💾 Archived View for clemat.is › saccophore › library › shorts › defcon › 25 › DEFCON-25-Don-Franke-B… captured on 2021-12-03 at 14:04:38.

View Raw

More Information

-=-=-=-=-=-=-

BRICKS by DON FRANKE

        Most people don't own communication devices. They borrow them.
        And when people talk about a brick, they're usually referring to
        a Community Communication Device (CCD). A brick is about the
        size of a bar of soap. It fits into the palm of the hand, with a
        rounded beige frame encasing a slab of clear acrylic. The shell
        is made up of a carbon-threaded polymer, making it nearly
        indestructible. When in contact with someone the rectangular
        screen instantly lights up with content specific to that
        individual. It can then be used to exchange text messages, read
        the news, or consume other digital content. The device cannot
        make voice calls, however, due to the increasingly unpopular
        Landline Only Telecommunications Act.  When no longer needed,
        the brick can simply be tossed onto a nearby table, counter,
        etc. The display instantly clears and its memory is
        automatically wiped. Bricks litter bars, cafes, fast food
        restaurants and other establishments. Inductive charging pads
        are embedded into the tables and counters at many of these
        places to help ensure that they are always ready for use. The
        proliferation of bricks is also responsible for a surge in hand
        sanitizer use.  The device and the service that gives it life
        are provided free of charge by a single company: Avocadeaux
        ("avocado") Inc. The free bricks are part of their community
        outreach program to promote free learning and information
        sharing. Emphasis is on underserved and lower-income
        neighborhoods. A study was done recently that showed an inverse
        correlation between the average income of a business's clientele
        and the number of bricks that could be found there.  When the
        program first started, the bricks were stolen and resold, but
        the company kept dropping off more until they no longer had
        resale value. Now you can find one just about anywhere.
        Avocadeaux has always maintained that the content they serve is
        100% user-driven, and usage history is completely confidential.
        Their mission statement reads "We don't want to influence the
        information being delivered. We just want to provide access to
        it." The company makes its money by selling the more upscale
        Personal Communication Devices (PCD's) to consumers with
        disposable income.


        In the alley behind Gary's Pub (about fifteen minutes west of
        the Chicago loop) Detective Emily Jensen kneels next to the
        motionless body of a man in his early 20's. He is propped up in
        a corner formed by a dumpster against a brick wall. His wrists
        and ankles are bound by duct tape. His lower face is also
        covered with tape, and a charred hole is where his mouth used to
        be. She peers into the burnt orifice with a penlight to confirm
        her suspicion: death by OC. A brick was shoved into the victim's
        mouth, and taped over so that it couldn't be removed. Then a
        hacked induction transmitter was used to overcharge the device's
        high-density battery until it exploded, shooting fragments into
        the brain cavity.  There are shards of plastic in the smoldering
        cavern, looking like bundles of toothpicks. It reeks of burnt
        plastic and flesh.  "Fire in the hole," she overhears an officer
        say.
Emily frowns but says nothing as she stands to assess the victim a final
time. Then she nods to the coroner who has been waiting for approval to
bag the deceased.
        The detective goes to the sidewalk at the opening of the alley,
        carefully stepping over yellow evidence markers along the way.
        She closes her eyes and tilts her head back to feel the
        afternoon sun on her face. This is the second homicide she
        caught in as many weeks with this M.O. The murder rate in this
        area has been increasing exponentially over the past few months.
        True, it always got worse in the summer, but this year has
        already outpaced the last one by a long shot.  She opens her
        eyes and looks around the neighborhood. It used to be a safe
        place. Lower rent, sure, but always a strong sense of family and
        community. It's like there's something dragging neighborhoods
        like this down, she mulls. Something multi-tentacled and
        powerful reaching up from the inky depths.  Emily enters Gary's
        Pub and scans the poorly lit room. There are a few people
        hunched over the bar who could be regulars, and a man with a
        trim gray beard behind the counter. He is staring down at a
        brick in his hand. She approaches him.  "Are you the owner?" He
        looks up and answers, "I am." He deftly slides the brick down
        the bar where it comes to a rest atop an induction charging pad.
        "Do you know who did this?" she asks.  "I already told you cops
        I didn't see nothin', don't know nothin', and don't want no part
        of it. This is a respectable establishment, okay? That alley is
        public property, got no control over that." Defensiveness is
        another thing that has increased over the past few months. Fewer
        witnesses willing to speak up, and less cooperation with police.
        "The victim looks like he's not even 20," she says. "Don't know
        who his parents are by chance?" She asks this to try to evoke
        some sympathy and willingness to help. He closes his lips tight,
        looking like he's working hard not to be swayed by emotion. She
        waits a few moments for a reply but gets none.  "Okay, well, if
        you think of anything..." She places her card on the bar. He
        ignores it and picks up a different brick which flashes to life,
        resuming the video he was watching a few minutes ago. She looks
        at the small screen. On it is Ed Belicaski, a challenger in the
        upcoming Chicago mayoral election. He is at a rally, talking
        tough about crime and cleaning up the city.


