💾 Archived View for tanelorn.city › ~vidak › old-blog › 2011-12-23--2.gemini captured on 2020-11-07 at 01:50:24. Gemini links have been rewritten to link to archived content
⬅️ Previous capture (2020-09-24)
-=-=-=-=-=-=-
---
generator: pandoc
title: '2011-12-23\--2'
viewport: 'width=device-width, initial-scale=1.0, user-scalable=yes'
---
figured i'd
just put this here, not sure i'll really return to it Lost Profits
Followed; or, the Phenomenology of the Road. Chapter One: The
Phenomenology of the Road Dear Trace, Although I'm pretty sure you found
the note I left, you shouldn't've come after me, and for that matter,
come after me so quickly. Then again anything I've ever recommended to
anyone has been so lathered with selfish negligence, and your entire
life has been one so constituted by upright duty that there was no
chance you wouldn't try to find me. For some reason I thought you'd ring
the police, and that they would show up at where-ever I was staying,
handcuff me in the strobing blue and red lights of their car's alarm and
deliver me to a ninth circle of never-ending ironic punishments. To this
day I still don't know how you brought all those people out of the
woodwork to moralise me back to the cradle of my hypocrisy and
decrepitude, and still, to this very moment the reason why their
terrified and often explosively distraught pleas over the phone all
those months never succeeded in having me return is because I have
radically and fundamentally changed as a person. I suppose the most
apparent evidence of this is that I'm now able to write all this down
coherently; I look back on the memories I have of my writing, much like
entirety of the life I used lead, with utter humiliation. But that's not
enough proof that I've changed (I suppose in many ways I haven't
changed, although I'm still deliberating, which is self-reflection,
which probably is evidence I've changed), which is why I'm writing you.
The first reason why I disappeared was that I wasn't sure what had
happened to me. In fact that was the same reason why all four of us
brothers left everyone; we all agreed to leave, some of us indefinitely,
some only for a time, obviously. After what happened all four of us felt
as if we'd accrued superpowers, and I guess we really did. One moment
didn't possess any kind of moral engine, totally lacked any semblance of
a super-ego, and the next we became fully-fledged moral agents. Of
course none of us have become grand philosopher-kings or realised we
have a sudden calling to become priests, we've just become proper people
now. This really should emphasise what monsters we were, how we were
both simultaneously capable of destructive vengeance and of pettiness
for which we were incapable of rousing any empathy in anyone. We all
left because we weren't sure whether what we were experience was real
and permanent, or real and temporary or some illusion capable of
penetration. I am convinced I am really permanently changed, and this is
also why I am writing this letter to you. The second reason I never
returned for so long is because I wasn't sure of the effect of this
change. None of us knew what the extent of the consequence of our
newly-developed humanity was, and we weren't prepared to return 'home'
to our 'lives' without a more complete understanding of our new-found
powers, we were definitely not willing to discover that we were still
deficient in critical ways having once returned, only to find that we
were really just back again to our old selves, draining the life out of
all of those around us. I could continue to analyse the reasons why I
did what I did, but I think doing so would only push you further away,
like I had been doing all those years. I do not want this anymore, if I
ever have. I want you back Tracy; I want to draw you in. I suppose this
is what love is meant to do. Love is meant to be like perpetual motion,
forever lasting and always growing, at the same time powerfully binding
but the most incredible fountain of boundless freedom. I hope for my
dear life that this is not too little too late. I hope I can both
account for and irreversibly repair the pain I have inflicted on you and
the kids, and I long to being trying. I wonder endlessly whether this
promise is enough to make you want me back, but perhaps the only way is
to tell you what happened, to try and seat you in my position in the
unfolding of this transformative cataclysm. Let me tell you about the
very moment I realised I cared about something---anything---other than
myself. I was being driven across the country in a big car---an old
panel-van like a Tarago---my eyes rolling around in the searing light
pouring in onto my face through a big lopsided window. As the trip went
on I slid further and further down into my seat, it not taking long for
the landscape to disappear, the mysterious alchemy that the road
practices at freeway speeds, the trade of concrete for scrub one sees
out of car windows at the beginning of trips into the bush. From then on
the sky hovered in my dozing vision for some hours as half my face baked
under the sun. The infernal jewel seemed to dance around the clouds, and
as my ear and neck grew redder and redder, those shapes in the sky grew
dark on an exposed, swollen retina of mine, the sky transforming into a
dazzling white canvas, inhabited by sinister black objects that mixed
with my other view of the car door latch. I may or may not have been
asleep by then, but I can declare with certainty that at that point all
my personal beliefs about anything and everything unified and
precipitated out of the swirling bourgeois flux in which they had
existed, until that moment, my whole life. At that exact moment in time
I realised that everything anyone ever needs to know in order to live a
good life comes from contemplating what it is to be on the Road.
Hopefully this metaphor doesn't appear ridiculous. I sometimes rub my
face in shame at the idiocy of the simplicity of the idea, but its
effect on me is inescapable. The mighty sun that bathed me in light in
the back of that old moving bucket showed me the image of the paths of
men, the beaten track of human-kind through the wilderness of
meaninglessness. This is what it said: 'Consider the idea of the Road.
Roads are everywhere. Everything is reducible to the idea of a Road. 'A
Road is obviously a defined or recognised path on which things change
from being one thing to another. In this manner Roads can be benign,
serving to transform something for the sole purpose of achieving a more
radical transformation along another road, or of course they may be the
latter---utterly transformative, capable of rendering something
unrecognisable from that of its original constitution. 'Therefore a Road
may indeed be a road or a street, a construction used to transform the
location things from one place to another, or a method of doing
something, or a series of events that operate to possess a defined
beginning and end. A Road may of course exist of many Roads of lesser
transformative effect. 'There is, however, one fundamental issue with
this idea. In order to transcend being subject to the limitations of
being subject to a Road one must understand this key principle, and that
is that there exists a dualism that, when properly illuminated to the
enlightened mind, renders all attempts to reduce the world into the Road
insufficient to explain the nature of everything. 'This dualism is that
the thing that moves from one end of the Road to the other exists in
exclusive separation from that Road. By adhering to the idea of the
Road, one denies that thing the possibility of being its own Road.' The
circularity of this reasoning was both beautiful and absurd. Somehow, in
order to escape the clutches of my own meaningless existence, I had to,
however irrationally; reject the existence of the effects of the outside
world on myself. As I thought about this, I immediately and
incontrovertibly believed that I had to give up the wanton disregard for
others that had so characterised my life hitherto, and free myself from
the tyranny of the hedonism. I was---and am---my own Road. I immediately
recognised that I was not only an indivisible being charged with the
responsibility of acting to bring about good, but that I belonged to the
plight of everyone else, by continuing to harm others (however
ludicrously pious this may sound) I only continued to harm myself. By
the time this bizarre and incredible premonition was over the sun's rays
had well and truly waned, and it was fast sinking into the horizon.
Those words that the burning mass of gas so far away had so clearly (and
of course impossibly) transmitted into my mind had finished enunciating
themselves, and the whole experience was so exhausting that my
one-eye-open-dazing became a deep, day long sleep. I was again visited
by the circling black sun as I dreamed, but it didn't speak. Instead it
proceeded to pour through the contents of my mind, assessing my memories
in a molesting Dickensian fashion, unrelentingly showing me the errors
of my ways, translating the protests that I had ignored or
misinterpreted of the people that I had again and again morally abused.
When I awoke the big, room-like car in which I was travelling was still
moving and one of my brothers had swapped with the other for the
driver's seat. It had been my turn to drive but they couldn't wake
me---we were on the way to a hospital because they were worried I'd
slipped into some sort of coma. When they told me this I began to
suspect they'd also been in communication with the sun. This wasn't the
case, but, even though they hadn't taken part in such an out-of-body
experience, it definitely was. The\[B1\] concern on their faces was
boundlessly confounding. I felt as if I had at once gained three great
old friends. They said it was lucky we'd recently entered a city because
they wouldn't have known what to do if we had still been stranded in the
desert, I wasn't able to be fed or given water, and I had without a
doubt been very badly sunburnt. They took me directly to a\[B2\]
hospital in the city, carrying me into its emergency waiting room. By
that time I was again unconscious, but you should've seen the mottled
brown concrete entrance, and the brown stains lingering on the automatic
glass doors from the bore-water used by the reticulation just outside.
