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Article 5180 of alt.zines: Path: news.cic.net!magnus.acs.ohio-state.edu!math.ohio-state.edu!howland.reston.ans.net!torn!nott!cunews!freenet.carleton.ca!freenet3.scri.fsu.edu!freenet3.scri.fsu.edu!not-for-mail From: bfar333@freenet3.scri.fsu.edu (Brian Farmer) Newsgroups: alt.zines Subject: Fondle my balls... an e-zine, you mook Date: 23 Aug 1994 13:34:43 -0400 Organization: the Ninth Circle O' Hell, where the big Red Guy dwells... Lines: 381 Message-ID: <33dbvj$fs8@freenet3.scri.fsu.edu> NNTP-Posting-Host: freenet3.scri.fsu.edu Summary: Annoying waste of bandwidth posing as zine Keywords: zine,annoying,waste,ferret,cheese,lube,strap-on-flesh-zucchini,stuff Lubrication: Astroglide X-Newsreader: TIN [version 1.2 PL2] [insert pointlessly huge ASCII logo here] FONDLE MY BALLS (WEEKLY) ISSUE 1, VOLUME I, THE YEAR 1, ANNO MCMAHONIUM @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ FONDLE MY BALLS (WEEKLY) is published whenever I can get it together and implies no guarantees as to prolonged existance. @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ FMB(W) is solely staffed, edited, typed, written and generally propagated by the GOD OF THUNDER, grievous (aka bfar333@freenet.scri.fsu.edu). Any problems with the content, reviews or whatever can be written out (in longhand, please) on plain white 8 1/2" X 11" paper, folded until they're all sharp corners and then gently thrust into thy nether regions. Be sure to say "hi!" to your colon for me! @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ I may start a FONDLE MY BALLS WWW area on my home page - who knows? If you'd like to view it's current sordid state of devolvement, get thine ass to: http://www.cyberspace.org/u/grievous/www/home_page.html Or not - it's your life. @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ "She was being stalked by her own alternate personality." Well, ain't that a bitch. Anyways, if you detect a note of stark, shrill terror in my writing, it's because I just acquired a job which starts tomorrow. I am personally opposed to the bullshit slacker-as-icon aesthetic which proliferated for a while (much shorter than the media would have you believe), but dammit I HATE WORKING. I hate going into work every fucking day, seeing all those hapless dickheads going about their work and LOVING IT. Or at least tolerating it. Meanwhile I'm nauseated by merely talking to anyone I don't know and feel like I have a rampant case of Post-Traumatic Stress Disorder at the end of the day... Oh, well - nevermind. Just rambling... Uhm, give me some feedback on what you think of the zine and stuff - it's intended to be modest, short, dull. Send me some e-mail if you want (grievous@cyberspace.org or bfar333@freenet.fsu.edu) and I may write back. I'm not going to say "subscribe!" because I don't know if there will be an issue 2. Eep. Send me nude .gifs of Ernest Borgnine. Tell me about your sexual escapades with a riding lawnmower. Send me captured netsex files. Sign a release and let me use them. Just kidding. I don't _need_ a release. Anyways, later for now, enjoy the spew and stuff. [grievous] ################################### T A B L E O F C O N T E N T S ################################### Oh, fuck you. ############################################## # M U S I C K # ############################################# BUZZOV*EN - SORE (ROADRUNNER) 12 songs. Lacerating sheet-metal-tearing numbing manic noise from the NC boys, as usual. "To A Frown" (their last album) was perhaps edging more towards the slow torture side, while this slab sees them going full on meth-jitter apeshit. From the opening mortar-blast scree of "Sore" to the bluesy lurch of "Hollow" to the slow pound of "Pathetic" to the final searing cautery of "This is Not..." you'll swear these guys are the sickest brutal fucks on the planet. Where EYEHATEGOD wallows in piss and liquor, BUZZOV*EN snorts about 3 kilos of crank and grabs you by your face and shoots off little bits of your flesh with