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"Gott ist Zeit" - Adam
/Dark/ is a TV show that I started watching a couple of years ago but
only recently finished. One of my main motivations for watching /Dark/,
at the outset, was the fact that it is a modern, German-language drama.
I have been trying to learn German, on and off, for several years now,
so the idea of watching a programme produced in that language, that
might also have an entertaining story obviously appealed.
The first series begins with an introduction to the inhabitants of the
small German town of Winden. Jonas, a sixth-former who attends the local
high school, has been suffering from recurring nightmares ever since his
father, Michael, committed suicide only two months prior. You
immediately understand why the series might be called /Dark/.
That, however, is just the beginning. Ulrich Nielsen, a police officer,
is carrying on an affair with Jonas' bereaved mother, Hannah, putting at
risk what appears to be an otherwise happy home life with his wife
Katerina, and their three children: Martha, Magnus and Mikkel.
The first episode ends with the high school-aged characters gathered at
the caves just outside of town. Mysterious noises and electrical
disturbances spook them, and to cut a long story short, Mikkel, the
youngest of the Nielsen siblings loses track of the others appears to
awake in 1986. At this point, it is not yet clear whether he has in fact
been transported back in time or not; the fantasy elements early on are
delivered with a light touch.
Is /Dark/ going to be a Lynch-like exploration of the seedy underbelly
that lurks beneath the glossy carapace of small town life? A police
procedural, concerning a recent spate of disappearances? Or a
German-language cousin of /Stranger Things/, repleat with 80s nostalgia
and science fiction themes?
The answer is that, to varying degrees, /Dark/ is all three and more.
For the first series at least, the balance between those disparate
elements of character and plot, with only a small number of characters
congniscent of the science fiction elements of the story, while others
remain wholly motivated by more down to Earth concerns, unaware of the
fantastic events that are also taking place, is remarkably well judged.
The first series of /Dark/ does not have the surreal or absurd
imagination of a /Twin Peaks/ but it is very high class science fiction.
The second series expands the /Dark/ universe in almost every imaginable
dimension, with respect to both time and space. Bootstrap paradoxes*
multiply, winding one on top of the other, forming what the most
knowlegable characters in the show come to refer to as /The Knot/. That
obviously means sacrificing the purity and simplicity of the first
season, which actually calls to mind one of my favourite lines: "A human
lives three lives. The first ends with the loss of naivety, the second
with the loss of innocence and the third with the loss of life itself".
I'm not sure if that is from a poem or some other source. If it is not
then that is, of course, a testament to the skill of the writers.
Another stand out line, for me was: "Gott ist zeit". The actor delivers
it with a rich resonance and being spoken in German gives it a little
something extra---and that brings me to my final point: It is hard for
me to know how much the language barrier helps me to overlook things
that I may not forgive so easily in an English-languge drama, but I am
sure that it plays a role. While the performances are universally
excellent, there are moments in series two and three where I lost the
thread of what was really motivating some of the characters.
Contrariwise, that may have been born of watching the later seasons too
fast.
For what it is worth, I would recommend /Dark/. I think that I may even
try to watch it again, once the dust has settled. Measured alongside the
extremely well-produced but ultimately rather flimsy Marvel and Star
Wars TV shows that festoon the science fiction landscape, /Dark/ fair
towers over the competition.
looking it up until after you've watched the show.