The rest of the hospital was much the same; I managed to spend a bit of
time walking around here and there once I'd recovered. Everything was
some weird shade of brown, and on some floors the linoleum would peel in
fantastic patterns that I would take time tracing in an attempt to
discover the cause of the flooring's premature deterioration. After
spending about half a week there I really came to enjoy the colour
brown. My brown saline drip must've been injecting the very colour right
into the fibres of my circulation. Most of the action that happened at
the hospital happened on the first day: I was carted into some quiet
corner of the castle thanks to Mick's real gift for sweet-talking, and I
must've been connected to thirty drips of saline by the time I came to
because my arms felt as if they'd been butchered. You know me though;
those things've never worried me. The nurse who had attended to me (and
my arms) was gangly and scabby-kneed but genuinely one of the most
pleasant people I've ever met. She lived where-ever the window next to
the nurse's station happened to point, which was more frequently than
not the brown, smudged view of the twinkling greeny-brown river some
kilometres away. Every now and then you'd hear a sigh come out of her
before the supercomputer-rivalling panel of panic buttons and brown
extension phone lights would bleat and flash into life, her knobbly arms
reaching for some receivers as she bolted to whichever rooms she could
reach without having the cords stretch too far. Late on the first day a
doctor about our age (Should I say 'our' age? I should probably not push
it, and instead say 'my' age)---my age---came into the room which I had
been inhabiting in an incredulous un-brown manner. It was the nurse's
job to come in too, and she did. 'He's been having seizures,' she
volunteered, and this was ignored by the doctor who plunged his balding
head into the clipboard that contained all the information that the
medical staff had managed to observe about me. 'It appears you have been
having seizures!' I traded faces with the nurse and we agreed neither of
us would do any good against the doctor, so she left. The doctor spent
some time pouring over the creamy-brown leaves of the clipboard before
grunting, 'You've been feeling alright?' 'Dunno, been asleep most of the
time.' The doctor's demeanour appeared to change, upon seemingly hearing
this, and he produced a small torch, and examined my eyes, and then he
suggested I should have my brain examined with a machine. When they came
back a couple of hours later Kosciuszko said he didn't mind paying for
it and almost exactly at this utterance I found myself being pushed
towards the ward that contained the radiology department. I left the
poor nurse behind in front of her trap of brown phones and buzzers; she
looked up with a sort of chagrin to see me go. Leaving the three in some
politely pilfered chairs in my room, I steadily began to decipher the
nurse's embarrassment as I was being transported to the other side of
the hospital. I was pushed by faceless sergeants through flapping
ceiling-tall doors, past receptions, past faces of brown, brown glass. I
was being kept in block B (B for Brown), radiology being in the next, I
had to be pushed outside. Outside was like a circus; it was strange to
see anything that wasn't brown. The real shock though, was the block in
which radiology was housed. Block D shone white, white. Everyone in the
parlour grinned and gleamed, somehow constantly facing everyone in the
building face-on where-ever they were, beaming! People in block D went
by the name of 'technician' and not nurse, and there seemed to be this
air of excitement hanging over all the desks, where I'm fairly sure
there also hung cash registers. Electrical cables ran right overhead to
where we were going, power metres passing thick and fast. As I entered
the scanning machine room, I was introduced to the technicians who would
conduct the brain scan. It was Melbourne Cup Day and they were dressed
up in suits and dresses, great big wide ties and gravity-defying
fascinators: 'We didn't expect to come in, but since we were on our way
we thought we'd drop in! We're told this is a pretty routine measure in
any case, so it should be over quickly, which is just as well!' They
watched the Cup on a television set behind some dark panes of glass as
they performed the brain scan, and I can still remember the winner
because the TV channelled the footage's radio waves of the race into
their operating console, through the machine and into my brain. I'm
still surprised that when the (rather annoyed) party-goers had left, and
I was being shown the negatives of my brain, that there weren't horses
and jockeys sprawled out all over my cerebellum. There was, and is,
nothing wrong with me, the scans turned out fine---the hospital is
important for another reason. Somewhat similar to this experience, but
more critical to the path which all four of us brothers took to getting
here today, was that of Paul's grandmother. I'm still not sure why Paul
had a different grandmother to the other three of us, and why she was so
young---I remember your suggestion that we might've had a different
father to Paul, and I think you're probably right. There's no way of
telling though, not with our parents anyway. As you know, Paul's
grandmother died of cancer, and although I regret never finding out what
kind of cancer, I suppose that shows you just how much I cared at the
time. I remember the path from the car to her room perfectly, because
what she did to me still remains pressed in my mind. The thing that
dominates my memory of that single time I visited her while she was in
hospital, besides the fact the hospital was built into a hill, is that
the place was literally swathed in carpet. Cleaners would chase you
around with vacuums to stop the staff from developing allergic attacks
from what you brought in on your feet and all the halls and walkways
were dead silent from their obvious acoustic properties---so the slow,
leg-after-leg trip I still undertake in my mind over and over was, and
is, both jarringly loud and chillingly silent. I remember Kosciuszko
nearly tore Paul's ma's ward a new skylight when a patient coughed in an
adjacent room as we were exiting the lifts---the videotape-like recall I
have of this procession still leaves me unprepared for this happening.
To tell you the truth, what Paul's ma did to me wasn't so much something
she, as an exclusive, positive act, did to me, but what she did to Paul.
Paul's ma has always irked me, mind. To me, and for some reason, nobody
else, there's always been this air of pretension and hidden meaning
hanging around Paul's ma. This last meeting I had with her topped all of
that suspicion off, you could say. Paul got teary as her condition was
inevitably brought up for the umpteenth time between them, after we'd
spent a bit of time talking about nothing in particular. As that
happened, the two seemed to look into each other's eyes, and Paul's ma
said to Paul, 'I love you darling'. At first the moment seemed nothing
but necessary, given the circumstances, but I kept watching on. From how
I feel about it now, I feel like I was looking on deeper, delving and
discovering more into this woman who I had known just as little as I had
known my parents. Much like the slow heaviness of the memory I have of
walking into her room, time seemed to take a break for a short while as
I started to observe her fading grey irises. It then occurred to me that
I, or perhaps Paul, more accurately, was being lied to. It was a strange
feeling to behold because all I could remember of Paul, the youngest of
all of us, and his ma's relationship over the decades was that of an
intensely happy and joyous union between those two, despite my abject
contempt for and uncomfortableness with the woman. The observation was
almost indisputable---the woman didn't love Paul at all. Behind her I
seemed to imagine wads of cash and an army of lawyers rubbing their
hands and fiddling with nervous excitement with their black briefcases.
The sulphurous fires of hell seemed to have frozen over in her silvery
irises; indeed her aluminium hospital bed suddenly seemed to resemble a
propane gas jet. What I saw struck me because I normally didn't give a
rat's arse about what it meant to say to someone, 'I love you'. I
normally used the phrase to cap off what I thought had been a couple of
days that had put me in somewhat less bad favour with you. Funnily
enough, this stretch of time was usually time \[B3\] we'd spent away
from each other. This woman's evil eyes transfixed me. Everything was in
the eyes and there was, for the mere seconds I lay charged under their
power, nothing outside. Nothing else mattered. All universal truth
proceeded therefrom, and anything else I had an opportunity to regard
collapsed into axioms that I would have derived from the grey-irised
eyes of Paul's insipid grandmother. The lies spewed forth without relent
in waves, and after each one passed my mind gasped for some kind of
virtuous air, only to be fed more filthy, salty, disabling lies. I
resolved to look away, only to set sail into a kind of meaningless
dead-wind---I simply had to keep looking in. I saw the cradle of her
consciousness within, all her motives and deepest horrid self-kept
secrets, the things she took from others, hearts she broke, social
machinations she calculated and forced into collision. All the lives she
wrecked, but also all the accidental happiness she caused, and regarding
that, I too saw the bitter annoyance and later ignorance with which she
came to consider those unintended anomalies. I never realised that
Paul's ma was such a scaly dragon. Poor Paul! Poor old Paul. He would
never see this truth, the truth that both she and I knew. I can only
(somewhat stupidly) confess that I never discovered how she and Paul
were related, but I can tell you with complete certainty that the great
matriarch of Paul's identity did not love him one iota. Little baby
Paul, the youngest of all of us, did not have his greatest, most complex
love returned. This knowledge almost mocked me. The now slowly
reanimating, blurry grey hoola-hoops of fraud danced a merry jig at me
over her caster-wheeled breakfast tray, her paper bucket of melted
ice-cream curdling under the heat of the propane gas, Satan himself
playing craps with the molecules of gelatine in her cup of lime jelly. I
never believed Satan existed until that moment, but there he was,
undergoing Brownian motion like the rest of the room, serpent-tail
flicking without a care in the world. I remember he looked up and
studied the fluorescence of the television set above our heads ever so
slowly rescanning. When the passage of time was finally released to its
normal pace I was left reeling. The proceeding conversation we had about
an ocean-liner that had recently moored itself in Fremantle flew right
over my head because I was studying the taste of my own saliva in my
mouth through my own sheer insanity. The woman's skin---Jolene's skin,
I'm sorry---seemed to form a translucent film over the inner workings of
her face (to be fair, by that stage it probably did, chemotherapy really
does wreak a terrible havoc on a cancer patient's body), and I thought I
could see, retransmitted, the terrible messages I had just received from
her dark, mirror-like irises. If we had at some stage addressed each
other then, as she sat up in bed, her pupils would have flickered creamy
light at me from the vertical blinds just nearby, the blinds themselves
slicing the room into ribbons of (startlingly) orange-brown. I never
wanted to see Jolene ever again, and I most surely didn't, except for
the time that I saw her at her viewing, but that's not really seeing
someone, is it. You were right not to come; Paul wailed and moaned, it
was terrible. Mick, Kosciuszko and I sat there in the pews looking
sideways at each other awkwardly as he was consoled by some of his work
colleagues. I guess it never occurred to me that I should have at least
patted him on the back. All this hallucination was caused by
something---not anything wrong with me, although you could probably see
how all the drinking I did might've had something to do with it---even
though Jolene came well, well before 'what happened', that
'transformative cataclysm' that all four of us brothers underwent was
invariably the cause. My theory on the Jolene incident is that the
change I underwent altered my memory of the visit, and this is the only
conclusion one can really reach in order to conclude that what I
saw---or what I remember---forms part of the overall process, the
overall 'Road', you might say. Jolene is the very earliest out-of-body
experience I can detect over this three-year fiasco, the very end of it
all being the brain-scan I had somewhat recently. It seems the overall
adventure begins and ends with a hospital. Somewhat unexciting, really.
You might find this whole manifesto entirely unfulfilling. I suppose, at
the height of my most indefatigable pessimistic moments, this is the
reaction I expect you to have to the explanation I have for my absence,
and to even the slightest part of the forgiveness for which I entreat
you. Well there's no use dwelling, is there! I have absolutely no idea
how you'll react to this, so I better get on with it. I never fully
explained to you the reason why I lost my job, did I? It is probably
also the most foggy mystery to you how it came to pass that it wasn't
just myself, but that my three other brothers along with me, came to be
employees of the Yokine Polka-appreciation Society. I remember the look
on your face when you were told by the Society's secretary over the
phone that Sunday. If I hadn't been asleep I would've scooped the phone
up before you'd taken a slight inwards-breath to get up from the
newspaper. I waddled in groggy-eyed to hear your cheerful good-bye, and
to really get it. Of course I took all the disbelief the way I usually
did: 'I can't believe you lost your job and didn't tell me!' 'That's
right! Yeah that's right! Yeah, yeah that's right! I can't do anything
right can I? I can't do anything properly!' 'How did you lose your job!'
'...can't do anything right at all!' 'Tell me how you lost your job.'
'Why? So you can just have it against me like everything else? You've
just got it in for me. You just want another little stone, don't you
Trace. Just another stone for your glass house smashing endeavours.' At
this you screwed up your face the way you always did when it came to
this nonsense. By this time the kids were at least all ears if they
weren't hanging around the doorframes already. 'Why didn't you say
anything? And to become a ... a ... musician?' 'You can have any reason
you want, Trace, and if you don't like it, I'll just quit and you can
have me do any damn job you like. I'll just quit! I'll just ditch it all
in the gutter, that's what you want, isn't it. You want me to fail.' I
really remember what you said directly after this, it's stuck in
solidarity with the shame I have for my past life: your eyes had become
wide as wide by this stage of the argument, wide with insult and
disbelief, I could practically hear the whites of your eyes trembling.