their stentorian shotgun-blast. HATEFUL shit here - kirk's voice fucking drips pain into your unsuspecting mind, while the guitars buzz scream and howl most improperly under the pick's relentless assault. Dig - they sound like they're physically trying to break their strings; how they make it through a whole song with all 6 intact I don't know. Here, chew on this broken glass for a while... MELVINS - TANKS 7" MELVINS - "With Yo Heart.../4 Letter Woman/Anal Satan" 7" (SYMPATHY) MELVINS - NIGHTGOAT 7" (AMPHETAMINE REPTILE) Der meisters of trudge-spew have spewed forth these slabs at some point previous to now (whether these are dated or not, I have literally no idea - although I know "Nightgoat" is a bit aged). We'll start from the beginning, eh? "TANKS" appears to be a bootleg (?) of a Peel Session, which generally don't have great sound quality - witness Napalm Death's Peel Session. But, of course, the material shines through the sloppy production in a most excellent performance with the "Bullhead" lineup. Kicking off with "Leech" (credited to Turner/Arm - Mudhoney? Green River?), a most excellent haunting dirge with krush-groove guitars and Buzz's manic yelping and crooning, you know this vinyl is classic. Den de boyz slam der geetars into "Euthanasia", another instant classic of Melvin-o-phonia; the real surprise I guess is the last track "Theme," which reminds me of the Pain Teens a bit with sampled voices in the background and squealing guitars; it reminds me of Godflesh a bit, too. This one is generally priced at around 5 bucks but is definitely worth it for the Melvins fan. The Sympathy For The Record Industry single (which doesn't seem to have an official title) is definitely worth the 2.50 I paid for it (even with the scratches on side 1 - ahem) but doesn't grab me as an instant classic - it catches the Mel's in their more rock-like incarnation (which also features the same lineup as "TANKS" funny-funny) but is still quite good. Side A is another cover (written by A. Wood/K. Wood - who?!) and is pretty amusing; it gets heavy towards the end; the music on this (and the whole thing) just kind of lacks the "OOMPH!" I expect from the Melvins... It's close to the rockier stuff on "Bullhead" or "Ozma" I suppose. Side B starts with "Four Letter Woman" which is pretty fast and groovy, it ain't "Honey Bucket" though. Last up is "Anal Satan" which is basically samples and yelling and drum machines, sort of the Melvins do "Rock Box". "Nightgoat" b/w "Adolescent Wet Dream" (credited to Jon Spencer - Pussy Galore?) is probably tied with "Tanks" for coolness; the version of "Nightgoat" is fucking AMAZING compared to the "Houdini" version (which is planet-shattering in it's own right) - it's a bit longer, slower, deeper and heavier. If you told me K.K. Null was playing second guitar on it I wouldn't be surprised... The B-side is pretty cool and punky, more in the heavy vein than the Sympathy single. ARGH! BECK - ONE FOOT IN THE GRAVE (K) 16 songs. I quite like this tape - it expands on the folky/bluesy/slightly countryedge of tunes like "Pay No Mind" and "Whiskeyclone, Hotel City" from "Mellow Gold", but with a more raw, genuine feel. The damn thing runs from traditional folkisms to semi-punk (albeit with a valium coma) to the droning weirdness of "Mellow Gold". There are two other vocalists who appear, albeit briefly, but they also add a nicely unique flavor; this record will get no pop-play (damn) but definitely goes towards proving that the Hansen boy has plenty of talent. How someone so frigging young can sound so... Hmm. Pretty good. @@@@@@@@@@@@@@@@@@@pointless@@border@@@@@@@@@@@@@@@@@@@@@ Foaming Evil Death (no, not those birth control thingies) @@@@@@@@@@@@@@@@waste@@o'@@space@@@@@@@@@@@@@@@@@@@@@@@@@ A REVIEW OF...ahem, SOAP! No, not that stupid shit your mom wastes brain cells watching all day, every day - the crap most folks use to clean their filthy, disgusting (oops - that's the christian in me talking) bodies. Let us begin, yes? (one to five *'s) OIL OF OLAY BATH BAR