        Emily sits on a worn couch in her Rogers Park apartment,
        drinking a Goose Island pilsner. She is dressed in sweatpants
        and an Army T-shirt that still faintly reeks of sweaty workouts
        from her time in the service. She is using her laptop to view
        the Avocadeaux, Inc. web site, looking at CCD usage statistics.
        The company makes this information publicly available as a free
        service.  Emily zooms into a map of Chicago, and clicks the
        "sentiment" box. Semi-transparent blobs of different colors
        overlay the map. The colors represent different emotions: blue
        is sad, orange is happy, yellow is afraid, and red is angry. She
        clicks and drags left, away from Lake Michigan, and red shows as
        the predominant color over Garfield Park, the 29th precinct
        where she was earlier today. She clicks the "trend view" box and
        the map morphs into a line chart. The same colors are used, now
        shown as curves over a timeline. The red line of anger arcs
        upward at a severe angle.  She switches tabs in her browser to
        bring up the Chicago Police Department site. She navigates to
        the crime stats page which also has a map of Chicago. She checks
        boxes labeled "homicide" and "past 30 days", and red dots appear
        on the map. The densest cluster appears over the same
        neighborhood.  "Thought so," she says to herself. She sees a
        correlation between negative CCD user sentiment and the murder
        rate.  Her PCD vibrates on the table. She leans over to see the
        display. "Code 4. West Van Buren and South Sacramento." "Great,"
        she says. "Back to the 29th."


