At least it does in my case. I spent the weekend ripping some CDs, looking through my music folders, producing a nice playlist of music I listened to when I was younger. Then I decided I was missing some important pieces and bought CDs for over USD 100.
Hm. I wonder whether I would have bought those CDs if I could have just downloaded them from some torrent site. Maybe not. But I would have bought them for USD 5 per CD or something like that. But certainly not for USD 1 per track with DRM included. Brrr!
Then again, it shows the weakness of the entire system: I don’t think I can get “Tricky vs. The Gravediggaz: Hell EP” anywhere legally. I got one track from that EP somewhere a long time ago. And now I can’t get the rest. Grrr!
I still remember that I learnt about God Speed You Black Emperor via friends and MP3 files. Those were the days!
happy!
I also decided – in the spirit of RichardStallman, who calls DRM Digital *Restriction* Management instead of Digital Rights Management – to call these anti-customer systems copy *prevention instead of copy protection. They are protecting their* copies, but they are preventing *me* from copying!
Some of the CDDB data is weird. All the Tricky & Massive Attack stuff is classified as “Electronica/Dance” instead of “Trip-Hop”. Some of CDs are classified as compilations, even if the artist is the same for every single track. How strange. I must be misunderstanding the term “compilation”.
#Music #Copyright