You said, and I still regard this to be the moment I reached the lowest
of the low in your books: 'You've gone completely insane. You've just
lost it. Just get out now. Just get out. Just take all your shit and get
out.' I had yelled over most of this---in fact throughout the whole
episode I had never stopped yelling---but it is pasted onto my mind with
powerful memorability. Instead of yelling deranged mockeries and
accusations, I wish I had yelled this. I lost my job in the office
because I deliberately and wilfully approved a series of enormous money
transfers. There was nothing dishonest about the transactions
themselves, they were quite necessary, there was nothing wrong about
them at all. The problem with them was that they were done without the
proper authority. My department needed to meet some sort of productivity
quota by the end of a specified period of time, and we weren't going to
make it, so literally got the red rubber stamp of the head of the office
and processed these payments. If they had been payments for, or to,
anything else, I would've gotten away with it. The fact that they were
so important literally sealed my fate the moment I had the forms
dispatched by courier the day they were stamped: mobile phone calls that
must have at first been congratulatory, would have set in motion the ad
hoc inter-office investigation that had me fired. I hadn't lied so
impetuously for so long I doubt I would've been fired. It's a funny
thing that cowardice will often put one to emphatically lying, but it's
a thing even funnier that sheer idiocy will always ensure that outcome.
I knew that they knew that I had done it, but I clung on to the idea
that I could make it out of the fiasco by fixing the wrong-doing on
someone else, and with as little and as ill-informed effort as possible.
Here and there my accusations flew, and before long I had attempted to
blame practically everyone I knew with the approval of the office's
payments. They sent me packing in much the same manner as you did. The
reason why I didn't pay the electricity bill that quarter was because it
had been on my desk next to the phone, and I had been marched out of the
office then and there, leaving practically everything I took to work
that morning behind. It's a damn shame I never put any pictures of 'the
family' on my desk to leave behind and never see again that day. I think
I was fired at about eleven in the morning, a week-and-a-half after I
had done the deed. A couple of hours later I got a call from Kosciuszko,
and this should explain how I became a bassist in a Polka band.
Right\[B4\] in the middle of Yokine there's an old salmon-brick
building behind a crispy mass of dried lawn, and on its wall facing the
street is a peeling white sign with moveable plastic type that says
'POLKA SOCIETY', below which there'll usually be the time of the group's
next set, and possibly the name of a headline act that might be
featured, or a particular popular piece that might be playing. The
ultraviolet light of the last forty years or so has gotten to the moving
Perspex windows covering the letters, the clear substance has now become
a bit creamy, obfuscating the sign a bit, but no-one in the Polka group
has the heart yet to replace it, the shape of the sign and the
particular typeface of the letters has come to characterise the
place---people walking their dogs still stop in to grab a pamphlet about
the next set, inquiring about which seedy characters we might be
importing for a couple of weeks from central Europe. It's a serious
legend amongst those in the appreciation society that the group's
premises rose out of the concrete mass of the suburban Yokine to fulfil
the world's insatiable need for Polka music. Like a righteous volcano it
was raised, so the myth goes, from the blazing molten centre of the
Earth, lime cement, window frames and all, presenting itself to the
newly-arrived German and Eastern-European immigrants that comprised the
Polka group. This was, definitively, so we four delinquents were
informed, the second Mecca for Polka on Earth. Where the first and
original Mecca existed was a subject of virulent dissent among the
appreciation society, so I suppose no-one really knows. I think Manny
(the jug-playing janitor) maintains that Polka was indirectly received
by mankind through revelation---when Australia was still joined to
Antarctica. I won't outline Manny's support for his theory, but let me
say I found it pretty convincing. Think: musical dinosaurs. What
Kosciuszko's call had to with the Polka society was fairly innocuous.
The group were getting their back veranda doors replaced with those of
sliding glass, and they'd found Kosciuszko in in the phone book. How
they found him still baffles us all---the new books that had been issued
to everyone across Perth had been printed smaller than before---the
writing in the books was tiny. They must've borrowed Manny's bifocals.
When I arrived with Kosciuszko, Jürgen, the proprietor, greeted us
brandishing a distinctly un-curling, un-yellowed phonebook, yelling in
an almost incomprehensible German accent, 'This thing's impossible to
read! Altogether impossible to read! I assume you're Kosciuszko
Trappers!' The work required needed an extra pair on hands to get rid of
the old frames that housed the doors to the veranda. The frames had been
set so firmly in place, never having been intended to be removed, that
the job almost became a heavy demolition procedure. This was the
explanation Kos gave upon being asked why I had arrived along with him,
although I think it was probably the business attire that prompted the
question. The difficulty of the job struck the Polka society, somewhat.
Standing around, holding warm cans of cheap beer, Kos showed them the
heavy setting that the doors enjoyed. They stood there a bit after the
show and tell, scratching the faded stains on their Wednesday afternoon
wife-beater singlets. They looked a bit worried; they didn't have a lot
of money. Soon, after some deliberation, Jürgen reported back, 'We'll go
ahead. It's just too hot around here in summer. Doesn't matter how good
the band is on hot days, people can't stand the heat. Some people faint
and hit their heads---you know how it is.' At the risk of discussing the
peculiarities of the construction of the Polka society's hall at far too
much length, ventilation could only do so much for the place. I had some
suspicions about what Kos was charging them for the job, but looking
back on it now, I wouldn't have changed a thing about my involvement in
renovating the society's hall. For the couple of weeks or so that Kos
took me on for the job, and the month that I spent learning to play
Polka at the society before you were unexpectedly alerted of my
activities, I had the time of my life. Working on the building was the
first step in my seduction by Polka. The aged structure exuded an
earnest warmth that it seemed to absorb from the ground. Jürgen's insane
ramblings about the volcano-like origins of the building began to gain
coherence after these observations, and the hall slowly obtained a high
and dignified character in my mind as the work progressed, creeping ever
closer to completion. The hall's roof hung on an angle, slanting from
one side to the other, and it took on the form of a giant,
tenement-sized blade of justice. I suppose creatures that lived in the
Earth's mantle, the architects of the prehistoric Polka society hall,
substituted one of their ancient tools to fashion to the roof, not
knowing that it would have the ability to turn the place, once on the
surface, into a virtual furnace for humans in summer. The slope of the
supreme temple of Polka, just in its grand design, imparted itself on my
conscience. By working on the property, I gained an avenue into the
lives of those who composed the Polka society. One afternoon, after we'd
propped up the load-bearing beams of the hall and taken the old frames
out, Kosciuszko and I joined some of the Polka group in the backyard for
a few hours---the skeleton-crew that manned the society's premises in
the middle of the week. At the slightest intimation of accepting their
invitation, my brother and I were awarded each with a warm can of the
state's true blue flightless bird, the sweet, life-giving nectar of the
appreciation society, and the members got right down to work. 'Do you
know what we do here?' Those that were with us were Jürgen and Manny,
who never seemed to leave the place (Manny in fact having lodging behind
the lobby), Mrs Strickland, the society's book-keeper and inscrutable
event-coordinator, and John---John X, one of two Johns---the in-house
band drummer. Kos took a swig from his can, 'you're musicians, you guys
play a bit of music.' John seemed to twitch at this response, but the
others seemed to expect a bit of ignorance. 'We're the southern
hemisphere's foremost Polka Society, Mister Trappers,' sipped Mrs
Strickland. Kos seemed a bit absent at this, but then insisted, 'oh
please, just uh, just call me Kos---Kosciuszko---either, or.' 'Well,'
said Mrs Strickland, somehow still sipping. Jürgen broke the impasse,
'we, here, are torch-bearers of one of the purest and dignified cultural
practices known to man: we here are the custodians, stewards, players,
of polka. Have you ever heard polka before?' 'I think we had an uncle
with an accordion. Wait, no, my wife's (forgive me for including you,
but this is what happened) grandfather had one,' I replied. This wasn't
the worst answer either Kos or I could've given, so Jürgen seemed
somewhat encouraged, 'an accordion! The tamed, living, breathing
instrument of a polka-player, no?' 'I suppose he was.' 'Do you know what
it is that lifts the polka up an above all other forms of music? Above
the---what is it called?---rapping of those with the boom boxes, why
polka is deeper in meaning, and more beautiful than even the most
exquisite symphonies and sonatas?' 'No, I, I wish I did.' Jürgen pushed
on with liveliness, 'the polka soars above all other art-forms because
it calls one to dance! Nothing is more powerful and soul-penetrating
than that of music to which one can dance, and the dance that the polka
summons is infinitely \[B5\] mysterious and inspirational.' 'Almost like
a way of living,' Kos furrowed his brow. 'Exactly,' John nodded. 'They
say we're all characters inhabiting some dream in a sleeping man's mind,
and that polka music is the pulse of that creature's heart---learn to
play polka, and you free yourself from the oppressiveness of what one
might term the "human condition".' The sound of the crickets in the
bushes suddenly took over the thoughts of those present. They whipped up
a formless white-noise between and around us, glazing our eyes over and
turning them inwards, we studied the words we'd spoken to and heard from
each other. A sullen cynicism crept into the back of my mind. The
passion and mysticism of the group was patently earnest, but I felt
reserved as to whether I was prepared to start following their meaning.