        It is almost midnight on a Tuesday when Emily arrives at the gas
        station. There is a crowd of about 15 people gathered on the
        other side of the yellow police tape that surrounds the crime
        scene. Many of them shout and jeer, and hold up CCD's with the
        same headline displayed: "Civil Rights No Longer Guaranteed."
        The victim lies on the stained concrete next to a gas pump. A
        plastic sheet has been draped over the body. Dark crimson pools
        out from beneath the sheet and reflects purple in the
        fluorescent lights above.  "What happened here?" Emily asks a
        sergeant standing near the body. He reads from his notebook.
        "Looks like an argument, which he lost. Vic still has his
        wallet. Took two to the chest. Found brass for a 45. No
        witnesses so far, of course. The gentleman working behind the
        counter says the cameras work but don't record worth a damn." �
        She kneels down and pulls back a corner of the sheet to reveal
        the face of a male in his late 30's to mid 40's. His eyes are
        closed, and looks like he is in a peaceful sleep. She replaces
        the sheet, stands, then looks out at the agitated crowd. She
        goes up to the tape, standing across from an older woman who is
        waving a CCD and shouting, "You can't make this a police state!
        That goes against everything this country stands for!" "Can I
        see your brick?" Emily asks. The woman stops, looking a little
        perplexed, then quickly holds the CCD close to the detective's
        face. Startled, she leans back a little and examines the
        display. She then looks at the other bricks being held in the
        air. They all have the same message on their screens.  "May I
        remind you that we're the taxpayer," the woman continues. "And
        that you work for us?" Emily does not respond. Instead she holds
        out her hand, palm up. The woman hesitates, then hands over her
        brick. During the handoff, the screen goes dark. Once in her
        hand it lights up again. But the display is the same as before.
        That doesn't make sense, Emily observes silently. I should be
        seeing my own content.  She hands it back and nods thanks. She
        studies the other people who have gathered, looking for anyone
        who stands out. In the back is a man in his mid-to-late 30s. He
        has shaggy, curly brown hair, his face is unshaven and gaunt,
        and has a slightly cleft upper lip. He just stands there with a
        blank expression, not caught up in the fervor of the crowd. He
        also has a canvas backpack with him. He sees her staring and
        quickly turns to leave. She goes up to two uniforms nearby and
        points. They give chase and Emily quickly follows. She
        unholsters her 9mm and holds it at her side as she runs. She is
        thankful she wore her gym shoes.  The suspect runs down an alley
        and jumps a chain link fence into a backyard. The cop in the
        lead busts through the gate, his partner following. Emily
        instead runs down the sidewalk to the next block and turns down
        the street to see the man dart out of the yard, cross the
        street, and disappear into the shadows of another yard. The
        streetlamp is out, feeding the darkness.  The uniforms and Emily
        stop in the front yard, panting as they search the darkness with
        flashlights. They listen for any clues of where he has
        disappeared to. Suddenly the homeowner throws open the front
        door, a shotgun in his hands. The cops raise their handguns in
        response.  "Lower your weapon!" one shouts.  "Don't you do it!"
        yells the other.  Emily holsters her handgun and raises her
        hands. "Easy, easy! We're just looking for someone. Just put
        down the gun." The man is older and appears confused, eyes wide,
        mouth agape. He points the weapon at her, lowers it, then raises
        it at the cops. Two deafening thunderclaps rend the night. The
        homeowner is thrown back against the railing that surrounds his
        porch and it breaks. He falls into the perfectly square bushes
        below. The shotgun crushes a garden gnome as it thuds heavily on
        the ground.


        Emily is in a bar working on her third Maker's Mark, neat. She
        is in The Loop, which might as well be a world away from the
        neighborhood she keeps answers calls for. She is drained from
        the two homicides yesterday, the accidental shooting, and the
        debrief and paperwork that followed. As she mentally unwinds
        everything, a dark thought keeps creeping back: It's almost like
        the neighborhood itself is cursed.  A beige brick is on the bar
        next to her. She took it from Gary's Pub a couple days ago.
        There are no other CCD's here, of course. The place is too nice.
        Her gaze keeps returning to the brick and its scuffed acrylic
        screen, as if staring at it long enough will divine its secrets.
        Someone's building something, she considers. And they're using
        CCD's to build it.  She overhears a conversation between two
        guys sitting a stool away. At some point one of them will try to
        engage her in conversation. She will be leaving soon, so will
        hopefully avoid the awkwardness of letting him down. She does
        not have the energy to be nice about it.  "They're going to let
        you make phone calls on them," one says. "One day, you'll see.
        It's just a matter of time." "Telecom's too strong," says the
        other. "They have lobbyists working full time to prevent that
        from ever happening. We'll be using copper lines forever!" In
        the reflection of the mirror wall behind the bar, she sees the
        one closest to her hold up his own black and shiny PCD as an
        example. Its screen lights up.  "So we're just going to keep
        using bricks that we can't make phone calls on?" His friend
        lifts his own from the bar and holds it up. It has a brushed
        metal frame and also glows to life.  "Until the friggin telecom
        companies let the government change the landline act, yeah," he
        answers.  "You mean the other way around. The voters will be
        heard!" "Our new mayor will be heard!" They laugh.  She drains
        the glass and places it back on the napkin on the bar.  "Is that
        yours?" The question is distant, and it takes a moment for Emily
        to realize it is directed at her. She turns right and follows
        his nod to the brick next to her.  "Yes." "I'm surprised. I
        mean, a community POS? You're much too fine for that." He
        smirks.  She looks at the PCD he holds, then at the PCD held by
        his friend. The content on each is very different. One shows
        lacrosse scores and the other displays a stock ticker. She looks
        down and picks up the CCD. It glows to life and the screen shows
        information about Chicago homicides. The guy sitting closest to
        her notes this.  "That's pretty grim," he says.  "It is," she
        agrees. "But that's my job." This catches him by surprise. He
        sits back a little, eyes going a little wider momentarily. His
        movements are exaggerated and sloppy from the alcohol swimming
        in his veins.  "Well, I guess I'd be drinking too, then." He
        raises his glass. "Here's to our new mayor. May he bring a bunch
        of his military friends to help you out." "And get you some good
        news to look at for once," adds the other.


