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EPICURICS

BACK TO GEMINI CAPSULE INDEX

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NOVEL: 'APROPOS EARTHLING'

LINKS TO CHAPTERS

CHAPTER ONE

CHAPTER TWO

CHAPTER THREE

CHAPTER FOUR

CHAPTER FIVE

Writing Update / Current Prologue

I was referred Jon Hopkins's "1/1 Singing Bowl (Ascension)", an amazing

meditative track.

It helped me work out how the rest of my novel is going to go.

The novel is about the remnants of a civilisation of beings who, in their

natural form, are non-corporeal. They descend from energy-beings into the third

dimension, in an artificial space, because they redevelop class society.

In this part of the novel, 'the rest of it', Stephanie and the other three space

anarchists use up the energy of transcendental apperception gathered from the

communist revolution that has been triggered on Earth. They have three 'doses'

of the human spiritual energy to consume.

Each dose of the energy allows them to descend into the three layers of the

'political arena' of the class society that the space people live under. The

first layer is the authoritarians, which is carried out in the writing style of

a long Aesop's parable. Rayan, the old man of the group of space people, and

Stephanie, walk along a big long road and they pass through a hotel halfway

through their journey. There is a framing of a murder of one of the

authoritarians by another authoritarian faction.

The authoritarians descend into infighting, and when Rayan and Stephanie reach

their destination, the end of the trip on the apperceptive energy, they are told

that the publicly secret alliance among the authoritarian neoliberals and the

neoconservative war hawks has ended and there has been a power shift in the

space colony.

The second trip on the transcendental equivalent of LSD deals with another

parable, and another journey. This one is based on the 6 part documentary called

The Beach (2020). All of Stephanie's space friends go along with her in a diesel

four wheel drive with no roof along an enormous day long trip up the coast of a

continent. Virtually all of it is driven on the beach.

There they leave behind Lutrin, in a dwelling on the beach, because she has to

go into hiding, due to poor health. She may be dying. Leaving her behind will

most likely see her live.

The third trip does not involve Stephanie, and I have it written down in my

journal. The revolution is carried out in the space colony. They use the

transcendental LSD to hack the primitive computer system of the space people's

life-force extraction facilities and trigger a general strike.

All of this is told to Stephanie sometime after she returns to Perth, on Earth,

and lives through the communisation and destruction of the state in Perth. A

statewide revolution is carried out in Western Australia. She is lonely. She

misses her friends from Malasrion, the artificial three dimensional projection

of space where the failed beings of energy live.

The means of production are seized, in the colony. Soon the fetters of the

parasitic state and ruling class are removed, leading to a tremendous outpouring

of what Hegel would call Absolute Spirit, allowing the beings to leave the third

dimension and become beings of energy once more.

I imagine the third trip would not be the most important part of the novel. The

beach driving and the conversation Stephanie has with Lutrin before she gets

left behind.

I will have good descriptions of the sensation of moving between these states of

consciousness.

Anyway I have progressed in this new version of the novel, and I am happy.