Luckily Kos saved me from the embarrassment of having to divest myself
of these attitudes, 'you know I was sent with my brothers, in my
childhood, to these church groups. We sang and danced there and
practiced psalms. Never got much out of the experience. I don't consider
myself a learned man, but from what I've read, and where I've gone, I
consider such things not to be the truest words ever spoken, if you can
excuse me for so saying.' The appreciation society members looked down
at the feet, across at the Hardi Board, and the amorphous cloud of the
crickets still lingered. Kosciuszko went on, 'In fact I remember coming
back from Sunday classes once, and I remember at that stage the parents
of a friend of one of my others brother, Mick, and I, would let us come
across to their house for a couple of hours afterwards. Our friend had a
fish-tank in his bedroom in which he kept these rare, exotic kinds of
goldfish and that whole family was enamoured by these fish, bringing up
the taxonomy of their sub-genus and such things, and I used to look at
these sabre-toothed things in cold sweaty fear! They had eyes like
dinner plates, and I suppose the only reason they didn't leap out of the
tank and drink my blood as I hovered there in front of it was that those
putrid, jellied photoreceptors of theirs weren't good enough to resolve
images of their prey through thick panes of fish tank glass. 'One
morning over at our friend's house, I saw one brightly-coloured fish
eating another. The struggle didn't take too long to resolve, but it did
cause the tank-water to swirl and froth, tossing around the aquarium's
plastic kelp and a scuba-diver figurine violently. After the bloody
consumption had ended, and all the other fish had long since astutely
decided to hide in a hollow clay log, the carnivorous fish appeared to
survey the tank as some sort of conquered land, tilling the
rainbow-coloured pebbles that lined its bottom, and inspecting the
water-filter in a dignified, statesman-like manner. While the other fish
quivered, out of their minds, fearing for their lives from this scaly
psychopath, the conqueror fish assembled a morbid crown out of the bones
remaining from its late dinner, propping up the bones it didn't use for
the crown into a sick mound that reminded me of a priest's crook. 'What
I saw disturbs me still to this day. I see the same "dance" on building
sites such as these, if not predominantly in offices where people use
words to arrest the minds of their enemies, where anything is a weapon
and death and defeat is not an observable state of existence, but a yet
terminable living nightmare. When I think of these people I think of the
quivering fish I saw in that tank, their wounds diffusing red into
limey-green water. You see, power and violence makes knowledge, wisdom
and truth---open your eyes and spy the Loch Ness hanging over your own
lives, the jealous, cold-blooded moron stupid enough to fail to be
other-regarding, possessing your lives as its own.' The crickets roared
as loud as ever now, but we drinkers of warm beer apprehended
Kosciuszko's meaning. I recall Mrs Strickland was none more so engaged
with Kos, now. Neatly cradling her now-empty red and white can in her
hands, she announced, 'but what a pathetic existence that'd make, Mr
Trappers.' 'That's no argument against what is very possibly true.'
Manny, silent until now, unable to contain himself, jutted in, 'have you
even heard any polka before? You merely haven't received the revelation
one acquires in participating in polka! This is a society of revelation,
Kosciuszko, and from the looks of it, it's something from which you
might benefit. What a pathetic refutation of the virtues of
polka---Jürgen, help us out, go get your accordion.' He had been
studying the spines of his moustache thinking, but answered immediately,
'gladly.' He mentioned he'd have to head home to go get it, which was
luckily just down the road. After Jürgen had dismounted the red-brick
retaining wall on which we were all sitting, hobbled around to the front
of the building, and then off down to our left down the road in his
shredded thongs, Manny decided he wanted a bit more of a piece of us.
'Who are you guys, anyway?' He took a gulp, 'where do you come from?' I
admit the question took both Kos and I by complete surprise. Nobody had
ever asked us this, and I swear no-one has ever asked it since. Such an
inquiry had us totally disabled. 'Hm? Who were your parents? This might
explain these ideas of yours.' 'Didn't really have parents,' I echoed
from the bottom of my can. I suppose I also have this to explicate to
you---you know this much, that I only really had legal guardians for
parents, but I really was defensive on the matter. How we got married,
you knowing nothing about me, really does highlight how you loved me.
You waited for me to be ready to tell you, and as things dragged on, I
broke that trust, much the same way I broke all the others. 'Want
another?' John shot both me and my brother a wary set of eyes, noticing
the lightness of our cans. We both nodded, and he reached into the esky.
'Really, no parents.' Both Kosciuszko and I scratched our stubble,
trying to find the words. Kos got to it faster than I did, 'Our father
was insanely rich. He owned copper mines and airlines. I remember we all
met him a couple of times, and both times he wore this white suit and
his eyes were shielded behind these incredible outward-mirrored glasses,
so we never really got to see his face.' Mrs Strickland stared
unblinkingly. 'He had lots of cars,' I said, lamely. 'I can't remember
if we had a mother. I like to think we were born in test-tubes, I think
dad would've been rich enough to do that then, he owned laboratories and
bought scientists like football cards. If all of us brothers were born
like everyone else it might've been to a supermodel or something,
although that doesn't really make any sense because a supermodel would
have doubtless had us aborted the very morning she would've woken up,
children and pregnancy have nothing to do with being a supermodel. The
crickets subsided and the clouds slowed overhead. One passed under our
view of the sun, pouring us into a brief shadow, causing everyone to
have a bit of an awkwardly-timed shiver. 'If you knew your father better
than you mother, what was your father's name?' Manny kept on. 'Gormund
something,' Kos looked at me. 'Gormund Keller,' I said blankly. 'I have
no idea why we got the last name Trappers.' 'He was German?' 'Fuck
knows.' 'Where did you live?' 'In houses,' Kos rubbed his face. 'We had
nannies at first, and then we were left with people we were taught to
call uncle and aunty. By the time of the last aunty I think Paul was
about, what, seven? Mick was pretty old by then, but not even Mick knew
Gormund. I think Mick must've been the guinea pig for the old guy's
ability to alienate children, he had it pretty rough. I think he was
treated like some sort of pet until he grown up. 'Anyway Gormund's
mother, who I assume, in any case---and I mean this no disrespect
whatsoever, the woman was a saint---is our biological grandmother, won
us off him in court.' 'How?' John lit up what looked like a stale
cigarette. 'The judgment's reasons relied on evidence that we'd been
starved for some time, but I don't remember starving.' 'Pretty rough.'
'You could say.' 'Is he dead?' 'Yeah, he's dead,' Kosciuszko borrowed
one of John's cigarettes. 'Did you get anything?' 'Now there's a funny
story,' said Kos, coughing a bit of a laugh. 'He had everything stripped
from him when that lot,' he stuck out a thumb over his shoulder, 'got
in.' 'No shit! All allocated away?' 'We saw him a third time, actually,
the last time we saw him. All four of us kids were shepherded by
limousines from an airport in Britain to this giant glass box in the
middle of a big city---I honestly don't know which one---and we were
taken to his bedside. He was spluttering and hacking and was guarded by
these two suited goons. They kept adjusting the blinds, and as our
father wheezed out these gaseous words that we couldn't understand, the
room got dimmer and dimmer until we couldn't see the dying bastard, let
alone hear what he was pontificating about. 'Turned out he was trying to
placate us about not being included in his will. We got the last laugh
on that one, didn't we? Our grandmother told us the government took it
right out of his bank accounts. Resourceful eh? They just reached into
the Cayman Islands and plucked out what they thought belonged to Western
Australia---stamp duty for all those flats in which people bummed with
no running water, I bet.' Kos always got excited when he talked about
how dad, Gormund, whatever he was, 'finally got his'. 'But your nana was
a nice lady, wasn't she.' 'Yeah gran-ma was a legend. Before we went and
lived with her we all gorged ourselves on attention and approval. We
were constantly tantalised by the thought that a nanny, or later, one of
our uncles or aunties, would communicate anything positive about us
upwards through the filial substratum on top of which Gormund lorded.
Gormund was like a god to which we prayed, and over which we fought and
scrambled for favour.' Looking back on that now, we weren't just
neglected children, but little selfish little rats that hoarded from
one-another anything good we possibly could. Food used to be important
property between us, and mealtimes, when we still had meals together,
became disputes for territory on tables, or over the apportionment of
the sizes of our servings. Everything must've grown out of this wanton
pettiness. Life was a commodity one tried to abuse both ways
simultaneously, as we so malignantly dreamed: to be both jealously
protected and consumed with fleeting relish. What surprises me so much
is how base and simple it was, how life was all about, and ever more
covetously became to be, the idea or pursuit of having the thing, and
not the thing itself. I never truly noticed I had brothers until I was
transformed, and I'm adamant that this was true also for my brothers.
All of those monumental fights into which we were drawn in our teens,
where we busted out each other's teeth and clawed at our fellow
brother's eyes, should never have happened because life was all about
appearances. The fights we had as grown men were never any different.
'We \[B6\] fell into lives that resembled something normal when we
arrived with gran-ma,' Kos said. 'But I don't know what she saw in us,
and I suspect towards the end she wondered that same thing. A part of me
actually wants to believe that she eventually regretted taking us four
on, because we were so abusive and emotionally moribund. Thinking that
satisfies a guilty pleasure of mine to believe that it wasn't her own
vices that killed her, but ours. She was a nervous wreck when Paul
finally turned twenty one, the slightest whiff of a problem floating on
her temporal horizon conjured up for her steely-eyed demons that caused
her slave menially over the sinks in the laundry and the kitchen. She
used to screw her eyes up when we turned the knives. We really took it
out on gran-ma.' John took a drag, 'my dad got a bicycle to ride to work
when I was a kid. He told me not to touch it but I took the thing off
for a ride and smashed it up. I smashed that thing up good. When I came
home my legs were bleeding that badly that when my father saw me and the
shiny heap of crap to which I'd reduced his bike, he said nothing and
did nothing about it. I'm not sure whether he understood whether I'd
learnt my lesson or whether he didn't really care about the bike. I'm
sure he would've cared, that was a damned expensive bike. You'd be
hard-pressed to find a bunch of kids that weren't a pain to their
elders, Kos.' 'We were pretty bad though.' 'It's all in the past now,
though, mate.' Their old cigarettes were pretty musty, when Jürgen
returned we four were sort of shrouded in a flavoursome white cloud
contained by the clicking of the now-resurgent bush-dwelling insects.
