💾 Archived View for gemini.spam.works › mirrors › textfiles › sf › STARTREK › violate.rev captured on 2022-03-02 at 00:48:06.
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WARNING: The following article contains spoiler information for this week's TNG episode, "Violations". Those not wishing to violate the sanctity of an unspoiled mind would be advised to not read this just yet. Um...what in the world was that? I don't know *what* the hell it was, but I don't think it's what I expected. Maybe I'll figure it out by the end of the synopsis. Read on, MacDuff: The Enterprise is ferrying three Ullians to an "archaeological" mission of sorts. They're telepathic, and retrieve other people's memories. The eldest, Tarmin, is frequently huffy, overbearing, slightly pushy about his talents [attempting to convince both Beverly and Worf to have themselves probed, for instance], and extremely talented. At a dinner, he humiliates his son Jev's lack of experience. Jev leaves, with Troi following to make sure he's all right. They discuss the strategies for dealing with overbearing parents [Troi does, after all, have some experience in these matters...], and then part on friendly terms. As Troi gets ready for bed, however, she has a memory flashback: poker chips falling, Will asking her "have you stopped thinking about us?", and her attempts to fend off some advances. Suddenly, the scene turns violent--and Riker changes into Jev. Vision-Troi screams--and the real Troi slumps to the floor in a coma. The next morning, Bev's still unable to bring her out of it, and has no clue what might have caused it. Thinking that perhaps the Ullians might have unintentionally carried something harmful on board, Riker goes to discuss the matter with Jev. He's rather blunt about his suspicions, however, and brusquely leaves once Jev fully agrees that all three of them will cooperate. That night, Riker talks to Deanna and tells her to wake up soon; Beverly orders him to bed. Then, as Riker's in his quarters, he has a flashback: An emergency of some sort in Engineering, involving an isolation door coming down and trapping an ensign on the other side. Suddenly, the ensign accusing Riker of "you killed her!" turns into Jev, and starts appearing in various locations. Vision-Riker looks around, frantic; and the real Riker slumps to his bureau in another coma. The next day, Beverly's ruled out any known medical cause [the only illness that leaves traces similar to what she's found also has other side effects which have not appeared]. She puts Geordi to work searching for other possible causes of the electropathic activity she's found--and since the activity was located in the thalmus [the memory center], she suggests Picard once again question the Ullians. Tarmin is indignant, but all three again offer their full cooperation in the matter. Beverly scans Keiko, who had a memory retrieved by Tarmin days earlier, and finds no trace of any abnormal activity. As Geordi's search also turns up empty, Bev searches for other causes--and then she has a flashback. It's nearly twenty years earlier; she and Jean-Luc are on their way to see Jack Crusher's body. Jev slips in and out of Picard's position as they approach the body--and as the coverlet is removed, Beverly sees Jev/Jack open his eyes and stare back at her. Vision-Beverly screams: and by the time Geordi and Data report to her, she's slumped at her desk in yet another coma. Picard orders Geordi and Data to search the records of the previous planets visited by the Ullians during this mission, and then asks the Ullians to voluntarily confine themselves to quarters temporarily. Jev suggests probing the now-revived Deanna [she remembers being scared and upset, but not what frightened her] to prove their innocence. Tarmin refuses to have anything to do with it, and Picard demurs, but Inad convinces him that they deserve that much of a chance. As Geordi and Data find correlations between comas on some of the planets and the Ullians' visits to them, Jev probes Troi, who relives the events of three nights previous--except that this time, the invader of her memories is not Jev, but *Tarmin*. Tarmin is monitored by both Jev and Inad, and Jev apologizes to Picard for his conduct, saying that what he has done is a grave crime in their society. (Tarmin is claiming innocence.) Data and Geordi, meanwhile, find from the last two planets' information that Tarmin was not on one of those worlds when several unexplained comas broke out. Jev goes to say goodbye to Deanna, but her kindness towards him causes him to lose control. He again invades her mind, this time coupling it with a physical assault--but Data and Worf show up in time to stop him. Tarmin, deeply grieved by his son's actions, tells the three victims [all now awake] that Ullia's best physicians will help them back on the road to full recovery. There. I hope that's everything. Now, let's see what I can figure out. I think I had my hopes set too high. I'm not sure what I was expecting, but I don't think this was really it. That doesn't mean it was bad, just jarringly unexpected. I'd be very curious to find out how much of the original script survived to here, and how much of "Violations" came in from rewrites. One definite problem with the presentation: by making sure we knew from the teaser onward that Jev was the bad guy, a lot of momentum was lost. There are many hints here and there along the way to set up Tarmin: beyond his arrogance and pushiness, there's his prodding of everyone to get their minds probed, and *especially* his "sometimes, with a beautiful woman, I cannot help myself [from being so forthright]". Had we just been given that, then the whole show would have been more of a puzzle, rather than an exercise in frustration at how they haven't figured it out yet. (No, I don't think this makes the crew idiots; it was obvious to us because it was set up that way. Their actions seemed reasonable enough.) However, two *good* things about the presentation come to mind. First, the visions themselves were well put together: dark, surreal, sharply cutting from one thing to another...simply maddening, all told. There's definitely a place for creative use of wide-angle lenses, and this was one of them. [BTW, the setting for Bev's flashback was particularly good--both she and Picard