        Emily edges her way past a crowd of uniforms that line a dark
        apartment building hallway. It smells of piss and decay. She
        stops in an apartment doorway that opens up to the kitchen. The
        front door has been kicked in. There is a yellow Formica table
        in the center. The deceased is seated behind the table in a
        chair that is tilted back on two legs, leaning against the sink
        counter. His arms are down at his sides, his head is back, mouth
        open and eyes closed. She recognizes the cleft lip. She also
        observes that a chunk of flesh is missing from the left side of
        his neck. On his shirt dark blood has blossomed around his
        throat, from the center of his chest, and from his stomach. A
        CCD is jutting out from each of the two torso wounds. A third
        brick is embedded in a toaster on the counter behind the
        victim's head. The kitchen wall is splashed with blood and
        debris like a frozen fireworks display.  She recalls a recent
        demonstration provided by the local FBI at an outdoor gun range.
        On exhibit was a weapon called a bricker that was recovered from
        a drug bust. A bricker is a bastardized version of a pitching
        machine that runs on a car battery, with a gear train that
        massively increases the motor's output. The result is a portable
        cannon that can launch CCD's at close to 800 miles per hour.
        Bricks make great high velocity ammo because of their ubiquity
        and near-indestructible nature. It was invented as a novelty
        hack, but ever since the plans went public, a bricker has been
        the murder weapon in at least half a dozen homicides so far this
        year. She remembers the sounds of the bricks shooting out with a
        clap (the sound of the projectile breaking the sound barrier)
        and obliterating a slab of ballistics gel from 50 yards away.
        The victim probably died of fright when he saw the weapon
        pointed at him from the doorway.  "And you think you're having a
        bad day," jokes a uniform standing nearby. Emily resists the
        urge to slap the grin off his face. She stretches latex gloves
        over her hands as she approaches the victim. She notes that the
        CCD's impaling the body are active. An article with the headline
        "Violence Erupts in West Chicago Neighborhood" lights up their
        display.  On the floor against the oven is the canvas bag she
        saw the man with earlier. She goes to it, carefully expands the
        loosely cinched opening, and peers inside with a penlight. There
        is a box with blinking lights, connected to a battery pack. From
        the box extends two thick sticks that look like antennae. It
        reminds her of a wireless router, but military grade. She
        reaches in and yanks the power cord out from the back of the
        device. She knows this is reckless and done partially out of
        anger. The lights on the box go dark. She takes a deep breath
        and exhales slowly to regain self-control.  "Okay, we're going
        to need to get all of this to the tech team," she announces to
        the room. "Bag everything." She looks at the body again and
        notices that the content on the CCD's has changed. The devices
        now display anime.


        They are sitting in a caged lab located in the basement of the
        18th precinct station house. The wireless router sits on a
        nearby table, its antenna sticks removed. "It's a
        man-in-the-middle device," the forensic tech explains. "It
        injects content into the communication stream of any brick
        that's in range." "I thought bricks were locked down," Emily
        says. "That only Avocadeaux could serve them content." "Well,"
        she answers. "It looks like he figured out a way around it. Or
        he got some help. I'm still working that part out. It might be
        in the firmware which can kind of complicate things." Emily
        considers this for a moment, then asks, "Do you know what
        content was being pushed?" "I was able to look at the source
        code for a daemon that runs on the router. It's a tiny web
        server that provides content to the hijacked connection. The
        program reads a text file that's located in the same directory.
        There's a bunch of news articles that it cycles through. The
        comments in the code aren't as well written as the articles, so
        maybe he got them from somewhere else. I'd ask him where he got
        them from, but..." the tech trails off. Though she wasn't told
        the details about where the gear came from, she has a suspicion
        that the owner is dead.  "Can I see some of the headlines?" The
        tech brings them up on a flat panel. Emily leans closer to her
        to read. She can hear the tech's breathing quicken.  "Violence
        Erupts in West Chicago Neighborhood, Civil Rights No Longer
        Guaranteed, Wage Gap Continues to Increase, Anger Sometimes is
        the Best Medicine, OC How-To Manual Now Available Online." Emily
        sits back, crossing her arms. "Do you think he acted alone?" she
        asks.  "I don't know," the technician replies. "I guess it's
        possible. Someone probably got him the router, though. It's
        pretty serious, not something you can just get on eBay. I did
        find something kind of interesting though..." She picks up the
        router, turns it over and holds it under an examination light.
        She points to two words scratched into the case: The Truthmaker.
        "Looks like he took his work personally," Emily comments. "Maybe
        he was acting alone after all." "Maybe."