The soon-to-be-performing performer parted the wavy clouds with his
third lung, disturbing their eddy currents, waking us all up. We snapped
to as the air cleared, the cloud overhead retreated, and our cold cove
became flooded with light. It must've taken me a while to get a clear
view of Jürgen, because he was bathed in a pool of golden-white light,
from which he emerged to sit back down where he was on the retaining
wall. 'I'll play you something special,' he said. 'Because I think you
two are probably going to need it.' The very second the accordion
croaked into life, I was incensed. Jürgen and the machine merged into
one rhythm-hugging creature, spinning what was probably an ancient yarn
that had snowballed over some centuries from a sacred whisper strung to
the time of fealty. The limits of the fabric of space and time that I'd
seen tested in Paul's grandmother's room some months ago were now being
discarded altogether. I looked over and Kosciuszko, in his seat, stars
and planets the harmonic frequencies that resonated all-between, and he
was doing his best to hide a silly grin of enjoyment. I communed with
the Higgs boson, unravelled the mysteries of quantum mechanics and after
some time, saw a silvery bright light on the outer ridge of my spectral
adventure that I dearly hoped was the answer to, or meaning of life. I
felt the presence of a set of two cautious, mind-reading eyes staring at
me from locations all and none. The eyes cast out the images of stern,
strong, secret-keeping seals, bright, meaningful lamps, and foul,
sinister sheets of sack-cloth, with which the seals and the lamps were
associated in binary opposition. It occurred to me that I must accept
these images even though they propagated from an as yet indiscernible
fallacy; how can there be things that are opposites? Looking back on
this sample of my consciousness now, I readily understand that the
opposite of a hospital is the red, red bush, and the opposite of a
white, shiny boat is a wet, dredgeable, watery public grave. I remember
from that moment believing that we are inextricably surrounded by
opposites, even though they do not exist in materiality. Jürgen's song
taught me a small amount, and also a great deal. It taught me,
irritatingly, everything and then nothing at all. It was like a smooth
drug, hugging my internal organs with two gigantic intoxicant hands,
against which I protested, 'surely, if opposites are not real, then they
must be an illusion of perception! I think the cause lives in a small
portion of one's brain---locate this portion and you'll see!' The eyes
beyond the lamps and the seals and the endless sack-cloth stared on with
insistence. They seemed to suggest that my rebuttal only provided
further evidence for its mystical proposition, 'Things can be
discriminated and set apart from one another,' the eyes flashed. 'These
discriminations will be undertaken by your brain. However, as to your
objection that there cannot be any certain truths, one cannot approach
this assertion without a sense of irony: it's entirely possible that
you're not exactly arguing from a position of good faith.' As the
booming words ceased, so did Jürgen's song. He looked up at us
uninitiated, starry-eyed cadets with a bit of a chuckle, stealing a
cigarette from John. I looked over again at Kos and I could tell he had
seen a different vision than that I'd seen, because his expression was
warm and placid, what he'd seen probably hadn't involved a mild,
somewhat extended rebuke from a disembodied voice. 'Do you see things
too?' 'That was a particularly wistful Polka, I suppose we were all
contemplating the things that trouble us most.' The sun had begun to
set, 'staying for dinner?' Kosciuszko's elation had subsided, but he was
in a quiet, contemplative mood, 'yeah, yeah let's stay.' So we stayed
and ate some terrible, oily take-out food. As we ate, I felt strange
that we weren't talking, and after chirping all afternoon and evening, I
suddenly regarded the crickets for the first time. We moved inside for
dinner. Kosciuszko and John dragged in a laminated collapsible table out
from a storage room and we placed it right in the middle of the
performance room. Manny called it the 'ball room' but Mrs Strickland
dismissed this as 'hopelessly misleading---we've never conducted a ball
in here'. Mrs Strickland seemed to eat with her mouth open, I could see
it in the corner of your eye as you looked down at the table, but when I
spun my head every now and then to pretend looking up at the humming
sodium lights up above between the rafters, I couldn't see her mouth
moving at all. 'When did you all start playing polka?' Kosciuszko was
always belligerent over meals. 'A long time ago.' 'And when did you set
up this society?' 'Some time after we began to play polka,' Mrs
Strickland sniggered through seemingly flapping jowls. Kos looked a bit
crestfallen at this, he had actually been quite excited, 'I saw things
in the music Jürgen played this afternoon. You found out---and now
know---everything about us, and then reached into us and detected our
deepest thoughts, I somehow consider you all very close friends now, I'm
quick considering to do all this work,' he threw a balding forehead
towards the retaining wall past the flapping tarpaulin, 'gratuitously.
I've been upset about something for weeks past, now, you solved that
problem but I think I might be soon upset about something else now---for
once, I sheepishly admit, not out of spite---please, tell me who you lot
are, and if possible to divulge, as an ancillary matter, where can I
acquire membership to your family?' Mrs Strickland was flecking food
everywhere, I just knew it, 'Jürgen bought the place. Your family were a
long line of princes, weren't they?' 'Yes. Our principality was usurped,
mind. Besides, we are no longer princes.' 'You fought in terrible wars,
though, didn't you?' Jürgen practically rolled his eyes, 'with nerve gas
and terrible consequences if you were captured by the enemy.' Kosciuszko
said nothing; he just looked on in expectation. Jürgen saw this and he
knew. 'There was a small, unknown state in the middle of Europe from
which I come, which was subsumed by many different armies over a period
of months during the Second World War. It no longer exists---I think
it's a part of Germany now, I'm not sure. During the confusion of the
advancing and retreating, my family's ancient reign over that small hill
was stolen by some clever guerrilla fighters. They killed many people in
my family, under the pretence that we were conspirators with every kind,
Nazis, Soviets---Shark-finned tuna, eh?---and my parents fled here, my
brother and I just infants. 'We played polka in our principality,
everyone danced and was happy. We had carefully avoided every kind of
war up until that point, I don't know how. I've returned to the place,
which is, hilariously, governed in one form or another by the usurpers.
Life is difficult for the people there now, though. It's like the
fairy-tales I was told as a child---I'm sure we were all told these
little lies, that the King comes back to his Kingdom and Conquers
Righteously, and all the little evil cretin that infested the annals
become happily forgotten, and everyone lives happily ever after, no? 'We
took a lot of money with us and I used the last of it to buy this, what
I consider the last bastion of my legacy as a prince, and I think
everyone accepts I have a selfish connection to this property, aside
from and despite the fact that I use it for such charitable purposes. It
is hypocritical: old money, extracted through exploitation, paraded
around like it belonged to everyone. In that respect I'll never cease to
be a fraud. I've spent my life playing liberating polka, and this
fulfils me, but I am visited by the sins of my parents. We should've
died; we were complicit in the enslavement of our people by saving
ourselves and not doing more, we should have at least sacrificed
ourselves.' 'But surely that in itself is a fatuous, bourgeois morality,
what on earth would that have achieved?' Food, food flecking everywhere.
The woman was talking with her mouth open (that's not to say I don't,
and that I wasn't, but I was taking exception to this!). '\[B7\] What's
done is done, it's in the past,' Jürgen said. 'I'm haunted by these
ideas of my own creation. You may be right; this evil I see dangling
over my choices isn't really real.' 'Nnn,' a veritable landslide of
food. Almost ignoring everyone else at the table, Jürgen asked, trying
to clear something out of his teeth, 'what about you though, Mrs
Strickland? Something hangs over your life, doesn't it? There's a big
black dog chasing you somewhere, I just know it.' He had made this last
remark in jest, and Mrs Strickland sat up, somewhat superciliously, a
little straighter as a result, 'no. My life was and is remarkably
normal.' "Fuck off!' 'What you think I'd lie? My father was a labourer
and my mother was, perhaps somewhat unsurprisingly for the time, a
nothing.' 'Your mother was a nothing? Like theirs?' John poked a badly
broken chopstick in our direction. 'No offence.' 'That's how I'd put
it---none taken.' 'No I mean she cooked and cleaned.' 'My father was a
cleaner,' Manny said flatly. 'And so was his dad and the dad before
that,' Jürgen smirked. 'But his dad, was an Earl,' John said, looking at
us with raised eyebrows. 'All this royalty!' Kos declared. 'Why the
sudden spell of serfdom?' Manny seemed to search himself. He said,
'decided to become a cleaner.' Jürgen laughed, 'he had it taken off him,
Manny, you read the thing the librarian gave you. They revoked his
Earldom and all his land and oxen and letters patent. They sold all
these things and bought a shiny new warship for the English fleet.'
'That may have happened but we were always cleaners.' John scratched his
head with the broken chopstick, looking at Mrs Strickland, who was
purposefully ignoring his inciting gaze. 'We had teams of peasants and
retainers and we were charged with the responsibility of cleaning up the
borough all through the ages. We were always poor though. Can't say
cleaning has ever been the best lot in life. I think things are getting
better---for instance---the bleach I use in the lavatories has a
fragrance of pleasantness par excellence, you can't even small the
chlorine, the stuff's magic, I love it.' 'You're insane, you know that.'
'I'm damn proud to be a cleaner! I do a damned good job for you guys. I
waxed and vanished this floor, I take all of the possums out of the roof
cavities...' 'There haven't been any possums in the roof!' 'There sure
as hell has! Colonies and colonies, they had printing presses and they
were going to use them to let it be known that our roofs were
inhospitable! We really do need to get some proper batts up there.' Mrs
Strickland shook her head but he ignored this, 'I do a good job around
here. I pay my way.' 'You're a funny man,' Mrs Strickland said. 'You
wouldn't catch me being a cleaner, look at your hands.' Everyone glanced
at Manny's hands, the mottled things. Years of removing things with
chemicals, and then applying things to surfaces with chemicals had
virtually destroyed whatever resemblance the club-like objects attached
to Manny's somewhat less destroyed arms bore to a person's hands. 'It's
an honourable station in life,' Manny assured us. 'I endure the
hardships because I have a deep love for domestic surfaces. Concrete
floors and plaster ceilings are especially my favourite to which to
attend. If I had to choose between the two I'd opt for concrete in a
heartbeat, it's the stuff of Plato and Aristotle.' John was looking at
Jürgen now, pleading with him, come on, this has got to be one of his
best bouts. Just have a laugh. Come on, you've got to laugh too, to let
me! Kosciuszko, however, was taking this pretty seriously, 'what's so
great about concrete?' 'It's the purest substance ever known to man,'
Manny answered. 'Is it?' 'Without a doubt, everything comes from
concrete; it's the timeless fabric of the universe.' "I - ' 'Ah-ah-here
me out, this lot have closed their minds to the truths I stumble on as I
take care of this place, don't you go and ruin it for yourself too,'
Manny had the takeaway food brochure in his hand, and was waving it
rhetorically. 'You see it contains all of the fundamental substances of
the universe. Earth, fire, wind, water and the properties of the
heavenly spheres, he pointed to the stars. 'They're all inside
substance. It's both the beginning and the end as a subject of the study
of physics, just as the study of the companies that make both ice-creams
and deodorisers are the touchstone of sociology.' I could see Kos making
slow attempts to find a way to cover his face. 'Concrete is a very
sacred substance. The Romans knew this. They knew this and they used it,
and they became great! We forgot about it for a long time, and when we
found it again, didn't everything suddenly become great again? All the
buildings and footpaths and movement. All of this is contained within
the concrete, waiting to leap out and crystallise into a final form.
