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CHIAPANECA
a "cancion" by marco capelli frucht
(c)1999 Marc Frucht
Release date: 21mar99
Part I
Am G F
-5-555-787-58-3-333-5-7-8-7875-1-111-
-5------------3----------------1-----
-5------------4----------------2-----
-7------------5----------------3-----
-7------------5----------------3-----
-5------------3----------------x-----
E (v)(v)
3-5-3-1-5-3-1-5-3--0-000-1-0-0-3-00-5-7
-------------------0-------------------
-------------------1-------------------
-------------------2-------------------
-------------------2-------------------
-------------------0-------------------
Part II
C G Bb F
-x---------3----------6----------1----
-5(9times)-3-(9times)-6-(9times)-1(7times)
-5---------4----------7----------2----
-5---------5----------8----------3----
-3---------5----------8----------3----
-x---------3----------6----------x----
G C G Bb A7
-3--x---------3---------6----------5-5-5
-3--5(9times)-3(9times)-6-(7times)-5-5-5
-4--5---------4---------7----------6-6-6
-5--5---------5---------8----------5-5-5
-5--3---------5---------8----------7-7-7
--------------3---------6----------5-5-5
Part III
Am Am B B D B E B
-5-------5-----------x----------------7-
-5-------5-----------x----------7-4-9-7-
-5-------5-----------4-----4----7-4-9-8-
-7-------7-----------4-----4----7-4-9-9-
-7-------7-----------2--0--2--0-5-2-7-9-
-5--3-0--5--3-0--3535----3------------7-
C C* A F F *Timing is
-8--8---5-1-------- is misleading
-8--8---5-1---x---- here in TAB;
-9--9---6-2---10--- you'll have to
-10-10--7-3---10--- get a feel for
-10-10--7-3---10--- for it.
-8--8---5-1---8----
[Repeat part I.] [then jump to IV.]
part IV
#
-8-888-10-12-10-8-12-777-8-7---------
-----------------------------8--10-8-
-------------------------------------
-------------------------------------
-------------------------------------
-------------------------------------
hp *
-----------------------------
-686s5-65-5-6-86-------------
---------7------s9-s9-s9-s5--
-----------------------------
-----------------------------
-----------------------------
-8-888-10-12-10-8-12-13-1313----
----------------------------12--
--------------------------------
--------------------------------
--------------------------------
--------------------------------
&
-------------------------------
-13-12-s15-1515--12--13-1313---
---------------14--14----------
-------------------------------
-------------------------------
-------------------------------
[Repeat part III.] [Repeat I.]
[Repeat part II.] [Hit one extra A7
or repeat part III depending
on crowd's "vibe." (or maybe
that stupid Beatles ending
chord; or scream at high G
falsetto shaking your moptop.)]
notes.
1. The numbers right next to each other are
thirty-second notes, but don't fret. Just
"tremelo" these notes a bit and you'll
feel for them by the second time you play
this song, I'm sure of it.
2. I chose to express this in TAB rather
than standard notation (and have little
intention of ever publishing this in
"s.n.") for the same reason Dante chose
the language he chose for publishing
"Inferno." If you have no idea what I'm
talking about please
a) go look it up
b) or delete this song from your
memory and forget you ever
knew me.
3. I will never tell the name of the person
I wrote this song for (and about) but a
clue for people who know me well -- I
bought a video-cassette from her in 1997
4. I came up with a strange way to
signify the repeats after I typee the
last part. I wish to keep this easily
played but exactly as I play it in-case
anyone wants to catch the exact same
vibe.
5. Please
a) distribute this far and wide,
b) always keep my name with it;
c) never make money off of it.
6. Each of the chords in part 1 are played
dragging the three fingernails (m,a and
the "pinky" from the bass-most note to
the treble high in one quick snap.
7. (v) = vibrato. Very demonstrative. No
other vibratos the first time through
will make these two notes "hit home"
best.
8. The following words are very important
to this song.
a) !presente!
b) basta
c) nunca mas
9. The only way I know how to describe the
"9times" and "7times" in Part II. is
you strum them rapidly to get a tremolo
effect similar to what's done with a
single note, but the chord's repeated
those many times.
10. h=hammer on
11. p=pull off
12. *=5th or 6th fret both sound good
to me. I think I like 5 better.
13. s=slide. (both up and down,
you'll see right away)
14. #=chords from part 2 if there's a
second guitarist. Otherwise, you're
on your own.
15. I suggest sliding your thumb behind
fret 12 and dropping your left elbow
low, with the thumb almost touching
the "horn" if you're like me and
think cutaways are stupid.
16. Dedications: Maiko, Ingrid, Brenda,
Elevinio, Nana, Dad, and you.
17. Have a nice day.
Ya Basta,
marco capelli
http://pagina.de/capelli
http://marco.franklins.net
ati@etext.org