables it to strike and destroy its victim.

14. Therefore the good fighter will be terrible in his onset, and

prompt in his decision.

15. Energy may be likened to the bending of a crossbow; decision,

to the releasing of a trigger.

16. Amid the turmoil and tumult of battle, there may be seeming disorder

and yet no real disorder at all; amid confusion and chaos, your array

may be without head or tail, yet it will be proof against defeat.

17. Simulated disorder postulates perfect discipline, simulated fear

postulates courage; simulated weakness postulates strength.

18. Hiding order beneath the cloak of disorder is simply a question

of subdivision; concealing courage under a show of timidity presupposes

a fund of latent energy; masking strength with weakness is to be effected

by tactical dispositions.

19. Thus one who is skillful at keeping the enemy on the move maintains

deceitful appearances, according to which the enemy will act. He sacrifices

something, that the enemy may snatch at it.

20. By holding out baits, he keeps him on the march; then with a body

of picked men he lies in wait for him.

21. The clever combatant looks to the effect of combined energy, and

does not require too much from individuals. Hence his ability to pick

out the right men and utilize combined energy.

22. When he utilizes combined energy, his fighting men become as it

were like unto rolling logs or stones. For it is the nature of a log

or stone to remain motionless on level ground, and to move when on

a slope; if four-cornered, to come to a standstill, but if round-shaped,

to go rolling down.

23. Thus the energy developed by good fighting men is as the momentum

of a round stone rolled down a mountain thousands of feet in height.

So much on the subject of energy.

Next: VI. Weak Points and Strong