Just to further prove this all to you, and make sure you're clear about
what I'm getting at, consider concrete that's been badly made---too much
water, not enough sand, not enough heat---Aristotle really had it on the
mark!' 'But what about atoms, Manny, sand and water are made out of
atoms,' Mrs Strickland levelled her eyes at the enigmatic cleaner. 'Tell
me,' Manny paused, the brochure in his hands quivering. 'Have you ever
seen an atom?' 'Manny you can't surely -' 'Ah-ah-ah! If you can't see
it, how do you know that it's there?' 'Manny, even if you can see
something, how do you know that it's real? Besides, you can see atoms'
'No-one has yet seen an atom, Mrs Strickland, and furthermore, all the
microscopes in the world will only ever serve to prove that concrete is
the purest and best substance. Spend some time scrubbing, and find out!'
The conversation subsided after this, Manny's desire to refute his
objectors became somewhat impossible to satisfy, he'd bring up
millennia-old, toga-wearing philosophers at every turn of the subsequent
conversation, and it was difficult to talk about anything else. By that
time it was very late anyway, we all ended up staring tipsily into our
plastic cups, grease smeared all over our faces. Everyone hung around
out the front except Manny, who stayed inside to go to sleep. We all
studied the stars, whatever we could pick out from the ones not hidden
by the terrible light pollution---moths hung around the illustrious
street light singing a warm fifty-hertz ballad to whoever would listen.
Thanks to the tall light, we all acquired second selves, attached to our
feet, as Jürgen struggled with the front door. 'I'll call the locksmith
tomorrow!' I could hear from inside. 'Oh no! No no! I'll call the
locksmith, don't worry I'll call the locksmith.' 'You're sure?' 'Yes
Manny. Good night.' We left much of Kosciuszko's building tools on the
premises in order to fit everyone inside, and we drove everyone home,
one-by-one, Mrs Strickland off in Osborne Park, John at the
train-station there so he could return to Clarkson, of all places.
Jürgen merely came along for the ride, sliding out of his seat and onto
the kerb when we returned to the appreciation society's street. He hung
onto the panel van's passenger seat door, looking down at its rubber
mat. Nothing happened for a while, and I leaned over to check what was
going on. 'You all right, Jürgen?' The sound of the engine's rattly
idling dissipated out into the T-junction just nearby, and I could feel
the prickly heat of tomorrow's feisty, cloud dodging sun coming on up my
neck. He looked all chopped up through the grating behind the front
seats, like a sliding puzzle just about primed to become all scrambled,
and remain that way for years in the bottom of a chest of drawers. 'If
you're uh, serious about the polka, start rocking up and we'll give you
some lessons, if you want,' he stared somewhat awkwardly out over the
windscreen. 'Thanks for tonight boys; it's been a long time since anyone
with a fresh face has turned up on our doorstep. The chances the lot of
us are going to get to meet new people are slipping pretty quickly now,
and they'll continue to slip even faster as we all get more and more
stooped into our own drool, hopefully you didn't have to put up with
much tonight---sorry about Manny, incidentally. The old coot's got
no-one behind the,' he paused, 'you know,' he raised a hand to his ear
and looked at us both. 'Not at all,' Kos said. 'Haven't had that much
fun in a long, long time.' These sorts of congratulatory after-party
moments used to be events that formed indelible memories that we would
use to bolster our idiotic confidence for fights, but strangely, the
self-effacing subtext for such assimilation was here not present,
everything seemed to flow, to be in a state of flowing, a dense and
flexuous snapshot of the cosmos. 'So you two want to learn some polka?'
'Yeah.' 'Guess we'll be seeing you tomorrow.' It seemed like Jürgen's
German accent had disappeared. He limped a bit to his house, and once he
was in we saw a few different lights go on and off, the house finally
going dark completely. Kos had to get out of the van and close Jürgen's
door, and once we'd taken a moment to say absolutely nothing to each
other, collecting our thoughts, we took off right after Kos
uncharacteristically stalled the motor vehicle with a resounding
crunching of gears. Work \[B8\] continued throughout the following week
apace, the frames for the new glass doors going in right after we'd
taken care of the building's structural integrity. Every now and then a
society member would come out for a few words or an occasional smoke,
usually always starting with a comment on the now cloudless, blistering
hot weather hanging over this part of Perth, and ending with a terrible
pun before wiping their brows all the way back inside. There must have
been twenty stand-fans going on in there, anything fixed to the back of
the hall flapped languidly for several seconds, then hummed with the
airflow like all-get-out, driving me wild as I worked. The sweat sleeted
clear off me while I worked on those back doors, washing the sunscreen I
had applied in guilty anxiety clear off me---I haven't a single clue how
my lies about my walks on the foreshore might have gotten past you. You
must've been drop-dead busy, or either known, and simply not be bothered
enough to have me storming around the house, accusing everyone else of
ridiculous things, as I usually did, just to make you give up. I was as
red and peeling, you must have known I wasn't at work. It was just as
likely that we didn't see each other much for those weeks, you arriving
home late at night quite a bit during that half of the year. Things were
pretty bad, even then. I watched you hang out the washing on the
weekend. It piled up during the week, and you tracked it all down,
having memorised what particular articles of clothing were to be used on
which days, and at which times, because the kids left would always leave
their sports-gear at home. When this happened you'd go driving, or get
your sister moving on it on the odd occasion, I remember the way your
voice would trail off when you'd ring me, only to have me, as you would
always expect, yell right back down the line. 'Okay.' I'm sorry for all
those times Tracy. You stopped ringing me because I'd either yell at you
or go on long, nebulous rants, asking you about the level of the cars'
break-fluid or the next time we might have to go have dinner with your
parents. You used to make it really difficult for me to ring you,
because anything would set me off. In my mind I constructed a web of
people's phones to contact, emanating outwards from your mobile. The
fifth on the list, your office's reception's phone, was the one that
usually always worked, but I still rang the more important four in their
corresponding order of importance without fail whenever I felt the
compulsion to get slimy on you, telling you, 'gosh, I hope everything's
going okay for you'. I think you'd sit there, and have your mobile, then
cubicle, then section phone all ring out. If they were positioned
anything like the phones in my office, I must have had them ring long
and hard in each of your ears. Your mother was fourth on list because
ringing her was guaranteed to have her talk to you about the call later,
it was an ingenious form of punishment that I had invented in the hope
that it might coerce you to pick up you mobile. The only problem was
that she'd never get to the old yellowing thing hanging in her kitchen
in time for me to concoct a series of important-sounding statements for
her to hear and immediately man her battle-stations. We stopped talking
even though we lived in the same house. How pathetic did I make your
life? I would refuse, repeatedly, to pick you up after seven because it
was 'too goddamned late'. I didn't pick you up because I thought you
were avoiding me. I would always learn, later, why you would be arriving
home late, usually from your amiable boss. He would chortle over the
canapés which I would funnel into my mouth at your work functions,
bullshitting about some huge deal that he'd secured 'against all the
odds, all the odds!' right after squeezing out some praise about you.
This seemed to push him to almost crippling physical pain, now that I
think about it, but at the time I supposed his bodily contortions were
related to the same indigestion from which I would always suffer at
these things. I still wouldn't pick you up, though. Coming home late was
a heinous crime, it didn't matter how important it was for your job, or
your bastard boss, I wouldn't do it, I wouldn't drive you home. I'd make
your feet swell all the way from the office to the bus, bus to the
fifteen minutes I would always hear you spend in front of the front
door, fumbling in the dark for the keys. I would pretend that I wasn't
there, that way you'd come to me---I'd make you come to me, you would
have to ask me how I was. I've changed Tracy, I promise I've changed. I
can prove to you I've changed. There won't be any more of this. There
can't be any more of this because I am different now, the same but
different---'better' different. I'm new now, I've regenerated, and I've
received another chance at everything. It was in part the friendships of
everyone at the polka society that catalysed this change but the real
reason must come later, I need to lead you into it. Kos and I started
having music lessons with the appreciation society before the glass for
the sliding doors arrived. Kos was donned with his own accordion,
something old, admittedly; it had been in storage on the premises for
some time, but, by the appreciation society, it was a great honour. I
was, like I said, given a bass guitar. 'We'd prefer a double-bass but
there's no sense in that,' John and I had sat down to restring the
black, cudgel-like thing. 'But the bass-guitar has a range unparalleled
by any other musical instrument. It's also really groovy. The drummer
and the bass guitarist stick together; we'll be following each other's
lead.' John paused as he plucked the highest string, checking a
battery-powered tuner, 'all that said, the stuff we usually play these
days is pretty tame, you might only have to play three or four notes
just to complete a set.' He said this without resignation, and because
he mentioned this in such a matter-of-fact manner, the idea didn't
strike me at all. The state of decline in which the appreciation society
found itself took time to sink in, the fact that they had been neutering
any experimentation with their music dawned on me later, when Kosciuszko
and I had become good enough to play, and had gone off with the
appreciation society's 'Band One' to go play some gigs. It was still
summer, but long after we'd completed the renovation, and somewhat of a
fair deal of time after you kicked me out. The heat was still unbearable
even though the calendar was leaving the season-designated months, I'm
not sure why we still use the words in Perth, it will barely rain here
in winter, and then the whole place will flood just as spring is passing
over the baleful crucible to summer, I've never understood it. The
appreciation society had a fleet of old, trusty white vans that were
equipped for gigs to which we had to travel, depending on their size.