        Emily is in the office of the precinct captain. The door is
        closed. The captain sits across from her, behind his imposing
        mahogany desk. His fingers are interlocked precisely and placed
        atop the mirror-polished surface.  "The device is made by Sigma
        Tech," she reports. "It's a military contracting company that Ed
        Belicaski worked for." "The mayoral candidate," he confirms. She
        nods, fighting a tinge of nervousness.  "Do you know how the
        perp got the gear?" he asks.  "Not at this time." "Do you know
        where he got the news articles from?" "We're still working on
        that. We're thinking it came from anonymous sources. He might
        have just known where to look." "Did you get his browsing
        history?" "Didn't find any computers at his residence and his
        service provider was Avocadeaux so..." "...so it's
        confidential," he finishes. "Understood." She sees him glance at
        someone behind her, beyond the glass window that looks out onto
        the desk floor. She does not turn to see who he is looking at,
        but she has a strong suspicion it is the unfamiliar suit she
        passed on her way here.  He exhales deeply. "I'll advise you not
        to make any allegations you can't retract, Detective Jensen."
        "I'm just trying to get the bottom of this, sir." This is
        followed by an uncomfortable silence while she considers her
        next move. She decides to roll the dice. "It seems pretty
        coincidental that someone is trying to stir up a hornet's nest,"
        she says. "In a part of town that a mayoral candidate says he's
        going to clean up by bringing in military hardware that his own
        company sells." The captain's eyebrows furrow almost
        imperceptibly. While this is the only outward indicator of his
        emotional state, she knows that he is furious. He unlocks his
        hands and places them on the armrests of his worn leather chair.
        He grips the rounded edges tightly, but otherwise remains
        composed.  "I think what we have here is a political activist
        who acted alone, and was met by an untimely demise. Probably at
        the hands of one of several enemies he made along the way." This
        is his way of bringing the matter to a swift conclusion. She
        stares back blankly while performing a series of a risk
        calculations: How far do I want to push this? Do I really want
        to take on the Chicago political machine? What is there to gain?
        To lose? Am I really ready to lose my job? My career?  She
        decides not to say anything and instead exhales quietly. The
        captain nods, probably to the same person standing outside the
        office. Then, with two fingers, he slides a folder from the side
        to the center of his desk and opens it. It is her personnel
        file.  "You've been doing great work, Detective Jensen. You have
        no problem getting your hands dirty, that's clear. How would you
        feel about getting reassigned perhaps? To something with more
        visibility and upward mobility?" He smiles and she fights the
        urge to recoil. "Someplace where you can actually make a
        difference."


        A couple of weeks later, Ed Belicaski lost the mayoral election.
        Emily was reassigned to financial crimes and was quickly
        promoted. She watched as the murder rate in the 29th decreased
        over the next several months, but not as much as she had hoped.
        The Landline Only Telecommunications Act was repealed the
        following year. This resulted in new products and services that
        let people consume digital content and make voice calls using
        the same handheld device. People called it a smart phone.  The
        hard plastic beige "bricks" quickly disappeared from existence.
        Some were collected, some shelved and forgotten, but most were
        recycled or dumped into landfills. Emily kept the device she
        took from Gary's Pub. It is in a shoebox in her closet, dead.
        There are no more inductive charging pads that can bring it back
        to life.


THE END