More often than not we just piled into a single van, cradling our
instruments at first, but after someone would reveal a deck of cards on
their person they were hastily discarded and those in the back would sit
cross-legged, arthritically, wagering cigarettes. The world whisked by
under the high windows above our heads, and the time would pass quickly
and childishly, we'd always have a band member in the van that hadn't
showed up at the hall for a while for reasons very saliently apparent,
but strictly unmentionable. The reasons were almost always medical---the
group was aging, trips to the hospital or bumps getting out of bed were
becoming more of a frequent affair. Nobody wanted to give away these
distressing truths, and yet everyone was talking about them. Many of
these people had known each other for years---they recalled sport
victories, pub-brawls, ballroom dances, romantic forays---and no-one
wanted to admit that they were a slave to the sands of time, that their
sinews were hardening, their minds were slowly waltzing to and fro on
the verge of senility, that they were in any way not unencumbered
personally. Kos and I felt a bit out of place with such concerns, and at
times I did feel like I was trading my (relative) youth for their age,
but their company was invaluable. The majority of the group was, to some
degree, more advanced in their years, but their wit was acerbic. Snide
remarks flew across the cramped panel van during trips, causing there to
be someone always laughing. The society's most popular clarinettist,
Leonora, was once the brunt of a terrible running gag started by Nico,
who played brass instruments. The joke was simple enough but its cult
snowballed: all Nico had said was that she was 'dumpy'. The man's heavy
accent was the drive of the humour and you'd have van-loads of people in
tears, even Leonora, laughing in complete hysterics, as the joke became
less about Leonora and more about outlandish the word 'dumpy' really
was. 'Say "Dumpilumpil", Nico, go on!' 'Dumpil...lumpil...' 'No no!
Together! Say it together!' We had a gig at an RSL in that late part of
summer, which may or may not have cast the spectre of a question of a
doubt in the back of the minds of Kos and I about our fraternisation
with people just a little bit older than us, but this in turn I
doubt---it really wasn't a problem. The club possessed a big bronze
replica artillery cannon out the front and the block was situated
somewhat humorously, as someone pointed out, close to a primary school.
The sea of bull-grass surrounding the cannon, the club's plaques had
been as neatly trimmed as many of the veteran's crew-cuts. Indeed they
had steely greetings that made it seem like there were rules about
everything governing life in the RSL. We played some pretty pathetic
music, by the society's standards. Our audience, however, was veritably
stunned. I was expecting the absolute worst, getting up on the stage
they'd fashioned out of milk-crates; I honestly thought these guys (and
their poor thirty-year-old kitchen lady?) would want to listen to
something---by their standards at least, because polka really does
innovate in this area---a bit more edgy. Maybe we could only cast the
spell outwards? Perhaps as I progressed, I wanted to chase the very
frontier of the polka art form. Performances would be predictably
frequent, and each one did seem to roll into the next, but every now and
then someone would really pull off a solo, or add in a cheeky turn to a
couple of notes that would keep you guessing. We all played off
one-another during performances, so we really had different two
audiences during gigs. It\[B9\] became an unwritten rule between
Kosciuszko and me that we would waste on alcohol almost all of the money
we'd earned for a gig. Our band-members always politely ignored our
steady descent into loutishness after we'd finished a set, when we would
come down off the stage and mingle with the crowd. I think our
drunkenness turned us into rabble-rousers most of the time; I like to
think that we were both lively and well-received, but this is more than
likely our view from behind the beer goggles---as an aside, I don't
think I've ever had a greater appreciation for swan draught. We weren't
expecting anything out of the ordinary to happen at the gig at the RSL,
so Kos and I got pissed as usual. In fact I think we got John to join
in, we had a pretty good time along with a couple of RSL guys, spilling
the noxious stuff we drinking everywhere, catching our breath from
laughing about functionally nothing. It turned out Mick was there. Mick,
as he always did, slug-like, crept up behind us drunks, announcing,
'chaps.' I inhaled the mouthful I was drawing in, spraying it slightly,
causing everyone within a certain cone to receive a wonderful shower of
lager. 'Heard Tracy kicked you out.' 'Heard you're still a wife-beater.'
'Want to make something of it?' Mick snarled. 'What about you Kos,
little shit, I suppose you were looking for me.' 'What?' Kos searched
himself. 'Yeah look, not really interested Mick, why don't you go flog
your vacuum-cleaners somewhere else.' Everyone seemed to back away,
upset at this. The three of us were hastily ushered outside by a couple
of veterans who I was either too drunk or too sorry to identify. We
stood out in the failing bituminised car-park, staring at each other.
'You too are a real piece of work.' 'We're here on business.' 'Funny
that.' 'Fixing leaking sinks?' 'Got some debts, Kos, debts---ever heard
of a debt? You ever owe anyone?' 'Do you regularly terrorise
pensioners?' 'Ever been terrorised by a pensioner?' 'Quit talking like
you're the lift-out cryptic crossword.' 'Alright, why are you here?'
'We're in a polka band.' There seemed to be, suddenly, a moment of
great, impenetrable silence, and those words rung in the air like
tintinnabulation from a belfry. Mick's ears seemed to sniff at its
melody, taking a few quick whiffs before sucking it all in with
ear-lobed nostrils. His face twisted and his eyes began to water. Within
seconds he was on haunches, almost rolling around in the blue-stone that
had been freed from the crappy asphalt. I can't say I expected the
response, and I was a bit offended. The only way I had to deal with this
at the time was to take a sudden avid interest in my surroundings---the
pattern the wire made on the fence, the speed at which the cars lazily
passing seemed to be travelling---my face glowing red-hot in disgrace.
'Alright,' Mick said, panting. 'I believe you.' 'We're pretty good you
know---we played a good set.' 'Just,' Mick's face started twitching,
like there was another person in there, clawing at his receding
hairline. 'You're killing me, don't make me start again.' He was
gulping, desperately trying to consume something stoic from the
atmosphere. 'Okay, I believe you, jesus, why would anyone lie about
that.' 'Why did you --' 'Just give me a moment, I never thought anything
like this would ever happen.' 'What would happen?' 'I hoped it would but
I never, ever, thought it would happen,' he finally stopped leaning on
his thighs. 'You guys have gone bat-shit mental. Completely lost it.'
'What are you doing out here, in an RSL, Mick.' Mick hated it when Kos
would take that tone, and his attitude crept back into his badly-ironed
suit, 'some shit has gone down, alright', he spat, his head turning
slightly, neck leering, leering, growing thicker, as if the person under
his forehead was pumping it full of poison. 'Right.' 'I was owed some
money and now I need it.' 'And you decided you needed it after something
happened,' I said innocuously, not realising that I'd just joined the
inquest. Mick almost emptied his stomach just to have me silenced, 'of
course things happen, things happen and you need mo -- ney, to buy
things, ever heard of that?' I would always be disabled by these
assaults; Mick would have me by the gullet, choking for my pride when he
wanted it, and he would never want it because he desired it, but because
he wanted it disposed. We had rarely ever talked because he was a fair
bit older, crawled out of the nest and into the logger's chicken
sandwich. He must have swum in that logger's belly for years because he
had been saturated with bile his entire adult life. It was the middle of
the afternoon, the home-time siren of the primary school sounded, Mick
nearly hit the deck. 'When was the last time you went to the cop shop,
Mick?' Kos's eyes narrowed. Mick looked like he'd been bitten, he wanted
to fight on even though it was pointless, 'just call the brass already.'
'You'd probably stick it on us.' He glanced off into infinity for a
moment. He'd do his best. I figure he then decided he had nothing to
lose, because he spat on the ground and then looked up at the sky,
appearing to curse it in his mind, and then he confessed, 'The patrols
are getting tighter. I don't know where they get the resources. They've
assembled a fleet of police circling the entire coast from Hillarys to
Mandurah, the waves are churning from the enthusiasm of their outboard
motors, and I can't get anything past them. I tried a couple of weeks
back and I lost a boat. Can you imagine that? 'I spend months
co-ordinating the movements of commodities out of Asia just to have them
sunk a few hundred metres from some douche's beach house. I don't know
why I'm in this business. It's too much stress on the nerves! I can't
take the pressure anymore, I'm getting shingles---look.' Kos and I took
a step back. Mick continued on, unfased, 'we were smuggling in
electronics---computer parts---it seems people have located better
software for all of their terminals, and most of those terminals need a
bit more ... oomph if you get what I mean. We developed a contact in
Taiwan and we managed to march all of this stuff through Indonesia
without losing too much, loading it onto tankers that were to be
stationed off here, off the coast, for a few weeks at a time. We had to
keep paying people at every step of the way, everyone wanted in,
everyone wanted a little bit. More often than not the real costs we
incurred were borne because we had to pay off the police. Time and time
again the poking beavers would get tipped off by a rat we'd refused to
take on. The only reason we didn't turn over the merchandise was because
we thought all of the trouble was worth it. We thought that if we
laundered all of the circuit-boards and network adaptors enough, we
might even be able to get what we were transporting into some of the
regular outlets. We honestly thought we had a chance on this; I would
never have extended myself this far because this job---and you've got to
admit it---was huge. 'Things started to go wrong---somewhat
cruelly---just when the time was right. When the tankers in which we had
stashed all of the computer parts arrived off the coast, the crew stayed
on board for a few days, mulling over everything, checking pressure
gauges, clanging metallic things with other metal things. I heard all
this from the stern as we waited by the ships every night, anxious for a
chance, surveying everything, scanning their telemetry transmissions.
Then, finally, like the shining golden fleece the entire crew embarked
from the vessel, we couldn't believe our luck. We busted in there like
heroes, and if it had been possible to laud our success prematurely by
casting our contraband up into the air and having it fall down, raining
around us, we would've done that. 'We had only just secured the first
part of our load when some competition arrived. We get trouble from
these sneaker-wearing Mafioso tweakers who always manage to swoop down
on us while we're taking care of something. These clowns have gargantuan
motor-boats that rise out of the murky tributaries like the jaunty teeth
of some great big sunken mother-in-law that spins around in the middle
of the swan river, itching to drag you down into the depths. We heard
the whining of their boats from inside the tanker's hull, and we were
soon engaged in this ridiculous gun-battle that drew the police in. We
must have sunk ourselves because we feared getting caught by the
authorities here more than anywhere else. You can't buy these guys here,
they're zealots, evangelists. I tried to buy them once and the whole
thing got pretty hairy, I barely escaped from that situation. 'I don't
know what struck so much fear into us that night, we should not have
fallen into the trap that was engaging that gang. It seemed we did so
out of paranoia, not because we loved our property---hah!---so much, but
because it was instilled in us by the night. The moon seemed to wink
this treacherous glint at us as we boarded the big tanker. As we escaped
from the police, but before we dragged ourselves onto the shores of some
dog-walking beach, that treasonous moon revealed something to us. Two of
my men were shot dead that night, and I didn't think anything of their
deaths, but I saw the aftermath of a killing I'll never forget, swimming
for my life in that chilly ocean. The moonlight lit up the water-bed
below us, and we passed over the body of a guy who had been tossed into
the water set into a concrete block. 'When I saw that my already
adrenaline-fuelled swimming-strokes carried me fidgeting to dry land.
I've been spooked ever since; I'm convinced that the water patrols would
have found the body, waving with the currents of the water for everyone
to see. They might link it to us: what if the man had only just been
murdered there? The authorities, once they dredged it up, would almost
certainly conclude that our boat was big enough to facilitate such a
thing. 'When I said something went down, that's what I meant. I was
referring to that.' We wasted no time, 'a couple of your guys were
killed?' 'Yeah, shot on the deck of the tanker,' Mick replied, confused.
'You might've shot one of the guys from the gang, or maybe even the
police.' 'The guy in the concrete was different. I do acknowledge that I
would feel immensely satisfied in topping some brass, and that doing so
would be very dangerous, but this man on the bottom of the ocean
really\[B10\] is different. There was something behind the murder, it
stood for something---the sunken floating body is a talisman or a relic
for something. I can't imagine what the guy did but it must've been
right up there.' Most of the appreciation society's band had assembled
on the threshold of the car-park as it bordered adjacently to the RSL
club, watching nervously the end of the conversation Mick, Kosciuszko
and I had been having. Kos and I finally noticed them, pacing on the
spot from foot to foot, not knowing what to think, but at the same time
imagining the worst. We had been watching Mick intensely as he had been
gesticulating throughout his story; I imagine we looked like stalkers.
We instinctively turned to leave, and Mick asked me, 'where're you
staying?' 'With Kos.' Mick, not disingenuously, took some time to think
this arrangement over, 'okay. Kos, aren't you...' 'Between...' Kos
wobbled a hand palm down. Kos was always between women. He was between
everything, Kos was the jack of all trades. In contract, Mick was always
in the middle of everything. There's a difference between being between
things and being in the middle of them, the former has got to mean Kos
can't ever seem to engage with anything, the latter obviously being the
opposite: Mick can't worm his way out of anything, constantly burrowing
into life's minutia. 'If you guys need...' Mick seemed to have killed
the beast by getting his story off his chest. 'Okay.' We had a quiet
drive back that afternoon, Kos and I had most likely put a dampener on
things. I stared at the peeling upholstery for most of that ride before
John piped up, 'Friend of yours?' 'Our older brother.' 'Ah!' John sat
back, relieved. As he relaxed, so did everyone else. In fact the cards
were brought out and the bets, it seemed, had come back on. Nico leaned
over, kindly coughing coal-fired choke into our faces, 'I had a big
public fight with my cousin once, and we did it in a bar. I can't
remember what the hell we beat each other's brains out over, but we
haven't talked since.' 'That's because you're a thug,' Jürgen chuckled
in the driver's seat. A dastardly frog-like smile plastered itself on
Nico's tobacco-stained face, this comment transporting him elsewhere,
back, probably forty years, maybe back to his mother's old cooking,
maybe back to that frenzied fight. 'We fought with whatever we could get
our hands on,' Nico could barely cover his wooden teeth. 'I used to club
people with glass jugs; they made my favourite sound, against people's
faces.' Before either of us had to deal with the way things were going
with Nico, Jürgen called out again, 'what does he do?' 'He's a crook.'
'Looked like a crook.' Nothing happened for a while, following that
run-in with Mick at the RSL. Trouble really reared its ugly head about a
month and a half after; it felt like everything was happening at once.
We had spent a lazy afternoon at the hall with John, who was spinning
tall stories for both of us brothers, Manny and Mrs Strickland. We were
in the kitchen, smeared on its tiled surfaces, slumped all over the
place, smoking like we were greased engines that belonged at the
speedway. Mrs Strickland was doing some dishes. She was staring out of
the tiny window there, out into the backyard, watching the weeds roast
in cereal. She slopped the dishwater slowly, meditating on something as
we made right fools of ourselves. She would say something every now and
then, parrying someone's light-hearted insult with a pun, pushing one of
us aside just as frequently to read the innards of a cupboard. When she
finished she disappeared. She didn't say she was coming back---she just
left the kitchen, leaving us unsupervised and able to get into the
drinks fridge. The conversation finished as the sun began to turn deep
orange on the back fence, and we started to wonder where Mrs Strickland
had gone. I found her in the study, out the front, pouring over
bank-books and receipts, and I was soon joined by the rest of us. We
watched her furtively as she sat there flipping pages and shaking her
head. The study was as dim as you could get it with the late sun
pounding its heavy curtains. The woman used her x-ray vision to read all
of those documents, and she, like the study's back wall, was made to be
glowing by that sun. We were caught out principally because the combined
pressure of our clandestine glaring caused her to become aware of our
presence. 'Gosh I could feel my neck getting hot,' she yelled, tipping
her chair over. 'Grown men acting like children!' She'd been counting
the appreciation society's pennies. The society had barely been able to
pay Kosciuszko for his efforts, because we accepted, in part, payment
for our work in the form of music lessons. Jürgen had also mortgaged the
place years ago, the terms of the instrument, Mrs Strickland told to us,
were to her mind, 'the most fanciful I've ever seen. The bank took
extreme caution upon giving the loan when they were told that it was
being paid off from proceeds earned by performing music. The
money-lenders really got the upper hand with this one,' she waved a
curling wad of paper with her left hand. 'We've never been late on our
repayments, but I fear we're heading towards making a default. Even
though it wasn't much---and you two shouldn't take this as any sort of
slight against either of you---that back door we had put in has put us
on a crash course for something awful. 'We're going to lose everything,'
looked at us all. 'Unless we find a lot of money very soon.' I can still
remember feeling my heart thumping in my ears and my extremities, trying
not to keel over in front of the study doorway. I balanced on my feet as
if they were stilts, tottering around, waiting to crash. My short-lived
world was crumbling. The hall and its' members had received a part of
me, working and performing there. Some stiff in a suit with
shoulder-pads loomed over all of this now, the trills of the clarinets.
Mrs Strickland's off-hand assessment of me sums it up best: I was a
child, who was contemplating his recently-received fairground balloon
bursting, little bits of wet rubber flecking everywhere all at once. The
impending mortgage default was something pressing absently on its
surface, the pop would be invariably the gears of the bank: the
phone-calls first inside the offices, then from inside straight to
Jürgen's ear, then the forms, maybe even some powdered wigs if we
struggled. Either way there would be suits on the front lawn, no
stopping it. I feared this happening unlike anything I had ever felt in
my entire life. This might have been the first time I was ever not
selfish, although I'm not sure how much empathy you could say I was
showing at that moment. I think much like a child without a balloon, I
was more shocked about losing something than worried about the plight of
anyone else. My\[B11\] memory fades out here. I could've fallen over
and become unconscious at that point, but I believe this has more to do
with what happens later. From my view of the small warm room I find
myself standing on shore at City Beach, at night in a storm. To my left
is a groyne, at out in the churning waters float thousands of wooden
televisions, bobbing in the water. The ocean, pitch-black inky stuff, is
oily on their laminated wood. Rivulets of the poisonous-looking liquid
stream off their peeling laminated chassis, clinging to areas on the
tube screens. Lightning rides off in the distance, and when it strikes
the water, the water lights up like a mirror; the tee vees turn on and
shoot grey columns of pictures of bounding phantoms against the
waterbed, clouds, the beach. It's not possible to hear the sky's thunder
over the roar of the televisions when this happens, the sounds of the
images of the creatures are too loud: bounding! bounding! All sense of
time seems to leave me when I put my mind to this recollection
(hallucination?). My \[B12\] stomach is/moves upwards, and I'm thrown
into the world on the phosphorescent screens. It's a dark park with wet
grass, invisible black clouds groaning silently and yet with a present
existence, overhead, and the phantoms that were moving as projections
before, outside the phosphor world are real, now. They are big grey
dogs, galloping in perfect lines past me. All around the border of the
park prickle pin-pricks of light that I cannot reach, and the dogs run
into the regularly-distanced points of luminescence. The dogs kick up
the water on the blades of grass as they thunder on the ground, and the
stench of their breath is unbearable. The silence of the park, apart
from the incessant bounding, and the dull glow from the unreachable
(assumedly) incandescent lights cause the glinting eyes of the dogs to
take my interest time after time when I set my mind to this stream of
suspended sanity. In the beady eyes of the dogs lingers the raucous
shuddering of a train traversing cliffs near the sea. The sea is
populated with the televisions, smashing together in the water, full of
chop, way below the train-tracks. When I reach the train I am suddenly
aware that I have been moving in a specific path through the reflected
images: into each of them; at the same time cross-sectional to them,
disturbingly perpendicular to their self-containment. The train is
corroded from the sea-shore air, and it leaves the tracks and flies into
the air, and my vision transcends into another dimension: I now see the
road I have taken from 'the top': a line through the middle of three
circles, which, paradoxically, extends to the circle through which I
view these three circles. This is when I am returned to my 'normal'
memories---I am plunged backwards to the stormy beach with the tee vees,
like a the images on a videotape in reverse, and I am flecked with the
spray of the salt-water waves---when Mick, Kos and I all went out on a
motor-boat off the coast to look for the sunken, waving body on the
bottom of the ocean. We found it easily, as it flashed at us in the
moonlight. I'm sure anyone could have been able to find because the
rotting body was like a mirror for that silken moonlight, somehow
sterilising and legitimising the wretched corpse; if it hadn't been for
the moon, I would not have been able to look upon the woman. It was a
woman, not a man, contrary to Mick's observations. Kos had brought some
goggles Chapter Two: Following All Those Profits Lost \[B1\]31-10-11
\[B2\]2-11-11 \[B3\]3-11-11 \[B4\]6-11-11 \[B5\]7-11-11
\[B6\]8-11-11 \[B7\]9-11-11 \[B8\]10-11-11 \[B9\]11-11-11
\[B10\]12-11-11 \[B11\]6-12-11 \[B12\]13-12-11